MENU
MENU
Symposia
ISEA2025
ISEA2014
ISEA2000
ISEA2024
ISEA2013
ISEA98
ISEA2023
ISEA2012
ISEA97
ISEA2022
ISEA2011
ISEA96
2021 Pre-2022 Event
ISEA2010
ISEA95
ISEA2020
ISEA2009
ISEA94
ISEA2019
ISEA2008
FISEA'93
ISEA2018
ISEA2006
TISEA (1992)
ISEA2017
ISEA2004
SISEA (1990)
ISEA2016
ISEA2002
FISEA (1988)
ISEA2015
Contributors
Show All Contributors
Art, Electronic Theater or Performance Jury
Artists in Residence
Artists – Performing
Artists – Exhibiting
Authors
Committee – Organizing
Committee – Other
Curators
Endorsers
Filmmakers, Video Artists, and Animators
International Program Committee
Moderators
Presenters
Workshop – Tutorial Coordinators
Publications
All Presentations
Show All Presentations
Artist Talks
Essays
Institutional Presentations
Meetings
Panels
Paper Presentations
Keynotes
Posters
Public Presentations
Round Tables
All Workshops
Show All Workshops
Tutorials
Workshops
All Art Events
Show All Art Events
Art Exhibitions
2D Art
Apps / Software
AR / VR
Artist Books / Zines
Bio Art
Conceptual Art
Design
Electronic / Robotic Object
Environmental Art
Games
Genetic Algorithms / Artificial Life
Installation Art
Interactive Installation Art
Interactive Monitor-Based
Internet Art
Kinetic Art
Locative / Mobile Phone Art
Projection / Video Mapping
Sculptural Objects
Social Practice Art
Sound Art
Video / Animation Installation
Wearable Art
Unknown / Other
All Performances
Concerts
Dance Performances
Literature and Poetry
Theatrical Performances
Performance Art
Screenings
Animations
Video Art
General Events
Public Events
More Info.
Glossary
Newsletters
Other New Media Art Archives
View/Export Data
News
About Us
Search
“Blurring Borders Between the Real and Digital Worlds” presented by Kim
“Machinic Surrogates: Human-Machine Relationships in Computational Creativity” presented by Bidgoli, Kang and Llach
“Interactive Technology as Toolkit: Structure of Communication, Senseware, and Research Strategy” presented by Vandenberghe, Gerling, Geurts, Abeele and Devleminck
“Reinterpreting Korean ‘True-View’ Landscape Painting Using Graphics Analysis Techniques: The Case of Jeong Seon’s Dosando” presented by Chang and Hwang
“Of Insects, Wisps, and Uncertainty: A Hermeneutical Comparative Analysis of Ori and the Blind Forest and Hollow Knight” presented by Horn
“VR for Toegye’s Ten Diagrams on Sage Learning: Experiential Space-Time based on the Concept of Eastern Philosophy” presented by Lee, Lee, Kim and Kim
“Anonymous: VR Storytelling Through Alienation and Reflexivity” presented by Bahng, Gifford and McCormack
“Hertzian, Disruptive, Experimental Text Physicalizations” presented by Koutsomichalis
“TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation” presented by Li, Deng and Michalatos
“Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change” presented by Devleminck, Debackere and Waterschoot
“From Interaction to Post-Participation: The Disappearing Role of the Active Participant. Introducing Research Framework of Post-Participation” presented by Guljajeva
“From Here to Eternity: Experimental and Creative Approaches to Collecting and Distributing New Media Art Within Regional Arts Organisations” presented by Smithson
“The Innovation Potential of Sensory Augmentation for Public Space” presented by Dartel and Rooij
“Humanoid Robot Magic: Various Responses and Communication” presented by Yang, Jeong and Baltes
““The Transmediated Self”: An Interactive and Visual Metaphor of Human Cognition” presented by Bologan, Seo, Orr and Sridhar
“Colliding Systems: Formal and Real-Life Learning” presented by Nigten and Piscaer
“Seeing Life: The Impalpable Entanglement of an Artist and Microbes in Bio-Art” presented by Shin, Lee, Chon, Jiang and Yoon
“Plant Based Bio-Drone for Environmental Monitoring in The Amazon” presented by Cerpina
“Multimodal Data Portrait for Representing Mobile Phone Use Behavior” presented by Park
“Invisible Animals” presented by Szoke
1
…
25
26
27
28
29
…
132