Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Surface to Surface: War and Art in the Screenic Era
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Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation
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Swarming Robots and Possible Medical Applications
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Symmetry: Breaking Through the Looking Glass
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Symptomatic Architectures: Spatial Aspects of Digital Experience
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T/Act: Empowerment Through Physical Interaction With Media Art Works
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T/Act: Participatory Media Design for Social Empowerment
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Tactical Social Fictions: Hacking Net: Virtual Organization
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Tactical Social Fictions: Hypertagging, Hyperdemic Graffiti
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Tactile Potentials: a Mixed Reality Project for Live Performance
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TANGIBILTY: Highlighting Physicallity in Interactive Installations
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Tangible Media Communication Design in Future Home Environments: @home Project
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Teaching Computer Art with Integrative Assignments
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Techno-Human: New Form of Hybrid Human; From Science-Fiction Cinema to the Post-Modern Society
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Techno@Fetish.tribe/Techno-gardism~A Time Released Diaspora?
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Technological Art and Innovation Dialogues
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Technologies of Self-Fashioning: Virtual Ethnicities in New Media Art
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Technologies of Undressing: The Digital Paper Dolls of KISS
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Terrorist Video and the New Iconoclasm in Art after 11. September
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The Aesthetics of Private Footage and Youtube within Avantgarde Video Art
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The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures
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The Algorithmic Gardener: Tales of Nature and Code
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The Art of the Interface in Mixed Realities Predecessors and Visions
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The Art of Trajectory: Celestial Mechanics V
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The Artist is Patient: Collaborative Biomedical Art and Curatorial Care
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The Audiovisual Ghetto Blaster Effect
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The Bandung Center for New Media Arts: Local Commitment and International Collaboration
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The Bang Theory: The Breaking and (sort of) Fixing of Everyday Objects
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The Barbican Totem: Lighting Up the Brain, Zoning in on Synapses, Redistributing Sentience
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The Body without Organs: Deleuze and Guattari meet Romeo Castellucci
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The Bodycoder System: A Wireless Sensor Suit for Real-Time Control and Manipulation of Sound and Images
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The Capture and Understanding of Participant Experience in a Breath Controlled Interactive Video
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The case for Improvisation: New Approaches to Animated Digital Sculpture
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The Challenge of Being at a Distance and in the Same Time
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The Citizen versus the Stateless in the Nation-State
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The Condition Towards Hybrid Agency
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The Creation Station: An Approach to a Multimedia Workstation
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The Creative Listeners and Their iPods: Their Music, Their Activities and Their Listening Experiences
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The DAM(N) Project: The validity of community engagement, social activism and digital technology in interdisciplinary art practice
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The data wars: protest is increasingly an affair of incommensurables
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The Design of an Instrument for Visual Improvisation and Composition
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The Development and Education of New Media Art in Taiwan
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The Digital Contamination of Dramatic Theatre: Subject Technology in Exception
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
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The Dinoflagellate (Pyrocystis) Bioluminesce According To Their Own DNA
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The Dynamics of Collaborative Resistance: Negotiating the methodological incongruities of art, cultural theory, science and design
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The Economic Valuation of Digital Media Arts
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The Electronic Representation of Information: New Relations between the Virtual Archive and its (Possible) Referent
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The engineering of experiences through the mind cupola: interaction as a cognitive feedback loop
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The Ephemeral in AV Realtime Practices: An Analysis Into the Possibilities For its Documentation
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The Experience of Automata: An Alternative History of Audio-Visual Media
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The Exploratorium’s Invisible Dynamics Project: Environmental Research as Artistic Process
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The Eyes That Stop the Trains: Time, Movement and Agency in Moving Image Technologies
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The Fauvism or the Test of the Fire, Multimedia Workshop at the Museum of Modern Art of Paris
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The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self
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The Final Fantasy: Ethic in Cyberspace in Psychoanalysis Terms
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The Form/Content Formula: Parallel Between Pre-Industrial Cinema and Current New Media Practice
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The future of art on the internet, using a genetic metaphor
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The Geneology of a Creative Community: Why is Afternoon the “Granddaddy” of Hypertext Fiction?
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The Great Work of the Metal Lover: Art, Alchemy and Microbiology
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The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies
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The History of the Interface in Interactive Art
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The Imaginary Subject and the Virtual Body in Corporate Communication
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The impact of location-based mobile games on group formation and urban environmental experience
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The Impoverished Image: Online Video Art Exposure
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The IndaPlant Project: An Act of Trans-Species Giving
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The IndaPlant Project: An Act of Trans-Species Giving
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The Influence of New Technologies on Language
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The Interactive and Immersive Experiences Shape the New Architectural Language
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The Interactive Digital Choreography: Innovative Women in the Dance History
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The Interactive Systems Vision and Dominance: A Critical Look Into The Interactive Systems
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The Interpenetrating Boundaries Between Coding and Computation During Livecoding Performance
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The Labor of Perception: Electronic Art in Post-Industrial Society
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The Legacy of Experiments in Art and Technology (E.A.T.) : An Environmental Aesthetics
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The Light at the End of the Tunnel: An Interactive Installation in Public Space
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The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness
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The Living Liberia Fabric: An Interactive Narrative Artwork Memorializing Civil War in Liberia
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The Lungta Project: Physical Visual Music
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The Manchester Illuminated Universal Turing Machine
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The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity
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The Memory and the Code: The Phantasm of Digital Culture
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The Metapiano: Composing and Improvising Through Sculpture
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The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network
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The Museum Machine Or: A Database Approach to the Representation of Space
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The Musical Score: The System and the Interpreter
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The Network — a challenge in New Media
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The noise of mind: a performative statement of privacy
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The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art
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The Order of Passions: A Portrait of Polyphonic Canada
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The Ordinary (R)evolutionary Needs of the People
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The Paradox of Evolution: Yes, I am an Obsolete Human Being
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The Participatory Challenge: Incentives for Online Collaboration
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The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary
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The Post-virtual Stage for Performing Arts
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The Prosthesis of the Event in Cyberspace: La reserche du temps perdu beyond Oedipe and Gnosis
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The Relation of Architecture and Electronic Space
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The Remediation of Experience: A Case Study
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The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique
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The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
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The Revisit of Sentience: Nam June Paik’s Big Sleep in Interactive Art
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The Rhythm of City: Geo-Located Social Data as an Artistic Medium
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The River Sings Project
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The Role of Eye Contact and Spectatorship in Interactive Installations
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The Scroll Unfurled: Ancient to “Vanguard”
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The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives
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The Survival of Design Education within the I.T. Revolution
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The System And The Event: New Technologies On Stage
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The Technology Design Education Studio as a New Model for Interdisciplinary Learning
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The Theatre of Everyday Life in the Age of Wireless Media
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The Time of Our Life: Interactivity and the Labyrinth of Forms
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The Tomb of the Grammarian Lysias: Real-Time Performance and Crowd-Distributed Music Diffusion with Networked Mobile Devices
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The Tools of Desire and New Technologies
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The Unstable Characters: Reading of Chinese Text-based Digital Works
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The Virtual Panopticon: Whose Point-of-View is it Anyway?
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The Virtual Thematic Route Emil Benčić: From Experience to Infinity
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The X Tables: Dialogues with the Prosthetic Unconscious
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Theoretical Discourse on ‘Art, Science and Technology Collaboration’ and its Historical Development
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Theoretical Issues of Humanistic Intelligence: From Postmodernism to Pastmodernism in the Cyborg Age of Metaphysical Computing
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Theorizing New Media in a Global Context
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Theory as Performance: The Mediamatic Manifest
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Things to do in Digital Afterlife When You’re Dead
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Thinking through Digital Media
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Too Big To See: The Need for Design Strategies to Visualize Multiple Spatiotemporal Datasets
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Touch as Techne: Pulse Reading as Interface
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Touch Interfaces: Between Hyperrealism and Invisibility
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Touch Screen Interactivity and the Representation of Marginalised Groups in Museums
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Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
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Towards (Co-authoring) Communitas: The Facilitation of Becoming Through the Use of Technology within Public/Community Arts Practice
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Towards a New Symbiosis in the Mexican Environment: Art and Science
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Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/ Performer’s Testimony
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