Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
The impact of location-based mobile games on group formation and urban environmental experience
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The Impoverished Image: Online Video Art Exposure
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The IndaPlant Project: An Act of Trans-Species Giving
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The IndaPlant Project: An Act of Trans-Species Giving
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The Influence of New Technologies on Language
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The Interactive and Immersive Experiences Shape the New Architectural Language
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The Interactive Digital Choreography: Innovative Women in the Dance History
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The Interactive Systems Vision and Dominance: A Critical Look Into The Interactive Systems
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The Interpenetrating Boundaries Between Coding and Computation During Livecoding Performance
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The Labor of Perception: Electronic Art in Post-Industrial Society
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The Legacy of Experiments in Art and Technology (E.A.T.) : An Environmental Aesthetics
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The Light at the End of the Tunnel: An Interactive Installation in Public Space
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The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness
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The Living Liberia Fabric: An Interactive Narrative Artwork Memorializing Civil War in Liberia
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The Lungta Project: Physical Visual Music
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The Manchester Illuminated Universal Turing Machine
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The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity
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The Memory and the Code: The Phantasm of Digital Culture
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The Metapiano: Composing and Improvising Through Sculpture
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The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network
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The Museum Machine Or: A Database Approach to the Representation of Space
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The Musical Score: The System and the Interpreter
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The Network — a challenge in New Media
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The noise of mind: a performative statement of privacy
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The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art
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The Order of Passions: A Portrait of Polyphonic Canada
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The Ordinary (R)evolutionary Needs of the People
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The Paradox of Evolution: Yes, I am an Obsolete Human Being
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The Participatory Challenge: Incentives for Online Collaboration
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The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary
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The Post-virtual Stage for Performing Arts
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The Prosthesis of the Event in Cyberspace: La reserche du temps perdu beyond Oedipe and Gnosis
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The Relation of Architecture and Electronic Space
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The Remediation of Experience: A Case Study
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The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique
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The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
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The Revisit of Sentience: Nam June Paik’s Big Sleep in Interactive Art
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The Rhythm of City: Geo-Located Social Data as an Artistic Medium
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The River Sings Project
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The Role of Eye Contact and Spectatorship in Interactive Installations
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The Scroll Unfurled: Ancient to “Vanguard”
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The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives
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The Survival of Design Education within the I.T. Revolution
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The System And The Event: New Technologies On Stage
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The Technology Design Education Studio as a New Model for Interdisciplinary Learning
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The Theatre of Everyday Life in the Age of Wireless Media
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The Time of Our Life: Interactivity and the Labyrinth of Forms
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The Tomb of the Grammarian Lysias: Real-Time Performance and Crowd-Distributed Music Diffusion with Networked Mobile Devices
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The Tools of Desire and New Technologies
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The Unstable Characters: Reading of Chinese Text-based Digital Works
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The Virtual Panopticon: Whose Point-of-View is it Anyway?
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The Virtual Thematic Route Emil Benčić: From Experience to Infinity
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The X Tables: Dialogues with the Prosthetic Unconscious
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Theoretical Discourse on ‘Art, Science and Technology Collaboration’ and its Historical Development
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Theoretical Issues of Humanistic Intelligence: From Postmodernism to Pastmodernism in the Cyborg Age of Metaphysical Computing
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Theorizing New Media in a Global Context
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Theory as Performance: The Mediamatic Manifest
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Things to do in Digital Afterlife When You’re Dead
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Thinking through Digital Media
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Too Big To See: The Need for Design Strategies to Visualize Multiple Spatiotemporal Datasets
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Touch as Techne: Pulse Reading as Interface
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Touch Interfaces: Between Hyperrealism and Invisibility
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Touch Screen Interactivity and the Representation of Marginalised Groups in Museums
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Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
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Towards (Co-authoring) Communitas: The Facilitation of Becoming Through the Use of Technology within Public/Community Arts Practice
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Towards a New Symbiosis in the Mexican Environment: Art and Science
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Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/ Performer’s Testimony
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Towards an Analysis of Interaction in Sound Generating Systems
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Toxicity at the Equidistance of Biotechnology and Biopolitics
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Tracing the City: Exploring the Private Experience of Public Art Through Art and Anthropology
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Trajectories, Circulation, Assemblages: The Heterogeneous Modes of Endurance of Digital Arts Practice in Montréal
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Transcending Into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
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Transcoding Nang Talung: An Animated Adaptation of Thai Shadow Play
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Transcoding the Aesthetics of Activism
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Transformative practices: the aesthetics, ethics and politics of social relations
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Transient Materialization: Ephemeral Material-oriented Digital Fabrication
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Translating Disciplinary Practices for Trans-sentient Collaboration
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Translocal Networks: Babel Launch
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transmission+interference: noise, resonance and territory
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Transparency as Interface: A ‘Petite Histoire’ of its Tools
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Travelogue: The Expressive Potential for an A-Life Filmmaker
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Tuning in and Spacing Out: The Art and Science of the Presentness of Sound
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Turbulent World: An Artwork Indicating the Impact of Climate Change
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TwttrGraph: I Wish to Speak with You. A Telegraphic Sound Installation
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Ubicomputacional Art: Urban Environment and Emergent Narratives
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Uncovering Histories of Electronic Writing: Artificial Intelligence and Art Practice
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Understanding the Art Practice of Critical Gameplay Designs
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Understanding Third Space: Evaluating Art-Science Collaboration
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Unfolding and Unwinding: A Perspective on Generative Narrative
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Unified Physical and Digital Experiences: Exploring Art and Digital Media via Augmented Reality Interface
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Unintelligent design, the evolutionary limits to biological design
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United & Severed: collaborative research and cognitive authority
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Untold Bodies: Re-imagining the Natural History and Scientific Archive
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Urban Augmented Reality and the Games of Cybergeography
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Urban Cracks: Interstitial Spaces in the City
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Urban Ecologies: “In the City of the Apis Queen”
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Urban Sensoria - Culture, Content, Technology, and Locating Media
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Urban Sites Inform Sculptural Light Works
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Urban sonic activation on wheels: ghost scraper
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URME Surveillance: Analyzing Viral Face-crime
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Users Become Re-Creators: Enhancing Experiences Through Mapping
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Using Biophilic Design and the Orienting Reflex to Develop Generative Ambient Public Displays
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Using Computers in an Art Practice From Computer-plotted Drawings to Interactive Computer Art
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Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
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Using interactive documentary as a peace-building tool in a post-Florian conflict situation
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Versor: Spatial Computing with Conformal Geometric Algebra
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Vessels for Infinite Veracity: Theatre Machines and the Body
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Video mirrors and mirror neurons: a look at empathy in participatory immersive environments
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VIK: A Video Keyboard for Time Colour Structures
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Virtual Instrumentality: Exploring Embodiment in Artistic Installations
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Virtual Migrants: Racist Deportations vs Freedom of Virtual Travel, Electronic Art as Ideology
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Virtual Spaces and Ergonomics: The Feng Shui of Cyberspace
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Visual Arts Creation Assisted by BICASSO: Brain-Inspired Computationally Aesthetic Selective Savant and Observer
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Visual Documentation of Structural Information: A Tool for Composition and Analysis in Electro-Acoustic music
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Visual Information Design of Digital Picture Cards: A Computer-based Therapy for Aphasics
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Visualising Invisible Networks as Collaborative Arts Practice
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VIVO (Video Interactive VST Orchestra) and the Aesthetics of Interactivity in the Age of Care-Less Capitalism
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Vjacket: A Wearable Controller for Live Video Performance
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VR as a Preservation and Simulation Tool for Media Art Installations
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VR Panoramic Photography and Hypermedia: Drawing from the Panorama’s Past
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VR Webcams: Time Artifacts as Positive Feature
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V_Tape: How New Technologies Can Influence Education Within Media Arts
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Wasting Time: The Thinking Behind ‘Knowmore (House of Commons)’
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WaterWays Visualization Computational Reflexivity for Sustainability Action
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Web3D Dance Composer: A Web-based Ballet Performance Simulation System
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Weblogmusic: A Performance Platform for Individually Time-Shifted Improvisers
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Welcome to Artout: The First Artist Escort Service in the History of Art!
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What Digital Technologies Brought to Simulation Art
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What If? Another History of Digital Media for Designers and Artists
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When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]
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Where does Intellectual Discourse Reside in New Media Art?
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White New Media Mythologies On Interacivity and Orientalism
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White Night Melbourne in 2013 and 2014: Disruption or Contribution Toward the Socially Engaged Public (Art)?
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Whose past is it anyway: the use of digital databases in exploring personal and collective memory
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