Artist Talks (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
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Game fashion 2.0. the semacode dress. a quick-read-code camouflage collection
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Coding in Atypical Places
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Embodied Algorithms: On Mobility and Transience as Structural Metaphors
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Urban Intervention: Creation Lab as a Strategy for Conflict Resolution in Contemporary Culture
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“Laughing Stock”: Satire and Stock Photography, from Digital Meme Culture to Post-Internet Art
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Artificial Intelligence and Art: The Evolution of the Cyborg Artist
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Creating New Ways of Experiencing and Expressing Poetry
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DataBlocks: A Tangible Interface for Data Visualization
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Ways of Knowing: Creative Pedagogies for Digital Literacy
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Passio Musicae Open Source: Interactive Sonification of the Sibelius Monument
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- Pirkka Åman
- Lukas Kuehne
- Matti Niinimäki
- Jairo Acosta Lara
- Ava Grayson
- Karina Jensen
- Narim Lee
- Sébastien Piquemal
- Taavi Varm
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Hear by the River: Reflections of Albuquerque
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Galleries, Market Places and Fruit Shops, As Spaces for Cultural Expression, Graphic Creation and Folkloric Preservation
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Electronic and Visual Mural for the Subway System of Santiago
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Mexican Space Collective
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Disorientalism Collaboration - The Food’s Group’s Maiden Voyage
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Turbidity Paintings: Four Years In
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Turbidity Paintings: Water Testing
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0h!m1gas. Stridulation amplified: on biomimetic stridulation environments and the use of bioacoustics as an artistic resource
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Materialising a More-Than-Human Internet of Things
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The [ECO]Nomic Revolution: When Microbiological Logic Determines Everything
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Connecting and Disrupting Public Spaces: from the “Tunnel under the Atlantic” to the “Open Sky Campus”
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Words for Water and Finding Ghosts: Disrupting ideas of place
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Remote Sensibility: the ecology of perception
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Towards Intelligent Human-Machine Interaction: Learning to Create in a Common Effort
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Seasons: A generative audio-visual experience
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M-log exchange project
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Burning Man Art Vehicles, Art Cars and the Camera Van
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Plateaus: Computation, Geology, Ontology
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AHÍ: A Castaño Zapata Memory Life Map
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What is the Human? Imagining the Self as Post-Human
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Making Space: Objects of Interdependence
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As long as we await the next day with curiosity
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Movement and Sound: a Pathway to Increasing Immersion in Digital Environments
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Living-Sculptures: An Augmented Virtuality Environment (AVE)
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Hacking The School Yard: Scrapyard Challenge Junior Maker Kits
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The Application of Embodied Cognition to Haptic Devices for Mental Well-Being
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Collaborative moblog and ephemeral self-portraits
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ThalassoGlitch: Disruption on the oceans and data bending
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Digital Apocalypse (Always Look on the Bright Side of Life)
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Collaboration on local time
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Internet Wilderness: Creating the ISEA2012 Website
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Collaboration, change and dislocation: Two Painters reinventing their creative voice through digital entanglement
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Utility Pets: Science, Design and Hypothetical Products Artist Statement
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Tomorrow was Now: Two Decades of Video and Electronic Art in Peru (1995–2015). Artists Statement
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Polly: Disruptive Changes of Practises, Expressions and Experiences
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BCI Audiovisual Applications: An Introduction
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Female Kosmos: An Archive of Natural Elements
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Jurong west street 81: a synchronised community video project
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Stories of Wood, Trees, People and DNA Along a Jalan Jati
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BIOTEKNICA: Laboratory Remix
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The Anthropocene Cookbook: Eating for our Future Survival
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Immersive Reality Tool for Learning Anatomy and Physiology
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Retraction: An Interactive Narrative Environment
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An application of new methodology for the performing arts: PERFORMATIVE’s dance project ‘a room of remember’
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Wai: Understanding Maori and Indigenous Concepts of Water
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Wai: Understanding Maori and Navajo Understanding Water
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Artist as Researcher: Knowledge at the intersection of art and science
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Engagement and contemplation: communicating data in media art installations
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3D scanning, Animation and VR: the Media of METRO: Re/De-construction
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Public vs Public: The Pedestrian Gesture
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Dys/onance and Dys/ruption: Collaboration in video, print and sound
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Unraveling Augmentation: Imaginal Biological Architectures and their encounter with Digital Information Processing
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Of Water and the River Meditations on the Rio Grande
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Walkersdorf — Center of the World
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timescape (51° 13.66 north, 6° 46.523 east)
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I Don’t Care About the Avant Garde, I Only Care About You
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Crossing borders: the outcome of art and biology collaborations
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The Critical AI Manifesto
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Sound, Steam, Sun and Motion: Recent Public Art Projects
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The Weight of Ideas: Demonstration of Kinect Interface
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Male Fantasy/Machine Desire, Recent Installations
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Mapping the Solar: Augmented Bike Ride as Performance Intervention
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Embodied Agents: Behaving Without Thinking
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Telematic Music: Polemics, Poetics and Proposals
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Facing Experience: A Painter’s Brush in Cyber-Surrealism
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Creating 3D Animated Worlds to Explore Multi-species Conflict and Interdependence
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Feral City: AR and Significant Otherness
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Iconographies of the Different Body - eVokability: The Walking Project
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Interactive digital media: an asset or liability for participatory practices?
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Bellows: bringing digital animation into the physical world
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Metaphor Machines: traversing the techno/cultures of human-machine interaction
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VR as RV: an exploration of mind/environment
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World-Wide-Walks / between earth, sky & water / Ice-Deserts
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The Yorkshire Soundscape Project: Multi-disciplinary Approaches to a Sound Artist’s Experience of Landscape within the Framework of Soundscape Ecology and Composition
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New Creative Strategies for a Post-Anthropocentric Making
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Art, humour and advertising as tools for political dialogue
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Imaginary Cities: Graffito Series α
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Creative Risk Taking: Public Art and Ecological Design
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Interactive, On-Line Exhibition of Massive 546 Million Pixel Mural With Gigapan Tools
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We-The Common Body, 2016-2017 (triptych): A). “This view has Potential”, B). “Vanitasity”, C). “Virtual Phenotype”
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The Cinematographer’s Eye, the Academic’s Mind and the Artist’s Intuition
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Media as a Medium for Establishing a Conversation Between Colombia’s Past and its Future: Perspectives from a Critical Approach through Installation Art towards Peace
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Smart Secrets of Great Paintings and Unframed: Using Pictorial Patrimony
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FluID: Arena of identities
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Sensitive rose and the mobile tag era
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Donkey Walking: Interspecies Collaboration and the Re-Wilding of Graduate School
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Xepa: Autonomous Intelligent Light And Sound Sculptures That Improvise Group Performances
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PuPaa: Butoh, digital media and collaboration
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AROS (Augmented Reality for Open Space)
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Mexe: Wearable Technology and Capoeira Performance (a Playformance Project)
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Bandwidth: Interactive Installation, an exploration of Integrated Media Art
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Transmedia Storytelling applied to Research and Dissemination
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Better Hands (Interactive Installation)
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Exact change: the transit shelter, a site of activism
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Notes about Experimental Film and Video-Art: A Perspective of Filmmaking between ‘Production Effects’
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