Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Media Art Using Korean Traditional Cultural Archetype
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Media Blackout: Networking News inside Pakistan
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Media Culture and Heritage: Curating Outsidership
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Media façades: Augmenting Urban Locations through Interaction
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Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore
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Mediated Urbanisms: An Architecture of Switching: Hybrid Communication Spaces
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Mediated Urbanisms: Mediated Spaces: Prototyping Architecture-Engineering Media
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Mediated Urbanisms: Relief Space: Rereading the Skin of the City
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Mediated Urbanisms: The Mediated City: Globalisation and Emerging Urbanities
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Mediating Exhibitions via Audience Participation on Social Media: Collectivist and Individualist Curatorial Approaches in One World Exposition 2 Exhibitions
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Medieval Cartography and the Ideological Mapping of Cyberspace -Part II, Section A: Are You Sure It’s Really Round?
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Memex in the Mirror: Using Social Media to Visualize Collective Thought in Real-time
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Memoirs of the Blind: Surveillance, Speed, and Interaction
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Memory’s death… or the desire of immortality
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Mental maps of Traditional Fisherman in the Caribbean Sea
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Merging Art, Media, and Ecology: Diego Rivera and Ariel Guzik at the Cárcamo de Dolores
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Metaphors in the Mix
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Methods of Evocation: The Evocation of the Sublime in Digital Art
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Mexican Electronic Art: Reuse and Reinterpretation of Technology
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Mind/Body-Movement Embodiment and Interactive 3D audio/visual
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MindTouch: Biosensor-Mobile Media Performance Practices
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Misplaced Euphoria: Developing Kinesthetic Empathy Through Interactive Performance
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Mitate: realising playfulness, multiple viewpoints and complexity in device art
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Mixed Reality Art Experiments: Immersive Access to Collective Memories
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- Jens Herder
- Shinpei Takeda
- Kai Vermeegen
- Till Davin
- Dominique Berners
- Bektur Ryskeldiev
- Christian Zimmer
- Ivana Druzetic
- Christian Geiger
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Mixed-realities: opening the Beijing Olympics
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Mobile Sound and Art Practices: the Local Contexts: Location Based Mobile Games: Blurring the Borders Between Physical and Virtual Spaces
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Mobile Sound and Art Practices: the Local Contexts: Mobile Phone Music: Ring Tone Culture and the Mobile Phone in Sonic Art
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Modelling Actions Selection and Learning in a Software Pet
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Moon Vehicle: creating new culture from the Chandrayaan mission
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More Real is Real: The Transorganic and Hypermorphic in the Einstein’s Brain Project
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More Than a Render: Digital Humans and the Politics of Representation
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Mother, Body, and Weather: An Artistic Exploration of Transcending the Physical Experience of Motherhood
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Motivation in Design Strategies for Behavior Change
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Mould Racing, or Ecological Design through Located Data Games
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Movement Unercommons: Movement Analysis as Meaning Making in a Time of Global Migrations
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Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change
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Multimedia Art and Multisensory Experience: Towards an “Epistemology of Multimedia”
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Multimedia: From Wagner to Virtual Reality
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Multimodal Data Portrait for Representing Mobile Phone Use Behavior
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Museum as Interface: The Implosion of the White Cube and Radical Museology
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Museum Practices and Posthumanist Assemblages: Activating the Possibilities of Technology Collections
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Museum technology: New Links to Interpreting, Presenting and Creating Art
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Museums: A study of attractiveness on social networks
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Music via Motion: Interactions Between Choreography and Music
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Musical synthesis: DNA sequences
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MusicALife Composition: An alternative representation for musical notation
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Mysterious Chinese Movable Type Printing From Technology To Art
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Nam June Paik’s Bibimbap Aesthetics as a Korean Reinterpretation of the Gesamtkunstwerk
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Nanotechnology, storytelling, sensing, and materiality
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Narratives and Images of Open Source: Stuff That Matters: The Rise and Rise of Open News
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Narratives and Images of Open Source: Who Owns Our Culture? A First-Person Case Study
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Narratives of Locative Technologies as Memory Assemblages
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Narratives, Subjectivity, and Interaction: Surfaces that See: Subjective Vision and Imagination in Gaze-Based Interaction
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Narratives, Subjectivity, and Interaction: Tilanteita Situations: Developing Concepts for Situated and Mobile Imaging
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Negotiating a Newer Hybridity: Technology in Bollywood Film Songs
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Neighborhood Narratives, New Dialogues with/in the Mediated City
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Net Art and Preservation: For Museums and Artists
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Net gain/net loss: the Googlization of new media art in the era of neoliberalism
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Nettropics Interactivity and the Synthetic Plane of Immanence Abstract
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Network Culture, Media Art: Urban Identity and Cultural Change Dialectics
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Network Dynamics: Network Dynamics: A Cross-Dimensional Comparison
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New Domestic Locations: Reconfiguring the home through the Internet of Things
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New Labyrinths and Maps: The Challenge of Cyberspace’s Art
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New Media as Technologies of Self, or ‘Sentimental Journey’ of Modern Nomads
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New Media, Politics and the 1968 Venice Biennale
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New York Prophecies: The Imaginary Future of Artificial Intelligence
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No Place Like Now, Now Like No Place
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Nonhuman Creativity in Generative Art: Beyond the Anthropocentric Paradigm
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Nonorganic Life: Encounters between Frequency and Virtuality in Antarctica
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Nouvelles Perspectives pour l’image de Synthese
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Nowhere, Anywhere, Everywhere: Location as Fiction and Function
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NUAGE: A Digital Live Audiovisual Arts Tangible Interface
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O-d-o: negotiating, contracting and transacting for online deal-making
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Observation Instruments for Imaginary Geographies
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Occupy the Screen: A case study of open artworks for urban screens
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Occupy This: A Dialogic Dérive
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Of Insects, Wisps, and Uncertainty: A Hermeneutical Comparative Analysis of Ori and the Blind Forest and Hollow Knight
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OMNI ANIMA: Holophonic Transformation of Indigenous Sami Joik Song into Shared and Embodied Flesh
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On AL GRANO’s “Crop-Cropping” project and agro-cultural erasures
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On Augmented Reality-Enabled Social Network Traces of Pratitya-samutpada (Interdependence)
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On Multimedia Syntax: A Semiological Perspective (What We Might Learn From Print)
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On the Cohesion of an Electronic Device Ensemble
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On the embodiment of the virtual (in the age of the collapsing distinction between fiction and reality)
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On the language of Abstract Animation
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One + one = three: the added value of dual degrees in higher education
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One degree of separation: shopping super locally
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One Step: The Impact of Interactive Public Installations on Promoting Public Awareness of Poverty
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Online collaborative design with students for autobiographical VR stories about Covid-19
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Online Possibles: Internet Spaces in a Postdigital World
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Online Social Network based on Internet of Things and Habit of Drinking Coffee in South of Brazil
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Online Sound and Virtual Architecture (Contribution to the geography of cultural translation)
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Open Estudio: Mapping Intercultural Dialogues through Art and Technology
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- Esteban García Bravo
- Carlos Mario Sánchez Giraldo
- Pablo Andrés Pulgarín
- Isabel Cristina Restrepo Acevedo
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Open Source City: Interactionfield Public Space: Redefining Urban Public Space in the Digital Age
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Open Source City: Open Source City: Field Office
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OpenPaths: empowering personal geographic data
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Organized Networks,Transdisciplinarity and New Institutional Forms
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Orphics: Computer Graphics and the Temporal Dimension of Electronic Colour
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OTTO: Musical Instrument for Realtime Manual Beat Slicing
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Overall Concept for the Construction of a Rehearsal of Memory
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Overload/Absence: the collapse of space to surface in representations of urban space
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O’megaVille: Excursions in Planetary Urbanism
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P@tch: Can We Use DIY Techno-Craftivism to End Armchair Activism
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Paradox and Play: Beyond Computer Games
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Passage: a Hybrid of Interactive Installation and Performance
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Peau d’Âne: Where Wearables Meet Fairy Tales
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Performance Practices in Electronic Dance Music in the 21st Century
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Perils of Obedience
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Perlin noise and sovereign land: Minecraft’s world generation algorithm and colonialism
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Phantom Pain: From Absence Dearest Memories Are Born
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PING, An Alternate Reality of Control
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Place-making With Telepresence: A Navigation Guide to A Journey into Time Immemorial’s Seven Exhibition Spaces
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Placing Space/Time Through Photography’s Old and New Technologies
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Plant Based Bio-Drone for Environmental Monitoring in The Amazon
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Play as a driving force in the era of the social web
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Play Design: a collaborative design space based on digital game project
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Play, skip, jump: warp devices in videogames
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Poesis of Software Use: Music, Materiality and Live Coding
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Poetic Instinct: Aesthetic experience as a vital function
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Politics of HCI and the User-Programmer Continum
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Possi(A)bilities: Augmented Reality experiences of possible motor abilities enabled by a video-projected virtual hand
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Possibilising performance through interactive telematic technology: Mental Dance
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Possible City: legacies of trauma in media space
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Post-Digital Aesthetics and the Function of Process
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Post-digital Typography Education with Digital Fabrication
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Postbiology between protocol and manifest: portraiture of a passing specie
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Posthumanism, Technology, and Monstrous Life Forms
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Postlocative Art for a Non-Anthropocentric World
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Practicing the Generic (City): Reconfiguring Life through Digital Media
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Preservation of Electronic and Digital Art in the Context of Expographic Spaces and Museums: An Information Management Perspective
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Preservation of Material and Immaterial Heritage through Interactive and Collaborative Artistic Interventions
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Privacy in the Age of Mobile XR
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Probing Food and Power with Robotized Spoonfuls of Edible Paste
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Processes of Creation in Mexican Digital Art
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Production of a Spatial Audio Narrative
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Production Processes of Mexican Digital Artists
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Products of negotiation and spaces of possibility: quantum systems and interactive media art
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Professional capital and informal justice systems
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Programming is Law: Can I be a Feminist if I Don’t Want to be a Programmer?
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Project Time revisited: thoughts on skin therapy, urban planning and Singaporean Angst
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Projects Desluz and ZN:PRDM (Neutral Zone: a River Passes Through Me) by Poéticas Digitais Group
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Prolegomena for a Transdisciplinary Investigation Into the Materialities and Aesthetics of Soft Systems
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Promoting Underrepresented Culture through Media Arts Collaboration
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Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music; imponderable Forms, Self-Organization, and Compositional Methods
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Prostheses for Instincts
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Prosthetics, Robotics and Remote Existence: Post Evolutionary Strategies
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Protest and Aesthetics in The Metainterface Spectacle
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Proto-Spam: Early Forms of Spam as Vernacular Performance on Usenet
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Prototyping Puppets Beyond Borders
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Public Interface Effects: Re-embodiment and transversality in public Projection
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Public Programming: Exploring the Power of New Technologies to Augment the Relational Aspects of Art within the Public Realm
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Public Secrets: information and social knowledge
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Pudu Jail’s Graffiti: Aesthetics Beyond The Walls of the Prison Cells
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Pulcher Aureus Filum. Biological Substrate Computers and the Ecological Paradigm Shift
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Pulsation of City: Interactive Flying Ball Installation
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Put Evaluation into Practice: The Collaborative Residency Life Cycle
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PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Sound Synthesis
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Qualia and Conceptual Blending: Another Structure of Music
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Qualitative, Dialectical, and Experiential domains of Electronic Art
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Quantum Uncertainty: Fragmentations in Art, Life and Reality
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Quasi-autopoiesis: Sublimed Human Intellect
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Queer Communication: Human-Nonhuman Encounters
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R.I.P.: A Case Study in Facilitating Multi-Disciplinary Collaboration
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Race, Representation & Digital Divides: inIVA Digital Archive: Race Representation and the Digital Domain
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Race, Representation & Digital Divides: Multiculturalism on the Internet: A Case Study of Nettime, an E-mail Discussion List
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Race, Representation & Digital Divides: New Media Art as Transcultural Interface
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Radical Ecological Art and NO Greenwash Exhibitions
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RAW: Rethinking the editing process and mediation in audiovisual narrative experience
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