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Installations (Sorted by Exhibition Year)
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Interactive & Monitor-Based
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Games
Sort by:
[Title]
[Artist Last Name]
[Year]
25 Minutes Older
[
Ng
]
[
ISEA2016
]
Ancient Journeys: Waters of the Pas...
[
Jordan
] [
Benson
]
[
ISEA2018
]
Angel – MINDSCAPE
[
Robles-Angel
]
[
ISEA2019
]
Anomy, for U.S. News
[
Questa
] [
Monte
]
[
ISEA2019
]
AquA(l)formings – Interweaving th...
[
McCormick
] [
Šebjanič
]
[
ISEA2022
]
Aural Fauna: Illuminato
[
Dill
] [
Póczos
]
[
ISEA2019
]
Big Man
[
Stewart
] [
Bakreski
]
[
ISEA2018
]
Birding the Future
[
Ekeberg
]
[
ISEA2014
]
Brain Wave Rider
[
Oki
]
[
FISEA'93
]
Chemical Ecosystem
[
Elizalde
]
[
ISEA2022
]
Chozumaki
[
Akamatsu
]
[
ISEA2019
]
City Refl3ctor
[
Ang
]
[
ISEA2018
]
Codename Onyx & Time Capsules
[
Olson
]
[
ISEA2015
]
Concerto para Piano e Pandemia
[
Gomes
]
[
ISEA2022
]
Copacabana Machine Sex
[
Vorn
]
[
ISEA2019
]
Copperplate Engravings with Sound E...
[
N7 Communication
] [
Shaw
]
[
ISEA2016
]
Cyanovisions:The Transmutation of L...
[
Stillwater
] [
Ribeaux
]
[
ISEA2019
]
Data Mapping of 2016 U.S. President...
[
Yang
] [
Young
]
[
ISEA2017
]
Developmental Study for the Wai Pro...
[
MacDonald
] [
Henare
]
[
ISEA2012
]
Discover the Painting in Castiglion...
[
Kenderdine
] [
Shaw
] [
Nelissen
] [
Chan
]
[
ISEA2016
]
d’Eco a Siringa
[
Berenguer
]
[
ISEA2022
]
Echo
[
Pinn
] [
Rossi
]
[
ISEA2018
]
echo::system
[
Byrne
] [
Odurae
]
[
ISEA2014
]
Eclipse Bureau
[
Walker
]
[
ISEA2014
]
Environment Built for Absence
[
Rice
]
[
ISEA2020
]
EoE Triptych #1
[
Gracie
]
[
ISEA2022
]
Ephemeral Edgespace
[
Song
] [
Birringer
]
[
ISEA2018
]
Especies I, II y III
[
Rikić
]
[
ISEA2022
]
Experiments at the interface betwee...
[
Tobón
]
[
ISEA2017
]
filter*.com
[
Watkins
] [
Cermak-Sassenrath
]
[
ISEA2014
]
Fireflies Memorial
[
Jarque
] [
Mariotti
]
[
ISEA2018
]
Fog
[
Artut
]
[
ISEA2014
]
From the Edge
[
Connors
]
[
ISEA2020
]
Gradual Slip
[
Miller
]
[
ISEA2017
]
Grit from the Palm
[
Townsend
] [
Adams
]
[
ISEA2014
]
Heart Band
[
Garneau
] [
Willis
]
[
ISEA2020
]
HIVE
[
Cadambi
] [
Kiratli
]
[
ISEA2020
]
In the Time of Clouds
[
Huang
]
[
ISEA2020
]
in Transition
[
Molochevski
]
[
ISEA2014
]
Independent Robotic Community
[
Kogler
] [
Iglesias
]
[
ISEA2022
]
Inside the Paris-New Delhi Tunnel
[
Benayoun
]
[
ISEA2016
]
Inside the Tunnel under the Atlanti...
[
Benayoun
]
[
ISEA2016
]
Itówapi Čík’ala (Little Pictur...
[
Ronneberg
] [
Kite
]
[
ISEA2020
]
It’s a jungle in here
[
Knowles
] [
Gingold
]
[
ISEA2013
]
Jacob Wrestling With The Angel
[
Back
]
[
SISEA
]
Junkspace
[
Cazabon
] [
McDonald
]
[
ISEA2012
]
Kryophone
[
Scenocosme
]
[
ISEA2020
]
LamX
[
Lee
]
[
ISEA2019
]
Last Breaths
[
Gentile
] [
Dement
]
[
ISEA2022
]
Licht, mehr Licht!
[
Marmin
]
[
ISEA2020
]
Limbology
[
López
]
[
ISEA2019
]
Lotus Flower
[
Jang
] [
Seo
]
[
ISEA2018
]
Material Music
[
Zareei
]
[
ISEA2020
]
Microsculptures
[
Holz
]
[
ISEA2018
]
Moon Bowl
[
Matsubara
]
[
ISEA2022
]
MotU #4–#6
[
Schnell
]
[
ISEA2016
]
Muted
[
McCarthy
]
[
ISEA2022
]
New Order / Siren Call?
[
Uozumi
]
[
ISEA2019
]
Not Available in Your Country
[
Cermak-Sassenrath
]
[
ISEA2014
]
Opportunity in Obsolescence
[
Contreras
]
[
ISEA2022
]
Psychophysics machines
[
Donovan
] [
Donovan
]
[
ISEA2014
]
Quadra Minerale – Rare Earths
[
Meseguer
]
[
ISEA2022
]
Rapid biography in a society of evo...
[
Unemi
] [
Bisig
]
[
ISEA2019
]
Re-Collect
[
Tingley
] [
Seta
]
[
ISEA2014
]
Re-Volution Sampler: A Participator...
[
Hasse
] [
Cermak-Sassenrath
]
[
ISEA2018
]
Reflections of the Peacock
[
N7 Communication
]
[
ISEA2016
]
Secrets of the Dark
[
Mosher
]
[
ISEA2019
]
See You at Home – The Domestic Sp...
[
Lange
] [
Soler-Adillon
]
[
ISEA2022
]
Sisyphus
[
Alborough
]
[
ISEA2018
]
Smarter Home
[
McCarthy
]
[
ISEA2019
]
Sono-lumínica-mano-morse: pulsatin...
[
García
]
[
ISEA2020
]
Spectral Landscape
[
Berger
]
[
ISEA2022
]
Streaming Pools
[
Quigley
]
[
ISEA2014
]
SYN
[
Leotta
]
[
ISEA2012
]
TH50PH10EK WALL
[
Tiefengraber
]
[
ISEA2022
]
The Genre Project: Listening Statio...
[
Demaray
]
[
ISEA2020
]
The Good, The Bad and The Ugly
[
Zwanikken
]
[
ISEA2012
]
The Misty Way
[
Duprat
] [
Chomaz
] [
Schorno
]
[
ISEA2020
]
The Secret of Eternal Levitation
[
Rothenberg
]
[
ISEA2012
]
The Wall of Gazes
[
Sardón
] [
Sigman
]
[
ISEA2022
]
Tools for a Warming Planet
[
Monsonís
] [
Dean
]
[
ISEA2022
]
Transmission+Interference
[
Strang
] [
Uffelen
]
[
ISEA2016
]
Tycho: Test One
[
Friedlander
]
[
ISEA2022
]
Value of Values
[
Mendoza
] [
Klein
]
[
ISEA2019
]
Vertical
[
Eckardt
]
[
ISEA2016
]
Vestibular_1
[
Barqué-Duran
] [
Marzenit
]
[
ISEA2022
]
Video Circle
[
Yung
]
[
ISEA2016
]
Visualizing the Illkun (Anger)
[
Antipan Olate
]
[
ISEA2022
]
Visually reading the pandemic: Tran...
[
Carsenat
] [
Wandl-Vogt
] [
Döring
] [
Fragner
]
[
ISEA2022
]
Waiting for a Revolution
[
Ikongio
]
[
ISEA2018
]
Water drop viewer (indoor version, ...
[
Pares
]
[
ISEA2022
]
Web-Mindscape
[
Robles-Angel
]
[
ISEA2017
]
Bed of Oblivion
[
Londoño
] [
Zambrano
]
[
ISEA2017
]
HI, A Real Human Interface (2009)
[
Multitouch Barcelona
]
[
ISEA2013
]
Ocean Waves
[
Pijoan
]
[
ISEA2015
]
Anatomía para el movimiento: líne...
[
Vidal
]
[
ISEA2017
]
Nalareksa 0.3: Acidic-tive
[
Siagian
]
[
ISEA2009
]
Black Gold, Palm Burka, Color Synes...
[
Senstad
]
[
ISEA2014
]
Escape
[
Goh
] [
Mendoza
]
[
ISEA2012
]
Beluga
[
Nevin
]
[
ISEA2012
]
KindleGlitched
[
Gaulon
]
[
ISEA2015
]
California Drought Impact
[
Tiwari
] [
Han
]
[
ISEA2017
]
Primary Colours and the Surrealists
[
Gillen
]
[
ISEA2009
]
DRMCHN
[
Clarke
]
[
ISEA2009
]
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