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Sound Art (Sorted by Last Name)
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Video/Animation Installation
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Projection & Mapping
Sort by:
[Title]
[Artist Last Name]
[Year]
Digital Intervention of Archaelogic...
[
Adriana Guzman
] [
Christian Lizzarralde
]
[
ISEA2014
]
Oscillating Expedition
[
Barnaby Priest
] [
Janet Bellotto
]
[
ISEA2014
]
and all watched over by machines of...
[
Donna Szoke
]
[
ISEA2014
]
Points de repère
[
François Quévillon
]
[
ISEA2014
]
Birding the Future
[
Frank Ekeberg
]
[
ISEA2014
]
Texas Border
[
Heliodoro Santos
] [
Joana Moll
]
[
ISEA2012
]
Art of sound
[
Nazima Ahmad
]
[
ISEA2014
]
A Strong Heart
[
Peter Joseph
]
[
ISEA2014
]
Incertitudes
[
Ying Gao
]
[
ISEA2014
]
Your Drugs My Money Performance
[
Your Drugs My Money
]
[
ISEA2006
]
Chthonian Cell Observation I (Conti...
[
Derek Holzer
]
[
ISEA2010
]
Choir Piece for 24 Voices Attuned t...
[
Sophie Bélair Clément
]
[
ISEA2010
]
Bag Lady 2.0
[
Nancy Mauro-Flude
]
[
ISEA2009
]
shruti
[
Debashis Sinha
]
[
ISEA2009
]
Identikit Muse
[
astro+prism
]
[
ISEA2009
]
Hearing Sirens
[
Cathy van Eck
]
[
ISEA2009
]
The Castellated Wall
[
Yasuhiro Morinaga
]
[
ISEA2009
]
Live Intermedia and Electronic Musi...
[
DEME
] [
Ricky Graham
]
[
ISEA2009
]
Running-figure-lantern
[
Kensuke Okano
] [
Kawamura Alunori
]
[
ISEA2002
]
Pincelulas
[
Paulo Sérgio dos Santos
] [
Eder Santos
]
[
ISEA2002
]
VirtualAERI II
[
Suguru Goto
]
[
ISEA2002
]
Rockin’ steady in the dot JP
[
DJ I, Robot Sound System
]
[
ISEA2002
]
Dance of Stone
[
Alain Guslan
] [
Hiroko
]
[
ISEA2002
]
Spin
[
Jean Piché
]
[
ISEA2002
]
FILMTEXT 2.0
[
Chad Mossholder
] [
Mark Amerika
]
[
ISEA2002
]
FAUSTECHNOLOGY
[
Yan Breuleux
] [
Alain Thibault
]
[
ISEA2002
]
A half heard word is more potent th...
[
David Uden
] [
Stephen Cammack
]
[
ISEA2002
]
D System
[
Peter Sinclair
] [
Colette Tron
]
[
ISEA2002
]
world_mix_nagoya
[
Dwight Frizzell
] [
Tony Allard
]
[
ISEA2002
]
Space Dance: Postures and its Trans...
[
Tetsuro Fukuhara
] [
Keisuke Oki
]
[
ISEA2002
]
Tibet
[
Atau Tanaka
]
[
ISEA2002
]
TIME DROPS
[
Akemi Ishijima
]
[
ISEA2002
]
Blip Kino
[
Phil Durrant
] [
Rob Filnt
]
[
ISEA2002
]
FETISH
[
Dr. Cat Hope
]
[
ISEA2002
]
JUST TOO MANY WORDS (for tape)
[
Lidia Zielińska
]
[
ISEA2002
]
House de Tango
[
Sami Abadi
] [
Turby Schmidt
]
[
ISEA2002
]
Destellos
[
Elsa Justel de Majling
]
[
ISEA2002
]
Electronic Noise improvisation: ‘...
[
Koichi Watanabe
] [
Minoru Yonemoto
]
[
ISEA2002
]
Drum-Fi
[
Rob Riddle
] [
Veronica Ramirez
]
[
ISEA2006
]
Walk Back Again
[
Thali Hinkis
]
[
ISEA2000
]
Ensba Courtyard Interactive Sound ...
[
Stephane Tidet
] [
Alexandre Pouillaude
]
[
ISEA2000
]
Rolling Stone
[
Insook Choi
]
[
ISEA97
]
Garden of Initial Conditions
[
John Dunn
] [
Jamy Sheridan
]
[
ISEA97
]
Derivative Works
[
ISEA2016
]
Temple of Din
[
Lucas Abela
]
[
ISEA2013
]
Identity of Colour
[
Wilfried Agricola de Cologne
]
[
ISEA2002
]
Chozumaki
[
Nelo Akamatsu
]
[
ISEA2019
]
Traffic Island Disc (2004-06)
[
Michael Weinkove
] [
Saul Albert
]
[
ISEA2006
]
Watching Democracy
[
Lauren Alexander
]
[
ISEA2009
]
Finally, We Hear One Another
[
Kelly Jaclynn Andres
]
[
ISEA2008
]
Dragged Backwards Through a Hedge
[
Garry Bradbury
] [
Ian Andrews
]
[
ISEA2013
]
Two concerts
[
Thomas Ankersmit
] [
Phill Niblock
]
[
ISEA2011
]
IN[]EX
[
Jean Routhier
] [
Manuel Pita
]
[
ISEA2006
]
A Day Without the Mobile Phone
[
Riin Rõõs
] [
Eve Arpo
]
[
ISEA2010
]
0h!m1gas: A Biomimetic Stridulation...
[
Kuaishen Auson
]
[
ISEA2009
]
The Listening Room
[
Australian Broadcasting Corporation
]
[
TISEA
]
Plasma
[
Daria Baiocchi
]
[
ISEA2015
]
Shifting Nature
[
Leah Barclay
]
[
ISEA2013
]
Ebb And Glow
[
Joe Beedles
]
[
ISEA2015
]
Displacement
[
Zinka Bejtic
]
[
ISEA2014
]
The Depository
[
Katherine Bennett
]
[
ISEA2015
]
Release
[
Céline Berger
]
[
ISEA2010
]
T45 RPM Reves Performance
[
Pedro F. Bericat
]
[
ISEA2015
]
Empty Stomach
[
Merja Puustinen
] [
Andy Best
]
[
ISEA2009
]
Life at the Witch Trails
[
Marek Goldowski
] [
Natalie Bewernitz
]
[
ISEA2010
]
WindChime: a web-driven audiovisual...
[
Peter Beyls
]
[
ISEA2014
]
Telepresence
[
Kiran Bhumber
] [
Nancy Lee
]
[
ISEA2019
]
#iHeartRobotMusic
[
Steven A. Bjornson
]
[
ISEA2015
]
m-Log exchange project
[
Steve Symons
] [
Tony Hall
]
[
ISEA2009
]
SMSage
[
Tim Redfern
] [
Ralph Borland
]
[
ISEA2009
]
Whispering Galleries
[
Brad Bouse
] [
Amaranth Borsuk
]
[
ISEA2015
]
Surface Noise
[
Scott Bowering
]
[
ISEA2015
]
e Menura superba
[
Gavin Sade
] [
Priscilla Bracks
]
[
ISEA2013
]
32000 Points of Light
[
Matt Mawford
] [
Alex Bradely
]
[
ISEA2002
]
MetaHorn Silo Spin (Performance)
[
Mark Brown
]
[
ISEA2013
]
Code That Sings Itself
[
Sophia Brueckner
]
[
ISEA2019
]
Neighborhood Public Radio
[
Linda Arnejo
] [
Michael Trigilio
]
[
ISEA2006
]
The Spoon River Metblog: Net-Native...
[
Jay Bushman
]
[
ISEA2002
]
Scalene
[
C0C0S0L1DC1T1
]
[
ISEA2002
]
Image et Forme Temporelle
[
Bernard Caillaud
]
[
ISEA95
]
Floating Satellites
[
Rodrigo Carvalho
]
[
ISEA2014
]
Within and Without
[
Michael Century
]
[
ISEA2015
]
Lauf-auf
[
Se-Lien Chuang
]
[
ISEA2002
]
30 Words for the City
[
John Colette
]
[
ISEA95
]
Cello
[
Beatriz da Costa
]
[
ISEA2002
]
Catching Light
[
Michael Dagostino
] [
Megan Monte
] [
Kelly Doley
] [
Michael Candy
]
[
ISEA2013
]
Talking Spaces
[
Emma Danch
]
[
ISEA2016
]
Arrivals
[
Marco De Mutiis
]
[
ISEA2013
]
Light Pollution
[
Michael Dean
]
[
ISEA2015
]
Digital Art/Digital Painting: A Per...
[
Achamyeleh Debela
]
[
ISEA96
]
The Night Sounds
[
Shawn L. Decker
]
[
ISEA2002
]
Scratch Studies #3: Moths
[
Shawn L. Decker
]
[
ISEA2002
]
The World’s Greatest Bar Chart
[
Roz Dimon
]
[
ISEA96
]
Distributed Empire
[
Christopher Dodds
] [
Justin Clemens
]
[
ISEA2013
]
Post Global Warming Survival Kit
[
Petko Dourmana
]
[
ISEA2009
]
Twittering Machine (2013)
[
Jon Drummond
]
[
ISEA2013
]
Tact
[
Jean Dubois
]
[
ISEA2002
]
Vertigo Terrae
[
Maurice-Georges Dyens
]
[
ISEA95
]
R-evo
[
Antonio D’Amato
]
[
ISEA2015
]
Braun Tube Jazz Band
[
Wada Ei
]
[
ISEA2010
]
Roboterstück
[
Ajay Kapur
] [
Arne Eigenfeldt
]
[
ISEA2013
]
(dis)integration
[
Frank Ekeberg
]
[
ISEA2015
]
Public / Pirate Community Radio
[
David Elliott
] [
Patrick Tierney
]
[
ISEA2009
]
The Ford Folly
[
Seth Ellis
]
[
ISEA2014
]
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