Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Locative-Media Artists in the Contested-Aware City
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Multi-Sensory in Interactive Digital Art, Presentation of an Experience: The Virtual Tightrope Walker
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Electronic Music Is Here To Stay. Or Is It?
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Skediomata: Guinea Pig and Performer
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Narratives and Images of Open Source: Open Source from Picasso to the Present: A Brief History of Open Source Culture
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kin_ – An AR Dance Performance With Believable Avatars
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Deciphering Realities, Moving Frontiers
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Writing, Creating and Knowledge in a Digital Medias and New Technologies Society (some problems and critics relatives to old and new languages)
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Aesthetics of Play: Locating the Ludic in Interactive Art
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A New Language for Artistic Expression: The Electronic Arts Landscape
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Gender Issues in the Electronic Arts: Inform the Creation of New Modes of Computing
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Hearts and Minds: The Residue of War
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Media Arts in Support of Science Education
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From the City Plaza to the Virtual Database: New Media Interventions in the Mining of Memory
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Intersections of Interdisciplinarity: Technological, Transcultural and Feminist Formations in the Electronic Art of Muriel Magenta
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Steep (I): a digital poetry of gold nanoparticles
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Beyond Locative Media: Giving Shape to the Internet of Things
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Simulating Photography: Images Made by the Scanning Electron Microscope
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Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope
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The X Tables: Dialogues with the Prosthetic Unconscious
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Visual Documentation of Structural Information: A Tool for Composition and Analysis in Electro-Acoustic music
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Embedded Sound: A Project on Turkish Traditional Calligraphy and Its Multi-Touch Transformation
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Learning Geology while creating Computer Graphics
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Teaching Computer Art with Integrative Assignments
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Research 360 Interaction and Virtual Reality Environment, Analysis of Interaction Models and Functional Prototyping Methodology
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Redundant Technology: Disrupting Lineal Narratives
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Generating Virtual Environments for Playful Touch Interactions: TOUCH TERRAIN
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Senses and places mediated by water: Can we sense kinesthesis in dance through ripples in a pond?
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The Innovation Potential of Sensory Augmentation for Public Space
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Tactical Social Fictions: Memoires of a Testee: Recorded Recollections at Braintec
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Interactive Technology as Toolkit: Structure of Communication, Senseware, and Research Strategy
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Into the Locative: Grassroots Cultural Production and the Digitalization of Urban Borders
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Possi(A)bilities: Augmented Reality experiences of possible motor abilities enabled by a video-projected virtual hand
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Flickering Formalism: The Art of Lorna Mills
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Investigating the Notion of Art2.0
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Machinima: Evolution and Artistic License in Computer Game Art
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The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures
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Smash the Black Box: designing for creative mobile machinery
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Parallel Cinema, Necrorealism and Video Art in St. Petersburg
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Online Possibles: Internet Spaces in a Postdigital World
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Towards a Living Materialty
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Epigenetic Painting: Software as Genotype, a New Dimension of Art
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Art and the Algorithm: Classical Traditions Revisited
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The Manchester Illuminated Universal Turing Machine
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Imagining the Social Change: the Czech Discourse about Contemporary Art After 1989
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Avatars on the World Wide Web: Marketing the ”Descent”
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Cityscapes: Exploring the Spirit of Urban Identity
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Many with a Mobile Cameraphone: The Democratization of Documentary?
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Self-trackers: Why Do They Prefer the Spreadsheet to the Sofa?
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Mexican Electronic Art: Reuse and Reinterpretation of Technology
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Processes of Creation in Mexican Digital Art
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Production Processes of Mexican Digital Artists
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‘Splitting Centre’: directing attention in trans-media dance performance
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Emergent behaviour: learning from an artificially intelligent performing software agent
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The Gap: Science Always Goes Before The Law
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Blazoned and Over-Exposed: Post-Modern Bodies in Public Spaces
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Aural Soilscapes: Sensory Challenges in a Subterranean World
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Media Art and Its Theories: from “New Avant-garde” to “Science-Brut” Discourse Analysis Approach
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Theoretical Discourse on ‘Art, Science and Technology Collaboration’ and its Historical Development
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The Cartesian Subject 2.0: Body/Mind Dualism and Transhumanist Thought
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Narrative inertia: a spatio-dynamical model of generative story telling
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The Role of Eye Contact and Spectatorship in Interactive Installations
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PING, An Alternate Reality of Control
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Programming is Law: Can I be a Feminist if I Don’t Want to be a Programmer?
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Change: The aporia of conservation and subversion
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Cage, Acoustic Ecology and Revolutionary Thought
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Artificial Nature as an Infinite Game
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Oral History Practices and Undiscovered History of Polish Computer Art of the 1970’s and 1980’s
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Twenty Years of ISEA: A Painter’s Response
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Beyond the Conflict of the Faculties: A New Institutionalist Case Study of the Founding of a Radical Transdisciplinary Art/Science/Technology Program
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Sketches of an Interdisciplinary Practice: Essential In-formation For Post-Digital Thinkers
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Whose past is it anyway: the use of digital databases in exploring personal and collective memory
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Life on the Trailing Edge: Ten Years Exploring Trash Technology
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Cascading Memorials: Urbanization and Climate Change in San Diego and Beyond
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Can Art Save Hong Kong? A Case Study of Preserving Hong Kong Cinema as an Intangible Cultural Heritage
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Towards an Analysis of Interaction in Sound Generating Systems
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In Sight of Allo-states: Tracing the Path from Environmental Personhood to Agentials, Performances of Personhood and Other Artworks on the Agency-Personhood Continuum (APC)
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Uncovering Histories of Electronic Writing: What Was Hypertext?
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The Virtual Sensoria: Notes of the New Media Art
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DATA ECOLOGIES: Laika’s Dérive and Datawork
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eye>hand>body>: data visualisation and the body in new media works
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Data Ecologies: Laika’s Dérive and Datawork
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Multidimensional Mapping: Movement to Music
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Classical Hollywood as an Epistemological Network
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Looking for the Interactive
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A User’s Guide to the Electronic Cliche
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Overload/Absence: the collapse of space to surface in representations of urban space
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Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism
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Virtuoso Audiovisual Realtime Performance: The Colours Of A Wooden Flute
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Cultivating More-than-Human Lifeworlds: Laudatio on Indigenous Fermentation, Smell and Metabolic Power Grids
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Crafting Complaints as Civic Duty
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Blank Spaces, an Excursion to Another Future
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‘Kansei’ in Non-Linear Automated Music Composition: Semiotic Structure and Recombinicity
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Cultivating the possible: using design methodologies for artistic research
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Using the Internet as a Platform to Destabilise Gallery Spaces, Curation and Artistic Practice
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Art >< Science: An Ontology
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The Remediation of Experience: A Case Study
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The Aesthetics of Private Footage and Youtube within Avantgarde Video Art
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Design of Ambient Intelligence
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Memex in the Mirror: Using Social Media to Visualize Collective Thought in Real-time
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Modelling Performance: Generic formal processes in live digital performance
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Modelling Performance: Generic formal processes in live digital performance
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The Citizen versus the Stateless in the Nation-State
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Games and the Art of Hacking: Play Ethics: The Convergence of Art, Games and Politics
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Light and Dark Visions: The Relationship of Cultural Theory to Art That Uses Emerging Technologies
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Serious Play: Counter-actions and Interventional Dissent in the Game Space
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Art-Game Traditions in the Modification of Chess
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Artist Explorations of the Boundary between the Virtual and the Physical
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Audience Participation and Response in Movement-Sensing Installations
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Flying, Spinning, and Breaking Apart: Live Video Processing and the Altered Self
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Video mirrors and mirror neurons: a look at empathy in participatory immersive environments
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For Interface, Against Regression! An Exploratory Surgery of an Transhuman Umbilical Cord
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Electric Light and the Abyss: Digital Media and the Representation of Disaster
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Art Imaging with Color Copiers: A Survey of Artworks from North America and Europe
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Powering Ecological Futures
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Put Evaluation into Practice: The Collaborative Residency Life Cycle
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Environmental Critical Zones: Reading the Wrack Lines
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Deep/Place: Site-Based Immersive History
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New Cartographies and Virtual Environments with GPS
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Open Waters [Northwest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
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Global Archiving Network: The 2nd Summit Case Study Report
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SITE-seeing: Image Geotagging and the Vernacular
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More Real is Real: The Transorganic and Hypermorphic in the Einstein’s Brain Project
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Motion in Place Platform: Virtual (Re)Presentations of Iron Age Movement
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Arts and Science Collaborations for Mineralogy and Cultural Heritage: The Social Aspects of Mineralogical Visualisation and Representation as Knowledge Creation Connecting Physical and Virtual Worlds
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Sky Knowledge: the Square Kilometre Array (SKA) as a focus for art-science collaborations
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Medieval Cartography and the Ideological Mapping of Cyberspace -Part II, Section A: Are You Sure It’s Really Round?
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Place in Mind: Towards A Dynamic Memory Palace
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Art and Science in Chaos: Contesting Readings of Scientific Visualization
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Augmentations Across Virtual and Physical Topologies: Mixed Reality Re-assembled
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Exploring the Responsive Site: Ko Maungawhau ki runga
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It Looks Just Like Art: Computers, Class and Cultural Positioning
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Some Issues in the Development of Computer Art as a Mathematical Art Form
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The Interactive Village: ethnography and narrative
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Augmented Reality as Experimental Art Practice: from Information Overlay to Software Assemblage
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Mobile Augmented Reality Art and the Politics of Re-assembly
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Tactile Potentials: a Mixed Reality Project for Live Performance
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Promoting Underrepresented Culture through Media Arts Collaboration
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“Resonance of the Heart”: A Direct Experience of Embodied Sonic Meditation
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Floating Identities: Me, Her and Us, An Interactive Site-Specific Art Installation Based on Adler’s Inferiority Complex to Conclude the De-tachment and Reform of Modern Females
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Cyborg and Prosthesis: The Body of Subjective Motivation Extension
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Towards a Relational Model of Co-located Interaction in Interactive Art
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Digital art going mobile: the case of the iPad as ‘digital canvas’
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Humanoid Robot Magic: Various Responses and Communication
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Considering User Specific Design Criteria Gathered From a Participatory Design Study: A Case Study on Designing Icons for an Info-Assistant System Interface
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Natural Objects and Gesture Based Interaction: Search for Creativity in Design Education
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Augmented Movement-Vision: Moving, Seeing and Sensing
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Blackfoot Blogs and the Charm of Languages
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Beyond Typography: A Multi-Channel Platform With Radio-Frequency Identification Integration
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Reality and Subjectivity: Digital Films as Cyborg Texts in a Post-Modern World
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Art in Action: Transformative Power of Gaming from a Neuroscientific Viewpoint
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Digging into the Cassava Tuber: Archiving Social Memory in Cyberspace as Social Digital Archaeology
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