Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Soft Computing: Forms and Limits in Computational Aesthetics
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Somethin’ Else. New Technologies: The Writer’s Challenge
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Somplexity: An Experiment of Posthumanist Platonic Sex
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Sonification of Emergent Urban Events with Granular Synthesis as an Urban Design Tool
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Soros Centers for Contemporary Arts Network
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Soul of a Binary Machine: Introduction to Techno Music and Rave Culture
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Sound Design, Nature and the Post-Real
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Sound Initiated Drawing and Short-Term Memory Impairment
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Sound, narrative and audience interaction: towards a recontextualisation of the Stephen Lawrence case
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Sounds Natural: Sonic Landscapes and the New Age
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Sovereign Media and the Data Dandy. Two fragments of Adilkno’s Media Theory
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Space-Time Correlations Focused in Film Objects and Interactive Video
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Spatial Structure and Representation in Interactive Multimedia
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Speculative Identity: Let’s Play with Our Values. Toi, Moi et la Charte (‘You, Me, and the Charter’)
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Speculative Sociological Artistic Pedagogical Frameworks for the New Electronic Art
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Speech Prosidy and Emotional Communication in Robots
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Square Kilometre Array – Looking for God: Art in the Age of Big Data
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Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games
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State sensing: Recent environmental media installation art from Aotearoa/New Zealand
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State.scape: a brain as an experience generator
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Statuevision: A participatory, collaborative, cross-generational, urban intervention with public monuments as primary content
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Steep (I): a digital poetry of gold nanoparticles
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Stereo Animated Pictorial Space: Towards New Aesthetics in Contemporary Painting
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Stichitures: Interactive Art Installation For Social Interventions
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Stitching Together an Editorial Sewing Circle
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Stonemaps: a Slow Intentional Network for Collective Sentience
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Stop-Motion Animation: From a State of the Art to an Ideal Process
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Stories on the run: narrative structures for mobile cinema
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Stories on walls: representing text through architectural projection
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Stretchable Circuit Board: New technology For High Level Integration of Electronics Into Textiles
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String, Sounds and Satellites; Site-specific Sculpture, Sonics and Mobile Geo-Reality
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Structuring Somnolence: Sleep Science Technology as a Medium for Drawing with the Body at Rest
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Studio Pedagogy For Situated Learning In The Culturescape
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Subtle Presence: Design and Implementation of User Centric Content Delivery Using Biometric Data Capture and Intelligent Analysis
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Subverting the Power Structure in the Surveillance Assemblage: Blue Sky
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Superdutch: New Media, Photography and the Internet-Polder
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Surface to Surface: War and Art in the Screenic Era
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Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation
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Swarming Robots and Possible Medical Applications
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Symmetry: Breaking Through the Looking Glass
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Symptomatic Architectures: Spatial Aspects of Digital Experience
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T/Act: Empowerment Through Physical Interaction With Media Art Works
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T/Act: Participatory Media Design for Social Empowerment
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Tactical Social Fictions: Hacking Net: Virtual Organization
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Tactical Social Fictions: Hypertagging, Hyperdemic Graffiti
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Tactile Potentials: a Mixed Reality Project for Live Performance
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TANGIBILTY: Highlighting Physicallity in Interactive Installations
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Tangible Media Communication Design in Future Home Environments: @home Project
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Teaching Computer Art with Integrative Assignments
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Techno-Human: New Form of Hybrid Human; From Science-Fiction Cinema to the Post-Modern Society
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Techno@Fetish.tribe/Techno-gardism~A Time Released Diaspora?
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Technological Art and Innovation Dialogues
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Technologies of Self-Fashioning: Virtual Ethnicities in New Media Art
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Technologies of Undressing: The Digital Paper Dolls of KISS
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Terrorist Video and the New Iconoclasm in Art after 11. September
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The Aesthetics of Private Footage and Youtube within Avantgarde Video Art
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The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures
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The Algorithmic Gardener: Tales of Nature and Code
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The Art of the Interface in Mixed Realities Predecessors and Visions
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The Art of Trajectory: Celestial Mechanics V
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The Artist is Patient: Collaborative Biomedical Art and Curatorial Care
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The Audiovisual Ghetto Blaster Effect
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The Bandung Center for New Media Arts: Local Commitment and International Collaboration
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The Bang Theory: The Breaking and (sort of) Fixing of Everyday Objects
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The Barbican Totem: Lighting Up the Brain, Zoning in on Synapses, Redistributing Sentience
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The Body without Organs: Deleuze and Guattari meet Romeo Castellucci
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The Bodycoder System: A Wireless Sensor Suit for Real-Time Control and Manipulation of Sound and Images
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The Capture and Understanding of Participant Experience in a Breath Controlled Interactive Video
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The case for Improvisation: New Approaches to Animated Digital Sculpture
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The Challenge of Being at a Distance and in the Same Time
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The Citizen versus the Stateless in the Nation-State
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The Condition Towards Hybrid Agency
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The Creation Station: An Approach to a Multimedia Workstation
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The Creative Listeners and Their iPods: Their Music, Their Activities and Their Listening Experiences
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The DAM(N) Project: The validity of community engagement, social activism and digital technology in interdisciplinary art practice
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The data wars: protest is increasingly an affair of incommensurables
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The Design of an Instrument for Visual Improvisation and Composition
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The Development and Education of New Media Art in Taiwan
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The Digital Contamination of Dramatic Theatre: Subject Technology in Exception
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
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The Dinoflagellate (Pyrocystis) Bioluminesce According To Their Own DNA
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The Dynamics of Collaborative Resistance: Negotiating the methodological incongruities of art, cultural theory, science and design
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The Economic Valuation of Digital Media Arts
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The Electronic Representation of Information: New Relations between the Virtual Archive and its (Possible) Referent
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The engineering of experiences through the mind cupola: interaction as a cognitive feedback loop
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The Ephemeral in AV Realtime Practices: An Analysis Into the Possibilities For its Documentation
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The Experience of Automata: An Alternative History of Audio-Visual Media
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The Exploratorium’s Invisible Dynamics Project: Environmental Research as Artistic Process
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The Eyes That Stop the Trains: Time, Movement and Agency in Moving Image Technologies
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The Fauvism or the Test of the Fire, Multimedia Workshop at the Museum of Modern Art of Paris
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The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self
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The Final Fantasy: Ethic in Cyberspace in Psychoanalysis Terms
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The Form/Content Formula: Parallel Between Pre-Industrial Cinema and Current New Media Practice
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The future of art on the internet, using a genetic metaphor
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The Geneology of a Creative Community: Why is Afternoon the “Granddaddy” of Hypertext Fiction?
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The Great Work of the Metal Lover: Art, Alchemy and Microbiology
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The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies
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The History of the Interface in Interactive Art
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The Imaginary Subject and the Virtual Body in Corporate Communication
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The impact of location-based mobile games on group formation and urban environmental experience
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The Impoverished Image: Online Video Art Exposure
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The IndaPlant Project: An Act of Trans-Species Giving
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The IndaPlant Project: An Act of Trans-Species Giving
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The Influence of New Technologies on Language
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The Interactive and Immersive Experiences Shape the New Architectural Language
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The Interactive Digital Choreography: Innovative Women in the Dance History
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The Interactive Systems Vision and Dominance: A Critical Look Into The Interactive Systems
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The Interpenetrating Boundaries Between Coding and Computation During Livecoding Performance
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The Labor of Perception: Electronic Art in Post-Industrial Society
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The Legacy of Experiments in Art and Technology (E.A.T.) : An Environmental Aesthetics
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The Light at the End of the Tunnel: An Interactive Installation in Public Space
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The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness
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The Living Liberia Fabric: An Interactive Narrative Artwork Memorializing Civil War in Liberia
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The Lungta Project: Physical Visual Music
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The Manchester Illuminated Universal Turing Machine
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The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity
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The Memory and the Code: The Phantasm of Digital Culture
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The Metapiano: Composing and Improvising Through Sculpture
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The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network
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The Museum Machine Or: A Database Approach to the Representation of Space
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The Musical Score: The System and the Interpreter
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The Network — a challenge in New Media
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The noise of mind: a performative statement of privacy
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The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art
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The Order of Passions: A Portrait of Polyphonic Canada
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The Ordinary (R)evolutionary Needs of the People
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The Paradox of Evolution: Yes, I am an Obsolete Human Being
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The Participatory Challenge: Incentives for Online Collaboration
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The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary
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The Post-virtual Stage for Performing Arts
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The Prosthesis of the Event in Cyberspace: La reserche du temps perdu beyond Oedipe and Gnosis
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The Relation of Architecture and Electronic Space
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The Remediation of Experience: A Case Study
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The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique
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The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
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The Revisit of Sentience: Nam June Paik’s Big Sleep in Interactive Art
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The Rhythm of City: Geo-Located Social Data as an Artistic Medium
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The River Sings Project
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The Role of Eye Contact and Spectatorship in Interactive Installations
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The Scroll Unfurled: Ancient to “Vanguard”
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