Authors
Sort by first letter of last name:
Presentations:
- Composition of visual imagery for Shakespeare’s plays — Type(s): — Symposium:
ISEA2009
Presentations:
- Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments — Type(s): — Symposium:
ISEA2016
- Extending/Appending The Perceptual Apparatus: A History of Wearable Technology in Art — Type(s): — Symposium:
ISEA2017
- Physical Grainclouds: Granular Sound Art in the Physical World — Type(s): — Symposium:
ISEA2020
Art Events:
- Mediasophical Reedetification — Type(s): — Symposium:
ISEA97
Presentations:
- Laboratory of New Technologies: (A)mediality Projects — Type(s): — Symposium:
ISEA96
- Nettropics Interactivity and the Synthetic Plane of Immanence Abstract — Type(s): — Symposium:
ISEA97
International Programme Committee:
Art Events:
Presentations:
- VR Webcams: Time Artifacts as Positive Feature — Type(s): — Symposium:
ISEA2002
- Telepistemology and The Aesthetics of Telepresence — Type(s): — Symposium:
ISEA97
- Michael Naimark – Keynote Presentation — Type(s): — Symposium:
ISEA2013
- Telewindow: a flexible system for exploring 3d immersive telepresence using commodity depth cameras — Type(s): — Symposium:
ISEA2022
Workshops:
- KR8V – Masterclass and Workshop Weekend — Type(s): — Symposium:
ISEA2013
Presentations:
- Narrative Hand: Applying a Fast Finger-tracking System for Media Art — Type(s): — Symposium:
ISEA2002
International Programme Committee:
Art Events:
- Mic and Muse — Type(s): — Symposium:
ISEA96
- Interactive Poem — Type(s): — Symposium:
ISEA97
Presentations:
- Hitch haiku: an interactive supporting system for composing haiku poem — Type(s): — Symposium:
ISEA2009
- For Interactive Future Movie: Body Communication Actor, “Me” & Feeling Improvisation Actor, “Muse” — Type(s): — Symposium:
ISEA96
- Alive Cinema: Romeo and Juliet in Hades — Type(s): — Symposium:
ISEA98
- For Interactive Future Movie: Body Communication Actor, “Me” & Feeling Improvisation Actor, “Muse” — Type(s): — Symposium:
ISEA96
- Integration of Art and Technology for Realising New Communications — Type(s): — Symposium:
ISEA98
Presentations:
- SecondLife: art and archive; thoughts about Lynn Hershman Leeson — Type(s): — Symposium:
ISEA2009
Presentations:
- Moon Vehicle: creating new culture from the Chandrayaan mission — Type(s): — Symposium:
ISEA2009
- Crafting Change: Envisioning New-Media Arts as Critical Pedagogy — Type(s): — Symposium:
ISEA2006
Presentations:
International Programme Committee:
Presentations:
- Digital aesthetics: an African reading — Type(s): — Symposium:
ISEA2002
- Disciplinary Transfers in Arts and New Fields of Creativity: The Case of African Art — Type(s): — Symposium:
ISEA2000
- L’esthetique Numerique: Une Lecture Africaine — Type(s): — Symposium:
ISEA2002
Art Events:
- Extensions of a No-Place — Type(s): — Symposium:
ISEA2016
- Data Stones — Type(s): — Symposium:
ISEA2019
Presentations:
- Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games — Type(s): — Symposium:
ISEA2016
- The Grotto as a Gallery for Australian Contemporary Art — Type(s): — Symposium:
ISEA2016
- Networked Collaborative Performance: Frugal Strategies and Cultural Impact of Technology — Type(s): — Symposium:
ISEA2023
International Programme Committee:
Art Events:
- A Shock in the Ear — Type(s): — Symposium:
ISEA97
- Séa.nce — Type(s): — Symposium:
ISEA2004
Performances:
- Séance: A Networked Glossalalia — Type(s): — Symposium:
ISEA2004
Presentations:
- Interactive Journeys: Making Room to Move in the Cultural Territories of Interactivity — Type(s): — Symposium:
FISEA'93
- Diagnosing the Computer User: Addicted, Infected, Technophiliac? — Type(s): — Symposium:
TISEA
- Revolting Sounds: The Body/Machine with Organs — Type(s): — Symposium:
ISEA98
- Content and Discontent: An Alchemical Transformation — Type(s): — Symposium:
ISEA97
- Time for Sound — Type(s): — Symposium:
ISEA98
- Affect & Media(ted) Experiences: E.motional Perturbations — Type(s): — Symposium:
ISEA2004
- Untitled — Type(s): — Symposium:
ISEA2011
- Aesthetics of Voice — Type(s): — Symposium:
ISEA2011
Presentations:
- Media diffusion: multiplicity, identity and ecology; re-thinking images in animation after cinema — Type(s): — Symposium:
ISEA2009
- The Order of Passions: A Portrait of Polyphonic Canada — Type(s): — Symposium:
ISEA2015
Presentations:
- Locating the Australian Blogosphere: Towards a New Methodology — Type(s): — Symposium:
ISEA2008
International Programme Committee:
Presentations:
- SPEED: Technology, Media, Society — Type(s): — Symposium:
ISEA97
- The unexceptional.net — Type(s): — Symposium:
ISEA2006
Presentations:
- AI Creativity: AI.R Taletorium, New Storytelling Realm — Type(s): — Symposium:
ISEA2022
- AI.R Taletorium: Artificial Intelligence 1001 Cyber Nights — Type(s): — Symposium:
ISEA2022
Presentations:
- Art as a Field Phenomenon — Type(s): — Symposium:
ISEA2008
- Immersions in a Field Phenomenon: Going with the Flow — Type(s): — Symposium:
ISEA2017
- Methodological Approaches and Sensitive Experiences Based on Nature Immersions, Field Trips and Rural Residencies Introduction — Type(s): — Symposium:
ISEA2017
Presentations:
Presentations:
- Arcade Videogame Interface Aesthetics — Type(s): — Symposium:
ISEA2016
- The real virtual living — Type(s): — Symposium:
ISEA2009
Workshops:
- Hacking Toys into Tangible Interfaces — Type(s): — Symposium:
ISEA2009
International Programme Committee:
Art Events:
- Unknown Works in the Space is the Place exhibition — Type(s): — Symposium:
ISEA2009
Presentations:
- Design for Responsive Communities — Type(s): — Symposium:
ISEA2009
- re:mote — Symposium:
ISEA2006
- Designing for the Internet of People — Type(s): — Symposium:
ISEA2011
Jury Member:
Presentations:
- Acting and Enacting: Stakes of New Performing Arts — Type(s): — Symposium:
ISEA95
- Immersion and Theater — Type(s): — Symposium:
ISEA95
- Jam to-morrow and jam yesterday – but never jam today. The White Queen to Alice, Through the Looking Glass, Lewis Carroll — Type(s): — Symposium:
ISEA2008
- Theatres of/as Art and Artificial Life — Type(s): — Symposium:
ISEA2011
- Location and Navigation: Wayfaring and Arts of Tuning — Type(s): — Symposium:
ISEA2014
Presentations:
- SITO/OTIS: The Past, Present, and Future of Collaborative Art on the Internet — Type(s): — Symposium:
ISEA96
Presentations:
- Hitch haiku: an interactive supporting system for composing haiku poem — Type(s): — Symposium:
ISEA2009
Presentations:
- Tangible Media Communication Design in Future Home Environments: @home Project — Type(s): — Symposium:
ISEA2002
- Inokashira Player: The Creation of Mashup Web Media Linked with a Public Facility in the Real World — Type(s): — Symposium:
ISEA2008
Presentations:
- A Basic Design for the Interactive Artwork Image Garden based on the Traditional Korean Myth ‘Lady WonAng’ — Type(s): — Symposium:
ISEA2014
- Disruptive Aesthetics for Interactive Artwork — Type(s): — Symposium:
ISEA2015
Presentations:
Presentations:
- Narrative Hand: Applying a Fast Finger-tracking System for Media Art — Type(s): — Symposium:
ISEA2002
Art Events:
- Same, Same, but Different — Type(s): — Symposium:
ISEA2018
Presentations:
- Simondon’s Concept of the Image: At the Junction of the Technological and the Animal — Type(s): — Symposium:
ISEA2016
- Narratives of Locative Technologies as Memory Assemblages — Type(s): — Symposium:
ISEA2013
- Bodies, Interactivity and Technicity in Media Art — Type(s): — Symposium:
ISEA2011
- Locative Art, Identity And Memory: Production of Participative Hypermedia Documentaries in the Settlements of Landless Rural Workers Movement in Brazil — Type(s): — Symposium:
ISEA2014
- Collaborative Artistic Practices within Indigenous Communities — Type(s): — Symposium:
ISEA2018
- Transdisciplinary Collaborative Practices in Art, Science and Technology — Type(s): — Symposium:
ISEA2018
- Entremeios (Between\Milieus) — Type(s): — Symposium:
ISEA2016
- Preservation of Material and Immaterial Heritage through Interactive and Collaborative Artistic Interventions — Type(s): — Symposium:
ISEA2017
Presentations:
- Collective Film Script Writing: Experiences in Using Mobile Creative Writing Tools — Type(s): — Symposium:
ISEA2008
Presentations:
- Lygia Clark and Helío Oiticica: A Legacy of Interactivity and Participation for a Telematic Future — Type(s): — Symposium:
ISEA97
- Hybrid Aesthetics: Art as Dynamic Signification — Type(s): — Symposium:
ISEA2002
- Women, Art, and Technology in Brazil — Type(s): — Symposium:
ISEA2010
- Brazilian Artists and Curators — Type(s): — Symposium:
ISEA2012
- The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives — Type(s): — Symposium:
ISEA2015
- Media Culture and Heritage: Curating Outsidership — Type(s): — Symposium:
ISEA2017
Presentations:
- From the Image of a Person to Its Electronic Incarnation — Type(s): — Symposium:
ISEA2008
- From the image of a person to its electronic incarnation. — Type(s): — Symposium:
ISEA2008
Presentations:
- Urban democracy in Japan — Type(s): — Symposium:
ISEA2009
- Inaccurate Coordinates — Type(s): — Symposium:
ISEA2008
Workshops:
- City Crossings — Type(s): — Symposium:
ISEA2009
Presentations:
- Information non-place as a mirror of glocal subconsiousness — Type(s): — Symposium:
ISEA2009
- The Aesthetics of Interaction and Behavior: Against Friendly Interface: Aesthetics of ‘Trammelized Interaction’ — Type(s): — Symposium:
ISEA2004
- From isolation to networking. Cyber homosovieticus in search of promised land — Type(s): — Symposium:
ISEA2008
- Liminal acts: Using mobile technology as a critical medium. — Type(s): — Symposium:
ISEA2008
- Live and survive in the hybrid space: resisting ubiquitous surveillance — Type(s): — Symposium:
ISEA2013
- The Theatre of Everyday Life in the Age of Wireless Media — Type(s): — Symposium:
ISEA2011
- From CCTV to GPS: How Media Art Reflects Development of Surveillance Society — Type(s): — Symposium:
ISEA2011
Presentations:
- Art and mobile augmentation: the brave new world of graphical tagging — Type(s): — Symposium:
ISEA2009
- The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies — Type(s): — Symposium:
ISEA2011
Presentations:
- Evaluating Art Hacking Events Through Practice — Type(s): — Symposium:
ISEA2016
- REFLECTIONS ON CREATING AND EXHIBITING DIGITAL ART — Type(s): — Symposium:
ISEA2013
- An investigation into the impact of collaborations between the commercial digital and artistic sectors on the curatorial realm — Type(s): — Symposium:
ISEA2015
Presentations:
- Altogether human: tracking and recording human emotion online — Type(s): — Symposium:
ISEA2009
Art Events:
- Paris-Reseau — Type(s): — Symposium:
ISEA2000
Presentations:
- The Paris Reseau project — Type(s): — Symposium:
ISEA97
- Archiving as Art or Data Base Esthetics — Type(s): — Symposium:
ISEA2000
- A Map Larger Than the Territory: “La petite Roquette” — Type(s): — Symposium:
ISEA2002
- Partially Buried University — Type(s): — Symposium:
ISEA2011
Presentations:
- The Meat Licence Proposal: proposing ‘law’ as a creative medium — Type(s): — Symposium:
ISEA2009
Art Events:
- Top 20 Websites — Type(s): — Symposium:
ISEA98
- Hygeia Revisited — Type(s): — Symposium:
ISEA98
Presentations:
- ...and there was light! Rhetorical Performances in the Digital Realm — Type(s): — Symposium:
ISEA98
- Follow the Yellow Brick Road! Fantasies of Center and Presence in Net Culture — Type(s): — Symposium:
ISEA97
- Affect & Media(ted) Experiences: Lust and Disgust: Online Pornography and Affect — Type(s): — Symposium:
ISEA2004
- 10 Years of Cyberfeminists — Type(s): — Symposium:
ISEA2004
Art Events:
- Meditations on Conversation — Type(s): — Symposium:
ISEA2013
Symposium Presentations:
- Empyre Discussion July 2013 — Type(s):
Presentations:
- Pools, pixies and potentials — Type(s): — Symposium:
ISEA2009
- Present in the Landscape — Type(s): — Symposium:
ISEA2013
- The Sustainability of Future Bodies — Type(s): — Symposium:
ISEA2013
- Bodytext: Somatic Data as Agency in Interactive Dance — Type(s): — Symposium:
ISEA2013
- The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness — Type(s): — Symposium:
ISEA2015
- Kiki — Type(s): — Symposium:
ISEA2015
Presentations:
- Simondon’s Concept of the Image: At the Junction of the Technological and the Animal — Type(s): — Symposium:
ISEA2016
- Narratives of Locative Technologies as Memory Assemblages — Type(s): — Symposium:
ISEA2013
- Locative Art, Identity And Memory: Production of Participative Hypermedia Documentaries in the Settlements of Landless Rural Workers Movement in Brazil — Type(s): — Symposium:
ISEA2014
- Collaborative Artistic Practices within Indigenous Communities — Type(s): — Symposium:
ISEA2018
- Preservation of Material and Immaterial Heritage through Interactive and Collaborative Artistic Interventions — Type(s): — Symposium:
ISEA2017
Presentations:
- The Critical Ambivalence of Play in Media Art — Type(s): — Symposium:
ISEA2008
- The Rhetoric of the JPEG — Type(s): — Symposium:
ISEA2011
Presentations:
- The Foregrounding of the Issue of Space — Type(s): — Symposium:
ISEA97
- Difference and the Virtual — Type(s): — Symposium:
ISEA98
- Critical Interaction Design in the Everyday: Towards New Forms of the Social — Type(s): — Symposium:
ISEA2004
- Examining Issues of Body Image and Complex Regional Pain Syndrome Within the Digital — Type(s): — Symposium:
ISEA2011
- Putting Users in the Picture: Embodiment, Affect and the Digital — Type(s): — Symposium:
ISEA2011
Presentations:
- Wonderland in Pocket — Type(s): — Symposium:
ISEA2002
- Visual Interfaces for Shareable Media — Type(s): — Symposium:
ISEA2000
Presentations:
- Information Through Sound: Understanding Data Through Sonification — Type(s): — Symposium:
ISEA2008
Presentations:
- At the Edge of Dream World: Media Encounters in Architectural Venues — Type(s): — Symposium:
ISEA97
- The Midi Dance Shoes — Type(s): — Symposium:
ISEA2000
- New Interfaces for Dance panel intro — Type(s): — Symposium:
ISEA2000
Presentations:
Presentations:
- Folded Space: How Computer Games Rework Our Ideas of the Maze — Type(s): — Symposium:
ISEA2008
Presentations:
- Critical Play Interfaces — Type(s): — Symposium:
ISEA2008
- Declaration of Sentiments/Gün — Type(s): — Symposium:
ISEA2011
- Declaration of Sentiments/Gün (DOS/G) — Type(s): — Symposium:
ISEA2011
- Art for Spooks — Type(s): — Symposium:
ISEA2015
- Didactic Disruption: Roy Ascott’s Models for Arts Education and Research — Symposium:
ISEA2015
- Heterochronicity: Historicizing Drainage and Enlightenment in Mexican Ecological Art — Type(s): — Symposium:
ISEA2019
- Sensing Contemporary Mexican Art: Ariel Guzik’s Sonic Machines — Type(s): — Symposium:
ISEA2020
- Imagined Geography, Interstitial Futures, Guatemex — Type(s): — Symposium:
ISEA2017
- Merging Art, Media, and Ecology: Diego Rivera and Ariel Guzik at the Cárcamo de Dolores — Type(s): — Symposium:
ISEA2022
- Life-as-it-could-be: Symbiosis in Interspecifics’ Codex Virtualis_Genesis — Type(s): — Symposium:
ISEA2023
Workshops:
- Declaration of Sentiments/Gün — Type(s): — Symposium:
ISEA2011
Presentations:
- (Re-) constructions of memory in post-conflict Serbian society — Type(s): — Symposium:
ISEA2009
Presentations:
- What Is Performance Multimedia? And Why is it Impossible To Record Performance Multimedia? — Type(s): — Symposium:
ISEA97
- Visual Music Flavors — Type(s): — Symposium:
ISEA97
Art Events:
Presentations:
- Ceci n’est pas un Oiseau — Type(s): — Symposium:
SISEA
- Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Introduction Panel Statement — Type(s): — Symposium:
ISEA95
- Faculty Burnout Panel Notes — Type(s): — Symposium:
ISEA94
- Art + Robotics Project: An Autonomous Sensing Robotic Artwork — Type(s): — Symposium:
FISEA'93
- Coping with Hyperculture — Type(s): — Symposium:
FISEA'93
- Theoretical And Art Researches Involving Science And Technology: About The Present State Of The Art — Type(s): — Symposium:
ISEA2000
- Virtual Bodybuilding: The Cultural Specificity of Virtual Reality Design — Type(s): — Symposium:
TISEA
- Paradigm-Busters: Complexity at the End of the Enlightenment — Type(s): — Symposium:
ISEA94
- Fugitive: A Machine Driven Interactive Digital Video Space — Type(s): — Symposium:
ISEA98
- The Intelligent Machine as Anti-Christ: A Brief History of Antropomorphism in Art & Science — Type(s): — Symposium:
SISEA
- Machine Culture — Type(s): — Symposium:
SISEA
- Devirtualisation: Toward a Critical, Embodied Interactivity — Type(s): — Symposium:
ISEA98
- The Aesthetics of Interaction and Behavior: The Aesthetics of Behavior — Type(s): — Symposium:
ISEA2004
- Software Comes Second: Performative Technologies, Embodied Agents and Situated Machines — Type(s): — Symposium:
ISEA2011
- Embodied Cognition, Digital Cultures and Sensorimotor Debility — Type(s): — Symposium:
ISEA2020
- Sensiqwerty: Work-In-Progress — Type(s): — Symposium:
ISEA2020
Presentations:
- An ‘on-the-fly’ pseudo model-based Augmented Reality — Type(s): — Symposium:
ISEA2009
- Location based entertainment and co-evolutionary narratives in mixed reality immersive environments — Type(s): — Symposium:
ISEA2009
- Beyond the Table Top, Everyman, The Ultimate Commodity — Type(s): — Symposium:
ISEA2008
- Subtle Presence: Design and Implementation of User Centric Content Delivery Using Biometric Data Capture and Intelligent Analysis — Type(s): — Symposium:
ISEA2011
Presentations:
- Improv: Interactive Improvisational Animation and Music — Type(s): — Symposium:
ISEA96
- Bringing Interactive Animated Characters Out to the User — Type(s): — Symposium:
ISEA98
- Flora Electronica: A Media Performance Space Across the Physical and Virtual Worlds — Type(s): — Symposium:
ISEA2008
Presentations:
- Self-styling Locality in “Cryptic: a Traveller’s Diary” — Type(s): — Symposium:
ISEA2008
Presentations:
Performances:
- Performance with Mechanical Exoskeleton — Type(s): — Symposium:
ISEA96
Presentations:
- Art and Robotics: The Back Door — Type(s): — Symposium:
ISEA96
Presentations:
- An ‘on-the-fly’ pseudo model-based Augmented Reality — Type(s): — Symposium:
ISEA2009
- Location based entertainment and co-evolutionary narratives in mixed reality immersive environments — Type(s): — Symposium:
ISEA2009
- Beyond the Table Top, Everyman, The Ultimate Commodity — Type(s): — Symposium:
ISEA2008
Presentations:
- Computers in Theatre: New Dimensions for Stage, Actors and Audience — Type(s): — Symposium:
ISEA98
- Computer Theatre — Type(s): — Symposium:
ISEA98
- Computer Theater — Type(s): — Symposium:
ISEA97
Art Events:
- Reckless Eyeballing — Type(s): — Symposium:
ISEA95
- Robot Bodies — Type(s): — Symposium:
ISEA98
Presentations:
- Beyond The Digital Diaspora: Flame Wars — Type(s): — Symposium:
ISEA96
- The Dis-orderly City — Type(s): — Symposium:
ISEA95
Presentations:
- Can Non-anthropocentric Relationships Lead to True Intimacy with Technology? — Type(s): — Symposium:
ISEA2016
- Intimate Technologies: The Ethics of Simulated Relationships — Type(s): — Symposium:
ISEA2016
- Dérive in the digital grid, breaking the search to get lost — Type(s): — Symposium:
ISEA2013
- Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology — Type(s): — Symposium:
ISEA2013
- Can Non-anthropocentric Relationships Lead to True Intimacy with Technology? — Type(s): — Symposium:
ISEA2016
Presentations:
- O-d-o: negotiating, contracting and transacting for online deal-making — Type(s): — Symposium:
ISEA2009
- Transactional Arts -- Interaction as Transaction — Type(s): — Symposium:
ISEA2008
Presentations:
- Live Interactive Intelligent Computer Music: Notes on Pieces done in HMSL — Type(s): — Symposium:
SISEA
International Programme Committee:
Presentations:
- The Digital Aesthetics of Climate Crisis Abstract — Type(s): — Symposium:
ISEA2010
- Participatory Pyramids: An Interface for Climate Change? — Type(s): — Symposium:
ISEA2010
- Digital Art and Culture After Industry? Towards Aesthetic Business Studies — Type(s): — Symposium:
ISEA2011
- A Conceptual Gap Between Art and Business? — Type(s): — Symposium:
ISEA2011
- Untitled — Type(s): — Symposium:
ISEA2011
- The Kind of Problem a Software City Is — Type(s): — Symposium:
ISEA2011
- Protest and Aesthetics in The Metainterface Spectacle — Type(s): — Symposium:
ISEA2022
- Critical contact: the climate crises, human/nonhuman thinking, and sensing the possible — Type(s): — Symposium:
ISEA2022
- Facial Interface Culture: Filters, Fakes, Flaneurs, and NFTs — Type(s): — Symposium:
ISEA2023
Jury Member:
Art Events:
- Cloud Car — Type(s): — Symposium:
ISEA2009
- Gnome Media Art And Technology Toolkit — Type(s): — Symposium:
ISEA2013
- Observation and Interventions — Type(s): — Symposium:
ISEA2012
- Biokitchen — Type(s): — Symposium:
ISEA2014
Performances:
- Rapid Fire — Type(s): — Symposium:
ISEA2000
Presentations:
- Cloud car — Type(s): — Symposium:
ISEA2009
- Eco-Media: How the Natural World is Transforming the Nature of Media — Type(s): — Symposium:
ISEA2006
- Rapid Fire: Performative Experiences in Scanning the Visual and Auditory Scene — Type(s): — Symposium:
ISEA2002
- Ground Truth: Weather and Climate Observation and Embodied Experience in Antarctica — Type(s): — Symposium:
ISEA2008
- Airspace: The Interface of Biodigital Communication — Type(s): — Symposium:
ISEA2010
- Networking in the Margins of Eco-Activism — Type(s): — Symposium:
ISEA2010
- Dynamobilities — Type(s): — Symposium:
ISEA2012
- String, Sounds and Satellites; Site-specific Sculpture, Sonics and Mobile Geo-Reality — Type(s): — Symposium:
ISEA2013
- The Open: Mediating the Human and Non-Human Interface — Type(s): — Symposium:
ISEA2013
- Sonifying Climate Data — Type(s): — Symposium:
ISEA2011
- Untitled — Type(s): — Symposium:
ISEA2011
- Dream Land: Mass Hallucinations and Virtual Changes to Real Environments — Type(s): — Symposium:
ISEA2014
- g_olo_g: Choreographing with Networked Mobile Media — Type(s): — Symposium:
ISEA2015
Workshops:
- ISEA2012 Education Forum — Type(s): — Symposium:
ISEA2012
Presentations:
- “This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery — Type(s): — Symposium:
ISEA2016
- The Lemur’s Forest — Type(s): — Symposium:
ISEA2019
- The Last Play: A transmedia installation — Type(s): — Symposium:
ISEA2022
- The Fall of R’Thea: Digital Fiction — Type(s): — Symposium:
ISEA2023
Workshops:
- Re-embodiment & Dis/abilities: Performing River — Type(s): — Symposium:
ISEA2022
International Programme Committee:
Presentations:
- Music via Motion: Interactions Between Choreography and Music — Type(s): — Symposium:
ISEA2000
- e-Dance: Relocating Choreographic Practice as a New Modality for Performance and Documentation — Type(s): — Symposium:
ISEA2008
Art Events:
- Herbaceous Protection, Unconscious, Bloom, Keepsake — Type(s): — Symposium:
ISEA94
- Top 20 Websites — Type(s): — Symposium:
ISEA98
Presentations:
- Hypertext Journal: An Online Interactive Travelogue — Type(s): — Symposium:
ISEA96
- Devising and Positioning Interactivity in Net projects — Type(s): — Symposium:
ISEA96
- Broadcast — Type(s): — Symposium:
ISEA2000
Presentations:
- Technique in Place and Technology with Reference to Contemporary Fine Art — Type(s): — Symposium:
ISEA98
- Liminality: Place and Non-Place in Fine Art — Type(s): — Symposium:
ISEA97
Presentations:
Presentations:
- Hearing Blind as a New Interface for Exploring the Urban Soundscape — Type(s): — Symposium:
ISEA2016
- iFly Dubai: a nonlinear gesture‑based soundmap — Type(s): — Symposium:
ISEA2014
Workshops:
- iFly Dubai — Type(s): — Symposium:
ISEA2014
Presentations:
Presentations:
- Thinking of oneself as an aging computer / Thinking of (an aging) oneself as a computer — Type(s): — Symposium:
ISEA2009
- Thinking of Oneself as a Computer — Type(s): — Symposium:
SISEA
International Programme Committee:
Presentations:
- So What’s New About This Revolution? Rethinking History — Type(s): — Symposium:
ISEA98
- What If? Another History of Digital Media for Designers and Artists — Type(s): — Symposium:
ISEA97
- Orai and the Transdisciplinary Wunderkammer — Type(s): — Symposium:
ISEA2002
- Art In The Post-Biological Era — Type(s): — Symposium:
ISEA2000
Presentations:
- Modeling Intention in Creative Systems: Logics and Generative Art — Type(s): — Symposium:
ISEA2002
Presentations:
- An ‘on-the-fly’ pseudo model-based Augmented Reality — Type(s): — Symposium:
ISEA2009
- Location based entertainment and co-evolutionary narratives in mixed reality immersive environments — Type(s): — Symposium:
ISEA2009
Presentations:
Presentations:
Presentations:
Presentations:
- A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web — Type(s): — Symposium:
ISEA2016
- Because I am not Here, Selected Second Life-Based Art: Dual Subjectivity, Liminality and the Individually Social — Type(s): — Symposium:
ISEA2014
- Without Stones There is no Arch: Subjectivity and Identity Production in Virtual World Aesthetics — Type(s): — Symposium:
ISEA2019
- Sentience and the Virtual Body, from Dual Subjectivity to the Eros Effect — Type(s): — Symposium:
ISEA2020
Presentations:
- Mysterious Booths, Blowing in the Winds: Collaborative Learning — Type(s): — Symposium:
ISEA2002
- Embodiment: Meat and Machines — Type(s): — Symposium:
ISEA2002
- There Is No Such Thing as Interesting Programming — Type(s): — Symposium:
ISEA2002
Presentations:
- Navigation on the Web with Haptic Feedback — Type(s): — Symposium:
ISEA96
- Les Interfaces Multimodales avec Retour de Force: La Metaphore de l’aveugle et de l’astronaute — Type(s): — Symposium:
ISEA95
Presentations:
Presentations:
- KinoPuzzle: grasping realities through tangible tabletop documentaries — Type(s): — Symposium:
ISEA2009
Presentations:
- ‘I would wear it, because it is something different’ — Type(s): — Symposium:
ISEA2009
Presentations:
- Recent Advances in Electronic Art & Media — Type(s): — Symposium:
SISEA
- YLEM: Artists Using Science & Technology — Type(s): — Symposium:
SISEA
- Surfing Dataspace — Type(s): — Symposium:
TISEA
- What is YLEM — Type(s): — Symposium:
TISEA
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