Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Responsive Environments and Protagonism: The Sustenance Principle
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Responsive Portraits
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Responsive Spaces: Motion, Activity and Interactive Art
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Rethinking The Baseline: Explorations in Nonlinear Typography
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Reticular Aesthetics: Adversarial Media Art After the Material Turn
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Retracts And Fixed Points In Theory Of Ordered Sets: Towards Combinatorial Computer Science
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Revaluing Women’s Labor through Material Engagement with Musical Instruments Built from Domestic Tools
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REVOLVE or the impossible task of performing sleep
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Risonanze Di Vino: Tuning Wine with Sound through the Senses and Culture
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Roaming Trans-cities and Airborne Fiction: click the image to enlarge and zoom in
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Samsara: A digital medium for theatrical storytelling using animation, robotics and immersive technology
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Sauti ya Wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Tanzania
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Scale – Time – Complexity: Engaging, Entangling and Communicating Ecology
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Scambaiters, Human Flesh Search Engine, Perverted justice, and Internet Haganah: Villains, Avengers, or Saviors on the Internet?
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Schizomachine: a Wearable Schizo-interface for a Schizo-body
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Science Art Relationalities
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Science, Art and Philosophy: A Reflection on a Methodological Approach to Intersemiotic Analysis of Interactive Installations
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SecondLife: art and archive; thoughts about Lynn Hershman Leeson
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Seeing is Sensing: Three Strategies for Multisensory Experience in Mixed Reality Art
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Seeing Plants through Botanical Illustration
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Self-evidence: a fertile resistance, a non-alienated view
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Self-trackers: Why Do They Prefer the Spreadsheet to the Sofa?
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Sen-se-paration
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Sensing Contemporary Mexican Art: Ariel Guzik’s Sonic Machines
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Sensing the Reality: Reflections on Artistic Actions to Defocus the Real
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Sentience and High Fidelity Haptics: the New Frontier in Content Creation
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Sentience and Place: Towards More-than-Human Cultures
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Sentience and the Virtual Body, from Dual Subjectivity to the Eros Effect
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Sentience as The Antidote to Our Frenzied Mediated Selves
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Shanghai Express: an interactive installation dealing with the city as a fragile organism
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Shifting Immediations: Fields of Experience across Media Art and Design
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Shifting Paradigms: Towards an Auditory Culture
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Similarity in Media Content: Artistic Perspectives Abstract
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Simondon’s Concept of the Image: At the Junction of the Technological and the Animal
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Simulation Beyond Perspective: The Discourse of Holography as a Tool for Imagery, Art, Media Studies and Science
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situationism, resistance, Occupy, Super 8, Žižek, digital media
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Skediomata: Guinea Pig and Performer
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Sketches of an Interdisciplinary Practice: Essential In-formation For Post-Digital Thinkers
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Skin Pattern Data Sonification as Personalized Media Art Experience
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Sky Knowledge: the Square Kilometre Array (SKA) as a focus for art-science collaborations
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Sleeping Eyes: VR Narcolepsy Storytelling through the Duality of Presence
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Slow Media Art: Seeing Through Speed in Critiques of Modernity
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Smart Textile as a Context for Art Based Technology and Engineering Education
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Smash the Black Box: designing for creative mobile machinery
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Smyrna/Izmir 2011: A Teleport in Time to the Virtual City
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Social Media as Art and vs. Art
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Social Networks of Resistance: Societal Idea Networks: Floating Spaces, Makro Places of Escape and Avoidance
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Soft Clouding: Curating a New Semantics of Sound Archiving
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Soft Computing: Forms and Limits in Computational Aesthetics
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Somethin’ Else. New Technologies: The Writer’s Challenge
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Somplexity: An Experiment of Posthumanist Platonic Sex
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Sonification of Emergent Urban Events with Granular Synthesis as an Urban Design Tool
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Soros Centers for Contemporary Arts Network
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Soul of a Binary Machine: Introduction to Techno Music and Rave Culture
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Sound Design, Nature and the Post-Real
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Sound Initiated Drawing and Short-Term Memory Impairment
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Sound, narrative and audience interaction: towards a recontextualisation of the Stephen Lawrence case
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Sounds Natural: Sonic Landscapes and the New Age
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Sovereign Media and the Data Dandy. Two fragments of Adilkno’s Media Theory
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Space-Time Correlations Focused in Film Objects and Interactive Video
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Spatial Structure and Representation in Interactive Multimedia
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Speculative Identity: Let’s Play with Our Values. Toi, Moi et la Charte (‘You, Me, and the Charter’)
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Speculative Sociological Artistic Pedagogical Frameworks for the New Electronic Art
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Speech Prosidy and Emotional Communication in Robots
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Square Kilometre Array – Looking for God: Art in the Age of Big Data
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Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games
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State sensing: Recent environmental media installation art from Aotearoa/New Zealand
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State.scape: a brain as an experience generator
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Statuevision: A participatory, collaborative, cross-generational, urban intervention with public monuments as primary content
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Steep (I): a digital poetry of gold nanoparticles
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Stereo Animated Pictorial Space: Towards New Aesthetics in Contemporary Painting
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Stichitures: Interactive Art Installation For Social Interventions
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Stitching Together an Editorial Sewing Circle
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Stonemaps: a Slow Intentional Network for Collective Sentience
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Stop-Motion Animation: From a State of the Art to an Ideal Process
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Stories on the run: narrative structures for mobile cinema
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Stories on walls: representing text through architectural projection
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Stretchable Circuit Board: New technology For High Level Integration of Electronics Into Textiles
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String, Sounds and Satellites; Site-specific Sculpture, Sonics and Mobile Geo-Reality
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Structuring Somnolence: Sleep Science Technology as a Medium for Drawing with the Body at Rest
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Studio Pedagogy For Situated Learning In The Culturescape
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Subtle Presence: Design and Implementation of User Centric Content Delivery Using Biometric Data Capture and Intelligent Analysis
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Subverting the Power Structure in the Surveillance Assemblage: Blue Sky
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Superdutch: New Media, Photography and the Internet-Polder
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Surface to Surface: War and Art in the Screenic Era
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Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation
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Swarming Robots and Possible Medical Applications
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Symmetry: Breaking Through the Looking Glass
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Symptomatic Architectures: Spatial Aspects of Digital Experience
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T/Act: Empowerment Through Physical Interaction With Media Art Works
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T/Act: Participatory Media Design for Social Empowerment
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Tactical Social Fictions: Hacking Net: Virtual Organization
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Tactical Social Fictions: Hypertagging, Hyperdemic Graffiti
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Tactile Potentials: a Mixed Reality Project for Live Performance
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TANGIBILTY: Highlighting Physicallity in Interactive Installations
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Tangible Media Communication Design in Future Home Environments: @home Project
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Teaching Computer Art with Integrative Assignments
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Techno-Human: New Form of Hybrid Human; From Science-Fiction Cinema to the Post-Modern Society
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Techno@Fetish.tribe/Techno-gardism~A Time Released Diaspora?
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Technological Art and Innovation Dialogues
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Technologies of Self-Fashioning: Virtual Ethnicities in New Media Art
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Technologies of Undressing: The Digital Paper Dolls of KISS
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Terrorist Video and the New Iconoclasm in Art after 11. September
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The Aesthetics of Private Footage and Youtube within Avantgarde Video Art
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The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures
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The Algorithmic Gardener: Tales of Nature and Code
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The Art of the Interface in Mixed Realities Predecessors and Visions
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The Art of Trajectory: Celestial Mechanics V
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The Artist is Patient: Collaborative Biomedical Art and Curatorial Care
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The Audiovisual Ghetto Blaster Effect
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The Bandung Center for New Media Arts: Local Commitment and International Collaboration
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The Bang Theory: The Breaking and (sort of) Fixing of Everyday Objects
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The Barbican Totem: Lighting Up the Brain, Zoning in on Synapses, Redistributing Sentience
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The Body without Organs: Deleuze and Guattari meet Romeo Castellucci
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The Bodycoder System: A Wireless Sensor Suit for Real-Time Control and Manipulation of Sound and Images
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The Capture and Understanding of Participant Experience in a Breath Controlled Interactive Video
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The case for Improvisation: New Approaches to Animated Digital Sculpture
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The Challenge of Being at a Distance and in the Same Time
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The Citizen versus the Stateless in the Nation-State
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The Condition Towards Hybrid Agency
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The Creation Station: An Approach to a Multimedia Workstation
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The Creative Listeners and Their iPods: Their Music, Their Activities and Their Listening Experiences
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The DAM(N) Project: The validity of community engagement, social activism and digital technology in interdisciplinary art practice
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The data wars: protest is increasingly an affair of incommensurables
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The Design of an Instrument for Visual Improvisation and Composition
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The Development and Education of New Media Art in Taiwan
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The Digital Contamination of Dramatic Theatre: Subject Technology in Exception
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
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The Dinoflagellate (Pyrocystis) Bioluminesce According To Their Own DNA
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The Dynamics of Collaborative Resistance: Negotiating the methodological incongruities of art, cultural theory, science and design
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The Economic Valuation of Digital Media Arts
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The Electronic Representation of Information: New Relations between the Virtual Archive and its (Possible) Referent
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The engineering of experiences through the mind cupola: interaction as a cognitive feedback loop
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The Ephemeral in AV Realtime Practices: An Analysis Into the Possibilities For its Documentation
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The Experience of Automata: An Alternative History of Audio-Visual Media
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The Exploratorium’s Invisible Dynamics Project: Environmental Research as Artistic Process
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The Eyes That Stop the Trains: Time, Movement and Agency in Moving Image Technologies
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The Fauvism or the Test of the Fire, Multimedia Workshop at the Museum of Modern Art of Paris
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The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self
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The Final Fantasy: Ethic in Cyberspace in Psychoanalysis Terms
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The Form/Content Formula: Parallel Between Pre-Industrial Cinema and Current New Media Practice
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The future of art on the internet, using a genetic metaphor
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The Geneology of a Creative Community: Why is Afternoon the “Granddaddy” of Hypertext Fiction?
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The Great Work of the Metal Lover: Art, Alchemy and Microbiology
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The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies
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The History of the Interface in Interactive Art
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The Imaginary Subject and the Virtual Body in Corporate Communication
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