Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art
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Art and Play in Interactive Projections: Three Perspectives
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Visualising Invisible Networks as Collaborative Arts Practice
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Corresponding Wood Tools: Speculative Fabulations of Material Correspondence in Woodworking
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Creative Zen Learning Space and Community
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Artistic Brain: A Complex Nonlinear System as Advanced Neuroesthetic Research
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Bio Art as a Trading Zone: A Creolized Art Form of Biology and Art
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Flower Wall Project: A Case Study in Participatory Art Utilizing Social Media
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Seeing Life: The Impalpable Entanglement of an Artist and Microbes in Bio-Art
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Object Geography: The Internet of Things
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Collective Territories: The Shared Space of Locative Media
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Lomas On-Site Listening Station (LOLS): Infrastructure and Visibility in Public Space
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Creative Problem Solving as Aesthetic Experience
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Sustaining Cultural Heritage through Digital Preservation
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VR Calligraphy: Transposing Chinese calligraphy as choreographed movements into whole-body performances in VR
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Choreographing Topological Spaces within Dance Performance with Real-time Video
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Performing Identity through Wearable Sensing
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Deep Space: Re-signifying Valle de los Caídos
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Mediated Urbanisms: An Architecture of Switching: Hybrid Communication Spaces
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Fostering A Community of Innovation at the Intersection of Art and Technology in the Pacific Northwest
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Sensing the Reality: Reflections on Artistic Actions to Defocus the Real
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Reading Digital Art in the Age of Double-Coding
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DisNet: A Model of Discursive Networking
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Interactive Evolution of Equations for Procedural Models
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Fractal Sphere Reflections and Sphere Fractals
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Improv: Interactive Improvisational Animation and Music
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AudioTagger: Urban Space and Wireless Phonography
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Urban sonic activation on wheels: ghost scraper
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On Internet Art: A Critique of the Imperceptible Interface
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Large Scale Experimental Media and Performance
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Towards a New Media Technology Interactive Virtual Environments
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The Weird, the Cute and the Dark: How to Account for Aesthetics When Working on Awareness about Design Patterns
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Resistance to digital and digital resistance: curating the networked photograph
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Music via Motion: Interactions Between Choreography and Music
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From Here to Eternity: Experimental and Creative Approaches to Collecting and Distributing New Media Art Within Regional Arts Organisations
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De-totalizing capture: on personal recording and archiving practices
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Generative Art, Preludi, Natural Mirrors
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Nonhuman Creativity in Generative Art: Beyond the Anthropocentric Paradigm
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Web3D Dance Composer: A Web-based Ballet Performance Simulation System
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Sopro (The Blow)
Presenter(s):
- Milton Terumitsu Sogabe
- Fernando Fogliano
- Fabio Oliveira Nunes
- Soraya Braz
- Carolina Peres
- Cleber Gazana
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Creating black boxes: Emergence in Interactive Art
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In Pieces VR: Micronarrative and Abstraction in the Design and Conceptualization of a VR-based Experimental Documentary
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Cinesensory: a filmic model for imaginative reconstruction of a city from haptic memories
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Mediated Urbanisms: Mediated Spaces: Prototyping Architecture-Engineering Media
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Data Pollution Devices: Artistic Strategies Against Behavior Capture
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Seeing Plants through Botanical Illustration
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Shanghai Express: an interactive installation dealing with the city as a fragile organism
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‘The Value of Art’: Transforming User Attention into Monetary Value in a Series of Interactive Artworks
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A study on the relation between the evolution of media platform and mobile content culture in Korea
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From the sonArc::project to C_plexus Solaris: From In-forming Plasma in Vitro to Transforming the Solar Storm in 2012 in Vivo
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Microtemporality: At The Time When Loading-in-progress
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Hello, World: The Artist’s Palette Using New Media among Atoms, Bits, and Connectivity
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The Bit Expansion: Origin of Augmentation Operations in Mixed Realities
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The device in interactive art: Interactivity, Gesture and Sense
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Multiple Bodies in Interactivity: Representations and pathways of the corporeal
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Made you look: crossing visual attention with computational design to create motion-based visual distractions
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Co-curating: distributing art globally, enacting art locally
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Transformative practices: the aesthetics, ethics and politics of social relations
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Locating the Territory
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The Multi-Temporal Experience of Plate Spinning
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History and Theory of Intermedia in Visual Culture
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Mapping Scapes of Sound and Vision (Notes on Simultaneous Echoes, by Masaki Fujihata)
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Is the Internet for Everyone? Art in Search of a Better Connected Society
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Qualitative, Dialectical, and Experiential domains of Electronic Art
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At the Edge of Dream World: Media Encounters in Architectural Venues
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Hybrid Ontologies: An Attempt to Define Networked Mixed Reality Art
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Stitching Together an Editorial Sewing Circle
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V_Tape: How New Technologies Can Influence Education Within Media Arts
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Meat, Metal and Code: Engineering Aliveness and Affect
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Prosthetics, Robotics and Remote Existence: Post Evolutionary Strategies
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Prosthetic Phantoms, Automated, Involuntary & Avatar Choreography
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Digital Arts for Young Audiences? Mediation and Dissemination of Digital Arts and Culture to Norwegian School Children
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Ecopornography in Digital Arts
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Facing Death and Afterlife in Electronic Art
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Fluid Processor Design for Ecological Computing: a new techno-ecological computing paradigm for sustainability
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OMNI ANIMA: Holophonic Transformation of Indigenous Sami Joik Song into Shared and Embodied Flesh
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Engendering tactility through haptic bodysuits
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Microtemporality: Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment
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Interdisciplinarity and Exhibition Making: Some Forecasts
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Histories of Time-Based Art: Architecture as a Time-Based Art: Immersive Strategies in Iannis Xenakis’ Polytopes
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rtFem.TV: Feminist Artistic Infiltration of a Male Net Culture in Context of Art and Feminism and as Cyberfeminist Action
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics
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Virtual Memory: Art Museums and the Internet
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Experimental Animation, Hybridisation and New Media
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Race, Representation & Digital Divides: inIVA Digital Archive: Race Representation and the Digital Domain
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Lily’s Image: a child’s process of ‘making sense’ of universal themes such as family, home and their perpetual change
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Recent Advances in Electronic Art & Media
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Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise
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transmission+interference: noise, resonance and territory
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Applications of the Soundscape Reconstruction (SR) Technology in acoustic ecology research, education and entertainment
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Social Networks of Resistance: Societal Idea Networks: Floating Spaces, Makro Places of Escape and Avoidance
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Aesthetics of Knowledge Space
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Liquid Views: Another Story of Narcissus
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From Work of Art to the New Media Art as Research
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Musical synthesis: DNA sequences
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Open Source City: Interactionfield Public Space: Redefining Urban Public Space in the Digital Age
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The Urbane Potential of Public Screens for Interaction
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Paradigm Shift Interruptus: An Anecdotal History of Hungarian Media
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Urban Mesh: Exploring Data, Biological Processes and Immersion in the Salmon People
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A study on reconstructing meaning and experience with virtual restoration
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Understanding interactive media art based on Qi philosophy in traditional Orientalism
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A Reflection of Photography as Media of Art and Technology, In Indonesia
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Mimesis And Code: The Aesthetics of the Microcontroller in New Media Art
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Archiving Australian Media Arts: Towards a Method and a National Collection
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Roaming Trans-cities and Airborne Fiction: click the image to enlarge and zoom in
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Probing Food and Power with Robotized Spoonfuls of Edible Paste
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The Impact of Active Viewing, and Visual Literacy in Art Exhibitions
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Colliding Realities: Acoustical Accidents and Clouded Texts in Stelarc’s Internet Ear
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Living Biotechnical Lives: Noise, Parasites, and Relational Practices
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Reconsidering Experiential Knowledge in the Relation of Art and Science Practices
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Soft Clouding: Curating a New Semantics of Sound Archiving
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Supra-dimensional Cinema: VR Case Study ‘TesserIce’
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Techno / Natural Interfacing: walking and mapping in the age of climate change
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Finding Consensual Times in Digital Music
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Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation
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Memory Is No Object: Photography as Performance of Landscape
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Artistic Technology: Coded Cultures, “Making” and Artistic Research
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Interactive Design and Electronic Arts
Presenter(s):
- Pierre Lavoie
- Joshua Davis
- Olivier Koechlin
- Murielle Lefèvre
- Étienne Mineur
- Casey Reas
- Maurice Benayoun
- Jean-Jacques Birgé
- Minna Tarkka
Title:
Colour Data Processing: An Interactive Installation Exploring Digital and Analog Representations of Colour
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Superdutch: New Media, Photography and the Internet-Polder
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A New Colour Palette as Digitally Controlled Light
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The Technology Design Education Studio as a New Model for Interdisciplinary Learning
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Intelligent Content and Semantics Algorithms: The Next Digital Artists?
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The multicultural and transdisciplinary construction of anti-consumerist critical thoughts – the multisensory diversity of the artistic installation series “The wishing Tree” (2012 – 2019)
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A Performance Co-Created with an Autonomous Virtual System: A Symbiotic Approach
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Artificial Life within a frame of metacreation on stage
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Reconsidering Media Art Dynamics
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Using interactive documentary as a peace-building tool in a post-Florian conflict situation
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Open-source Sentience: the Proof is in the Performance
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Nanoessence: Nanotechnology and the Posthuman Body
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Nanotechnology: Towards New Modes of Display?
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SecondLife: art and archive; thoughts about Lynn Hershman Leeson
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Espherica01: Visions of Free Falling Water in Stroboscopic Media
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The Jazeera Al Hamra Digital Heritage Project: A Model for Digitally Preserving the Heritage of the Arabian Peninsula
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Indigenous Sentience: Fernando Palma’s Electronic Divinities
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Towards a New Symbiosis in the Mexican Environment: Art and Science
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VR Panoramic Photography and Hypermedia: Drawing from the Panorama’s Past
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A Networked Multi-channel Audio and Video Authoring and Display System for Immersive Recombinatory Media Installations
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Light Up Kelowna: Coordination and Development of Networked Community-based Media Art Urban Screen Infrastructure
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Aeon Performance System for Visual Music
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Data, Sense, Resonance: an Art of Diabetic Self-Tracking
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Augmenting Creative Symbiosis Using a Cyber/Physical Aesthetic
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[i-metro] Universal Access to Information
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Narratives, Subjectivity, and Interaction: Tilanteita Situations: Developing Concepts for Situated and Mobile Imaging
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The Interactive Systems Vision and Dominance: A Critical Look Into The Interactive Systems
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Curating: a disruptive technique for disruptive technologies
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(Re)imagining human-yeasts relations via art-science collaboration
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Any One, AnyWare: Perceiving Sentience and Embodiment in a Distributed Sculpture
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Sauti ya Wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Tanzania
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In Transition: Effectively Mapping the Traditional Pedagogical Media of Art and Design to the Digital Realm
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Instrument de Synthese Granulaire Dans MAX/FTS
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NeXTSTEP Graphical Interface to Control Spatialization Systems
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Green or not green: another glimpse of vanishing reality
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LAIT, The Laboratory for Audience Interactive Technologies: Don’t “Turn it Off” — “Turn it On!”
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Here to There and In-Between: Commuting Through Mediated Perception
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The Paradox of Evolution: Yes, I am an Obsolete Human Being
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Setting limits in preservation strategies from the stage of acquisition: a feasibility approach for Media Art
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LIVING-ROOM2 — domesticating the multiverse
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The Memory and the Code: The Phantasm of Digital Culture
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Open Source City: A Trip Around a Magic Puzzle
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