Presenters

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• The Seizure (La Morsure) — Type(s):
  • Art Exhibition
  • Installation Art
  — Symposium: ISEA2000
  

• Talking About Electronic Art — Type(s):
  • Panel
  — Symposium: ISEA2000
  
• Inter_views: On Memory and Recollection an Interactive Telematic Dance Performance — Type(s):
  • Paper
  — Symposium: ISEA2011
  
• Location as Space/Space as Location: The Notion of Perspective from Postmodern to Digital Art — Type(s):
  • Paper
  — Symposium: ISEA2014
  
• New Realities of the Body in Contemporary Performance — Type(s):
  • Panel
  — Symposium: ISEA2017
  

• Do we mark time, or does time mark us? — Type(s):
  • Paper
  — Symposium: ISEA2014
  

• Compositions for Involuntary Strings — Type(s):
  • Electronic/ Robotic Object
  — Symposium: ISEA2013
  

• Duty — Type(s):
  • Artist Talk
  — Symposium: ISEA2015
  
• Game On — Type(s):
  • Artist Talk
  — Symposium: ISEA2015
  

• Root — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: TISEA
  
• Stream — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: TISEA
  
• Leaf — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: TISEA
  
• Interior Bodies — Type(s):
  • Art Exhibition
  • 2D Art
  • Video/Animation Installation
  — Symposium: SISEA
  
• Drowning (Rapture) — Type(s):
  • Art Exhibition
  — Symposium: FISEA'93
  
• Osmose — Type(s):
  • Art Exhibition
  • AR & VR
  • Installation Art
  — Symposium: ISEA95
  

• Osmose — Type(s):
  • Paper
  — Symposium: ISEA97
  
• VR as Poesis — Type(s):
  • Paper
  — Symposium: ISEA97
  
• Embodied in VR: The Body as Experimental Ground — Type(s):
  • Panel
  — Symposium: ISEA95
  

• Introduction to Softimage Animation Software — Type(s):
  • Workshop
  — Symposium: TISEA
  

• Xon Kon — Type(s):
  • Art Exhibition
  • Games
  — Symposium: ISEA2016
  

• Software Literacy and the Creative Industries — Type(s):
  • Panel
  — Symposium: ISEA2016
  
• Authored collaboration, choreographed reality — Type(s):
  • Paper
  — Symposium: ISEA2009
  
• Framing a Critique of Reality Based Games — Type(s):
  • Paper
  • Short Paper
  — Symposium: ISEA2016
  
• Physical Facebook And User Generated Art — Type(s):
  • Artist Talk
  — Symposium: ISEA2008
  
• Weaponizing Play — Type(s):
  • Paper
  — Symposium: ISEA2011
  
• Curating Games in the Asia Pacific Region — Type(s):
  • Panel
  — Symposium: ISEA2019
  

• Public Interface Effects: Re-embodiment and transversality in public Projection — Type(s):
  • Paper
  — Symposium: ISEA2013
  
• E-Tower: Ludic Urban Experience Through Reactive Architecture and Personal Mobile Devices — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• Pass Again Through the Heart: Gesture, Memory, and Food — Type(s):
  • Workshop
  — Symposium: ISEA2020
  

• Mixed Reality Art Experiments: Immersive Access to Collective Memories — Type(s):
  • Paper
  • Long Paper
  — Symposium: ISEA2019
  

• KR8V – Masterclass and Workshop Weekend — Type(s):
  • Workshop
  — Symposium: ISEA2013
  

• Panel Statement — Type(s):
  • Panel
  — Symposium: ISEA2013
  

• I Don’t Care About the Avant Garde, I Only Care About You — Type(s):
  • Artist Talk
  — Symposium: ISEA2012
  

• Interactive Design and Electronic Arts — Type(s):
  • Panel
  • Paper
  • Round Table
  — Symposium: ISEA2000
  

• CinePlay — Type(s):
  • Art Exhibition
  • Interactive Monitor-Based
  — Symposium: ISEA94
  

• Cine Play — Type(s):
  • Paper
  — Symposium: ISEA94
  
• The Imaginary Subject and the Virtual Body in Corporate Communication — Type(s):
  • Paper
  — Symposium: ISEA94
  

• Hauling Ice — Type(s):
  • Art Exhibition
  • Installation Art
  — Symposium: ISEA2015
  

• Hauling Ice — Type(s):
  • Artist Talk
  — Symposium: ISEA2015
  

• Anticipating the Net Generation and Beyond: Surrey Art Gallery’s Commitment to the Production and Presentation of Digital Art — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2015
  

• HOLOSHOP: Drawing And Perceiving In Depth — Type(s):
  • Art Exhibition
  • Interactive Monitor-Based
  — Symposium: ISEA2013
  

• General Meeting of the Inter-Society for the Electronic Arts — Type(s):
  • General Meeting of the Inter-Society for the Electronic Arts
  — Symposium: TISEA
  

• Hyperobject: Homeland — Type(s):
  • Paper
  — Symposium: ISEA2013
  

• Local Wisdom in the Global Village — Type(s):
  • Panel
  — Symposium: TISEA
  

• Panel Statement — Type(s):
  • Panel
  — Symposium: ISEA2013
  

• The Material Couplings of Immaterial Machines — Type(s):
  • Art Exhibition
  • Video/Animation Installation
  — Symposium: ISEA2016
  
• resuscitated algorithms — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: ISEA2015
  

• The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity — Type(s):
  • Paper
  — Symposium: ISEA2020
  

• w.Book & e.Margin: Wired Book and Electronic Margin — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• Displacements of Creative Activity in Brazilian Visual Arts — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• NodeBox 2 — Type(s):
  • Paper
  — Symposium: ISEA2010
  

• Machine Generated ‘Portraits’ as Impersonal Gestures — Type(s):
  • Paper
  — Symposium: ISEA2020
  

• Musical “Ocasos” Homenaje a Pedro Morales Pino: Taller de Opera — Type(s):
  • Public Event
  — Symposium: ISEA2017
  

• How And Why I Created This Fur Ball — Type(s):
  • Paper
  — Symposium: ISEA2014
  

• Networked Art Practices panel intro — Type(s):
  • Panel
  — Symposium: ISEA2000
  

• A Moment in Wireframe — Type(s):
  • Artist Talk
  — Symposium: ISEA2012
  
• String, Sounds and Satellites; Site-specific Sculpture, Sonics and Mobile Geo-Reality — Type(s):
  • Paper
  — Symposium: ISEA2013
  

• PLANETART — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2008
  

• ISEA94
• ISEA95

• Electronic Art and Audience Panel Introduction — Type(s):
  • Panel
  — Symposium: ISEA95
  
• Ré-émergence des sens dans les Arts des Reseaux — Type(s):
  • Panel
  — Symposium: ISEA95
  
• Panel Statement — Type(s):
  • Panel
  — Symposium: ISEA95
  
• A Volcanic Theory of Culture — Type(s):
  • Paper
  — Symposium: ISEA94
  
• Ethics and Political Correctness — Type(s):
  • Panel
  — Symposium: ISEA94
  
• Opening ISEA2000 — Type(s):
  • Keynote
  — Symposium: ISEA2000
  
• w.Book & e.Margin: Wired Book and Electronic Margin — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• Virtual Environments as Intuition Synthesisers — Type(s):
  • Paper
  — Symposium: TISEA
  

• Re(cognition) Mapping: Redefining Space, Place and Territory — Type(s):
  • Paper
  — Symposium: ISEA2010
  

• Strategic transmissions: Livemedia and the Intensive Spatium — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• Realizing the Moment: Towards a Continued Role for Technology in Art — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• Way to Go: The Impact of Process on Artists’ Residencies in Science and Research Settings — Type(s):
  • Panel
  — Symposium: ISEA2008
  
• Biology as a New Art Medium and Its Possible Implications in Art Research — Type(s):
  • Paper
  — Symposium: ISEA2010
  
• Crossing borders: the outcome of art and biology collaborations — Type(s):
  • Artist Talk
  — Symposium: ISEA2008
  

• ISEA2016

• Vanishing — Type(s):
  • Art Exhibition
  • Video/Animation Installation
  — Symposium: ISEA2016
  
• Arrivals — Type(s):
  • Installation Art
  • Sound Art
  — Symposium: ISEA2013
  

• A Study on Light Touches — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  
• Mapping the Phenomenon of In-game Photography — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2016
  

• Science, Art and Philosophy: A Reflection on a Methodological Approach to Intersemiotic Analysis of Interactive Installations — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• Towards Enactive Systems: Affective Cane for Expanded Sensorium and Embodied Cognition, Mobility and Freedom — Type(s):
  • Paper
  — Symposium: ISEA2018
  

• The Innovation Potential of Sensory Augmentation for Public Space — Type(s):
  • Long Paper
  • Paper
  — Symposium: ISEA2019
  

• OTTO: Musical Instrument for Realtime Manual Beat Slicing — Type(s):
  • Paper
  — Symposium: ISEA2010
  

• Place, Ground, and Practice Working Group — Type(s):
  • Meeting
  — Symposium: ISEA2006
  

• NodeBox 2 — Type(s):
  • Paper
  — Symposium: ISEA2010
  

• Mobile Sound and Art Practices: the Local Contexts: Location Based Mobile Games: Blurring the Borders Between Physical and Virtual Spaces — Type(s):
  • Paper
  — Symposium: ISEA2004
  

• Urban Culture as Interface Culture. Locative Media and the concepts of ‘dwelling’ and ‘public sphere’ — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• An Interactive Mnemonic Space For Jodi.org: The Process of Re-exhibiting — Type(s):
  • Paper
  • Short Paper
  — Symposium: ISEA2016
  

• Protocollision — Type(s):
  • Poster
  — Symposium: ISEA2000
  

• The Artist is Patient: Collaborative Biomedical Art and Curatorial Care — Type(s):
  • Paper
  — Symposium: ISEA2015
  

• Media Lab UIAH — Type(s):
  • Art Exhibition
  — Symposium: ISEA94
  

• Electronic Art in Universities — Type(s):
  • Introductory & Welcoming Notes
  — Symposium: ISEA94
  

• ISEA2010

• Protocollision — Type(s):
  • Poster
  — Symposium: ISEA2000
  
• The Locus of Action: Tinted Windows — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2014
  
• Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change — Type(s):
  • Long Paper
  • Paper
  — Symposium: ISEA2019
  
• The Critical AI Manifesto — Type(s):
  • Artist Talk
  — Symposium: ISEA2019
  
• All That is Signal Distorts into Noise — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  

• ISEA2016

• Practices and Poetics of Urban Media Art in the Shadows of the Illuminated City Panel Introduction — Type(s):
  • Panel
  — Symposium: ISEA2019
  
• Infrastructures of Illumination: On the Material, Poetic, and Political Valences of Screens in Urban Space — Type(s):
  • Panel
  — Symposium: ISEA2019
  

• Scratch Studies #3: Moths — Type(s):
  • Art Exhibition
  • Electronic/ Robotic Object
  • Sound Art
  — Symposium: ISEA2002
  
• The Night Sounds — Type(s):
  • Art Exhibition
  • Electronic/ Robotic Object
  • Sound Art
  — Symposium: ISEA2002
  
• Bird's Nest Cafe — Type(s):
  • Public Event
  — Symposium: ISEA2004
  
• Unknown Artwork — Type(s):
  • Art Exhibition
  — Symposium: ISEA97
  

• ISEA 1995 Annual General Meeting (AGM) — Type(s):
  • Annual General Meeting
  — Symposium: ISEA95
  
• Welcome to ISEA97 — Type(s):
  • Introductory & Welcoming Notes
  — Symposium: ISEA97
  

• Digital Creativity Inside Out — Type(s):
  • Paper
  — Symposium: ISEA96
  
• Art and Technology Studies, School of the Art Institute of Chicago — Type(s):
  • Institutional Presentation
  — Symposium: ISEA96
  
• Without Speakers: Recent Digital Sound Installations — Type(s):
  • Poster
  — Symposium: ISEA2000
  
• SoundCulture Panel — Type(s):
  • Artist Talk
  — Symposium: ISEA2006
  
• Simulating Nature: Sound Without Speakers — Type(s):
  • Poster
  — Symposium: ISEA2002
  
• Sound, Steam, Sun and Motion: Recent Public Art Projects — Type(s):
  • Artist Talk
  — Symposium: ISEA2012
  

• MetaDe­Sign “De­sign­ing a (pos­si­bly or seem­ingly in­fi­nite) Range of Pos­si­bil­i­ties” — Type(s):
  • Panel
  — Symposium: ISEA2011
  

• Flores sonicas, un viaje a la intimidad del sonido — Type(s):
  • Performances
  — Symposium: ISEA2017
  

• Keynote — Type(s):
  • Keynote
  — Symposium: ISEA2017
  

• Design for the Non-Human — Type(s):
  • Panel
  — Symposium: ISEA2017
  

• Ecology and Eco-art: Seed Sculpture Lab — Type(s):
  • Tutorial
  — Symposium: ISEA2017
  

• The Gallery At Play: On the Politics of Exhibiting Game Art — Type(s):
  • Round Table
  — Symposium: ISEA2015
  

• The Weight of Ideas: Demonstration of Kinect Interface — Type(s):
  • Artist Talk
  — Symposium: ISEA2015
  
• SLIPPAGE — Type(s):
  • Round Table
  — Symposium: ISEA2015
  

• Location! Location? Location!! Can Location Neutrality Exist in Artworks? — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• Collaboration and Production Through Networks: Staging Relations: Relational Art and Network Technologies in Superflex’ Staging Strategies — Type(s):
  • Paper
  — Symposium: ISEA2004
  

• Reversing Globalisation: A movie on the Mechanical Turk, played by Mechanical Turk workers — Type(s):
  • Workshop
  — Symposium: ISEA2011
  

• Computer Generated Drawings — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: ISEA95
  
• Cube 4 — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: SISEA
  
• Three Views Into a Landscape — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: FISEA'93
  

• Line Art: Algorithmic Experiments and Explorations Into Pictorial Space — Type(s):
  • Poster
  — Symposium: FISEA'93
  
• Art Experiments and Mathematical Explorations into the Universe of Machine-generated Drawings — Type(s):
  • Paper
  — Symposium: ISEA97
  

• Soft Clouding: Curating a New Semantics of Sound Archiving — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• Urban Cracks: Interstitial Spaces in the City — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• The Influence of New Technologies on Language — Type(s):
  • Paper
  — Symposium: ISEA2002
  
• Documenting Art, Science and Technology: Dancing in the Light of an Information Overload — Type(s):
  • Paper
  — Symposium: ISEA2004
  
• PPS: PublicPrivateSpace — Type(s):
  • Paper
  — Symposium: ISEA2008
  
• Clickable Art, or what does online participation mean? — Type(s):
  • Paper
  — Symposium: ISEA2011
  
• (Re)coding the Past for the future — Type(s):
  • Paper
  — Symposium: ISEA2018
  
• Put Evaluation into Practice: The Collaborative Residency Life Cycle — Type(s):
  • Paper
  — Symposium: ISEA2018
  

• Metatopia 4.0: Algoricene — Type(s):
  • Performances
  — Symposium: ISEA2017
  

• ALGORICINE Genealogy Ontology, Aesthetics and Politics of Algorithmic Life, from the Ancient World to Big Data — Type(s):
  • Poster
  — Symposium: ISEA2017
  

• MetaMediaLab: Ontohacking & Metagaming in the Algoricene — Type(s):
  • Workshop
  — Symposium: ISEA2017
  

• New Interfaces for Dance panel intro — Type(s):
  • Panel
  — Symposium: ISEA2000
  
• Publishing Choreographic Ideas — Type(s):
  • Paper
  — Symposium: ISEA2010
  

• P2 Motion Lab — Type(s):
  • Workshop
  — Symposium: ISEA2010
  

• Gulf War Memories — Type(s):
  • Art Exhibition
  • Installation Art
  — Symposium: TISEA
  
• Victimless and Hands Above — Type(s):
  • Art Exhibition
  • 2D Art
  • Installation Art
  • Video/Animation Installation
  — Symposium: SISEA
  
• Masturbatory Interactant — Type(s):
  • Art Exhibition
  • Installation Art
  • Interactive Monitor-Based
  — Symposium: ISEA97
  
• dead-in-iraq — Type(s):
  • Art Exhibition
  • Games
  • Installation Art
  • Video/Animation Installation
  — Symposium: ISEA2009
  
• Cardboard Gandhi, Version 3 — Type(s):
  • Art Exhibition
  • 3D Sculpture
  — Symposium: ISEA2009
  
• The Cowardly Drones — Type(s):
  • Art Exhibition
  • 2D Art
  — Symposium: ISEA2015
  

• dead-in-iraq — Type(s):
  • Artist Talk
  — Symposium: ISEA2009
  
• Informed Artists/Users in the Post-Computer Art Era — Type(s):
  • Paper
  — Symposium: TISEA
  
• A Critical Teaching Strategy for the Digital Art — Type(s):
  • Paper
  — Symposium: ISEA94
  
• Critical Interactions: Constructed Realities — Type(s):
  • Poster
  — Symposium: FISEA'93
  
• Theoretical and Practical Approaches to Electronic Arts Education — Type(s):
  • Panel
  — Symposium: ISEA97
  
• The Mouse re-considered: sculpture, objects, performative activities — Type(s):
  • Poster
  — Symposium: ISEA2000
  
• Male Fantasy/Machine Desire, Recent Installations — Type(s):
  • Artist Talk
  — Symposium: ISEA97
  
• The Poetry of Gaming and Other Online Interventions — Type(s):
  • Poster
  — Symposium: ISEA2002
  
• Mapping the Solar: Augmented Bike Ride as Performance Intervention — Type(s):
  • Artist Talk
  — Symposium: ISEA2012
  
• Con­science, Mem­ory and Protest: Ves­tiges of the For­ever War — Type(s):
  • Panel
  — Symposium: ISEA2011
  
• Untitled — Type(s):
  • Panel
  — Symposium: ISEA2011
  
• Project 929: Mapping the Solar — Type(s):
  • Paper
  — Symposium: ISEA2014
  

• Epileptograph: The Internal Journey — Type(s):
  • Panel
  — Symposium: ISEA95
  

• The Genre Project: Listening Stations for Birds that Play Human Music — Type(s):
  • Art Exhibition
  • Environmental Art
  • Installation Art
  • Sound Art
  — Symposium: ISEA2020
  

• The IndaPlant Project: An Act of Trans-Species Giving — Type(s):
  • Paper
  — Symposium: ISEA2013
  
• The IndaPlant Project: An Act of Trans-Species Giving — Type(s):
  • Paper
  — Symposium: ISEA2015
  
• Design for the Non-Human — Type(s):
  • Panel
  — Symposium: ISEA2017
  
• The Pandorabird Project: Identifying The Types Of Music That May Be Favored By Our Avian Co-inhabitants — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  
• Sentience and Trans-Species Collaboration: Considering the Aims, Desires and Perceptual Landscapes of the Non-Human — Type(s):
  • Panel
  — Symposium: ISEA2020
  

• Cyberflesh Girlmonster — Type(s):
  • Art Exhibition
  • Interactive Monitor-Based
  • Video/Animation Installation
  — Symposium: ISEA95
  
• Tales of Typhoid Mary — Type(s):
  • Art Exhibition
  — Symposium: TISEA
  
• 50 Beats — Type(s):
  • Art Exhibition
  • Installation Art
  — Symposium: ISEA2013
  

• Catching Light — Type(s):
  • Performance Art
  • Art Exhibition
  • Sound Art
  — Symposium: ISEA2013
  

• Killing the Host — Type(s):
  • Round Table
  — Symposium: ISEA2013
  
• Don’t An­thro­po­mor­phise Me Ei­ther — Type(s):
  • Panel
  — Symposium: ISEA2011
  

• Why Should I Get a New One If the Old One Ain’t Broken? Aesthetics, Pragmatics and Social Tactics Of Low-Tech — Type(s):
  • Panel
  — Symposium: ISEA2002
  

• The Frenchman Lake — Type(s):
  • Art Exhibition
  • Installation Art
  — Symposium: ISEA95
  
• La Cour des Miracles — Type(s):
  • Art Exhibition
  • Electronic/ Robotic Object
  • Installation Art
  — Symposium: ISEA97
  

• Ten Billion Robots: The Creation of Real Artificial Worlds — Type(s):
  • Poster
  — Symposium: ISEA96
  
• Machism/Machinism — Type(s):
  • Panel
  — Symposium: ISEA95
  
• Real Artificial Worlds: The Perversion of Perception — Type(s):
  • Panel
  — Symposium: ISEA95
  
• Embodied Agents: Behaving Without Thinking — Type(s):
  • Artist Talk
  — Symposium: ISEA2008
  
• Embedded Scenography in Interactive Public Art — Type(s):
  • Paper
  — Symposium: ISEA2010
  
• Inferno, A Participative Robotic Art Performance — Type(s):
  • Artist Talk
  — Symposium: ISEA2015
  

• Qualia Formation through Sensory Substitution in Artistic Laboratories in Russia — Type(s):
  • Paper
  — Symposium: ISEA2020
  

• Working in the Experimental Forest: The Intimacy of Language — Type(s):
  • Panel
  — Symposium: ISEA2012
  

• ISEA2012

• Emerging Platforms for Artist Interaction — Type(s):
  • Panel
  — Symposium: ISEA2016
  
• Color_yourself_inspired — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  

• Empathy Engine: Sonifying & Visualizing Media Effects Workshop — Type(s):
  • Workshop
  — Symposium: ISEA2016
  

• Twinkle: A Flying Lighting Companion for Urban Safety — Type(s):
  • Art Exhibition
  • Design
  • Electronic/ Robotic Object
  — Symposium: ISEA2019
  
• TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation — Type(s):
  • Art Exhibition
  • AR & VR
  • Design
  — Symposium: ISEA2019
  

• TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation — Type(s):
  • Long Paper
  • Paper
  — Symposium: ISEA2019
  
• Twinkle: A Flying Lighting Companion for Urban Safety — Type(s):
  • Long Paper
  • Paper
  — Symposium: ISEA2019
  
• TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation — Type(s):
  • Artist Talk
  — Symposium: ISEA2019
  
• Vapor as Tectonic Element to Sculpt Microclimate in Architectural Space — Type(s):
  • Paper
  • Short Paper
  — Symposium: ISEA2019
  

• Your Hearing Them — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  

• Do We ‘Read’ a Van Gogh Today as we ‘Read’ a Van Gogh twenty years ago? — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• Plymouth University CogNovo: Cognitive Innovation for Technological, Artistic, and Social Domains — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2015
  

• Making sense of sounds: patterns and noise — Type(s):
  • Panel
  — Symposium: ISEA2013
  

• Block H and Reality Jamming: Conflict Reporting via the FPS Game — Type(s):
  • Paper
  — Symposium: ISEA2008
  

• Talking About Electronic Art — Type(s):
  • Panel
  — Symposium: ISEA2000
  

• Gendered inter/activity? Reflections on memories of prison experience in Northern Ireland’s conflict — Type(s):
  • Panel
  — Symposium: ISEA2009
  

• ISEA2012

• CoLab panel: performance and interactive technologies — Type(s):
  • Panel
  — Symposium: ISEA2009
  
• Scale – Time – Complexity: Engaging, Entangling and Communicating Ecology — Type(s):
  • Paper
  — Symposium: ISEA2012
  

• Documenting Art, Science and Technology: Documenting Art, Science and Technology: The Daniel Langlois Foundation Approach — Type(s):
  • Paper
  — Symposium: ISEA2004
  

• Transforming Literature Network — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2019
  

• Urban Space of Qatar’s Built Heritage — Type(s):
  • Paper
  — Symposium: ISEA2014
  
• From There to Then — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  

• Duel — Type(s):
  • Performances
  • Concert
  — Symposium: FISEA
  

• Programming Environments for the Art — Type(s):
  • Panel
  — Symposium: FISEA
  

• LISP as a Second Language — Type(s):
  • Workshop
  — Symposium: FISEA
  

• Cyborg Encounters: The Abilizing Capabilities of Embodying Disabling Avatars — Type(s):
  • Paper
  — Symposium: ISEA2020
  

• Homeostatiques — Type(s):
  • Art Exhibition
  • Interactive Monitor-Based
  — Symposium: ISEA2000
  

• Are the New Information Technologies Art or Smut? — Type(s):
  • Poster
  — Symposium: ISEA2000
  

• You are. I am. Everyone is: The Authorless as Producer — Type(s):
  • Panel
  — Symposium: ISEA2012
  

• Everyday Voices and Voids: Reclaiming and Transcoding Voice Interaction Data as Performance — Type(s):
  • Artist Talk
  — Symposium: ISEA2020
  

• Neurohacking: Using Multichannel Biosignal Input for Computer Graphic Applications — Type(s):
  • Poster
  — Symposium: FISEA'93
  

• Using Multichannel Biosignal Input Devices for Controlling Computer Graphics and MIDI Music Applications — Type(s):
  • Workshop
  — Symposium: FISEA'93
  

• Telematic Music: Polemics, Poetics and Proposals — Type(s):
  • Artist Talk
  — Symposium: ISEA2017
  

• The Virgin Panimnitos — Type(s):
  • Art Exhibition
  • 2D Art
  • Video/Animation Installation
  — Symposium: ISEA96
  

• Compuser — Type(s):
  • Paper
  — Symposium: SISEA
  
• Computer Music Laboratory — Type(s):
  • Institutional Presentation
  — Symposium: SISEA
  

• The Locus of Action: Tinted Windows — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2014
  
• Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change — Type(s):
  • Long Paper
  • Paper
  — Symposium: ISEA2019
  
• Interactive Technology as Toolkit: Structure of Communication, Senseware, and Research Strategy — Type(s):
  • Long Paper
  • Paper
  — Symposium: ISEA2019
  
• The Critical AI Manifesto — Type(s):
  • Artist Talk
  — Symposium: ISEA2019
  
• All That is Signal Distorts into Noise — Type(s):
  • Artist Talk
  — Symposium: ISEA2016
  

• A Flexible Approach for the Application of Immersive Audio to an Installation Performance — Type(s):
  • Paper
  — Symposium: ISEA2018
  

• Massive Collaborative Animation Projects — Type(s):
  • Institutional Presentation
  — Symposium: ISEA2019
  

• Art and New Technology in Mexico: The National Center for the Arts — Type(s):
  • Paper
  — Symposium: ISEA2006
  

• ISEA95
• ISEA2000
• ISEA2002
• ISEA2010

• ISEA2010

• Medulla Intimata: Wireless Response Wearable Technology Project — Type(s):
  • Art Exhibition
  • Wearable Art
  — Symposium: ISEA2004
  
• DataBlocks: A Tangible Interface for Data Visualization — Type(s):
  • Other
  — Symposium: ISEA2017
  

• Martini Madness — Type(s):
  • Pre/Post-ISEA Event
  — Symposium: ISEA2004
  

• Body Matters Panel Introduction — Type(s):
  • Panel
  — Symposium: ISEA95
  
• Crossing Boundaries: The Banff Center for the Arts and Interdisciplinary New-Media — Type(s):
  • Panel
  — Symposium: ISEA95
  
• The Banff Centre for the Arts: Navigating Intelligence and Revelation of power — Type(s):
  • Poster
  — Symposium: ISEA2000
  
• Decontamination, Surveillance and Ready Made Martial Law in the Anthrax Age — Type(s):
  • Panel
  — Symposium: ISEA2002
  
• Intimate Technologies and the War Zone — Type(s):
  • Panel
  — Symposium: ISEA2002
  
• Organic and Social Histories: Collaborative Systems, Structures and Metaphors — Type(s):
  • Panel
  — Symposium: ISEA2002
  
• What are the Aesthetics of Collaboration? — Type(s):
  • Panel
  — Symposium: ISEA2004
  
• Data Visualization: Materiality and Mediation — Type(s):
  • Keynote
  — Symposium: ISEA2011
  
• Mov­ing Softly For­ward — Type(s):
  • Panel
  — Symposium: ISEA2011
  
• Action Agenda: Vancouver’s Prescient Media Arts — Type(s):
  • Keynote
  — Symposium: ISEA2015
  
• DataBlocks: A Tangible Interface for Data Visualization — Type(s):
  • Artist Talk
  — Symposium: ISEA2017
  

• Meta-Medium (The Expanded Alan Kay) — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• Digital Performance in Networked Public Spaces: Situating the Posthuman Subject — Type(s):
  • Paper
  — Symposium: ISEA2011
  

• Co-Evolution Among Bodies: An Investigation with Brain Signals — Type(s):
  • Poster
  — Symposium: ISEA2002
  
• Co-evolving Affective Wearable Computer — Type(s):
  • Paper
  — Symposium: ISEA2008
  
• NeuroBodyGame: The Design of a Wearable Computer to Playing Games Through Brain Signals — Type(s):
  • Paper
  — Symposium: ISEA2011
  
• Interactive Bio-Wearable Devices: Designing Affective Communications — Type(s):
  • Panel
  — Symposium: ISEA2011
  
• Untitled — Type(s):
  • Panel
  — Symposium: ISEA2011
  
• Design of co-evolving textiles applied to smart products — Type(s):
  • Paper
  — Symposium: ISEA2014