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Sound Art (Sorted by Exhibition Year)
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Video/Animation Installation
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Projection & Mapping
Sort by:
[Title]
[Artist Last Name]
[Year]
A Strong Heart
[
Joseph
]
[
ISEA2014
]
Agulhas Drifter
[
Keener
]
[
ISEA2018
]
Aheilos virtual world: Creation and...
[
Guskos
]
[
ISEA2014
]
Akousmaflore and Lights Contacts
[
Ancxt
] [
Lasserre
]
[
ISEA2011
]
All The Seas in the World
[
Kalogera
] [
Mezak
]
[
ISEA2014
]
Arrivals
[
De Mutiis
]
[
ISEA2013
]
Art of Sound
[
Ahmad
]
[
ISEA2014
]
Audiolfactory Creolization
[
Lynn
]
[
ISEA2014
]
Aural Fauna: Illuminato
[
Dill
] [
Póczos
]
[
ISEA2019
]
Autonomous Player Simulation
[
Derwick
] [
Thomas
]
[
ISEA2014
]
Bestiary for the Minds of the 21st ...
[
Mercado
]
[
ISEA2016
]
BioARTCAMP: A Rocky Mountain Advent...
[
Willet
]
[
ISEA2014
]
Birding the Future
[
Ekeberg
]
[
ISEA2014
]
Book of Nadine
[
Zindela
]
[
ISEA2018
]
Breathing Monster
[
Toeplitz
] [
Gourfink
]
[
ISEA2013
]
Cairo Crossroad; Ana; Life In The D...
[
Hefuna
]
[
ISEA2014
]
Chakana
[
Antequera
]
[
ISEA2018
]
Chozumaki
[
Akamatsu
]
[
ISEA2019
]
Composition In Red, Green, And Blue
[
De Decker
]
[
ISEA2014
]
Concerto para Piano e Pandemia
[
Gomes
]
[
ISEA2022
]
Construction in Kneading
[
Ikeshiro
]
[
ISEA2014
]
datamatics 2.0
[
Ikeda
]
[
ISEA2013
]
Dhvani
[
Chattopadhyay
]
[
ISEA2023
]
Digital Intervention of Archaelogic...
[
Guzman
] [
Lizarralde
]
[
ISEA2014
]
Dispositivo de realidad mutada
[
Aguirre
]
[
ISEA2023
]
Distributed Empire
[
Dodds
] [
Clemens
]
[
ISEA2013
]
DNA whakapapa
[
Jordan
] [
Clothier
]
[
ISEA2020
]
Double Negative
[
Spanghero
]
[
ISEA2023
]
Drawbotical Melodies
[
Lock
]
[
ISEA2014
]
Dubai Sound Transects
[
INSERTIO
] [
Partaik
]
[
ISEA2014
]
d’Eco a Siringa
[
Berenguer
]
[
ISEA2022
]
EchoSonics
[
Helyer
]
[
ISEA2013
]
Eclipse Bureau
[
Walker
]
[
ISEA2014
]
Eclipse Bureau
[
Walker
]
[
ISEA2014
]
Environment Built for Absence
[
Rice
]
[
ISEA2020
]
Feast or Famine
[
Lace
] [
Mahlangu
]
[
ISEA2018
]
Feedbike
[
Arseneault
]
[
ISEA2020
]
Floating Satellites
[
Carvalho
]
[
ISEA2014
]
FORMS (it’s a)Live
[
ISEA2022
]
Globus
[
Röhm
]
[
ISEA2023
]
Haunted Telegraph
[
Béland
]
[
ISEA2023
]
Heart Band
[
Garneau
] [
Willis
]
[
ISEA2020
]
HIVE
[
Cadambi
] [
Kiratli
]
[
ISEA2020
]
Humming Mississippi
[
Ostrenko
]
[
ISEA2014
]
Imagining CBC News World
[
Ladly
]
[
ISEA2014
]
Incertitudes
[
Gao
]
[
ISEA2014
]
ISEA Bright Future (Archangle Assem...
[
Wodak
]
[
ISEA2013
]
Itówapi Čík’ala (Little Pictur...
[
Ronneberg
] [
Kite
]
[
ISEA2020
]
Juxtaposition
[
Kuchelmeister
]
[
ISEA2013
]
Ko Rangi, Ko Papa, Ka Puta Ko Rongo
[
Berry
] [
Jordan
]
[
ISEA2017
]
Kryophone
[
Scenocosme
]
[
ISEA2020
]
Law of the Tongue
[
Helyer
]
[
ISEA2014
]
Lightbridge (Machines Studies)
[
Henschke
]
[
ISEA2013
]
Liminal
[
Wong
] [
De Mutiis
]
[
ISEA2014
]
Listening Space
[
Psarra
] [
Briot
]
[
ISEA2020
]
Lygophilia
[
ISEA2023
]
Material Music
[
Zareei
]
[
ISEA2020
]
Meditations on Conversation
[
Paine
]
[
ISEA2013
]
MetaHorn Silo Spin (Performance)
[
Brown
]
[
ISEA2013
]
Microbial Keywording
[
Spiess
] [
Strecker
]
[
ISEA2020
]
Negativland
[
Hosler
]
[
ISEA2013
]
Oscillating Expedition
[
Priest
] [
Bellotto
]
[
ISEA2014
]
Picturing El Nido
[
Kantner
] [
Lahti
] [
Lahti
]
[
ISEA2014
]
Psychophysics machines
[
Donovan
] [
Donovan
]
[
ISEA2014
]
Pulse Radio II
[
Young
]
[
ISEA2016
]
Re-Collect
[
Tingley
] [
Seta
]
[
ISEA2014
]
Re-Volution Sampler: A Participator...
[
Hasse
] [
Cermak-Sassenrath
]
[
ISEA2018
]
Repository
[
Zhang
]
[
ISEA2022
]
Resounding Walls
[
Reddiar
]
[
ISEA2018
]
Roboterstück
[
Kapur
] [
Eigenfeldt
]
[
ISEA2013
]
Slipstream
[
Retallick
] [
Davies
]
[
ISEA2018
]
Sono-lumínica-mano-morse: pulsatin...
[
García
]
[
ISEA2020
]
SoundLabyrinth and Action A/V
[
Pedersen
] [
Alsop
]
[
ISEA2013
]
Soundtracking John Cage 4’3″
[
Li
]
[
ISEA2016
]
SPIEL: performance for prepared mou...
[
Haaften
] [
Montanaro
] [
Weng
]
[
ISEA2020
]
Statements of Profit and Loss
[
Warner
]
[
ISEA2013
]
Stereopublic (Crowdsourcing the Qui...
[
Sweeny
]
[
ISEA2013
]
Streaming Pools
[
Quigley
]
[
ISEA2014
]
Temple of Din
[
Abela
]
[
ISEA2013
]
The Canvas of Resonance
[
Wong
]
[
ISEA2014
]
The Egg
[
Barotti
]
[
ISEA2020
]
The erosarbenus
[
Mojtahedi
]
[
ISEA2023
]
The Ford Folly
[
Ellis
]
[
ISEA2014
]
The Genre Project: Listening Statio...
[
Demaray
]
[
ISEA2020
]
The Infinitesimal – Interlacing W...
[
Senstad
] [
Hennix
]
[
ISEA2014
]
The Misty Way
[
Duprat
] [
Chomaz
] [
Schorno
]
[
ISEA2020
]
The Noisy Space
[
Korinsky
] [
Korinsky
]
[
ISEA2014
]
Twittering Machine (2013)
[
Drummond
]
[
ISEA2013
]
Urban Intonation
[
House
]
[
ISEA2018
]
Variations For Rooms and a Tone
[
Weaver
] [
Bradley
]
[
ISEA2014
]
VastWaste
[
Samanci
]
[
ISEA2022
]
Virtual States of Entanglement
[
susy.technology
]
[
ISEA2020
]
wassaygane abi-mazina’igan | maps...
[
Benesiinaabandan
]
[
ISEA2020
]
WindChime: a web-driven audiovisual...
[
Legrady
] [
Beyls
]
[
ISEA2014
]
Ocean Waves
[
Pijoan
]
[
ISEA2015
]
Sonic Fabric: The Universe is Made ...
[
Santoro
]
[
ISEA2012
]
Bipolar (Bird-Human) and Bipolar (W...
[
Johnsen
]
[
ISEA2012
]
Is Starlight A wifi Signal?
[
Thomas
] [
Smithies
]
[
ISEA2013
]
Rainbow x Apocalypse
[
Lillemon
]
[
ISEA2011
]
Theta Lab
[
Khut
] [
Brown
]
[
ISEA2013
]
Hasard Pendulaire
[
Isouard
]
[
ISEA2017
]
Dragged Backwards Through a Hedge
[
Bradbury
] [
Andrews
]
[
ISEA2013
]
Messages from the Horizon
[
Madsen
] [
Hosale
]
[
ISEA2020
]
Texas Border
[
Santos
] [
Moll
]
[
ISEA2012
]
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