ISEA2023: 28th International Symposium on Electronic Art
ISEA2023: [Overview] [Venues] [Presentations] [Workshops] [Art Events] [Gallery]
28th International Symposium on Electronic Art
Location:
Paris, France
Dates:
16-21 May 2023, 2023
Organised by:
Le Cube Garges, École nationale supérieure des Arts Décoratifs (EnsAD), and Forum des Images
Website:
Overview:
ISEA, a major event on the global electronic art scene, aims to strengthen the dialogue between artists, researchers, engineers, designers and entrepreneurs from the cultural and creative industries who participate in the advances of research and creation. This multidisciplinary event is open to both specialists and the general public.
The 28th edition of ISEA, co-organized by Le Cube Garges and the School of Decorative Arts, took place in Paris at the Forum des images from May 16 to 21, 2023 as well as through an artistic program spread over fifty partner cultural venues throughout France until September 15, 2023.
Following an international call for entries, more than 1400 applications from 70 countries were examined by an artistic and scientific committee of 200 international experts. The theme of this edition is Symbiosis. In this time of global health, ecological, economic and democratic crisis, symbiosis is a polysemous notion that allows us to explore in a transversal and interdisciplinary way the mutations and transformations underway in the digital age, to question the meaning supposedly given to progress, especially in the current environmental and health context, and to imagine possible and viable futures for our planet and our ecosystems.
ISEA2023 was co-organised by Le Cube Garges, executive producer, École des Arts Décoratifs, academic supervision, and the Forum des images, symposium venue.
Organising Committee:
The Cube Garges ISEA2023 Team
Nils Aziosmanoff – Director of the Cube Garges
Klio Krajewska – Production Director
Clément Thibault – Artistic Coordinator
Alicia Bonneau – Partnership Officer
Pauline Barthe – Communication Officer
Fanny Testas – Communication and production Officer
Sonia Michigan – Production AssistantÉcole des Arts Décoratifs ISEA2023 Team
Emmanuel Mahé – Director of research at the École des Arts Décoratifs and Academic chair
Edith Buser – Associate Director of Research at the École des Arts Décoratifs and co-organizer of the academic call
Pauline Barthe – Co-organizer of the academic call
Elena Papadaki – Academic co-chair ISEA2023
Maria Ptqk – Academic co-chair ISEA2023
François-Joseph Lapointe – Academic co-chair ISEA2023Forum des Images ISEA2023 Team
Claude Farge – Director of the Forum des images
Michele Ziegler – Director of Digital Strategy – Director of Newimages
Nathalie Bouvier – Director of Event Production
Anne Coulon – Communications Director
Diana-Odile Lestage – Head of the press department
Charlotte Maréchal – Digital communication and digital transformation project manager
Salomé Busnel – Coordination Officer
Introductory and Welcoming Notes:
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Title:
Introduction by the organizing institutions and major partners
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Presenter(s):
- Claude Farge
- Nils Aziosmanoff
- Michèle Boisvert
- Emmanuel Tibloux
- Emmanuel Mahé
- Nadine Naas
- Marie Stéphane Maradeix
- Klaus Fruchtnis
- Roger F. Malina
Title: Welcome from the Ministry of Culture — Presenter(s):
Closing Remarks:
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Title:
Handover Ceremony ISEA2023 to ISEA2024
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Presenter(s):
Annual General Meetings:
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Title:
ISEA2023- ISEA International Annual General Meeting
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Presenter(s):
Associated Events:
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Title:
Regional festival of hybrid arts and digital cultures (Festival régional des arts hybrides et des cultures numériques)
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Organiser(s):
Title: Tribute to Peter Weibel: Disremembering Peter Weibel; Reminiscences are more Interesting than Fact — Organiser(s):
Title: Enhanced Sentimental Walk in Lower-Belleville — Organiser(s):
Theme:
ISEA, a major event on the global electronic art scene, aims to strengthen the dialogue between artists, researchers, engineers, designers and entrepreneurs from the cultural and creative industries who participate in the advances of research and creation. This multidisciplinary event is open to both specialists and the general public.
The 28th edition of ISEA, co-organized by Le Cube Garges and the School of Decorative Arts, took place in Paris at the Forum des images from May 16 to 21, 2023 as well as through an artistic program spread over fifty partner cultural venues throughout France until September 15, 2023.
Following an international call for entries, more than 1400 applications from 70 countries were examined by an artistic and scientific committee of 200 international experts. The theme of this edition is Symbiosis. In this time of global health, ecological, economic and democratic crisis, symbiosis is a polysemous notion that allows us to explore in a transversal and interdisciplinary way the mutations and transformations underway in the digital age, to question the meaning supposedly given to progress, especially in the current environmental and health context, and to imagine possible and viable futures for our planet and our ecosystems.
ISEA2023 was co-organised by Le Cube Garges, executive producer, École des Arts Décoratifs, academic supervision, and the Forum des images, symposium venue.
Subthemes:
Symbiotic individuations: the planet’s next inhabitants trans-humanism
Hybrid beings • Inter-specificity • New individuationsWhich type of “hybrid beings” are coming into existence today, and thereby associating the human and the non-human? What new forms will they take, and will they be the next inhabitants of our planet?
Experiments on trans-humanism, the emergence of new artificial autonomies, and new representations of natural elements are examples of the exploratory perspectives to be presented and discussed.
Symbiotic organizations: new alliances
Ecosystems • Collaborative networks • Resilient societies • Biosphere • ScaleHuman societies have founded their equilibrium upon multitudinous and interdependent forms of symbiosis across a wide swathe of domains: ecology, economy, culture, technology, and more.What happens when a given event destroys this fragile equilibrium?
Covid-19 and the ecological crisis have more than demonstrated to us the necessity and urgency of such reflection. How can the marrying of art, science, and technology help us to surmount new challenges?
Researchers, artists, designers, and leading experts will offer their perspectives on these resolutely trans-disciplinary approaches, with the shared ambition of contributing to a world that is more resilient and at ease in its alterity.
Symbiotic imaginaries: inventing worlds
Utopia • The unthought of • Hybridization • Alternative narratives • Myths • RepresentationsIn order to exist and prosper, symbiotic relationships — relationships in which each partner derives reciprocal benefits indispensable to their survival — are essential. Symbiosis is a vital necessity at all levels of all known eco-systems. But “necessary” does not imply that it should be reduced to its pragmatism or instrumentality. Symbiosis also opens us to new imaginaries, be they novel or redundant in the context of their corresponding era. If modes of collective imagination vary according to perspectives, they are always multiple and in dialogue with reality — what, therefore, constitutes the symbiotic imaginations of today and how and why invent new ones?
Other Committees:
In connection with the ISEA2023 international board, the French organising committee, co-piloted by the Cube Garges and the École des Arts Décoratifs, brings together leading players in the field of the arts, creative industries, higher education, research and innovation.
Alain Fleischer – Director Le Fresnoy
Alicia Bonneau – Partnership Officer ISEA2023
Annaël Le Poullennec – General Manager EUR ArTeC
Anne Sedes – Director MSH Paris-Nord
Annick Bureaud – Director Leonardo OLATS – Independent curator
Armand Behar – Co-director CRD, ENSCI, Les Ateliers
Benjamin Cadon – Director Labomédia
Céline Berthoumieux – Director ZINC – Co-director CHRONIQUES – President d’HACNUM
Claude Farge – Director Forum des images
Clément Thibault – Artistic Coordinator ISEA2023
Don Foresta – Artist – Researcher – Theorist – Teacher
Edith Buser – Associate Director of Research at the École des Arts Décoratifs – Co-organizer of the academic call ISEA2023
Emmanuel Guez – Director ESAD Orléans
Emmanuel Mahé – Director of research at the École des Arts Décoratifs – Academic chair ISEA2023
Eric Prigent – Digital Creation Coordinator Le Fresnoy
Everardo Reyes – Vice President Digital Paris 8
Fanny Testas – Communication and production Officer ISEA2023
Franck Ancel – Artist – Theorist
François Taddei – Director Learning Planet Institute
Frank Madlener – Director IRCAM
Guilherme Carvalho – Researcher in virtual environment in charge of ISEA2023 – MSH Paris-Nord
Hugues Vinet – Scientific Director IRCAM
Inès Selmane – Project manager in the Digital Development Department Forum des images
Jean-Marie Dallet – Professor and artist ACTE Institute (Sorbonne)
Jeanne-Marie Portevin – Coordinator EUR ArTeC
Joël Chevrier – Professor, in charge of the ISEA2023 project – Learning Planet Institute Professor
Klio Krajewska – Production Director ISEA2023
Marc Dondey – Director ENS Paris-Saclay La Scène de Recherche
Michèle Ziegler – Digital Development Directorate Forum des images
Nils Aziosmanoff – Director of the Cube Garges
Pauline Barthe – Communication Officer and Co-organizer of the academic call ISEA2023
Sonia Michigan – Production Assistant ISEA2023
Sophia Lahlil – Head of Administration and Coordination La Scène de Recherche ENS Paris-Saclay
Yves Citton – Researcher – Theorist – Teacher Paris 8
International Programme Committee:
- Alain Lioret
-
- Université Paris 8
- France
- Alberto de Campo
-
- University for the Arts Berlin
- Germany
- Alejandro Valencia Tobón
[
- Colombia
- Aleksandra Dulic
-
- University of British Columbia
- Canada
- Aleksandra Kaminska
-
- Université de Montréal
- Canada
- Alessandro Ludovico
-
- University of Southampton
- United Kingdom
- Alexandrine Maviel-Sonet
[
- France
- Alice Ming Wai Jim
-
- Concordia University
- Canada
- Almir Almas
-
- University of São Paulo
- Brazil
- Amílcar Cardoso
-
- University of Coimbra
- Polytechnic Institute of Cávado and Ave
- Portugal
- Amirali Ghasemi
-
- New Media Society
- Germany
- André Fischer
-
- São Paulo City Cultural Center for Diversity
- Brazil
- Andrea Polli
-
- University of New Mexico
- United States
- Andrea Sosa
-
- National University of La Plata
- Argentina
- Angela Ferraiolo
-
- Sarah Lawrence College
- United States
- Anton Nijholt
-
- Imagineering Institute
- Malaysia
- Antony Nevin
-
- Massey University
- New Zealand
- Armand Behar
-
- L'École Nationale Supérieure de Création Industrielle
- France
- Anna Nacher
-
- Jagiellonian University
- Poland
- Arne Eigenfeldt
-
- Simon Fraser University (SFU)
- Canada
- Artur Matuck
-
- University of São Paulo
- Brazil
- Audrey Samson
-
- Goldsmiths College
- United Kingdom
- Aurélie Mosse
-
- National School of Decorative Arts
- France
- Bill Miller
-
- University of Wisconsin-Whitewater
- United States
- Bonnie L. Mitchell
-
- Bowling Green State University
- United States
- Brogan Stuart Bunt
-
- University of Wollongong
- Australia
- Camille Carol Baker
-
- University for the Creative Arts
- SMARTlab
- United Kingdom
- Camille Dedack
-
- HACNUM [FR]
- Carine Le Malet
[
- France
- Carlos Grilo
-
- Polytechnic Institute of Leiria
- Portugal
- Cecilia Vilca
[
- Peru
- Chris Salter
-
- Concordia University
- Canada
- Christiane Paul
-
- The New School
- United States
- Clara Girousse
[
- France
- Clarissa Ribeiro
-
- University of Fortaleza
- Claudia Costa Pederson
-
- Wichita State University
- United States
- Coral Manton
- Daniel Cermak-Sassenrath
-
- IT University of Copenhagen
- Denmark
- Diane Schuh
-
- Université Paris 8
- France
- Diarmuid P. O’Donoghue
-
- Maynooth University
- Ireland
- Dominique Cunin
-
- Ecole des Arts Décoratifs
- France
- Ellen K. Levy
[
- United States
- Emmanuel Mahé
-
- École nationale supérieure des Arts Décoratifs (EnsAD)
- France
- Erandy Vergara-Vargas
-
- Printemps numérique
- Canada
- Erik Champion
-
- University of South Australia
- Australia
- Eugenia Fratzeskou
-
- University of Westminster
- United Kingdom
- Everardo Reyes
-
- Université Paris 8
- France
- Felipe C. Londono
-
- Universidad de Bogotá Jorge Tadeo Lozano
- Colombia
- Filipa Cruz
-
- University of Porto
- Portugal
- Florent Levillain
-
- École nationale supérieure des Arts Décoratifs (EnsAD)
- France
- Francesca Cozzolino
-
- École nationale supérieure des Arts Décoratifs (EnsAD)
- France
- Ga Zhang
-
- China Central Academy of Fine Arts
- China
- Gabriel Cevallos
- Hervé Pérard
[
- France
- Hye Yeon Nam
-
- Louisiana State University
- United States
- Imane Lehérissier
-
- Château Éphémère
- France
- Jake Moore
-
- University of Saskatchewan
- Canada
- Gabriela Aceves Sepúlveda
-
- Simon Fraser University (SFU)
- Canada
- Jean-François Bassereau
-
- École nationale supérieure des Arts Décoratifs (EnsAD)
- France
- Jean-François Jégo
-
- Université Paris 8
- France
- Jean-Jacques Gay
-
- Université Paris 8
- France
- Jean-Marie Dallet
-
- Universite de Paris 8
- France
- Jeffrey Albert
-
- Loyola University New Orleans
- United States
- Jennifer Parker
-
- University of California at Santa Cruz
- United States
- Jesse Drew
- Jiayi Young
-
- University of California at Davis
- United States
- Jill Scott
-
- Zurich University of the Arts
- Switzerland
- Jinku Kim
-
- University of Nebraska–Lincoln
- United States
- Jinsil Hwaryoung Seo
-
- Texas A&M University
- United States
- Joël Chevrier
-
- Université Grenoble Alpes (UGA)
- France
- Joel Ong
-
- York University
- Canada
- Joel A. Slayton
-
- San Jose State University
- United States
- Jonah Brucker-Cohen
-
- Lehman College
- United States
- José-Carlos Mariátegui
-
- Alta Tecnología Andina (ATA)
- Peru
- Josep-Manuel Berenguer
[
- Spain
- Judith Doyle
-
- The Ontario College of Art and Design University (OCAD U)
- Canada
- Juliana España Keller
-
- Concordia University
- Canada
- Juliette Bibasse
[
- France
- Kevin Dahan
-
- De Montfort University
- United Kingdom
- Laurent Grisoni
-
- University of Lille
- France
- Lisa Moren
-
- University of Maryland, Baltimore
- United States
- Louis-Claude Paquin
-
- Université du Québec à Montréal
- Canada
- Lucile Olympe Haute
-
- École des Arts Décos Paris
- France
- Manuela Naveau
-
- University of Art and Design Linz (Kunst Universität Linz)
- Austria
- Manuelle Freire
-
- Concordia University
- Université du Québec à Montréa
- Hexagram
- Canada
- Margit Rosen
-
- ZKM | Center for Art and Media Karlsruhe
- Germany
- Mariana Pérez Bobadilla
-
- City University of Hong Kong
- Waag Future Lab
- Hong Kong SAR China
- Marianne Louise Lebon
[
- France
- Mark-David Hosale
-
- York University
- Canada
- Martin Jarmick
- Martin Patrick
-
- Massey University
- New Zealand
- Martin Warnke
-
- LEUPHANA University Lüneburg
- Germany
- Martina R Fröschl
-
- Science Visualization Lab
- Austria
- Melissa A. Dela Merced
-
- University of the Philippines Film Institute
- Philippines
- Michael Century
-
- Rensselaer Polytechnic Institute (RPI)
- United States
- Michael Palumbo
-
- York University
- Canada
- Michael Prokopow
-
- The Ontario College of Art and Design University (OCAD U)
- Canada
- Michèle Robine
[
- France
- Milad Forouzandeh
[
- Iran
- Myriam Achard
-
- Phi Foundation for Contemporary Art
- Nadine Makris
[
- France
- Natalia Fuchs
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- ARTYPICAL
- Russia
- Naz Shahrokh
-
- Zayed University
- United Arab Emirates
- Neil Leonard
-
- Berklee College of Music
- United States
- Nick Montfort
-
- Massachusetts Institute of Technology (MIT)
- United States
- Nina Czegledy
-
- University of Toronto (U of T)
- Canada
- Pat Badani
-
- Columbia College Chicago
- United States
- Patricia Olynyk
-
- University of Washington
- United States
- Paul Rosero Contreras
-
- Universidad San Francisco de Quito
- Paz Tornero
-
- Universidad de Granada
- Spain
- Pedro Martins
-
- Centre for Informatics and Systems of the University of Coimbra (CISUC)
- Penesta Dika
-
- University of Art and Design Linz (Kunst Universität Linz)
- Valentina Peri
- Peter Anders
-
- Kayvala
- United States
- Peter Beyls
-
- St. Lukas College
- Belgium
- Peter Flemming
-
- Concordia University
- Canada
- Philippe Pasquier
-
- Simon Fraser University (SFU)
- Canada
- Pierre Cattan
[
- France
- Pierre Scheffler
[
- France
- Priscila L. Farias
-
- Universidade de São Paulo
- Brazil
- Radu-Daniel Vatavu
[
- Romania
- Reem G. Shadid
-
- Beirut Art Center
- Lebanon
- Ricardo Dal Farra
-
- Concordia University
- Canada
- Robert Rowe
-
- New York University
- United States
- Roberta Buiani
-
- ArtSci Salon
- University of Toronto (U of T)
- Canada
- Samuel Bianchini
-
- École nationale supérieure des Arts Décoratifs (EnsAD)
- Scott Fitzgerald
-
- New York University Abu Dhabi
- United Arab Emirates
- Sue Gollifer
-
- University of Brighton
- United Kingdom
- Tobias Klein
-
- City University Hong Kong
- Hong Kong SAR China
- Tyler Fox
-
- University of Washington
- Bothell Studio
- United States
- Vanissa Law
-
- Silly Savvy Studio
- Victoria Bradbury
-
- University of Sunderland, UK
- Victoria Szabo
-
- Duke University
- United States
- Whitefeather Hunter
[
- Canada
- Wim van der Plas
-
- Inter-Society for the Electronic Arts
- Netherlands
- Yan Breuleux
- Yves Citton
-
- Université Paris 8
- France
- Yifat Shaik
-
- York University
- Canada
- Wei Jo
-
- Central Academy of Fine Arts, Beijing
- China
- Janet Bellotto
-
- Zayed University
- United Arab Emirates
Subsidisers/Sponsors/Funders:
French Ministry of Culture
Center National du cinéma et de l’image animée (National Centre for Cinema and Animation)
Government of Quebec
MAIF, Mutuelle d’assurance des instituteurs de France (Mutual insurance for teachers in France)
The International Organization of Francophonie (OIF)
ISIT, School of Multilingualism and Intercultural Management
Institut Francais
Office franco-quebecois pour la jeunesse (Franco-Quebec Youth Office)
AIFQ, l’année de l’innovation franco-québécoise, (the year of Franco-Quebec innovation)
Elektra (Montreal)
UCA, University for the Creative Arts
Publications:
View: [ISEA2023 Proceedings] |
View: [ISEA2023 Catalogue] |
View: [Third Summit on New Media Art Archiving Proceedings] |