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Video Art (Sorted by Exhibition Year)
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Animations
Sort by:
[Title]
[Artist Last Name]
[Year]
#NewAestheticVideo (2012)
[
Amerika
]
[
ISEA2013
]
13 Eyes
[
Côté
]
[
ISEA2022
]
A New Dawn
[
Schlesser
]
[
ISEA2022
]
A Zambian Space Odyssey
[
Makgalemele
] [
Kabwe
]
[
ISEA2018
]
Albedo Prospect (2012)
[
Osborn
]
[
ISEA2013
]
Ancient Journeys: Waters of the Pas...
[
Jordan
] [
Benson
]
[
ISEA2018
]
Anima
[
Letebele
]
[
ISEA2018
]
Anomy, for U.S. News
[
Questa
] [
Monte
]
[
ISEA2019
]
Arrival–Departure (2013)
[
Carr
]
[
ISEA2013
]
Behold the Tilapia
[
Diekman
]
[
ISEA2018
]
Beneath the Red Sea; a New Form of ...
[
Griesmar
]
[
ISEA2018
]
BioARTCAMP: A Rocky Mountain Advent...
[
Willet
]
[
ISEA2014
]
Biological Cycle Part 5
[
Nakajima
]
[
ISEA2002
]
Black Rose
[
Lee
]
[
ISEA2019
]
Body Fluid II (redux)
[
Douglas
] [
Oliver
] [
Franco
] [
Healey
]
[
ISEA2013
]
Breathing Cairo: Café Situation Wi...
[
Fadhil
] [
Monte
]
[
ISEA2014
]
Cairo Crossroad; Ana; Life In The D...
[
Hefuna
]
[
ISEA2014
]
Citizens Band
[
Mesiti
]
[
ISEA2013
]
Code_red
[
ISEA2022
]
Core Dump
[
Knoetze
]
[
ISEA2018
]
Cyanovisions:The Transmutation of L...
[
Stillwater
] [
Ribeaux
]
[
ISEA2019
]
Dabarithms
[
Kazemzadeh
] [
Safavi
]
[
ISEA2014
]
DanceCubesII
[
Ayerle
]
[
ISEA2022
]
datamatics 2.0
[
Ikeda
]
[
ISEA2013
]
Deep Reckonings
[
Lepp
]
[
ISEA2022
]
Developmental Study for the Wai Pro...
[
MacDonald
] [
Henare
]
[
ISEA2012
]
Distributed Empire
[
Dodds
] [
Clemens
]
[
ISEA2013
]
Earthsatz
[
Cote
] [
Lafanéchère
]
[
ISEA2023
]
Ener-geyser
[
Karpinski
]
[
ISEA2022
]
Entangled Landing Points
[
Campos
]
[
ISEA2018
]
Environment Built for Absence
[
Rice
]
[
ISEA2020
]
Favero, Stephen Sewell & Maurice Pa...
[
Dale
]
[
ISEA2013
]
Flat to Fiction
[
Townsend
] [
Malpure
]
[
ISEA2014
]
Floating Satellites
[
Carvalho
]
[
ISEA2014
]
Flowforms (2004-2013)
[
Drummond
]
[
ISEA2013
]
Free Time
[
Frankovich
]
[
ISEA2013
]
Future Memories of Deep Water
[
Di Benedetto
]
[
ISEA2022
]
Future Plants
[
Jalleh
]
[
ISEA2013
]
Gambiocycle
[
Mafra
] [
Paulino
]
[
ISEA2012
]
Geolith
[
Bunkley
]
[
ISEA2020
]
Glacier's Lament
[
Li
]
[
ISEA2022
]
Great Movement
[
Pau
]
[
ISEA2016
]
Green before "Green"
[
Echeverria
]
[
ISEA2022
]
Grobak Padi
[
Gunawan
] [
Hornblow
]
[
ISEA2013
]
Hafth Al’a-Almswadih Da’iman (A...
[
ISEA2014
]
I AM/WERE HERE/THERE #1 & #2
[
XRT
]
[
ISEA2019
]
In Silico et in Situ: Fauna Habitat...
[
Benitez
] [
Vogl
]
[
ISEA2018
]
Incompatible Elements: Version 02
[
Cmielewski
] [
Starrs
]
[
ISEA2013
]
Into the Blue; Soft and Solid
[
Kühne
]
[
ISEA2018
]
Junkspace
[
Cazabon
] [
McDonald
]
[
ISEA2012
]
Lavoro Macchinine
[
Hildreth
] [
Cogan
]
[
ISEA2022
]
Let Me Fix You
[
Ilina
]
[
ISEA2023
]
Lightbridge (Machines Studies)
[
Henschke
]
[
ISEA2013
]
Line 2002
[
Amari
]
[
ISEA2002
]
Living Ideas
[
Shono
]
[
ISEA2018
]
Lucky Break
[
Mitchell
]
[
ISEA2013
]
Matching Four with Twelve: Digestin...
[
Law
]
[
ISEA2016
]
Mexican Standoff
[
Brincat
]
[
ISEA2013
]
Microplot
[
Semenovskaya
] [
Shah
]
[
ISEA2022
]
Microsculptures
[
Holz
]
[
ISEA2018
]
Mirror Sonata in Four Kinetic Movem...
[
Hafez
]
[
ISEA2014
]
Miziara Architects
[
Divecha
]
[
ISEA2014
]
Models for Environmental Literacy
[
Rice
]
[
ISEA2022
]
Muted Situation 1: Muted Classical ...
[
Young
]
[
ISEA2016
]
Naxos
[
Guimbretière
]
[
ISEA2020
]
On the road (fe fekret hastam)
[
Shahrokh
]
[
ISEA2014
]
One Sound of the Futures
[
Wai
]
[
ISEA2016
]
Opposing Views
[
Roney
] [
Conefry
]
[
ISEA2011
]
PAUSE.II
[
r e a
]
[
ISEA2020
]
Photo Active in SAKAE - Open Air Th...
[
Hitsuda
]
[
ISEA2002
]
Plasmatic
[
Buchanan
]
[
ISEA2014
]
Post-Growth Toolkit
[
Roszkowska
] [
Maigret
]
[
ISEA2023
]
Pure Land: Inside the Mogao Grottoe...
[
Kenderdine
] [
Shaw
]
[
ISEA2013
]
Run Dry
[
Diekman
]
[
ISEA2018
]
Runscape
[
Gutierrez
] [
Portefaix
]
[
ISEA2013
]
Safar (travel)
[
Alghamdi
]
[
ISEA2018
]
Say it like you want it
[
Newitt
]
[
ISEA2013
]
Shadow Net
[
McGilchrist
] [
Dreyer
]
[
ISEA2013
]
Sky of Dubai
[
Spalter
]
[
ISEA2014
]
SoundLabyrinth and Action A/V
[
Pedersen
] [
Alsop
]
[
ISEA2013
]
Southern Identities Laboratory
[
Vilca
] [
Jarque
]
[
ISEA2018
]
Spectral Power: Cameras in Conflict...
[
Berdugo
]
[
ISEA2018
]
sTem
[
Rajotte
]
[
ISEA2020
]
Stock Markets and Hemlines
[
Olanick
]
[
ISEA2014
]
Study towards ‘Aftermath'
[
Pynor
] [
Clancy
]
[
ISEA2013
]
Swarm Raid
[
Lindemann
] [
Glista
] [
Komlos-Hrobsky
]
[
ISEA2022
]
Swim
[
Chapfika
]
[
ISEA2018
]
Tamafure ver. 1 .4
[
Ikeda
]
[
ISEA2002
]
Tea For Impossible Paths
[
Tsiongas
]
[
ISEA2014
]
The Blue Dot
[
Pacheco Bejarano
]
[
ISEA2022
]
The Inner Essence
[
Kim
]
[
ISEA2022
]
The Key to Time
[
Wołek
] [
Coover
]
[
ISEA2020
]
The New Empire
[
Colak
]
[
ISEA2014
]
The Secret of Eternal Levitation
[
Rothenberg
]
[
ISEA2012
]
The Unreal
[
López Cleries
]
[
ISEA2022
]
Untitled (A New Landscape)
[
Herman
]
[
ISEA2022
]
Wake
[
Grothaus
] [
Detrixhe
]
[
ISEA2018
]
Walking on Sol
[
Bahrehmand
]
[
ISEA2022
]
wassaygane abi-mazina’igan | maps...
[
Benesiinaabandan
]
[
ISEA2020
]
zim.doc
[
Sala
] [
Williams
]
[
ISEA2018
]
‘A Letter to Mo’ and ‘She Sai...
[
Fung
]
[
ISEA2016
]
‘ngo5’and ‘Can Fish See The S...
[
Mo
]
[
ISEA2016
]
Travelogue
[
ISEA2011
]
Untitled VJ Performance
[
ISEA2006
]
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