Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
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Designing and orchestrating technologies for future home or objects for arithmomaniacs
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‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window
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Perceptual Correspondences of Abstract Animation and Synthetic Sound
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The Digital Contamination of Dramatic Theatre: Subject Technology in Exception
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Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings
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The Aesthetic Beauty of the Artificial: when Prosthetic Bodies Become an Art Expression of Empowering Design Technologies
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Transcultural Electronic Negotiations: The Redefinition of Public Art across Cultures and Media
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The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
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Synthetic is More Sensuous: Advances in Neurology and the Aesthetics of New Media
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Scientific Visualizations and Mixed Realities at the Art/Science Nexus
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Shivering Domains: Technologically Mediated Embodiment And Ecologies
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Corporeal_Expressions: Tracing Both Biomedical and Emotional Links from an Artistic Perspective
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After the Tunnel: on Shifting Ontology and Ethology of the Emerging Art-subject
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Art and the Broken Mirror: a Technogenetic Perspective on Digitally Expanded Realities
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Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore
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Professional capital and informal justice systems
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RAW: Rethinking the editing process and mediation in audiovisual narrative experience
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Situating Artificial Intelligence Art in Visual Cultural Heritage
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The Network — a challenge in New Media
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P@tch: Can We Use DIY Techno-Craftivism to End Armchair Activism
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“Site of Reversible Destiny Yoro AR”: Platform for Utilization of Art Database and Development of AR System
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Dynamic paintings: real-time interactive artworks in web
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Evoking Empathy Through Immersive Experiences in A Walk Alone
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From Art as Knowledge to the Aesthetics of the Subject: New Ways of Thinking the Art of the 21st Century
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Archiving and Researching Media Art in Israel: Challenges, Innovative Solutions, and Potential International Collaborations
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Geographies without bodies and bodies without lands: Video Art in the Islamic World
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Mutate or Die: A William S. Burroughs Biotechnological Bestiary
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Creative Ecologies in Action: Technology, Creativity and the Artist-led Workshop
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Bridging worlds: approaches to hybrid art in physical and virtual realities
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On the Cohesion of an Electronic Device Ensemble
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Historical Residue: an Augmented Reality App and the Exploration of the Lost Town of New Philadelphia, Illinois
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(WRMC Collaborative) – Playing in Place Nowhere: Creating an Open Source Country
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From Scenography to Planetary Network for Shanghai 2010 World-Expo City
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Cybrids: Integrating Cognitive and Physical Space in Architecture
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The Tapestry: Past and Possibility in the History of Magic
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Protest and Aesthetics in The Metainterface Spectacle
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Circles and Props: Making Unknown Technology
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Re-imagining the Electronic Journal
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Post-Digital Aesthetics and the Function of Process
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Shards: Multi-dimensional Stereoscopic Cubism in Virtual Reality
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Bridging traditional and digital crafts: Digital Dynamic Ornaments
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A Cybersemiotic Approach to Technoetic Arts: New Vocabularies in Transdisciplinary Research
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Green’s Art: New Media Aesthetics In Pre- And Post- Election Events In Iran
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The User Knows Best: Refining a VR Interactive Fiction Project
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eCO2system: exploring the environmental and social impact of the internet’s materiality through a data-driven media art installation
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The digital dream hacker: crowdsourcing the dream imaginary
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Phi Territories: Neighbourhoods of Collaboration and Participation
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Generative Narrative in xTNZ and Senhora Da Graça
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Movement, Dance, and Gesture: A Multidisciplinary Study of Nonverbal Communication
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Design Process for Wearable Technologies and Urban Ecology: AirQ Jacket
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Museum as Interface: The Implosion of the White Cube and Radical Museology
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Museums: A study of attractiveness on social networks
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Some Initiatives in Pervasive Games in the State of Santa Catarina
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Station “Name to be Chosen With the Local Population” Multi-User Platform
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TURBA Concert in 15 Movements for 64 Neural Oscillators
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Colonization and Science Networks Between Peripheries and the Center: The Case of the Naturalist Fritz Müller
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Reopening the inscription Rodrigo Arteaga: from the inscription to the phenomenon
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VZVZZ as a Medium of Abstraction: The “Stilleben” Project
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Learning Non-human. Can participatory practices change an Institution?
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Sensory vision — development of toolkits and training course using an I/O module and sensors
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Human, robot, alien: the universal succession and transformation of terrestrial life
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Wasting Time: The Thinking Behind ‘Knowmore (House of Commons)’
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In the Spotlight: Searchlights, Art, Surveillance and Spectacle
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Complex acquisitions: understanding the infrastructural properties of born-digital objects in museum collections
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The Pointless Chatroom: Coping with Absence in Online Performances
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The House Of Affects Project: Correlating Digitally Distributed Narrative to Adaptable spaces
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The arts, innovation and commercial opportunities
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Art, Technology and Business: Trans-Disciplinary Teams in the Arts
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Decolonizing the imaginary through the tactical use of machinimas
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Wormholing in Cyburbia and other Paranatural Pleasures
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Pixel Perfect: Performativity and Self-Portraiture
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Cubed: A Networked Physical Gaming System
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Database narrative, spatial montage and the cultural transmission of memory: a work in progress
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Applying Data Visualization to Cultural Study of the Salsa
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Remapping the city with the ephemeral night sky
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Absences: Public Art Interventions in Natural Spaces using Autonomous Electronic Devices
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For the Sleepers in that Quiet Earth: Experiencing the Behavior of a Deep Learning Neural Network Agent through a Generative Artbook
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Aesthetics of Adaptive Behaviors in Agent-based Art
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Reengineering of the Sensoriun and Imaginary Landscape: Mixed Reality
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Percussion and Live Electronics: Composition and Performance
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ground the enablement of creativity in a metaverse
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Phantom Pain: From Absence Dearest Memories Are Born
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A Little Better: Emotions in the Age of Cryptocurrency
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Sound, narrative and audience interaction: towards a recontextualisation of the Stephen Lawrence case
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Hybrid Bodies: Intersections of Art and Science
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Paradoxical Bodies: Animal Human and Machine
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On AL GRANO’s “Crop-Cropping” project and agro-cultural erasures
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A Maze About Maize: An Amerindian Divinity and its Transgenic Avatars
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Radical Reordering: bit-size chunks in the AL GRANO project
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Collaboration and development of an Artist’s Toolkit
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Air as Material: The Conceptual Fashion of Ying Gao
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Locative Media Experiences and the Rise of Hybrid Exhibitionary Spaces
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A comparative study of practice-based research and research-creation in media art: Comparing two doctoral studies in Australia and Canada
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Anonymous: VR Storytelling Through Alienation and Reflexivity
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Generative spatial montage with multi-layered screens in “Lost Fragments of the Night”
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Online collaborative design with students for autobiographical VR stories about Covid-19
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Reflexive-vr.com: Reconfiguring a physical VR exhibition into an online virtual exhibition due to the COVID-19 pandemic
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Sleeping Eyes: VR Narcolepsy Storytelling through the Duality of Presence
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e-Dance: Relocating Choreographic Practice as a New Modality for Performance and Documentation
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Somebody on Stage: Reviewing Interactive Body Augmentations in Performing Arts
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MindTouch: Biosensor-Mobile Media Performance Practices
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Microbial Identity: Art and biodiversity of self
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Sentience as The Antidote to Our Frenzied Mediated Selves
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Antipodean Media Ecologies: Journeys to Nowhere and Back
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Nonorganic Life: Encounters between Frequency and Virtuality in Antarctica
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Information Through Sound: Understanding Data Through Sonification
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From Sketches to Scenes: How to Develop Games
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Different Point of View on the Copyright of Artwork Between Artist and Engineer
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‘The Plucker’: A Case Study in Interface Specific Control Signal Processing
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Mission to Earth: Planetary Proprioception and the Re-Greening of the World
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Representation, Visualization, Art and Science
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New York Prophecies: The Imaginary Future of Artificial Intelligence
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Transient Materialization: Ephemeral Material-oriented Digital Fabrication
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Shifting Paradigms: Towards an Auditory Culture
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The DAM(N) Project: The validity of community engagement, social activism and digital technology in interdisciplinary art practice
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A Sound Authoring Architecture for Virtual Environments and Interactive Applications
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New Domestic Locations: Reconfiguring the home through the Internet of Things
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Toward a process philosophy for digital aesthetics
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The dancing body as a screen: synchronising projected motion graphics onto the human form in contemporary dance
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Pyxis Minor: App Design for Novel Social Music Experiences
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From Real to Virtual Embodied Performance: A Case Study Between Dance and Technology
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Curating/containing: Exhibiting Digital Art about Mental Health
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Retracing the Story of Bourges’s Institute of Electroacoustic Music through Exploratory Programming and Live Visualizations
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Intersection of the New Technologies in the Creation of Images (fine art) at the End of the XX Century
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Mapping the mind: collaborative creativity as alternative transformative practice
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Intertwining Art and Anatomopathology through Artistic Exploration of Augmented Reality and Medical Imaging
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Candida as companion species: exploring the performativity of interspecies care
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duliö Olé! - A mobile, swarm-intelligence based football game
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Exploring Facial Expressions for Human-Computer Interaction: Combining Visual Face Tracking and EMG Data to Control a Flight Simulation Game
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Parallax: Dancing the Digital Space
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Codifying History: the CAT Project Examines the International Trajectory of Computer Art 1975-2000
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You Cannot Step into the Same Museum Twice: How Natural Light Pulsates a Space
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Mobile Sound and Art Practices: the Local Contexts: Mobile Phone Music: Ring Tone Culture and the Mobile Phone in Sonic Art
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Creative Interactions: the Mobile Music Workshop
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Aesthetics of the Digital Ruins and the Future of Art Conservation
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Using Computers in an Art Practice From Computer-plotted Drawings to Interactive Computer Art
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The Dynamics of Collaborative Resistance: Negotiating the methodological incongruities of art, cultural theory, science and design
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Open Media Art from Cosmetics to Critical Fusion
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The Virtual Thematic Route Emil Benčić: From Experience to Infinity
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Journey of the Ancients
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No Place Like Now, Now Like No Place
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Remotely Connected, Remotely Creative: Leapfrogging the Digital Divide
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Can Art Contribute to the Research on Multisensory Processes?
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Media façades: Augmenting Urban Locations through Interaction
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Reimaging Coral Reefs: Remodelling Biological Data in the Design Process
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Visualising the Meditating Mind: the Aesthetics of Brainwave Data
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CyberPRINT: Toward an Architecture of Being
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