Artists – Performing
Sort by first letter of last name:
Performances:
- Interfacing For Digital Keyboard and Live Computer Processing — Type(s): — Symposium:
ISEA97
Performances:
- India Sound Journal — Type(s): — Symposium:
ISEA95
- Kits Beach Soundwalk — Type(s): — Symposium:
ISEA2000
- Octophonic Soundscape Compositions From Vancouver — Type(s): — Symposium:
ISEA2015
Presentations:
- Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Statement 3 — Type(s): — Symposium:
ISEA95
- The Disruptive Nature of Listening — Type(s): — Symposium:
ISEA2015
Art Events:
- Stills From Recent Compositions — Type(s): — Symposium:
SISEA
Presentations:
- Demonstration — Type(s): — Symposium:
SISEA
- Some Comments on the Visible Shape of Time for Television and Future Media, A Theoretical Quest — Type(s): — Symposium:
SISEA
Performances:
- macghillie_just a void — Type(s): — Symposium:
ISEA2010
Presentations:
- City Scapes — Type(s): — Symposium:
ISEA2000
Performances:
- Resonant Silhouettes of Poincare — Type(s): — Symposium:
ISEA97
Presentations:
- ACAT: Australian Center for Art & Technology — Type(s): — Symposium:
SISEA
Performances:
- Composition in Red and Green — Type(s): — Symposium:
SISEA
Presentations:
- Syracuse Media Studies — Type(s): — Symposium:
SISEA
- Orphics: Computer Graphics and the Feasibility of a Preferred Colour Model — Type(s): — Symposium:
TISEA
- Orphics: Computer Graphics and the Shaping of Time with Colour — Type(s): — Symposium:
FISEA
- Orphics: Computer Graphics and the Temporal Dimension of Electronic Colour — Type(s): — Symposium:
SISEA
Performances:
- JUST TOO MANY WORDS (for tape) — Type(s): — Symposium:
ISEA2002
Presentations:
- In the Rear: Artistic Concept and Different Spatialisation Methods — Type(s): — Symposium:
ISEA2011
Performances:
- 40 years ICEM — Type(s): — Symposium:
ISEA2010
Workshops:
- Max Brand Synthesizer and Synlab — Type(s): — Symposium:
ISEA2010
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