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Border Crossings: Media artists on issues of minorities, migration and asylum

Border Crossings: Media artists on issues of minorities, migration and asylum

Embedded Devices: Ubiquitous and Wearable Computing in Everyday Use

Embedded Devices: Ubiquitous and Wearable Computing in Everyday Use

Re:searching our Origins: Critical and Archival Histories of the Electronic Arts

Re:searching our Origins: Critical and Archival Histories of the Electronic Arts

“Cultural Softwares: Artistic Tools and DIY Networks” presented by Paul

“Cultural Softwares: Artistic Tools and DIY Networks” presented by Paul

Is Digital Art Contemporary?

Is Digital Art Contemporary?

Migrations: Transit Between the Nets of Art, Militancy and Education

Migrations: Transit Between the Nets of Art, Militancy and Education

Content Development for Wireless Applications

Content Development for Wireless Applications

Contemporary Art Today, Is There Self-Censorship in New Media Art?

Contemporary Art Today, Is There Self-Censorship in New Media Art?

Where Are We Going? Trends, Power, Sex, and the Future of 3D Computer Graphics

Where Are We Going? Trends, Power, Sex, and the Future of 3D Computer Graphics

Interfaces for Sound and Musical Installations Panel Intro

Interfaces for Sound and Musical Installations Panel Intro

State of Emergence

State of Emergence

Mercurial States Roundtable

Mercurial States Roundtable

Interactive Design and Electronic Arts

Interactive Design and Electronic Arts

L’état de la Création Infographique vue à Partir de l’expérience d’IMAGINA

L’état de la Création Infographique vue à Partir de l’expérience d’IMAGINA

Working Towards A Virtual Art Centre?

Working Towards A Virtual Art Centre?

“Aesthetic and Compositional Issues in Interactive Systems” presented by Povall

“Aesthetic and Compositional Issues in Interactive Systems” presented by Povall

Bridging the Gap: Education as a Way of Bridging the Gap between Artists and Technologists

Bridging the Gap: Education as a Way of Bridging the Gap between Artists and Technologists

“Breaking the Code: Art that Does Not Stand on its Own” presented by Rubin

“Breaking the Code: Art that Does Not Stand on its Own” presented by Rubin

Was I supposed to feel like I was a part of that? Strategies towards engaged, embodied audiences in participatory electronic artworks

Was I supposed to feel like I was a part of that? Strategies towards engaged, embodied audiences in participatory electronic artworks

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