Contributors
This page contains all the ISEA Art Show contributors, including artists, companies and organizations that contributed artworks, collaborators, authors, presenters, exhibition chairs, reviewers, and committee and jury members from 1988 to the present.
Filter by first letter of last name:
Presentations:
- Alternative Approaches to Representing Knowledge in the Human Environment — Type(s): — Symposium:
ISEA2011
Presentations:
- Computer Animated Poetry & Other Computer Writings — Type(s): — Symposium:
TISEA
- Alire: Une Experimentation De Poesie Informatique En Lecture Privee — Type(s): — Symposium:
ISEA2000
Presentations:
- Puppetree: a remediation of theatre, from spectatorship to co-authoring — Type(s): — Symposium:
ISEA2015
Presentations:
- Schizomachine: a Wearable Schizo-interface for a Schizo-body — Type(s): — Symposium:
ISEA2020
- In pursuit of the Schizomachine: for a(n) (in)possible listening — Type(s): — Symposium:
ISEA2022
Art Events:
Presentations:
- Entertainment and mobility — Type(s): — Symposium:
ISEA2009
Workshops:
- African Robots — Type(s): — Symposium:
ISEA2018
Presentations:
- Arte y Electricidad — Type(s): — Symposium:
ISEA2002
- Translocal Networks: TESTER: Connected Systems of Local Detection — Type(s): — Symposium:
ISEA2004
International Programme Committee:
Art Events:
- Abra: A Living Text — Type(s): — Symposium:
ISEA2016
- Whispering Galleries — Type(s): — Symposium:
ISEA2015
- The Deletionist — Type(s): — Symposium:
ISEA2015
Presentations:
- The Aesthetics of Erasure — Type(s): — Symposium:
ISEA2015
Art Events:
- After Foreclosure — Type(s): — Symposium:
ISEA2020
Presentations:
- Sentience in the Context of Operative Images — Type(s): — Symposium:
ISEA2020
Art Events:
- The Electric Swaying Orchestra — Type(s): — Symposium:
ISEA96
- Krachtgever (Invigorator) — Type(s): — Symposium:
ISEA95
- Cantan un Huevo, Model II — Type(s): — Symposium:
ISEA2000
- Aguas Vivas — Type(s):
- Art Exhibition
- Electronic / Robotic Object
- Installation Art
- Projection / Video Mapping
- Sculptural Objects
- Sound Art
- Último Esfuerzo Rural — Type(s): — Symposium:
ISEA2009
Presentations:
- Último esfuerzo rural — Type(s): — Symposium:
ISEA2009
- A Music Machine Balancing at the Edge of Order and Chaos — Type(s): — Symposium:
ISEA96
- Aguas Vivas — Type(s): — Symposium:
ISEA2002
- Mirlitones, a physical and sensorial sonic experience — Type(s): — Symposium:
ISEA2015
Presentations:
- Transcoding the Aesthetics of Activism — Type(s): — Symposium:
ISEA2015
- Analyzing Disruptive Tactics and Strategies in Media Activism — Type(s): — Symposium:
ISEA2015
Curator:
- 2022 Overview: Cal Massó – Beep Collection: Origins
Presentations:
- From Traditional to Virtual Interactive Puppetry: A Comprehensive Approach — Type(s): — Symposium:
ISEA2008
Presentations:
- Embodied Emergence: Distributed Computing Manipulatives — Type(s): — Symposium:
ISEA2008
- Observation Instruments for Imaginary Geographies — Type(s): — Symposium:
ISEA2014
Presentations:
- Biotopological Reconfigurations: Biospatial Affections and Infections — Type(s): — Symposium:
ISEA2011
- Untitled — Type(s): — Symposium:
ISEA2011
- Scaling Sentience: the Earth, the Sky, and Outer Space — Type(s): — Symposium:
ISEA2020
Presentations:
- NEO//QAB: Creating a World Through Speculative Play — Type(s): — Symposium:
ISEA2020
- Experimenting with Robotic Softness — Type(s): — Symposium:
ISEA2020
Presentations:
- Crossing Foliage: Activation Profile for Audio-Graphic Navigation in Foliage Clusters — Type(s): — Symposium:
ISEA2011
Art Events:
Presentations:
- Getting Off the Planet — Type(s): — Symposium:
ISEA2012
- Eco-Art + the Evolving Landscape of Social and Situated Practices — Type(s): — Symposium:
ISEA2012
Presentations:
- Public Making: Artistic Strategies for Working with Collections, Technologies and Publics — Type(s): — Symposium:
ISEA2015
- Re-render: Public Making with the ISEA Archive — Type(s): — Symposium:
ISEA2016
Presentations:
Presentations:
- Visualising the Locative Experience — Type(s): — Symposium:
ISEA2008
- Explorations of Visual Representation: Towards a Language of Movement — Type(s): — Symposium:
ISEA2010
Curator:
- 2015 Overview: MUSEBOT
Performances:
- Hamster Ate My Garage Band: Homage to Studio Vision Pro — Type(s): — Symposium:
ISEA2015
- Musebot — Type(s): — Symposium:
ISEA2015
Presentations:
- Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios — Type(s): — Symposium:
ISEA2015
- Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents — Type(s): — Symposium:
ISEA2015
- Creative Audio Design for a Massively Multipoint Sound and Light System — Type(s): — Symposium:
ISEA2020
- Buildings as Audio Visual Synthesisers: Experiments Performing Live Music on Wirelessly Networked Multi-Speaker Media Architectures (Online) — Type(s): — Symposium:
ISEA2022
Workshops:
- Musical Metacreation — Type(s): — Symposium:
ISEA2015
Art Events:
- Revolution for All — Type(s): — Symposium:
ISEA98
Presentations:
- Revolution for All — Type(s): — Symposium:
ISEA98
Presentations:
- Machine Flaws in Generative Art Panel Introduction — Type(s): — Symposium:
ISEA2019
- The Meaning of AI Art Following the Challenges of Artificial General Intelligence — Type(s): — Symposium:
ISEA2019
Art Events:
- Ningyo — Type(s): — Symposium:
ISEA2013
- Tree Ceremony and Fragment — Type(s): — Symposium:
ISEA2011
Presentations:
- What Actually Is Interaction? When Does it Start and Where Does It End? — Type(s): — Symposium:
ISEA2014
- Locating East West Robot Culture — Type(s): — Symposium:
ISEA2014
Workshops:
- Signs of Life: Robot Incubator – an Afternoon with the Robots — Type(s): — Symposium:
ISEA2011
Presentations:
- Avatarium: An Interactive and Collaborative Public Art Paradox — Type(s): — Symposium:
ISEA2011
Art Events:
- Charmed — Type(s): — Symposium:
ISEA2008
- e. Menura Superba — Type(s): — Symposium:
ISEA2009
- e Menura superba — Type(s): — Symposium:
ISEA2013
- Every One, Every Day — Type(s): — Symposium:
ISEA2013
- Suzumushi — Type(s): — Symposium:
ISEA2011
International Programme Committee:
Presentations:
- Evaluating Art Hacking Events Through Practice — Type(s): — Symposium:
ISEA2016
- REFLECTIONS ON CREATING AND EXHIBITING DIGITAL ART — Type(s): — Symposium:
ISEA2013
- Puzzling Gestures: Creating a Teleoperated Interactive Artwork About Tactility, Structure and Movement — Type(s): — Symposium:
ISEA2015
- Cycles of Accusation: Accountability and Performative Code-based Interface — Type(s): — Symposium:
ISEA2016
Performances:
- Variations For Rooms and a Tone — Type(s): — Symposium:
ISEA2014
Presentations:
- Audible Phenomena in the Everyday — Type(s): — Symposium:
ISEA2014
Workshops:
- Cracklebox — Type(s): — Symposium:
ISEA2014
Art Events:
- 32000 Points of Light — Type(s): — Symposium:
ISEA2002
Performances:
- Architecture as Flesh — Type(s): — Symposium:
ISEA98
Art Events:
- The Manufacture of Consent — Type(s): — Symposium:
FISEA'93
- URBANtells — Type(s): — Symposium:
ISEA2006
- Soundings — Type(s): — Symposium:
ISEA2004
- The New Media Residency — Type(s): — Symposium:
ISEA2014
Presentations:
- At the Edge of Dream World: Media Encounters in Architectural Venues — Type(s): — Symposium:
ISEA97
Symposium Presentations:
-
Welcome
— Type(s):
— Symposium:
ISEA98
-
Acknowledgments
— Type(s):
— Symposium:
ISEA98
Art Events:
- Intergovernmental Panel on Capitalism — Type(s): — Symposium:
ISEA2016
- What the Frog’s Nose Tells the Frog’s Brain — Type(s): — Symposium:
ISEA2013
- Activist Apparel — Type(s): — Symposium:
ISEA2013
- The Lycra Index: Cycling Speed Myths In Urban Sydney — Type(s): — Symposium:
ISEA2013
- The New Organs — Type(s): — Symposium:
ISEA2020
Presentations:
- Enviromental Data as Sensory Experience — Type(s): — Symposium:
ISEA2013
Presentations:
- Cinematic Experiences and Bio Visualization Introduction — Type(s): — Symposium:
ISEA2017
- Evolved Architectural Representation: From Orthographic Drawings to Corporal Mapping and Swarm Behaviour — Type(s): — Symposium:
ISEA2017
Workshops:
- Parametric Form Finding, Interaction and Sentience — Type(s): — Symposium:
ISEA2017
Presentations:
- IMMOR(t)AL: Biopolitics, Body Sovereignty, and Scientific Practice — Type(s): — Symposium:
ISEA2015
- Immor(t)al — Type(s): — Symposium:
ISEA2016
Presentations:
- Senseparation — Type(s): — Symposium:
ISEA2015
- Sen-se-paration — Type(s): — Symposium:
ISEA2015
Performances:
- Portable Music — Type(s): — Symposium:
FISEA
Workshops:
- Interactive Composing — Type(s): — Symposium:
FISEA
Presentations:
- Media design as a creative language, the artist as meta-artist — Type(s): — Symposium:
ISEA2015
Art Events:
- Signal to Noise — Type(s): — Symposium:
ISEA2015
Presentations:
- Recursive Function No.1 — Type(s): — Symposium:
ISEA2016
Presentations:
- Industries of Culture and Creation Panel intro Panel Statement — Type(s): — Symposium:
ISEA2000
Art Events:
- Urban Framework — Type(s): — Symposium:
ISEA2000
Presentations:
- Urban Framework — Type(s): — Symposium:
ISEA2000
Presentations:
Presentations:
- Movement and Sound: a Pathway to Increasing Immersion in Digital Environments — Type(s): — Symposium:
ISEA2015
Presentations:
- Expert Systems: Building a Bridge to Electronic Sonic Art — Type(s): — Symposium:
ISEA94
Presentations:
- Poesis of Software Use: Music, Materiality and Live Coding — Type(s): — Symposium:
ISEA2010
- From Representation to Action: How Art Addresses Climate Change — Type(s): — Symposium:
ISEA2010
- Touched Echo: The Sound of a Ghost — Type(s): — Symposium:
ISEA2011
Presentations:
Curator:
- 2008 Venue: Cloudland: Digital Art from Aotearoa (New Zealand)
Presentations:
- re:mote — Symposium:
ISEA2006
- The Aotearoa Digital Arts Reader (Panel and Book Launch) — Type(s): — Symposium:
ISEA2008
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