Paper – Page 30 – ISEA Symposium Archives

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Public Making: Artistic Strategies for Working with Collections, Technologies and Publics

Process VS. Product, resisting the self-gratifying loop, regaining a DIY perspective

Mimesis And Code: The Aesthetics of the Microcontroller in New Media Art

transmission+interference: noise, resonance and territory

The Lungta Project: Physical Visual Music

DMIs Among The Others: Live at the concert hall

A Pioneer of Interactive Art: Nam June Paik as Musique Concrète Composing Researcher

Identifying community resources using data mining, crowdsourcing, and networked co-curation

Curating: a disruptive technique for disruptive technologies

An investigation into the impact of collaborations between the commercial digital and artistic sectors on the curatorial realm

LiveCode Readings: Algorithms viewed as text

“From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality” presented by Paul

Disruptive Systems and Organizing Principles in Generative Art: Two cases (1980-ongoing) by British artist Ernest Edmonds

A Composer’s Search for Creativity Within Computational Style Modeling

The IndaPlant Project: An Act of Trans-Species Giving

The Algorithmic Gardener: Tales of Nature and Code

Disruptive Behaviors: AI, Robots and the Autism Spectrum Disorder

Augmenting Virtual Worlds with Musical Robotics

Noise Square: Physical Sonification of Cellular Automata through Mechatronic Sound-sculpture

homunuculus.agora (h.a), an architectonic art installation