Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives
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The Survival of Design Education within the I.T. Revolution
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The System And The Event: New Technologies On Stage
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The Technology Design Education Studio as a New Model for Interdisciplinary Learning
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The Theatre of Everyday Life in the Age of Wireless Media
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The Time of Our Life: Interactivity and the Labyrinth of Forms
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The Tomb of the Grammarian Lysias: Real-Time Performance and Crowd-Distributed Music Diffusion with Networked Mobile Devices
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The Tools of Desire and New Technologies
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The Unstable Characters: Reading of Chinese Text-based Digital Works
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The Virtual Panopticon: Whose Point-of-View is it Anyway?
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The Virtual Thematic Route Emil Benčić: From Experience to Infinity
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The X Tables: Dialogues with the Prosthetic Unconscious
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Theoretical Discourse on ‘Art, Science and Technology Collaboration’ and its Historical Development
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Theoretical Issues of Humanistic Intelligence: From Postmodernism to Pastmodernism in the Cyborg Age of Metaphysical Computing
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Theorizing New Media in a Global Context
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Theory as Performance: The Mediamatic Manifest
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Things to do in Digital Afterlife When You’re Dead
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Thinking through Digital Media
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Too Big To See: The Need for Design Strategies to Visualize Multiple Spatiotemporal Datasets
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Touch as Techne: Pulse Reading as Interface
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Touch Interfaces: Between Hyperrealism and Invisibility
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Touch Screen Interactivity and the Representation of Marginalised Groups in Museums
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Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
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Towards (Co-authoring) Communitas: The Facilitation of Becoming Through the Use of Technology within Public/Community Arts Practice
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Towards a New Symbiosis in the Mexican Environment: Art and Science
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Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/ Performer’s Testimony
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Towards an Analysis of Interaction in Sound Generating Systems
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Toxicity at the Equidistance of Biotechnology and Biopolitics
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Tracing the City: Exploring the Private Experience of Public Art Through Art and Anthropology
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Trajectories, Circulation, Assemblages: The Heterogeneous Modes of Endurance of Digital Arts Practice in Montréal
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Transcending Into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
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Transcoding Nang Talung: An Animated Adaptation of Thai Shadow Play
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Transcoding the Aesthetics of Activism
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Transformative practices: the aesthetics, ethics and politics of social relations
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Transient Materialization: Ephemeral Material-oriented Digital Fabrication
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Translating Disciplinary Practices for Trans-sentient Collaboration
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Translocal Networks: Babel Launch
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transmission+interference: noise, resonance and territory
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Transparency as Interface: A ‘Petite Histoire’ of its Tools
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Travelogue: The Expressive Potential for an A-Life Filmmaker
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Tuning in and Spacing Out: The Art and Science of the Presentness of Sound
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Turbulent World: An Artwork Indicating the Impact of Climate Change
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TwttrGraph: I Wish to Speak with You. A Telegraphic Sound Installation
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Ubicomputacional Art: Urban Environment and Emergent Narratives
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Uncovering Histories of Electronic Writing: Artificial Intelligence and Art Practice
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Understanding the Art Practice of Critical Gameplay Designs
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Understanding Third Space: Evaluating Art-Science Collaboration
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Unfolding and Unwinding: A Perspective on Generative Narrative
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Unified Physical and Digital Experiences: Exploring Art and Digital Media via Augmented Reality Interface
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Unintelligent design, the evolutionary limits to biological design
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United & Severed: collaborative research and cognitive authority
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Untold Bodies: Re-imagining the Natural History and Scientific Archive
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Urban Augmented Reality and the Games of Cybergeography
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Urban Cracks: Interstitial Spaces in the City
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Urban Ecologies: “In the City of the Apis Queen”
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Urban Sensoria - Culture, Content, Technology, and Locating Media
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Urban Sites Inform Sculptural Light Works
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Urban sonic activation on wheels: ghost scraper
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URME Surveillance: Analyzing Viral Face-crime
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Users Become Re-Creators: Enhancing Experiences Through Mapping
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Using Biophilic Design and the Orienting Reflex to Develop Generative Ambient Public Displays
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Using Computers in an Art Practice From Computer-plotted Drawings to Interactive Computer Art
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Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
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Using interactive documentary as a peace-building tool in a post-Florian conflict situation
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Versor: Spatial Computing with Conformal Geometric Algebra
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Vessels for Infinite Veracity: Theatre Machines and the Body
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Video mirrors and mirror neurons: a look at empathy in participatory immersive environments
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VIK: A Video Keyboard for Time Colour Structures
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Virtual Instrumentality: Exploring Embodiment in Artistic Installations
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Virtual Migrants: Racist Deportations vs Freedom of Virtual Travel, Electronic Art as Ideology
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Virtual Spaces and Ergonomics: The Feng Shui of Cyberspace
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Visual Arts Creation Assisted by BICASSO: Brain-Inspired Computationally Aesthetic Selective Savant and Observer
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Visual Documentation of Structural Information: A Tool for Composition and Analysis in Electro-Acoustic music
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Visual Information Design of Digital Picture Cards: A Computer-based Therapy for Aphasics
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Visualising Invisible Networks as Collaborative Arts Practice
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VIVO (Video Interactive VST Orchestra) and the Aesthetics of Interactivity in the Age of Care-Less Capitalism
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Vjacket: A Wearable Controller for Live Video Performance
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VR as a Preservation and Simulation Tool for Media Art Installations
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VR Panoramic Photography and Hypermedia: Drawing from the Panorama’s Past
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VR Webcams: Time Artifacts as Positive Feature
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V_Tape: How New Technologies Can Influence Education Within Media Arts
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Wasting Time: The Thinking Behind ‘Knowmore (House of Commons)’
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WaterWays Visualization Computational Reflexivity for Sustainability Action
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Web3D Dance Composer: A Web-based Ballet Performance Simulation System
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Weblogmusic: A Performance Platform for Individually Time-Shifted Improvisers
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Welcome to Artout: The First Artist Escort Service in the History of Art!
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What Digital Technologies Brought to Simulation Art
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What If? Another History of Digital Media for Designers and Artists
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When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]
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Where does Intellectual Discourse Reside in New Media Art?
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White New Media Mythologies On Interacivity and Orientalism
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White Night Melbourne in 2013 and 2014: Disruption or Contribution Toward the Socially Engaged Public (Art)?
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Whose past is it anyway: the use of digital databases in exploring personal and collective memory
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Wider Contexts: Electronic Media as Sites for Public Art
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Wo.Defy: designing wearable technology in the context of historical cultural resistance practices
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Women, Gender and Technology, Leisure, Pleasure or Penury?
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Wooden Worlds: Aesthetical and Technical Aspects of a Multimedia Performance Using Real-Time Interaction
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Work-in-Progress: Interactive Art/ Science Planetarium Event on Cell Biology
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Workers of the Future at the Frontier of a : Innovation at work
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Working with Poetics in an Interactive Environment: Mouthplace
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World-Wide-Walks: Glaciers in the age of global warming
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Writing on the Walls of Cyberspace Abstract
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[e]arts for humanitarian actions? the “art!⋈ climate” initiative
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[i-metro] Universal Access to Information
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[Personal Nature]: An Artist’s Approach to Assistive Technology
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‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window
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‘I would wear it, because it is something different’
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‘Kansei’ in Non-Linear Automated Music Composition: Semiotic Structure and Recombinicity
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‘Simulization’: New Paradigms for Networked Language Art
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‘Splitting Centre’: directing attention in trans-media dance performance
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‘The Familiar’: Technology-being-with-us
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‘The Plucker’: A Case Study in Interface Specific Control Signal Processing
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‘The Value of Art’: Transforming User Attention into Monetary Value in a Series of Interactive Artworks
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‘Twitter’: Practice in Writing, A recipe for Creativity & Creative Interpretation
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“Chair de lumière” by Marjolaine Béland: How Disruptive Conditions and Mimicry Capture Attention and Favor Empathetic Resonances
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“Convergence” at the Nexus of Technology, Digital Aesthetics, and Social Theory
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“I try to stay neutral”: Digital Assistants and their Stance towards Gender
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“Mapping the Commons, Athens”: A Cartography of Alternate Economies and Practices in Times of Crisis
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“Recombinant Fiction” Theoretical Paper and Manifesto
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“REDI” On-line Educational Resources for the Development of Professional Multimedia Skills
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“This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery
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