Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Reality Jamming: Beyond Complex Causality in Mediated Cultural Systems
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The Unbearable Lightness of New Media Education
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Drawn: The Artist, Audience and Interactivity
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Reinterpreting Korean ‘True-View’ Landscape Painting Using Graphics Analysis Techniques: The Case of Jeong Seon’s Dosando
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Investigating new models of communication as a spatial practice through the implementation of a locative media system.
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Investigating the Process of Collaboration in the Context of the e-MobiLArt Project
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The impact of location-based mobile games on group formation and urban environmental experience
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Searching Pictorial Databases by means of Depiction
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The Experience of Automata: An Alternative History of Audio-Visual Media
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Digitaterial Gestures: Action Driven Stererolithography
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Game Engines As Prehension Of Incomputable Data: the processual effectivities of game engines
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Logics of technologically (un)mediated production in electronic music and video games
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Trajectories, Circulation, Assemblages: The Heterogeneous Modes of Endurance of Digital Arts Practice in Montréal
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Decomposing Landscape: Hearing the Troubled Site
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Post-immersion: Towards a Discursive Situation in Media Arts
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Biometric Visceral Interface: A Soft Robotic Immersive System for Extended Perception
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The Development and Education of New Media Art in Taiwan
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Transparency as Interface: A ‘Petite Histoire’ of its Tools
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Digital Musicianship Training for Classically Trained Music Students in a Laptop Orchestra
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RENATI: Recontextualizing Narratives for Tangible Interfaces
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New Media Art Beyond Mediation
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From Aleatoric Machines to the Future Sounds of Folk
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Postlocative Art for a Non-Anthropocentric World
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Archive or Alive: The Experimental VR Digital Collection of Shou-You LIU’s Shapde 5.5
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Illusion of Technology in the Human-Computer Interactive Art
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Invisible Performance in Control Room: Resonance Between the Performance and Technical People
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Virtual Instrumentality: Exploring Embodiment in Artistic Installations
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Colors For All : Immersive Narrative 360 Video for Color Blind Awareness
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Location based entertainment and co-evolutionary narratives in mixed reality immersive environments
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Tolerating mass murder: migration, diasporas, genocide and climate imperialism; an investigation by virtual migrants
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Virtual Migrants: Racist Deportations vs Freedom of Virtual Travel, Electronic Art as Ideology
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Mediating Exhibitions via Audience Participation on Social Media: Collectivist and Individualist Curatorial Approaches in One World Exposition 2 Exhibitions
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Wo.Defy: designing wearable technology in the context of historical cultural resistance practices
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What is Transmedia? Projects and thoughts beyond the buzzword
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“Recombinant Fiction” Theoretical Paper and Manifesto
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How Digital Anthropomorphism Enhances Creativity in Human-to-Robot Dance Interactivity
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Art in the Solar Age: Some Regards on Visual Arts in the Solar Age
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The Electronic Bauhaus: Gestalt Technologies and the Electronic Challenge to Visual Art
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Emotional interactions: audience encounters with virtual personas and robots
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And the Earth Sighed: A Case Study
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Large Screens, Third Screens, Civic Spaces and Innovation
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Large Screens and the Transnational Public Sphere
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An Intelligence for Cross-world Collaboration, Real and Virtual
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Mother, Body, and Weather: An Artistic Exploration of Transcending the Physical Experience of Motherhood
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Technological Art and Innovation Dialogues
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Inner-active art: an examination of aesthetic and mapping issues in physiologically based artworks
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E-Tower: Ludic Urban Experience Through Reactive Architecture and Personal Mobile Devices
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Public Interface Effects: Re-embodiment and transversality in public Projection
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Versor: Spatial Computing with Conformal Geometric Algebra
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Movement Unercommons: Movement Analysis as Meaning Making in a Time of Global Migrations
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Disrupting Conventional Boundaries of Public Art In Urban Space
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Interaction With Nature Through Performance Utilizing Pico-projection in a Forest and Kaumana Cave on the Big Island of Hawaii
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‘Taman Tugu: Interference/Resistance’ – addressing urban rewilding with a musical augmented reality experience
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From Hut to Monitor: The Electrification of Chokwe Wall Murals in Angola, 1953-2006
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Community Mapping: FROM REPRESENTATION TO ACTION
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The Design of an Instrument for Visual Improvisation and Composition
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Art and the Science of Influencing Hearts and Minds (Streaming Museum)
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Strategic transmissions: Livemedia and the Intensive Spatium
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Audiovisual Installation as Ecological Performativity
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Digital Imaging in Singapore: Internal External
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Stereo Animated Pictorial Space: Towards New Aesthetics in Contemporary Painting
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An Urban Radio Portrait: Mapping of Walter Benjamin’s Berlin
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E-Waste: The Unnatural, Natural Resource | A Case Study on Creative Uses of Obsolete Technology
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The Revolution Will Launch in the Garden: Politics of representation and vegetal intellig(senti)ence
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Art of Decision: An Interdisciplinary Approach to Raising Awareness of Active Citizenship
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DATAmap: Exploring Gender Balance in Ireland Through Interactive Multimedia Installation
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Working Across Boundaries: Curating and Preserving New Media Art: Overcoming the Distance: Displaying the Data-Based and Location-Driven New
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The Digital Panorama in Cultural Representation
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Cross-discipline collaboration: don’t care and don’t want to know
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Perceiving Physical Media Agents: Exploring Intention in a Robot Dance Partner
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Avol: Towards an Integrated Audiovisual Expression
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Bio Elektron: A Multisensory Approach to Augmenting Dance Combining Biosignals, Drawing, Sound and Electrical Feedback
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Logos versus mythos: the strange adventures of Netochka Nezvanova in the lands without
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“I’m a virtual assistant so I don’t have pronouns the way people do, thanks for asking”: gender neutrality, diversification and fluidity in AI
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“I try to stay neutral”: Digital Assistants and their Stance towards Gender
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The Form/Content Formula: Parallel Between Pre-Industrial Cinema and Current New Media Practice
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Publicness, Pervasive Technologies and a History of Shit
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Touch Screen Interactivity and the Representation of Marginalised Groups in Museums
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The Use of UGC and Web 2.0 in a New Media, Digital, Non-Fiction, Collaborative Project
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Creative Critical Action Beyond Economy into “Techno-Ecology”
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Workers of the Future at the Frontier of a : Innovation at work
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Foldback, On a Transmedia Exhibition and Event Marking the 10th Anniversary of the Australia Network for Art and Technology
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Online Sound and Virtual Architecture (Contribution to the geography of cultural translation)
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From hallucinatory Art to hallucination in the Virtuality. Devices for Alternative Realities.
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700 Million Miles an Hour and Other Phenomena
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LIQUID SCRUTINY and NECRO-TECHNO: What’s Wrong with Thinking and Laughing at the Same Time?
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Immersive environments, video tracking and collective interactivity on smartphone: a generic ‘dispositif’
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— Symposium:
Title:
Translating Expression in Taiko Performance
Presenter(s):
- Shannon Cuykendall
- Michael Junokas
- Kyungho Lee
- Mohammad Amanzadeh
- David Kim Tcheng
- Yawen Wang
- Thecla Schiphorst
- Guy Garnett
- Philippe Pasquier
Title:
The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network
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Network Dynamics: Network Dynamics: A Cross-Dimensional Comparison
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One + one = three: the added value of dual degrees in higher education
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Memory’s death… or the desire of immortality
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About Interdisciplinary Team-Teaching and New Media Arts
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Breaking Paradigms: Electronic Arts & Humanitarian Actions
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Can the Arts Help Save the World? Artists and the Environment
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[e]arts for humanitarian actions? the “art!⋈ climate” initiative
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“REDI” On-line Educational Resources for the Development of Professional Multimedia Skills
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La Politique du Ministere Francais de la Culture en Faveur de la Creation Artistique et du Developpement de Nouveaux Services Destines aux Autoroutes de L’information
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Title:
A Short and Superfluous Guide to Your New New Media Art
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Musica Mobilis: New Relationships between Sound and Space
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Fernfuehler: an Art and Research Project about Ambient Intelligent Furniture for Public Places
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Phylotic BodyScapes / Entheogenic Gardens: poly-scalar heterotopic
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Parcival XX-XI Goes Digital: New Media as Part of a Gesamtkunstwerk
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Public Secrets: information and social knowledge
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Collaborative Systems: redefining ‘Public Art’
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Ethics and Pragmatism Technology, Context and Collaboration in Public Art
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Responsive Spaces: Motion, Activity and Interactive Art
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Mycorrhizal Curation: Minimal Cognition for Maximal Cooperation
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Re-Shaping Curation: An Interdisciplinary Visual Art Interpretation and Navigation System
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Visual Interfaces for Shareable Media
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Responsive Portraits
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Inter_views: On Memory and Recollection an Interactive Telematic Dance Performance
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Location as Space/Space as Location: The Notion of Perspective from Postmodern to Digital Art
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Authored collaboration, choreographed reality
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Tuning in: Reflections in the Wake of Blackness through a Knitted Textile Antenna
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The Imaginary Subject and the Virtual Body in Corporate Communication
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The Medium is the Environment: Digital Materialism, Digital Art, and the Climate Crisis
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The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity
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Displacements of Creative Activity in Brazilian Visual Arts
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Machine Generated ‘Portraits’ as Impersonal Gestures
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w.Book & e.Margin: Wired Book and Electronic Margin
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Virtual Environments as Intuition Synthesisers
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Re(cognition) Mapping: Redefining Space, Place and Territory
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Science, Art and Philosophy: A Reflection on a Methodological Approach to Intersemiotic Analysis of Interactive Installations
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OTTO: Musical Instrument for Realtime Manual Beat Slicing
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Mobile Sound and Art Practices: the Local Contexts: Location Based Mobile Games: Blurring the Borders Between Physical and Virtual Spaces
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Urban Culture as Interface Culture. Locative Media and the concepts of ‘dwelling’ and ‘public sphere’
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An Interactive Mnemonic Space For Jodi.org: The Process of Re-exhibiting
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The Artist is Patient: Collaborative Biomedical Art and Curatorial Care
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Location! Location? Location!! Can Location Neutrality Exist in Artworks?
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Collaboration and Production Through Networks: Staging Relations: Relational Art and Network Technologies in Superflex’ Staging Strategies
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Documenting Art, Science and Technology: Dancing in the Light of an Information Overload
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Clickable Art, or what does online participation mean?
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The Influence of New Technologies on Language
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A Critical Teaching Strategy for the Digital Art
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Informed Artists/Users in the Post-Computer Art Era
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The IndaPlant Project: An Act of Trans-Species Giving
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The IndaPlant Project: An Act of Trans-Species Giving
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Embedded Scenography in Interactive Public Art
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Twinkle: A Flying Lighting Companion for Urban Safety
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Vapor as Tectonic Element to Sculpt Microclimate in Architectural Space
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Block H and Reality Jamming: Conflict Reporting via the FPS Game
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Do We ‘Read’ a Van Gogh Today as we ‘Read’ a Van Gogh twenty years ago?
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Scale – Time – Complexity: Engaging, Entangling and Communicating Ecology
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Documenting Art, Science and Technology: Documenting Art, Science and Technology: The Daniel Langlois Foundation Approach
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Cyborg Encounters: The Abilizing Capabilities of Embodying Disabling Avatars
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Star-Stuff: A Shared Immersive Experience in Space
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The Fun Palace: Designing Human Experiences at Mixed Reality Events to Increase Engagement
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Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change
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A Flexible Approach for the Application of Immersive Audio to an Installation Performance
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Art and New Technology in Mexico: The National Center for the Arts
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Co-evolving Affective Wearable Computer
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Digital Performance in Networked Public Spaces: Situating the Posthuman Subject
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