ISEA2024 Presentation Overview
ISEA2024: [Overview] [Venues] [Presentations] [Workshops] [Art Events] [Gallery]
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Keynotes:
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Title:
Tamiko Thiel
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Presenter(s):
Full Papers:
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Title:
"Benefit Game: Alien Seaweed Swarms"–Real-time Gamification of Digital Seaweed Ecology
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Presenter(s):
Title: A Cross-Temporal Robotic Dance Performance: Dancing with a Humanoid Robot and Artificial Life — Presenter(s):
Title: A Matter of Orientation: Interactive Artwork Recasting Historical Artifacts in Latent Reality — Presenter(s):
Title: After the Digital – Re-materialising Digital Ecologies of Craft — Presenter(s):
Title: An Image-based Multimodal Approach to Post-colonial Everyday Visual Experiences: A Case Study of Superimposition (UK-HK) — Presenter(s):
Title: An Interdisciplinary Practice-based Research on Constructing “Techno-Art Cloud Exhibition Platform” — Presenter(s):
Title: Animation in the Age of AI: Creative Dialog With Algorithms — Presenter(s):
Title: ART AFTER AI: Utilizing Artificial Intelligence in Art Creation — Presenter(s):
Title: Atmospheric Embodiment: tuning into the voice of the weather. — Presenter(s):
Title: Bioart Coven—Co-creating community at the intersection of contemporary witchcraft and biotechnologies — Presenter(s):
Title: Chronobiology and the ‘time machines’ in art — Presenter(s):
Title: Curating Online: Art in Space and Time — Presenter(s):
Title: Designing a Serious Game Utilizing Beaver Behavior for Water Responsibility Education and Communication — Presenter(s):
Title: Escaping Human Experience: An Entry into Otherness Through Wearable Technology — Presenter(s):
Title: Fulfillment: A field guide to the logistical city — Presenter(s):
Title: Gradient Topologies: Perpetual Tuning of AI Systems as Artistic Performance — Presenter(s):
Title: Have You Ever Had a Digital Milkshake Before? — Presenter(s):
Title: Latin American MediaArt: Political Dimensions of the Archive of the International Image Festival — Presenter(s):
Title: Monochromatic Urban Patchwork: Map of Averaged Urban Ambience — Presenter(s):
Title: MONUMENTS TO THE PLURIVERSE: A transfronteriza nepantlera’s approach to rasquache anticolonial artisanal or utilitarian new media art production — Presenter(s):
Title: Open Justice Transformations Impacting Extended Reality (XR) Environments — Presenter(s):
Title: Preliminary Investigations on How to Love a Machine: Apprehending Art Through a Science Aesthetic — Presenter(s):
Title: Quadrupedal Robots as Extensions of Canine Racial Violence — Presenter(s):
Title: Re-enactment, Users Manuals and DNA Storage: Methods for Media Art Preservation —
Title: Realizing noise – creating space for unknown expressions — Presenter(s):
Title: Reworlding: Entangling Indigenous Knowledge and Posthuman Thinking Through Urban Play — Presenter(s):
Title: Self-surveillance and Self-perception in the Digital Arts — Presenter(s):
Title: Strange Entanglements: An Art-Science Installation Exploring the Spooky World of Quantum Entanglement — Presenter(s):
Title: The New Uncanny: Stories for Liminal Technology — Presenter(s):
Title: The Un/natural Symbionts. Kombucha-Making as Social-Epistemic Practice — Presenter(s):
Title: Turbulence as an immersive aesthetic for climate extremes — Presenter(s):
Title: Visual Haiku: Haiku in the Age of Global Visual Media — Presenter(s):
Title: When the Past Technology Comes to the Future Wearable Technology: Speculative Art Project Lock at First Sight (2020) — Presenter(s):
AI and Artistic Explorations (full papers)
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Title:
Animation in the Age of AI: Creative Dialog With Algorithms
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Presenter(s):
Title: Gradient Topologies: Perpetual Tuning of AI Systems as Artistic Performance — Presenter(s):
AI Impact on Media Art and Culture (full papers)
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Title:
A Matter of Orientation: Interactive Artwork Recasting Historical Artifacts in Latent Reality
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Presenter(s):
Title: Performative 3D Agents leveraging Reinforcement Learning in the Fold — Presenter(s):
Art Activism and Digital Media (full papers)
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Title:
Always On: Exploring Socially Engaged Internet Art in Taiwan
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Presenter(s):
Title: Open Justice Transformations Impacting Extended Reality (XR) Environments — Presenter(s):
Art Science (full papers)
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Title:
Listening to Rivers: Engaging Communities in Freshwater Conservation Through Real-time Audio and Locative Media
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Presenter(s):
Title: Preliminary Investigations on How to Love a Machine: Apprehending Art Through a Science Aesthetic — Presenter(s):
Title: Strange Entanglements: An Art-Science Installation Exploring the Spooky World of Quantum Entanglement — Presenter(s):
Title: Talking Through Tubes: Molecular Ecologies of Place — Presenter(s):
Art, Nature, and Perception (full papers)
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Title:
Interdisciplinary Translations: Sensory Perception as a Universal Language
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Presenter(s):
Title: “Hidden Incidents of Pet Food”: Portraying Taurine Deficiency in Cats — Presenter(s):
Craft (full papers)
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Title:
After the Digital – Re-materialising Digital Ecologies of Craft
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Presenter(s):
Title: Escaping Human Experience: An Entry into Otherness Through Wearable Technology — Presenter(s):
Title: The Un/natural Symbionts. Kombucha-Making as Social-Epistemic Practice — Presenter(s):
Cultural Heritage Practices (full papers)
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Title:
AR Poengsgenpark: Multiperspective Storytelling with Augmented Reality as an Attempt of Dialogue Facilitation in a Multifaceted Dispute
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Presenter(s):
Dance (full papers)
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Title:
Hekateris Dance
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Presenter(s):
Digital Curation (full papers)
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Title:
Curating Online: Art in Space and Time
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Presenter(s):
Title: The Start of a Networked Curatorial Dictionary… — Presenter(s):
Title: Use Subjectivity as a Curatorial Method in Space Art — Presenter(s):
Digital Museum Practices (full papers)
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Title:
Video as Craft: How Engaging with Media Art Collections Can Re-constitute Experience and Restore the Experimental Spirit
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Presenter(s):
Digital Wellbeing (full papers)
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Title:
An Augmented Reality Installation to Metaphorically Represent the Causes, Manifestations, and Consequences of School Bullying in East Asia
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Presenter(s):
Title: Peripheral Interaction as Self-Hypnosis Arts Practice — Presenter(s):
Title: Peripheral Interaction as Self-Hypnosis Arts Practice — Presenter(s):
Title: Take a deep breath: Spiroartis – The First Artbased Spirometry Platform for Adolescent Asthma Patients — Presenter(s):
Divination and Chance (full papers)
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Title:
Archiving Body Movements: Collective Generation of Chinese Calligraphy
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Presenter(s):
Title: From I-Ching to AI: Interrogating Digital Divination — Presenter(s):
Title: Practices of Prediction: Tarot as a Lens for Disrupting ML Eventfulness — Presenter(s):
Ecologies of Place (full papers)
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Title:
An Image-based Multimodal Approach to Post-colonial Everyday Visual Experiences: A Case Study of Superimposition (UK-HK)
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Presenter(s):
Title: An Interdisciplinary Methodology for Practice-Led Research in Public Ambient Installation — Presenter(s):
Title: Different Layers of Reality. A Retrospective Evaluation on Diverse Possibilities for Digitally Preserving Memories of the Yunnan Garden as an Immersive Experience — Presenter(s):
Title: Message Bank: Time in Location-Based Media — Presenter(s):
Title: Reworlding: Entangling Indigenous Knowledge and Posthuman Thinking Through Urban Play — Presenter(s):
Title: We Are The Clouds: Blending Interaction and Participation in Urban Media Art — Presenter(s):
Experimental Arts in Public Space (full papers)
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Title:
Holon: A Cybernetic Interface for Bio-Semiotics
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Presenter(s):
First Nations Perspectives (full papers)
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Title:
Resonating with Nature: Mexican Electronic Artists' Tribute to Pre-Columbian Heritage
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Presenter(s):
Games for Change (full papers)
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Title:
Designing a Serious Game Utilizing Beaver Behavior for Water Responsibility Education and Communication
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Presenter(s):
Immersion and VR (full papers)
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Title:
BirdMan VR: Binocular Rivalry and 4E Cognition
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Presenter(s):
Title: Embosom: Reimagining Home in the Diaspora through a Multi-Sensory VR Art Installation — Presenter(s):
Title: Have You Ever Had a Digital Milkshake Before? — Presenter(s):
Title: Immersive Empathy: Developing Interactive 360-Degree Video Projects in Cylindrical Spaces for Social Awareness in a College Art Class — Presenter(s):
Title: Virtual Reality and Creativity: Evaluating Immersive Painting Experiences and Art-based Mindfulness — Presenter(s):
Inclusion and Accessibility (full papers)
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Title:
Creating Conversations: Augmented Reality Experience Design Created to Prompt Conversations About the Australian Aged Care System
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Presenter(s):
Title: Experiment of Inclusive Quiet Room as a Chilling Out Space in a Media Art Exhibition — Presenter(s):
Innovative Practices in Cultural Heritage (full papers)
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Title:
Heritage Frontiers in Computational Media Art: The Oceanic Provenance of Permacomputing and Codework
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Presenter(s):
Title: Play to Preserve the Past: Design Considerations for the Transmission of Intangible Heritage through Augmented Reality — Presenter(s):
Title: The Sensual Experience of Waterways Immersive Exhibition: Applying the Visual Matrix Evaluatory Method — Presenter(s):
Interdisciplinary Innovations (full papers)
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Title:
PoEmotion: Can AI Utilize Chinese Calligraphy to Express Emotion from Poems?
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Presenter(s):
ISEA and SIGGRAPH (full papers)
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Title:
A Short History of the International Symposium on Electronic Art
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Presenter(s):
Mixed (full papers)
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Title:
Collapsing City Narratives: Artistic Activism and Urban Ecologies in Strife
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Presenter(s):
Title: Interior Cities: Inhabiting Interactive Cityscapes through the Webcam and the Shared Screen — Presenter(s):
Title: Monochromatic Urban Patchwork: Map of Averaged Urban Ambience — Presenter(s):
Title: Self-surveillance and Self-perception in the Digital Arts — Presenter(s):
Title: Self-surveillance and Self-perception in the Digital Arts — Presenter(s):
Title: Staying Vigilant in the Age of AI: From Content Generation to Content Authentication — Presenter(s):
Title: The Dreaming in Telematic Dreaming and Other Stories — Presenter(s):
Title: Window Water ${object} Moving (Convolutional Mnemonics) — Presenter(s):
More Than Human (full papers)
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Title:
"Benefit Game: Alien Seaweed Swarms"–Real-time Gamification of Digital Seaweed Ecology
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Presenter(s):
Title: Quadrupedal Robots as Extensions of Canine Racial Violence — Presenter(s):
Reimagining Media (full papers)
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Title:
From Engagement to Integration: Examining Participatory and Systemic Approaches in Contemporary Art Practices
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Presenter(s):
Title: The Boar in the Flower Shop – Exploring Synthography as a New Genre Beyond Photography — Presenter(s):
Title: The New Uncanny: Stories for Liminal Technology — Presenter(s):
Roy Ascott Studio Student Talks (full papers)
Sound (full papers)
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Title:
Beeyali: Visualising Ecological Interconnection and Acoustic Ecology on Kabi Kabi Country
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Presenter(s):
Title: Enhancing Embodied Telepresence in First-Person View Drone Pilots through Real-Time Data-Driven Sound Design — Presenter(s):
Title: In_Listening_In: An Exploration of Ambisonic Audiography as an Alternative Approach within Sound Studies — Presenter(s):
Title: Machinic Paragenesis: Experiments in Handling Noise as an Artistic Material — Presenter(s):
Title: Sonic Ontologies of Place — Presenter(s):
Time (full papers)
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Title:
A Practitioner’s Objects: Reflections on a Slow Data Practice
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Presenter(s):
Title: A Study on Constructing Immersive Cross-Sensory Experiences to Influence Temporal Perception — Presenter(s):
Virtual (full papers)
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Title:
"Heritage Frontiers in Computational Media Art: The Oceanic provenance of Permacomputing and Codework "
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Presenter(s):
Title: A Cross-Temporal Robotic Dance Performance: Dancing with a Humanoid Robot and Artificial Life — Presenter(s):
Title: ART AFTER AI: Utilizing Artificial Intelligence in Art Creation — Presenter(s):
Title: Art, Technology and Marginal Communities. "Il giorno in cui tornammo ai campi" as a case study — Presenter(s):
Title: Atmospheric Embodiment: tuning into the voice of the weather. — Presenter(s):
Title: Bioart Coven—Co-creating community at the intersection of contemporary witchcraft and biotechnologies — Presenter(s):
Title: Chronobiology and the ‘time machines’ in art — Presenter(s):
Title: Collaborations in Art and Science: Disciplinary Entanglements and Public Participation — Presenter(s):
Title: Common human ancestor, Cambrian Explosion, and Punctuated Equilibrium in Photogenetics — Presenter(s):
Title: Creating the “Everywhen” Urban Experience in Singapore: An Artist-Driven Interweaving of Time and Space Using AI-Powered Projection Mapping and Screen Installations. — Presenter(s):
Title: DB: web art archive of multimedia labs for gender equality. — Presenter(s):
Title: Democratizing biology through DIY Interactive Popular Science — Presenter(s):
Title: Designing telematic creation spaces: Active Tele-Spaces — Presenter(s):
Title: Everywhen-to-Nature — Presenter(s):
Title: Exhibition Spaces for Human-Robot Interaction Tactile Data Collection — Presenter(s):
Title: Falling Echoes: Expressing the Act of Falling in Dreams Through Generative AI — Presenter(s):
Title: Fulfillment: A field guide to the logistical city — Presenter(s):
Title: Liaozhai in the Mirror: Exploring Gender Bias and Awareness through Utilizing Serious Games for Gender Education — Presenter(s):
Title: MONUMENTS TO THE PLURIVERSE: A transfronteriza nepantlera’s approach to rasquache anticolonial artisanal or utilitarian new media art production — Presenter(s):
Title: Re-Worldings at MIT of Beaver Terrapolis Terristories — Presenter(s):
Title: Realizing noise – creating space for unknown expressions — Presenter(s):
Title: Sculptural storage format — Presenter(s):
Title: Spectral Sound Systems: Mapping the Mnemonic Soundscape — Presenter(s):
Title: Stable Diffusion Denoising Path Orientation: Implementing L-System in Generative AI Model — Presenter(s):
Title: The Atomic Kinship: Re-Imagining Radioactive Agency Through Artistic Research — Presenter(s):
Title: The Demiurgical Principle of Digital Senses — Presenter(s):
Title: The First Room: An artistic expression combining traditional Chinese IChing culture and EEG technology — Presenter(s):
Title: The future is here: Listening to space — Presenter(s):
Title: The meander as curatorial technique for online exhibitions — Presenter(s):
Title: The Orphanhood of the Archive in Contemporary Times: Between the Public and the Private — Presenter(s):
Title: THE PRESENT IN THE FUTURE IS THE PAST: Applying Generative AI to Visualize and Imagine Cultural Heritage Sites in Both Augmented and Physical Reality — Presenter(s):
Title: The Wearable Futures Hackathon: Futures thinking, speculative design and wearable technologies in the Global South — Presenter(s):
Title: Transcending Time: The Resurrection of the Intangible Cultural Heritage of Sugar Painting through Human-Robot Dynamics in an "Everywhen" Perspective — Presenter(s):
Title: Turbulence as an immersive aesthetic for climate extremes — Presenter(s):
Title: Visual Haiku: Haiku in the Age of Global Visual Media — Presenter(s):
Title: What If Digital Information Dies?——An Interactive Experience for Digital Death — Presenter(s):
Title: When the Past Technology Comes to the Future Wearable Technology: Speculative Art Project Lock at First Sight (2020) — Presenter(s):
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Title:
Animation in the Age of AI: Creative Dialog With Algorithms
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Presenter(s):
Short Papers:
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AI and Artistic Explorations (short papers)
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Title:
AI and Art Pedagogy
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Presenter(s):
Title: AI or not AI: The Perspectives of Artificial Intelligence from Contemporary Artists in U.S. — Presenter(s):
AI Impact on Media Art and Culture (short papers)
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Title:
The Probable Garden: An Exploration of Algorithm-Driven Cinematic Real-time Spaces
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Presenter(s):
Art Science (short papers)
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Title:
Narrating Global Emerging Issues with Complexity-Inspired Installations
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Presenter(s):
Title: Worried Wings: Eco-media-in-progress — Presenter(s):
Art, Nature, and Perception (short papers)
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Title:
The Colonisation of Colour: Berlin and Kay's Colour Categories in Pacific Languages
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Presenter(s):
Title: The Kite Knows Where I Go: An Exploration to Trace Awe in an Embodied and Situated Kite-flying Experience — Presenter(s):
Creative Placemaking (short papers)
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Title:
Playing to be in Dja Dja Wurrung Country: A Learning Program Creating Locative Games
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Presenter(s):
Cultural Heritage Practices (short papers)
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Title:
Hyperrealia: Augmented Reality Cultural Heritage Object Interventions
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Presenter(s):
Dance (short papers)
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Title:
Curating Transdisciplinary Residencies: Time and Place for a ‘First Kiss’
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Presenter(s):
Title: Everywhen: Creative Technology & Dance Drawing Ecologies — Presenter(s):
Digital Curation (short papers)
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Title:
Preserving Memories Beyond Museums: Navigating Personal Memories through Technology
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Presenter(s):
Eco/Techno Feminism (short papers)
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Title:
Digital Flesh – Scar in Data: Remediating and Performing the Korean Female Body
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Presenter(s):
Title: Primal Experience: Works of Art as Artificial Wombs — Presenter(s):
Ecologies of Place (short papers)
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Title:
The 8th Continent - A Participatory Interactive Art and Gaming Experience for Reclaiming Public Screens
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Presenter(s):
First Nations Perspectives (short papers)
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Title:
Negotiating Temporality
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Presenter(s):
Games for Change (short papers)
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Title:
Dark Forest: Critiquing Online Communication in an Art-Game of Digital Monsters
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Presenter(s):
Title: You Are Under Watch: Designing an Uncomfortable Pervasive Game for Critical Reflection and Player Equity — Presenter(s):
Immersion and VR (short papers)
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Title:
Hand Bone Frame Conversion for Motion Retargeting in a Body Motion Capture System to Manipulate Virtual Taiwanese Hand Puppet
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Presenter(s):
Title: Integrating performance into atypical immersive spaces through motion capture technology — Presenter(s):
Title: What Good (and Bad) is VR — Presenter(s):
Inclusion and Accessibility (short papers)
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Title:
Resonance: A Collaborative Multiuser Interface to Create an Inclusive Audiovisual Sound Art Performance
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Presenter(s):
Interdisciplinary Innovations (short papers)
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Title:
Digital Deviation: Rewiring CG Art-Making Tools with Manual Extrusion
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Presenter(s):
Title: Exploring Augmented Reality as an Artistic Tool: A Workshop-based Study with South Korean Artists — Presenter(s):
ISEA and SIGGRAPH (short papers)
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Title:
ISEA Symposia in Australia: Past, Present and Future (1992, 2013 & 2024)
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Presenter(s):
Mixed (short papers)
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Title:
Float: Evaporation and Dissipation of Digital Information
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Presenter(s):
Title: I’boundary: Entangled Aesthetics of Plant Transpiration with Human Attention — Presenter(s):
Title: The Time of Tactical Media — Presenter(s):
Reimagining Media (short papers)
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Title:
Cooperative Aesthetic Experience in Participatory and Interactive Art
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Presenter(s):
Title: Permeability and Media Art — Presenter(s):
Robotics (short papers)
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Title:
Robotic Blended Sonification: Consequential Robot Sound as Creative Material for Human-Robot Interaction
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Presenter(s):
Title: Track Back: A Human Robot Movement Installation — Presenter(s):
Roy Ascott Studio Student Talks (short papers)
Sound (short papers)
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Title:
Channelling Dulcie's Piano - How the River Taught the Piano to Sing
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Presenter(s):
Title: Hot & Heavy: A Search for New Futures Amidst the Beat of a Broken-down Washing Machine — Presenter(s):
Title: Towards Sentience: A path through Jazz, Datasets and Digital Scores — Presenter(s):
Virtual (short papers)
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Title:
A Soundscape in the Virtual Reality World: How to Economically De-sign a VR Soundscape Assignment
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Presenter(s):
Title: A Thousand Dreams Unbuilt: Navigating Digital Empathy in the Crisis of Unfinished Buildings — Presenter(s):
Title: Aeolian Noises: Reconciling Wind Turbines in the Australian Landscape — Presenter(s):
Title: ANIMATED NOTATION “EVERYWHERE” FOR “EVERYONE”: A BROWSER-BASED APPLICATION FOR COMPOSITION, PERFORMANCE AND PEDAGOGY — Presenter(s):
Title: Artistic Practice as an Alternative Research Method: Investigating Non-representational, Nonlinguistic, and Affective Forces in Technology Through Artmaking — Presenter(s):
Title: Asymmetric VR Installation and Repertoire: Time and Space in Collaborative Interaction — Presenter(s):
Title: Cloning voices and making kin: A multivocal AI approach to kinship —
Title: CULTURAL HERITAGE VIRTUALIZATION: A Collaborative Hands-on Approach for Training Students in Archaeological Preservation — Presenter(s):
Title: Echoes of Heritage: Uniting Immersive XR and Live-Action Roleplay for Rural Renaissance — Presenter(s):
Title: Framing temporalities in Natalie Bookchin’s Now he’s out in public and everyone can see (2012) — Presenter(s):
Title: Innovation and experimentation to increase access to the ACMI art collection — Presenter(s):
Title: Make America Great Again and Again: Voices from a Virtual World — Presenter(s):
Title: Mapping the Digital Arts Industry in Pakistan — Presenter(s):
Title: Mycological Metaphysics. Fungal Temporalities as Creative Act of Becoming — Presenter(s):
Title: Redefining Social Good through Tactical Media: Virtual Reality and Artificial Intelligence — Presenter(s):
Title: Textual Bodies: AI, Natural Language Processing, and the Erotic Landscape — Presenter(s):
XR Performance (short papers)
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Title:
AI and Art Pedagogy
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Presenter(s):
Panels:
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Connecting with Country (panels)
Creative Placemaking (panels)
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Title:
Play About Place: Expanding the Impact of Indigenous-led Creative Placemaking After COVID
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Presenter(s):
Digital Museum Practices (panels)
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Title:
Configuring Museum Digital Research in Australia
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Presenter(s):
Eco/Techno Feminism (panels)
Ecological Imaginaries (panels)
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Title:
Eco-imaginaries: Creative Practice and Ecological Transformations
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Presenter(s):
Education Forum (panels)
Heritage of the Pioneers (panels)
Indigenous Australian Artists (panels)
Indigenous Epistemologies (panels)
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Title:
Abundant Intelligences: Indigenous Knowledges and AI
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Presenter(s):
Title: Creativity Infrastructure for Indigenous-led Hemispheric Exchange — Presenter(s):
ISEA and SIGGRAPH (panels)
Memory (panels)
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Title:
The Tiger's LeaRe-authorship and the Digital Archive
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Presenter(s):
Mixed (panels)
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Title:
Brasília Surveillance Camera Images: Dissenting Narratives of Art, Architecture, and Digital Culture
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Presenter(s):
Title: Hangul Project Collective: A Study of Resilience and Identity through Intercultural Visual Dialogues between Korean and Global Influence — Presenter(s):
Title: Weaving Water: Connecting to Place, Practice and Protocol — Presenter(s):
Virtual (panels)
XR Performance (panels)
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Pictorials / Visual Essays:
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AI Impact on Media Art and Culture (pictorials/visual essays)
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Title:
The Metaverse and the Potential Impact of AI on Painting and Drawing: A Comparison of Applications and Aesthetics in New Media and Contemporary Practice
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Presenter(s):
Creative Placemaking (pictorials/visual essays)
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Title:
Spirit of the Maranoa
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Presenter(s):
Cultural Heritage Practices (pictorials/visual essays)
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Title:
Preserving the Past for the Future: 3D Scanning and Community Involvement in Hong Kong's Heritage Conservation
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Presenter(s):
Ecologies of Place (pictorials/visual essays)
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Title:
Performing an Urban Digital Twin: Diffracting the City Imaginary
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Presenter(s):
Title: Shaping and Weaving the Lake Arts Precinct — Presenter(s):
Experimental Arts in Public (pictorials/visual essays)
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Title:
Speculating Smart: An Ambiguous Image Object
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Presenter(s):
Institutional Presentations (pictorials/visual essays)
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Title:
Digital Materialities: A Pilot Project Exploring Transdisciplinary Collaboration Across Fashion, Photography and Digital Design in a Higher Education Context
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Presenter(s):
Interdisciplinary Innovations (pictorials/visual essays)
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Title:
Heard
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Presenter(s):
Mixed (pictorials/visual essays)
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Title:
Ecomedia Colorado
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Presenter(s):
Time (pictorials/visual essays)
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Title:
The Metaverse and the Potential Impact of AI on Painting and Drawing: A Comparison of Applications and Aesthetics in New Media and Contemporary Practice
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Presenter(s):
Artist Talks:
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Craft (artist talks)
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Title:
CPEGs: The Aesthetics of Digital Signal Processing in Pictorial Carpet Making Practice
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Presenter(s):
Cultural Heritage Practices (artist talks)
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Title:
Play to Preserve the Past: Safeguarding Vietnamese Intangible Heritage through Augmented Reality Creative Practice
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Presenter(s):
Eco/Techno Feminism (artist talks)
Ecologies of Place (artist talks)
Experimental Arts in Public Space (artist talks)
First Nations Perspectives (artist talks)
Immersive Storytelling (artist talks)
Interdisciplinary Innovation (artist talks)
ISEA Artist Talks
Laser Talks (artist talks)
Mixed (artist talks)
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Title:
Heaven on Earth Map
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Presenter(s):
More Than Human (artist talks)
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Title:
Citizen Tree
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Presenter(s):
Title: Woody's Last Laugh — Presenter(s):
Robotics (artist talks)
Roy Ascott Studio Student Talks (artist talks)
Sound (artist talks)
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Title:
Visualising Soundscapes: Enhancing Audience Engagement with Ecoacoustics
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Presenter(s):
STYLY Exhibition and Artist Talks
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Title:
Fleshed Networks
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Presenter(s):
Virtual (artist talks)
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Title:
AI.MAGINATION
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Presenter(s):
Title: Anisotropicities and inverted spaces of presence — Presenter(s):
Title: Breath - An Installation — Presenter(s):
Title: Fusion – Landscape and Beyond: Intersecting Realms of Nature, Urbanity, and Synthetic Memory — Presenter(s):
Title: Gaze into Legends: Crafting Personalized Narratives through VR Eye-tracking — Presenter(s):
Title: Industrial Lichen: Exploring the Intersection of Nature, Industry, and Technology — Presenter(s):
Title: Rise of the Tidal Island Queens — Presenter(s):
Title: SubmergeShots: A VR-based Serious Game for Enhancing Marine Bioscience Knowledge and Conservation Awareness — Presenter(s):
XR Performance (artist talks)
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Title:
CPEGs: The Aesthetics of Digital Signal Processing in Pictorial Carpet Making Practice
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Presenter(s):
Institutional Presentations:
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Art Science (institutional presentations)
Experimental Arts in Public Space (institutional presentations)
ISEA Institutional Presentations
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Title:
ACM SIGGRAPH History Archives: Reclaiming the Past
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Presenter(s):
Title: CIFRA Platform for New Media Art — Presenter(s):
Title: Institutional presentations: ”Quantum Art Bridge: Superposition and Entanglement of Quantum Physics and TechArt” of NTHU — Presenter(s):
Title: Interdisciplinary Institute for Applied Creativity — Presenter(s):
Title: Introducing the ACM SIGGRAPH Digital Arts Community — Presenter(s):
Title: ISEA Symposium Archives — Presenter(s):
Title: Learning Through Digital & Interactive Art about the Land at Surrey Art Gallery: Towards Deepening Responsibilities, Relationships, and Commitments — Presenter(s):
Title: Speculative Futures Student Contest: A new partnership between ISEA2024 and DAC ACM SIGGRAPH — Presenter(s):
Roy Ascott Studio Celebration (institutional presentations)
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Title:
A Decade of Technoetic Innovation: Celebrating 10 Years of the Roy Ascott Studio Advanced Program at ISEA 2024 - Roy Ascott 90th Anniversary and the Planetary Collegium 40th Anniversary in 2024
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Presenter(s):
Virtual (institutional presentations)
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Title:
Art, memory, and place. Pioneering research and technology innovation to support creation (when resources are scarce)
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Presenter(s):
Title: Molior exhibition producer in arts sciences and technologies — Presenter(s):
Title: Place, Portals and Alternative Realities in Te Tai Tokerau — Presenter(s):
Title: Resonant Pedagogy and Practice in “The Everywhen”: New Directions at AMPD, Toronto, Canada — Presenter(s):
Title: Shifting time, space, and consciousness: The collective mixed reality UVM experience — Presenter(s):
Title: Timescales ecologies. Balance-Unbalance and how to help change the cultural behaviour facing the environmental crisis through art-science — Presenter(s):
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Summits/Meetings:
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Summit on New Media Art Archiving (archive presentations)
Summit on New Media Art Archiving (full papers)
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Title:
An Interdisciplinary Practice-based Research on Constructing “Techno-Art Cloud Exhibition Platform”
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Presenter(s):
Title: DAFNE+: Blockchain for Preservation and Valorization of Experimental Music and Sound Production — Presenter(s):
Title: Designing a Serious Game Utilizing Beaver Behavior for Water Responsibility Education and Communication — Presenter(s):
Title: Documenting the Ephemeral: Strategies for Preserving Early Internet Art — Presenter(s):
Title: Latin American MediaArt: Political Dimensions of the Archive of the International Image Festival — Presenter(s):
Title: Re-enactment, Users Manuals and DNA Storage: Methods for Media Art Preservation —
Summit on New Media Art Archiving (panels)
Summit on New Media Art Archiving (short papers)
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Title:
Deep Learning Algorithms as Potential Solutions to Challenges in Video Art Preservation
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Presenter(s):
Title: Integrating LLMs and RAG for Improved Usability in Multimedia Archives — Presenter(s):
Title: New Animation Art: The History and Evolution of Computer Animation at Prix Ars Electronica — Presenter(s):
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Doctoral Colloquium:
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Title:
Tamiko Thiel
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Presenter(s):
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The ISEA Doctoral Colloquium brings together higher degree students engaged with practice and research, studying their Masters through to PhD, to engage with and receive feedback from academics in practice and each other. ISEAs doctoral colloquium is scoped to guide and support HDR students in the successful completion of their studies.
Participants have been selected based on the quality and maturity of the proposals, relevance to the ISEA audience as well as the potential level of contribution of the DC to the PhD candidate’s dissertation.
This one-day colloquium was held on June 21 from 9:00 to 5:00 at the Kevin Grove Campus of the Queensland University of Technology, in building Z9, room 607.
