Long Paper – Page 9 – ISEA Symposium Archives

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“A Networked Multi-channel Audio and Video Authoring and Display System for Immersive Recombinatory Media Installations” presented by Thorogood, Correia and Dulic

“Unrecording Nature” presented by Chattopadhyay

“Écosystème(s) : a self-interactive sound installation” presented by Schorpp

“In pursuit of the Schizomachine: for a(n) (in)possible listening” presented by Borges

“Sonus Maris” presented by Helyer

“Living Biotechnical Lives: Noise, Parasites, and Relational Practices” presented by Søndergaard and Beloff

“Ecopornography in Digital Arts” presented by Stenslie and Cerpina

“Splitting Defense: A Methodological Journey into the Material Basis of Practice-Based Research” presented by Heidt and Kuruş

“autonomX—Real Time Creation/Composition with Complex Systems” presented by Saunier, Salter, Vermette, Quessy, Demeule, et al. …

“Inhaling Quantum Consciousness: Ecological Vibrational Possibles” presented by Ribeiro

“Rituals of art and science to decompart-mentalize knowledge” presented by Forcucci and Herbelin

“Posthuman Rituals” presented by Rajcic and McCormack

“Speakers, More Speakers!!! – Developing Interactive, Distributed, Smartphone-Based Immersive Experiences for Music and Art” presented by Forgette, Gillikin, Manaris and Ramdsen

“NUAGE: A Digital Live Audiovisual Arts Tangible Interface” presented by Bilodeau, Gagnon and Breuleux

“Click::REVU. An Optophonic Sound Installation” presented by Dunham, Zareei, McKinnon and Carnegie

“Machine Learning-based Approaches in Biometric Data Art” presented by Han

“The Australian Emulation Network: Accessing Born Digital Cultural Collections” presented by Swalwell

“The Future of Art Museums in the Digital Age: VR for Archiving Purpose” presented by Gao and Guljajeva

“AI Creativity: AI.R Taletorium, New Storytelling Realm” presented by Nikolic, Liu and Bertin

“Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament” presented by Klein and Kraemer