Paper Presentations (Sorted by Title)
Sort by:
[Title] [Presenter Last Name] [Year]
Title:
Wider Contexts: Electronic Media as Sites for Public Art
Presenter(s):
— Symposium:
Title:
Wo.Defy: designing wearable technology in the context of historical cultural resistance practices
Presenter(s):
— Symposium:
Title:
Women, Gender and Technology, Leisure, Pleasure or Penury?
Presenter(s):
— Symposium:
Title:
Wooden Worlds: Aesthetical and Technical Aspects of a Multimedia Performance Using Real-Time Interaction
Presenter(s):
— Symposium:
Title:
Work-in-Progress: Interactive Art/ Science Planetarium Event on Cell Biology
Presenter(s):
— Symposium:
Title:
Workers of the Future at the Frontier of a : Innovation at work
Presenter(s):
— Symposium:
Title:
Working with Poetics in an Interactive Environment: Mouthplace
Presenter(s):
— Symposium:
Title:
World-Wide-Walks: Glaciers in the age of global warming
Presenter(s):
— Symposium:
Title:
Writing on the Walls of Cyberspace Abstract
Presenter(s):
— Symposium:
Title:
[e]arts for humanitarian actions? the “art!⋈ climate” initiative
Presenter(s):
— Symposium:
Title:
[i-metro] Universal Access to Information
Presenter(s):
— Symposium:
Title:
[Personal Nature]: An Artist’s Approach to Assistive Technology
Presenter(s):
— Symposium:
Title:
‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window
— Symposium:
Title:
‘I would wear it, because it is something different’
Presenter(s):
— Symposium:
Title:
‘Kansei’ in Non-Linear Automated Music Composition: Semiotic Structure and Recombinicity
Presenter(s):
— Symposium:
Title:
‘Simulization’: New Paradigms for Networked Language Art
Presenter(s):
— Symposium:
Title:
‘Splitting Centre’: directing attention in trans-media dance performance
Presenter(s):
— Symposium:
Title:
‘The Familiar’: Technology-being-with-us
Presenter(s):
— Symposium:
Title:
‘The Plucker’: A Case Study in Interface Specific Control Signal Processing
Presenter(s):
— Symposium:
Title:
‘The Value of Art’: Transforming User Attention into Monetary Value in a Series of Interactive Artworks
Presenter(s):
— Symposium:
Title:
‘Twitter’: Practice in Writing, A recipe for Creativity & Creative Interpretation
Presenter(s):
— Symposium:
Title:
“Chair de lumière” by Marjolaine Béland: How Disruptive Conditions and Mimicry Capture Attention and Favor Empathetic Resonances
Presenter(s):
— Symposium:
Title:
“Convergence” at the Nexus of Technology, Digital Aesthetics, and Social Theory
Presenter(s):
— Symposium:
Title:
“I try to stay neutral”: Digital Assistants and their Stance towards Gender
Presenter(s):
— Symposium:
Title:
“Mapping the Commons, Athens”: A Cartography of Alternate Economies and Practices in Times of Crisis
Presenter(s):
— Symposium:
Title:
“Recombinant Fiction” Theoretical Paper and Manifesto
Presenter(s):
— Symposium:
Title:
“REDI” On-line Educational Resources for the Development of Professional Multimedia Skills
Presenter(s):
— Symposium:
Title:
“This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery
Presenter(s):
— Symposium:
« First
‹ Previous
1
4
12
13
14