“Artistic residencies in digital companies” presented by Martet
Symposium:
- ISEA2022: 27th International Symposium on Electronic Art
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More presentations from ISEA2022:
Session Title:
- Electronic Art in Higher Education and Artistic Residencies
Presentation Title:
- Artistic residencies in digital companies
Presenter(s):
Venue(s):
Abstract:
This paper aims to enrich the knowledge of artists’ residencies in digital companies, both to understand their particularities and to help develop methods to evaluate the processes and effects of these initiatives. The popularity of artists’ residencies has increased since the 1990s. This can be seen in the funding organizations that develop support programs but also in the diversity of the host institutions, community organizations and private companies that want to welcome artists and develop links with the art worlds. What explains this growth? What are the different parties involved looking for? What are the effects of these residencies on artistic careers? This research brings a particular attention to artists’ residencies in digital companies. Acting as a precursor in Quebec, the Conseil québécois des arts médiatiques (CQAM) set up its first residency in 2016 at the interactive media company Turbulent, followed the next year by another at the audiovisual entertainment company VYV and in 2018 by Milieux, an Institute of Arts and Technologies. Our research explores the ten residencies that have taken place to date, based on interviews with artists and company employees. A literature search was also conducted to better understand this growing phenomenon. Our work allows us to better understand what artists’ residencies in companies are, do and allow. The host companies seem to seek, in the presence of the artist, a force of reflection and change for the practices and rhythms of work. For artists, the main interest of residencies is the possibility to devote time and resources to a project. However, the link between these two worlds is not automatic and requires a strong commitment, which in turn requires the involvement of intermediary organizations.
