Paper – Page 58 – ISEA Symposium Archives

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Creative Industries: Convergence and , Film and Academia

Self-trackers: Why Do They Prefer the Spreadsheet to the Sofa?

Intelligent Content and Semantics Algorithms: The Next Digital Artists?

Similarity in Media Content: Artistic Perspectives Abstract

Floss Culture

Retracts And Fixed Points In Theory Of Ordered Sets: Towards Combinatorial Computer Science

Branched Surfaces and Colored Patterns

Two Bitster Disagreement

Versor: Spatial Computing with Conformal Geometric Algebra

Soft Computing: Forms and Limits in Computational Aesthetics

A Painterly Approach to 3D Computer Graphics

Stereo Animated Pictorial Space: Towards New Aesthetics in Contemporary Painting

Digitaterial Gestures: Action Driven Stererolithography

Re-Shaping Curation: An Interdisciplinary Visual Art Interpretation and Navigation System

Internet and the Work of Art: New Curatorial Issues

IART: A Model for Computer Based Art

Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation

Zeuma

Creative Ecologies in Action: Technology, Creativity and the Artist-led Workshop

Phi Territories: Neighbourhoods of Collaboration and Participation