Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Uncovering Histories of Electronic Writing: Continuous Paper: Print Interfaces and Early Computer Writing
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Uncovering Histories of Electronic Writing: Timestamps
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Uncovering Histories of Electronic Writing: What Was Hypertext?
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Understanding interactive media art based on Qi philosophy in traditional Orientalism
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Understanding the Art Practice of Critical Gameplay Designs
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Understanding Third Space: Evaluating Art-Science Collaboration
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Underwater Sound and Oceanic States of Mind
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Unfolding and Unwinding: A Perspective on Generative Narrative
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Unified Physical and Digital Experiences: Exploring Art and Digital Media via Augmented Reality Interface
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Unintelligent design, the evolutionary limits to biological design
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United & Severed: collaborative research and cognitive authority
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Untold Bodies: Re-imagining the Natural History and Scientific Archive
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Uplay Urban Playgrounds: Developing Ludic Strategies and Interfaces for Participatory Practices in Urban Space
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Urban Augmented Reality and the Games of Cybergeography
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Urban Cracks: Interstitial Spaces in the City
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Urban Culture as Interface Culture. Locative Media and the concepts of ‘dwelling’ and ‘public sphere’
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Urban Ecologies: “In the City of the Apis Queen”
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Urban fiction: between map and landscape
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Urban Sensoria - Culture, Content, Technology, and Locating Media
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Urban Sites Inform Sculptural Light Works
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Urban sonic activation on wheels: ghost scraper
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URME Surveillance: Analyzing Viral Face-crime
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Users Become Re-Creators: Enhancing Experiences Through Mapping
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Using 2D photography as a 3D constructional tool within the Second Life environment
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Using Computers in an Art Practice From Computer-plotted Drawings to Interactive Computer Art
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Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
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Using interactive documentary as a peace-building tool in a post-Florian conflict situation
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Using the Internet as a Platform to Destabilise Gallery Spaces, Curation and Artistic Practice
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Vapor as Tectonic Element to Sculpt Microclimate in Architectural Space
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Variable fiction, a new literary genre questioning cooperative writing and reality jam
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Vasarely Redux: Electroplastique and the structure of digital aesthetics
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Versor: Spatial Computing with Conformal Geometric Algebra
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Vessels for Infinite Veracity: Theatre Machines and the Body
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Video Art, Artivism and Photography as Tools for Subvertising the Patriarchal Indoctrination of Advertising
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Video mirrors and mirror neurons: a look at empathy in participatory immersive environments
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VIK: A Video Keyboard for Time Colour Structures
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Violent Interfaces: The Jack Bauer Training Kit
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Virtual Borders and Surveillance in the Digital Age: Visit-US
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Virtual Environments as Intuition Synthesisers
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Virtual Instrumentality: Exploring Embodiment in Artistic Installations
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Virtual Memory: Art Museums and the Internet
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Virtual Migrants: Racist Deportations vs Freedom of Virtual Travel, Electronic Art as Ideology
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Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception and Power
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Virtual places, real money: the role of virtual worlds in the success of video games as cultural products
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Virtual Puppetry Assisting the Elder’s Life Review
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Virtual Spaces and Ergonomics: The Feng Shui of Cyberspace
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Virtuoso Audiovisual Realtime Performance: The Colours Of A Wooden Flute
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Vis. [un]necessary force: A socially engaged creative practice research project
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Visual Arts Creation Assisted by BICASSO: Brain-Inspired Computationally Aesthetic Selective Savant and Observer
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Visual Boundaries?
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Visual Documentation of Structural Information: A Tool for Composition and Analysis in Electro-Acoustic music
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Visual Information Design of Digital Picture Cards: A Computer-based Therapy for Aphasics
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Visual Interfaces for Shareable Media
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Visualising Invisible Networks as Collaborative Arts Practice
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Visualising the Locative Experience
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Visualising the Meditating Mind: the Aesthetics of Brainwave Data
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Visualization of Climate Change in Internet
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Visualizing Artificial Worlds: The Political Geography of On-Line Public Spaces
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Visualizing as Exorcism: Learning from Viruses
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VIVO (Video Interactive VST Orchestra) and the Aesthetics of Interactivity in the Age of Care-Less Capitalism
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Vjacket: A Wearable Controller for Live Video Performance
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Voice in Electronic Art: From Whistle to Speech Recognition
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VoicingElder: an avatar platform for older adults informed by multiple therapeutic traditions
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VoicingHan: Between Mortal and Immortal
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Volumetric Light Sculptures: Occupying the Space Between the Apparatus and the Image
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VR for Toegye’s Ten Diagrams on Sage Learning: Experiential Space-Time based on the Concept of Eastern Philosophy
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VR Panoramic Photography and Hypermedia: Drawing from the Panorama’s Past
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VR Webcams: Time Artifacts as Positive Feature
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VRML: Writing the Space of Identity on the WWW
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VZVZZ as a Medium of Abstraction: The “Stilleben” Project
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V_Tape: How New Technologies Can Influence Education Within Media Arts
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w.Book & e.Margin: Wired Book and Electronic Margin
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Warfare Outcome as a Ground for Destruction of Heritage and Real Estate
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Wasting Time: The Thinking Behind ‘Knowmore (House of Commons)’
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Waterwheel Patch: Using Mobile Device Sensors for Live Participation in an Online Networked Environment
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Web3D Dance Composer: A Web-based Ballet Performance Simulation System
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Weblogmusic: A Performance Platform for Individually Time-Shifted Improvisers
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Weeping Bamboo: Resonances from Within – Exploring Indigenous Memory
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Welcome to Artout: The First Artist Escort Service in the History of Art!
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What are young pixels dreaming of? A pseudo quarrel on “supports”.
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What Digital Technologies Brought to Simulation Art
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What If? Another History of Digital Media for Designers and Artists
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What is All this Noise About
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What Is Performance Multimedia? And Why is it Impossible To Record Performance Multimedia?
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What is Transmedia? Projects and thoughts beyond the buzzword
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When digital trumps analog: teaching with Second Life
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When Electronic Art was just Art: The Early Days of New Media in Brazil
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When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]
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Where does Intellectual Discourse Reside in New Media Art?
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White New Media Mythologies On Interacivity and Orientalism
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White Night Melbourne in 2013 and 2014: Disruption or Contribution Toward the Socially Engaged Public (Art)?
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Whose past is it anyway: the use of digital databases in exploring personal and collective memory
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Wider Contexts: Electronic Media as Sites for Public Art
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Wind Space Architecture, Transmission and Sonic Mass: The Turbulence Sound Matrix and FLEX
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Windward | Windword: Elemental Metaphors for Data Art
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Without Stones There is no Arch: Subjectivity and Identity Production in Virtual World Aesthetics
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Wo.Defy: designing wearable technology in the context of historical cultural resistance practices
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Women, Gender and Technology, Leisure, Pleasure or Penury?
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Wooden Worlds: Aesthetical and Technical Aspects of a Multimedia Performance Using Real-Time Interaction
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Words and Characters in the Age of Electronic Performativity
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Words to Avatars: Expressing Place in Cyberspace
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Work-in-Progress: Interactive Art/ Science Planetarium Event on Cell Biology
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Workers of the Future at the Frontier of a : Innovation at work
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Working Across Boundaries: Curating and Preserving New Media Art: Conserving New Media Art: Hardware and Meaning; Variable Media Preservation
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Working Across Boundaries: Curating and Preserving New Media Art: Expectations and Moving Targets: Art After New Media
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Working Across Boundaries: Curating and Preserving New Media Art: Interaction and Audience
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Working Across Boundaries: Curating and Preserving New Media Art: Overcoming the Distance: Displaying the Data-Based and Location-Driven New
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Working with Poetics in an Interactive Environment: Mouthplace
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World-Wide-Walks: Glaciers in the age of global warming
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Wormholing in Cyburbia and other Paranatural Pleasures
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Writing on the Walls of Cyberspace Abstract
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Writing, Creating and Knowledge in a Digital Medias and New Technologies Society (some problems and critics relatives to old and new languages)
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Yes/No/Maybe: Sense of Place and the Space In-Between
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You Cannot Step Into the Same Museum Twice: How Natural Light Pulsate a Space
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Your Participation Not Required: Machinic Performances
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ZooMorph: Enabling Interspecies Collaboration
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[e]arts for humanitarian actions? the “art!⋈ climate” initiative
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[i-metro] Universal Access to Information
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[Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks Abstract
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[Personal Nature]: An Artist’s Approach to Assistive Technology
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‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window
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‘I would wear it, because it is something different’
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‘Intelligent’ Architecture: Cybernetic Theory and Architecture Abstract
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‘Kansei’ in Non-Linear Automated Music Composition: Semiotic Structure and Recombinicity
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‘Press Delete’: The Politics and Performance of Spamculture
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‘Proticipation’: The Australia Council and Social Media Arts in Virtual Worlds
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‘Simulization’: New Paradigms for Networked Language Art
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‘Splitting Centre’: directing attention in trans-media dance performance
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‘The Familiar’: Technology-being-with-us
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‘The List’ – The Mailing List Phenomena: Empyre: Structure and Diversity
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‘The List’ – The Mailing List Phenomena: FACES
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‘The List’ – The Mailing List Phenomena: Fibreculture Internet: theory + criticism + research
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‘The List’ – The Mailing List Phenomena: List Loving?!: Language of New Media, or New Media Nuissance
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‘The Plucker’: A Case Study in Interface Specific Control Signal Processing
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‘The Value of Art’: Transforming User Attention into Monetary Value in a Series of Interactive Artworks
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‘Twitter’: Practice in Writing, A recipe for Creativity & Creative Interpretation
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‘What have you left behind?’: stories of nomads by nomads
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“Chair de lumière” by Marjolaine Béland: How Disruptive Conditions and Mimicry Capture Attention and Favor Empathetic Resonances
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“Computer Art in the Mainstream”: How the Venice Biennale Responded to the Historisation of Computer Art in the 1980s
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“Convergence” at the Nexus of Technology, Digital Aesthetics, and Social Theory
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“I try to stay neutral”: Digital Assistants and their Stance towards Gender
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“MacArt”: Revolution on a Desktop 1984-1990
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“Mapping the Commons, Athens”: A Cartography of Alternate Economies and Practices in Times of Crisis
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“Recombinant Fiction” Theoretical Paper and Manifesto
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“REDI” On-line Educational Resources for the Development of Professional Multimedia Skills
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“Resonance of the Heart”: A Direct Experience of Embodied Sonic Meditation
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“Site of Reversible Destiny Yoro AR”: Platform for Utilization of Art Database and Development of AR System
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“The Transmediated Self”: An Interactive and Visual Metaphor of Human Cognition
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“This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery
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“Vernacular Sound”: System for Soundscaping of Everyday Objects
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