Artist Talks (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
All That is Signal Distorts into Noise
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The Critical AI Manifesto
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Sound, Steam, Sun and Motion: Recent Public Art Projects
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The Weight of Ideas: Demonstration of Kinect Interface
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Male Fantasy/Machine Desire, Recent Installations
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Mapping the Solar: Augmented Bike Ride as Performance Intervention
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The Pandorabird Project: Identifying The Types Of Music That May Be Favored By Our Avian Co-inhabitants
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Robots on Humans: Symbionts or Parasites?
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Embodied Agents: Behaving Without Thinking
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Telematic Music: Polemics, Poetics and Proposals
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Sensing Across Entities: Global Urban Wilds and Environmental Storytelling
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Facing Experience: A Painter’s Brush in Cyber-Surrealism
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Performativity and Computer Art: Towards a DIY Society
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Soundscapes: Environment Generation through Voice, Ambient Noise, and Alternative Perceptions of Reality
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Creating 3D Animated Worlds to Explore Multi-species Conflict and Interdependence
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Monument Public Adress System: Mobile AR and Interactive Installation
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Feral City: AR and Significant Otherness
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Iconographies of the Different Body - eVokability: The Walking Project
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Sound Painting
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Interactive digital media: an asset or liability for participatory practices?
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Bellows: bringing digital animation into the physical world
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Metaphor Machines: traversing the techno/cultures of human-machine interaction
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VR as RV: an exploration of mind/environment
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World-Wide-Walks / between earth, sky & water / Ice-Deserts
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ocial Glitch: Radical Aesthetics and the Consequences of Extreme Events
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Unauthorized: Live Generative Dance Theatre with Musebots
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Footnoting as Art: Thinking About a Poetics of Historical Examination
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The Yorkshire Soundscape Project: Multi-disciplinary Approaches to a Sound Artist’s Experience of Landscape within the Framework of Soundscape Ecology and Composition
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New Creative Strategies for a Post-Anthropocentric Making
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Art, humour and advertising as tools for political dialogue
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How can we renew the living environment from the perspective of light, both natural and artificial, for the future?
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Imaginary Cities: Graffito Series α
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The Algae Society Bio Art Design Lab presents: Entanglements
Presenter(s):
- Gene A. Felice II
- Jennifer Parker
- José Carlos Espinel Velasco
- Juniper Harrower
- Fiona Hillary
- David Harris
- Tiare Ribeaux
Title:
Creative Risk Taking: Public Art and Ecological Design
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Reconfiguring the Negotiation of Cultural Heritage: An Overview from “the Last Promontory of Centuries”
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Interactive, On-Line Exhibition of Massive 546 Million Pixel Mural With Gigapan Tools
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We-The Common Body, 2016-2017 (triptych): A). “This view has Potential”, B). “Vanitasity”, C). “Virtual Phenotype”
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The Cinematographer’s Eye, the Academic’s Mind and the Artist’s Intuition
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Human and machine generating poetic energy
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Media as a Medium for Establishing a Conversation Between Colombia’s Past and its Future: Perspectives from a Critical Approach through Installation Art towards Peace
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Smart Secrets of Great Paintings and Unframed: Using Pictorial Patrimony
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FluID: Arena of identities
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Interactive Re-mapping of Temporality in the Actualization Process of Pre-scored / Sheet Music with Dynamic Imaging Techniques under Data-flow Programming
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Sensitive rose and the mobile tag era
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Donkey Walking: Interspecies Collaboration and the Re-Wilding of Graduate School
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Xepa: Autonomous Intelligent Light And Sound Sculptures That Improvise Group Performances
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Transaction “Trance-actions”: Immersive Prototypes for Extreme Experiences of Ephemeral Values in Flow
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Sono-lumínica-mano-morse: Pulsating Study for Narrating Hands
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PuPaa: Butoh, digital media and collaboration
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Blasey Ford V Kavanaugh & the Split Brain Interface
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AROS (Augmented Reality for Open Space)
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Mexe: Wearable Technology and Capoeira Performance (a Playformance Project)
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Bandwidth: Interactive Installation, an exploration of Integrated Media Art
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Transmedia Storytelling applied to Research and Dissemination
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Better Hands (Interactive Installation)
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Exact change: the transit shelter, a site of activism
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Notes about Experimental Film and Video-Art: A Perspective of Filmmaking between ‘Production Effects’
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"Love Motels for Insects" or The Impalpable Writing of a Temporary Fly
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Live Interactive Cinema Performance & Composition
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Vanity to Profanity: Lessons from Participatory Art
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Stolen Kisses: Demonstrative Critical Gameplay
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Subverting the Conventions of Affection Games in the Digital Wild
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Processing/lampreys: Parasite Aesthetics and Generic Eels
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Wake Vortex: Orthogonal Scanning of Digital Artefacts
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POWERED BY Google: The Agency of Mapping in the 21st Century
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Future Heritage, Berlin – Ramallah
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Walkersdorf — Center of the World
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Privacy Through Visibility: Disrupting NSA Surveillance With Algorithmically Generated “Scary” Stories
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Sun Eaters: How do we relate with the non-human plant world if our invisible similarities are made visible?
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The Being of the Artistic Piece and its Condition of Possibility: A Bio-Generative/Constructive Process
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The Construction of the Peace Sign from the Triad Sound, Image and Text
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Media Art Rhetoric: A Case Study of Wanderl_st
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Xeno Walks, An Augmented Reality SoundWalk on Collective Feminism
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Endless Ripples: A Growing Interactive Donation Device
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Portobello and Pirouettes, or, Do We Always Need “Narrative” If We Have Content?
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Eyes: Biometric Data Arts Using Finger Print and Iris Data
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The Leaf as Artistic Easel: Painting with Chloroplasts
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A Collaborative, Experimental VR Artists’ Studio Program
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PirateMaps: disruptive WiFi map server on Raspberry Pi
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Fabrication: Modular Food/Water Survival
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Sun Run Sun: experiencing sonic navigations
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Kritical Works in Second Life
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Dynamic Kaleidoscope of World Languages in Dubai
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The Energy Propagated
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Conflict, Collapse and Care: Co-creating NatureCulture in the 21st-century
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dangerous fiction: the body, desire, and narrative
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GPS Film: Not a Moving Picture, a Picture Moving
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Eco-Visualization: Using Art and Technology to Promote Environmental Stewardship
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Environmental Awareness through Eco-visualization: Designing Software & Tech To Promote Sustain
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O’megaVille: excursions in planetary urbanism
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The body in\verse
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Macrophones: Listening to the Climate Crisis via Atmospheric Infrasound
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Space and narrative identity (upon spatial and temporal heterogeneity and multiple narratives)
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In the Time of Clouds: Materializing Data for a Speculative Future
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Violence of a Different Kind (I am a Conquistador)
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INSECT PROJECT: Simulation of the Crowd Behaviour of Insect/Chinese Calligraphy (Single/Dual Screen)
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Networked Art Practice after Digital Preservation
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Literacies of Speed: nonverbal communication in a MUVE
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Play-ability?: A Taxonomy of Art Games
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Chinese Characters as Concept and the International Language of Visual Art
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Title:
fmiDmsHK
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