Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Cognitive Assemblages in Ecological / Digital Art
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Uncovering Histories of Electronic Writing: Timestamps
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Automated Self-Portraits: How Social Media Craft the Narratives of Our Lives
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ELMCIP Electronic Literature Knowledge Base
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The Geneology of a Creative Community: Why is Afternoon the “Granddaddy” of Hypertext Fiction?
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Art and Science Intra-action of Collecting Water from Fog: Ethical Response-ability in Karen Barad’s Mattering
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Prostheses for Instincts
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Be Sicklecell Be a Hero (Xenofantasies in Transparent Scenarios)
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Data-Phantoms: Impossible Nests (Memories Post Extinction)
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Expanded Relief (Holographic Meditations)
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Inhaling Quantum Consciousness: Ecological Vibrational Possibles
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Inhaling Consciousness: Ecological Sentience at Molecular Level
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Owner of a Lonely Heart: (Danio rerio) Embryonic Heartbeats
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Auto, Crack, Slimework and the Seven Leg Spider
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Go Figure: Reconciling Affect, Participation and Narrative in the Creation of Immersive Experiences
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Responsive Environments and Protagonism: The Sustenance Principle
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Examining a Machine’s Future’s Associated Cost: Cultural & Environmental Resource Extraction
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Creating #Citizencurators: Putting Twitter Into Museum Showcases
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Interactivity, Public Art, and Architecture
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The Art of Mobility: How Transdisciplinary Artists’ Projects are Testing the Boundaries of Mobile Media Design
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Machine Music Through the Ears of the Repairman
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Contemplative interaction and mixed reality artworks
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Cinematic experiences and the digital moving image
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Control: Enabling Participatory Art With Mobile Devices
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Narratives, Subjectivity, and Interaction: Surfaces that See: Subjective Vision and Imagination in Gaze-Based Interaction
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Glowing Lichen: Visually Sensing Social Spaces
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Privacy in the Age of Mobile XR
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LiveCode Readings: Algorithms viewed as text
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Mobile Sound and Art Practices: the Local Contexts: Art in Wireless
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Extended Musical Interface with the Human Nervous System: Assessment and Prospects
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Internet and the Work of Art: New Curatorial Issues
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Organized Networks,Transdisciplinarity and New Institutional Forms
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Creative Industries in Beijing: Initial Thoughts
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Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music; imponderable Forms, Self-Organization, and Compositional Methods
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Laborers of Love/LOL: Behind the Scenes
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Mould Racing, or Ecological Design through Located Data Games
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Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build
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Portmanteau Worlds: Hosting Multiple Worldviews in Virtual Environments
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A Field of Interconnected Realities: Cyber Drawing and Mash-Up Electronic Goodness
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Processes, Fabrication and Design with Kombucha Bacterial Cellulose: Mapping Practices
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Aesthetic 3D Rendering of Historic Shipwrecks (An Artist’s Intervention in Maritime Archaeology)
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Sensing Science: The Microscopic Environment as Subject
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Listening to the image: photography between representation and discourse
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Thinking with Tides: An Inventory of Technical Objects within the Thames Estuary
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SMARTJECT: Creative Delineationpractices of Human-Mediated Selforganization in Polylogic-Cooperative Cultures of Interactivity
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Insecure Territories
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Mapping Space: the Social Potential of Locative Media: Not Free: Infinite Trouble with the Finite
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Picturing ideas as art: the visualisation of philosophical and political ideas using computer-generated imagery
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Participatory (Counter-)Surveillance and the Internet
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The Myths of Our Time: Fake News
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Encompassing the Body: Wearable Technology vs. the Avatar
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Fashion and Wearable Technologies: Computer Couture? Or: Queer Eye for the Cyborg
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Hyperdressing: Wearable Technology in the Time of Global Warming
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The interface vanishes: wearable technology at the crossroads
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Critical dressing: creative wearables and tactical practice
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Dress Acts: Wearable Technology and Virtuosity
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Emotional exchange: embodiment and creativity in wearable technology
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Pleasure and Sacrifice: Aesthetic Experience and Collectivist Action
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Flora Electronica: A Media Performance Space Across the Physical and Virtual Worlds
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From Traditional to Virtual Interactive Puppetry: A Comprehensive Approach
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Virtual Puppetry Assisting the Elder’s Life Review
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VoicingElder: an avatar platform for older adults informed by multiple therapeutic traditions
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VoicingHan: Between Mortal and Immortal
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FileLife: Kurenniemi and the Question of Living Archives
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Polivis: Methods Towards an Augmented Citizenship
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What are dreaming young pixels of? A pseudo quarrel on “supports”.
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e. Menura Superba: posthuman dreams of ersatz animals
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The Illuminated Self: Transcendent and Epiphanic States in the Encompassing Aesthetic Environment
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Complex Poetical Practices & New Technologies: The Creation of a Writing Agency: Agence_d’écriture
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Feeling One’s Way: In Search of a Symbiotic Vocabulary of the Virtual
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- Rémi Sagot-Duvauroux
- Olga Kobryn
- Matthieu Couteau
- Sophie Balcon-Fourmaux
- François Garnier
- Rémi Ronfard
- Guillaume Soulez
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The Hitchcock Experience: a Spatial Montage project
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Stop-Motion Animation: From a State of the Art to an Ideal Process
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The Lungta Project: Physical Visual Music
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GUTAI Movement in Japan and Art Afterwards: Towards New Understanding of Current Media Art
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Cybernetic Serendipity Revisited: Interaction, Play and Fun from the Universe of Electronic Art to Metaverse
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Grrl Codes: the Scripting of Racial and Gender Stereotypes
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Telematic Interaction in Collaborative Creation Enviroments
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Moments of Liminal Space: Methodologies and Practices for The Study Of Transition
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Liminal Scape, an Interactive Visual Installation with Expressive AI
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Exploring the ‘transitional’ in interactive 3D virtual environments
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Animate: A Theatrical Exploration of Climate Transformation through the Medium of Extended Reality (XR)
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SenseStage: Low Cost Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real Time Environments
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Reflective Remediation as Critical Design Strategy: Lessons from László Moholy-Nagy and Olafur Eliasson
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Fashionable Wearables in Digital Performance
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Learning from Network Dysfunctionality: Accidents, Enterprise and Small Worlds of Infection
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Disruptive strategies in the Postdigital city
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Video Art, Artivism and Photography as Tools for Subvertising the Patriarchal Indoctrination of Advertising
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Telewindow: a flexible system for exploring 3d immersive telepresence using commodity depth cameras
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Social Media as Art and vs. Art
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Between technological precision and artistic ambiguity in Locative Art
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Cyber Attractions of WagonNet: Modes of Activist Engagement for Reclaiming the Public Space
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A Webcam Interface for Somatic-Technological Dance Experiences
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Algaphon: Transducing Human Input to Photosynthetic Radiation Parameters in Algae Timescale
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Book apps and legacy media: How the humble picturebook informs interaction design
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Tangible Media Communication Design in Future Home Environments: @home Project
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autonomX—Real Time Creation/Composition with Complex Systems
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- Alexandre Saunier
- Chris Salter
- Julien Vermette
- Alexandre Quessy
- Simon Demeule
- Ursula J’vlyn d’Ark
- Puneet Jain
- Sofian Audry
Title:
Light Attack — Media Art and the ‘movingmoving’ Image as an Intervention in Public Spaces.
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The Interactive and Immersive Experiences Shape the New Architectural Language
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Realizing the Moment: Towards a Continued Role for Technology in Art
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Forgotten Future #1. Magical Sound Machines
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Lifeforms Design Tools for Choreography and Computer Animation
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Self-evidence: a fertile resistance, a non-alienated view
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Error in Audiovisual Apparatus as Aesthetic Value
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Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
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Qualia and Conceptual Blending: Another Structure of Music
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Conceptual Relations: Musical Representations Do Not Need Music Theory
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The ReFashion Lab: Building Digital Matter and Hybrid Space
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Towards Sensemaking in the Meshwork of Technology, Ecology and Society: Symbiosis of Aesthetics, Performance, and Digitalization
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Repeating the Past: Lessons for Visualisation from the History of Computer Art
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Critical Interaction Design in the Everyday: Critical Cultural Production and the Everyday Web-Based Works
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The Participatory Challenge: Incentives for Online Collaboration
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Écosystème(s) : a self-interactive sound installation
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Lailah: An Interactive Expressionist Fiction
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Surface to Surface: War and Art in the Screenic Era
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Dramaturgy as a model for geographically displaced collaborations
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Urban Sites Inform Sculptural Light Works
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AURALROOTS: Cross-modal Interaction and Learning
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AURALROOTS: Learning about Sentience though Embodiment and Simulation in Three Sonic Environments
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e-skin: wearable interfaces for the visually impaired
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ESKIN: Disruptive potentials for Transdisplinary Teams
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situationism, resistance, Occupy, Super 8, Žižek, digital media
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Deeply Listening Through/Out the Deepscape
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Neosentience. Definition; a New Combinatoric N-dimensional Bio-algorithm; Authorship of the Insight Engine 2.0 and Database; Recruitment of Transdisciplinary Researchers; Ethics Surrounding the Generation of a New, Self-aware Autonomous Techno-species
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Electronic Art and The Law: Intellectual Property Rights in Cyberspace
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Museum technology: New Links to Interpreting, Presenting and Creating Art
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Connecting new media art archives worldwide
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The Re-Inventing the Wheel Project: An Archaeological Approach for Making Things Alternatively
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
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The Gone Garden VR Experience: An Impressionistic Representation as Virtual Heritage Reconstruction
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The Tools of Desire and New Technologies
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URME Surveillance: Analyzing Viral Face-crime
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Historical Orchestra: A Research for a More Engaging Museum Experience
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One Step: The Impact of Interactive Public Installations on Promoting Public Awareness of Poverty
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Aesthetics of Immersion in Interactive Immersive Installation: Phenomenological Case Study
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Aesthetics of Immersive Experience: Phenomenological Approach
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Same Old Story: Agential Realism in the Study of Colonial Histories
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HEADROOM: A space between presence and absence
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3×4: Exploring metaspace platforms for inclusive future cities
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What Can We Learn From Street Scenario
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REALITY JAMMING: the uncanny space of CCTV based installation works
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I, Robot: Re-Thinking Jack Burnham’s Systems Esthetics
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Remote and Embodied Sensing: observations on interactive art and politically engaged practice
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Actual-fictive-virtual space: Theatre Interactivity Within a “Liquid Architecture”
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Contemporary Art and New Media: Outline for Developing a Hybrid Discourse
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Gemini Rising, Moon in Apollo: Attitudes on the Relationship between Art and Technology in the US, 1966-1970
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Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception and Power
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Broken Circle and Spiral Hill? Smithson’s Spirals, Pataphysics, Syzygy and Survival
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Tuning in and Spacing Out: The Art and Science of the Presentness of Sound
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Lets go global: transforming lives through participation, digital engagement and creativity
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Improving the Information Society Through Awareness of Languages
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Public Making: Artistic Strategies for Working with Collections, Technologies and Publics
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Hong Kong’s Yellow Umbrella (2014): A Prescient Political Game
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Resistance Is Feral: Digital Culture, Community Arts, and the New Cultural Gatekeepers
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