Short Paper – Page 11 – ISEA Symposium Archives

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Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism

Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope

A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web

Artistic Technology: Coded Cultures, “Making” and Artistic Research

AURALROOTS: Cross-modal Interaction and Learning

Hearing Blind as a New Interface for Exploring the Urban Soundscape

Noise Responsive Systems: How do those change the infrastructure of the Institution?

““Vernacular Sound”: System for Soundscaping of Everyday Objects” presented by Lee, Oh and Lee

Going beyond the glitch art: Critical glitch studies as a new research paradigm for analyzing post-digital technologies

Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems

A Webcam Interface for Somatic-Technological Dance Experiences

De-schooling Product Design Education, an Experimental Physical Approach

Music in Print, How Publishing Has Been Able to Flirt With Music

Somplexity: An Experiment of Posthumanist Platonic Sex

Cyber Terrorism in Name of Cyber Activism: Discomfort in Looking at Some Derivative Works in Recent Hong Kong

Flip the Book, Flip the Memories: a Case Study of Multimodal Interaction for the Library Located in Macao World Heritage Site

Posthuman Vision

The Unstable Characters: Reading of Chinese Text-based Digital Works

An Origin of Interactive Art: Nam June Paik’s Progressive Musical Instruments

The Anomaly: Noise, Ghosts and the Multiverse