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“Place-making With Telepresence: A Navigation Guide to A Journey into Time Immemorial’s Seven Exhibition Spaces” presented by Fortin
“Bag-Bug: Adaptive Horizontal Transfer” presented by Ribeiro
“Eastern Cultural Heritage, Digital Remediation and Global Perspectives” presented by Bolewski
“Visualising the Meditating Mind: the Aesthetics of Brainwave Data” presented by Loke, Bérigny, Kim, Núñez-Pacheco and Cochrane
“Extending/Appending The Perceptual Apparatus: A History of Wearable Technology in Art” presented by Johnston, Norris, Kapur and Murphy
“Poetic Instinct: Aesthetic experience as a vital function” presented by Castro and Kosminsky
“Representing Peace in Colombia through Interactive and Transmedia Non-Fiction Narrative” presented by Gifreu-Castells
“Hello, World: The Artist’s Palette Using New Media among Atoms, Bits, and Connectivity” presented by Sosa
“Temporary and Distributed Libraries, Breaking Boundaries, Creating New Resources” presented by Ludovico
“Video Art, Artivism and Photography as Tools for Subvertising the Patriarchal Indoctrination of Advertising” presented by Santiago
“Transmedia as a Tool for the Reconstruction of Collective Memory in post-conflict Scenarios in Colombia” presented by Castillo and Ramírez
Chatterbox: an Interactive System of Gibberish Agents
Exploring AI Ethics Through Intelligent Everyday Objects
Aural Soilscapes: Sensory Challenges in a Subterranean World
Sensing Contemporary Mexican Art: Ariel Guzik’s Sonic Machines
Constructing Xenological Encounters
AURALROOTS: Learning about Sentience though Embodiment and Simulation in Three Sonic Environments
Revaluing Women’s Labor through Material Engagement with Musical Instruments Built from Domestic Tools
“I try to stay neutral”: Digital Assistants and their Stance towards Gender
Fake Publishing as Art and Activism
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