Paper – Page 50 – ISEA Symposium Archives

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Network Landscape

Sound Initiated Drawing and Short-Term Memory Impairment

“Recombinant Fiction” Theoretical Paper and Manifesto

Glitch Studies Manifesto

Art as Information Tool: User Fictions Towards a Critical Software Vocabulary

Word Magic

Improving the Information Society Through Awareness of Languages

Calculating the Curvature of Crocheted Petals: A Post Media Exploration of Domestic Craft-Based Textile Patterns

Stitching Together an Editorial Sewing Circle

Co-Creation in the Big South Lab

Rediscovering Hiroshi Kawano: Japan’s Pioneer of Computer Art

GUTAI Movement in Japan and Art Afterwards: Towards New Understanding of Current Media Art

Origins of Japanese Media Art: Artists Embracing Technology from 1950s to Early 1970s

Imagining the Social Change: the Czech Discourse about Contemporary Art After 1989

Oral History Practices and Undiscovered History of Polish Computer Art of the 1970’s and 1980’s

Art and Code: The Aesthetic Legacy of Aldo Giorgini

Computer Art vs. Computer Music: Different Approaches to Art & Technology at the 1970 Venice Biennale

Touch Interfaces: Between Hyperrealism and Invisibility

Embodied Schemas for Cross-Modal Mapping in the Design of Gestural Controllers

‘The Plucker’: A Case Study in Interface Specific Control Signal Processing