Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Theory as Performance: The Mediamatic Manifest
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Translocal Networks: Babel Launch
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Uncovering Histories of Electronic Writing: Artificial Intelligence and Art Practice
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Absence in Common: An Operator for the Inoperative Community
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Art as Antibody: A Redefinition of Art for the Internet Age
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Chinese Archival Futures: Thinking Digitality Via Cornell’s Wen and Goldsen Archives of New Media Art
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From Scenography to Planetary Network for Shanghai 2010 World-Expo City
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Indigenous Domain: Pilgrims, Permaculture and Perl
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Inner City Locative Media:Design and Experience of a Location-Aware Mobile Narrative for the Dublin Liberties Neighborhood
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Organized Networks,Transdisciplinarity and New Institutional Forms
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Public Secrets: information and social knowledge
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The Urbane Potential of Public Screens for Interaction
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Towards New Class of Being: The Extended Body
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Ars Memorativa in the Interactive City Private Layers: Sublime Technologies in Public Spaces
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Art and New Technology in Mexico: The National Center for the Arts
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Beyond Locative Media: Giving Shape to the Internet of Things
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Compasses, Meetings and Maps: Three Recent Media Works
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Crafting Change: Envisioning New-Media Arts as Critical Pedagogy
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Creative Industries in Beijing: Initial Thoughts
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e-skin: wearable interfaces for the visually impaired
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Locative-Media Artists in the Contested-Aware City
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Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling
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Phylotic BodyScapes / Entheogenic Gardens: poly-scalar heterotopic
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Re-imagining the Electronic Journal
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Report on the Pacific Rim New Media Summit
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The Bandung Center for New Media Arts: Local Commitment and International Collaboration
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The Exploratorium’s Invisible Dynamics Project: Environmental Research as Artistic Process
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The Participatory Challenge: Incentives for Online Collaboration
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A Medial Perspective to Ecological Concerns: Global Developments/Local Responsibilities
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A Reflection of Photography as Media of Art and Technology, In Indonesia
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A study on the Alternative Artworks and Gallery based on AR
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Active Matrix: A Serious Game to Play with Kandinsky’s World
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Aesthetics of Knowledge Space
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Aesthetics of Play: Locating the Ludic in Interactive Art
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American Vectors: a project combining biomaterials, streaming media and military imagery
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An Intelligence for Cross-world Collaboration, Real and Virtual
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Animated Documentary: technological change and experimentation
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Antipodean Media Ecologies: Journeys to Nowhere and Back
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Applications of the Soundscape Reconstruction (SR) Technology in acoustic ecology research, education and entertainment
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Art as a Field Phenomenon
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Artificial Nature as an Infinite Game
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Artistsinlabs: Reality Jamming between Lucid Fields of Practice
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Arts and Science Collaborations for Mineralogy and Cultural Heritage: The Social Aspects of Mineralogical Visualisation and Representation as Knowledge Creation Connecting Physical and Virtual Worlds
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AudioTagger: Urban Space and Wireless Phonography
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Auto, Crack, Slimework and the Seven Leg Spider
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Beyond the Table Top, Everyman, The Ultimate Commodity
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Block H and Reality Jamming: Conflict Reporting via the FPS Game
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Blurring Boundaries Between the Real and the Virtual — About the Synthesis of Digital Image and Physical Space
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Body Tailored Space - Experiments in Evolving Spatial Interactions
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Casting From Forest Lawn Cemetery: Re-Animating Dead Screen Stars
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Co-evolving Affective Wearable Computer
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Collaborative and Creative Documentary Production in Video and Online
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Collective Film Script Writing: Experiences in Using Mobile Creative Writing Tools
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Collective Territories: The Shared Space of Locative Media
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Condensation revisited - A Lecture on Pigments:3
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Conditions of the Imaginary in Virtual Worlds
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Cramming Aesthetics, Art Appreciation & Education Into a Fun Museum Experience
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Creative Research and Creative Practice: Bridging Histories
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Cursory Speculations on HPI (Human Plant Interaction)
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Deciphering Realities, Moving Frontiers
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Decoding Gaze in Science, Technology and Interactive Media Art
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Digital Dwelling: Building in Online Worlds
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Digital Strategies to Change the World (abridged)
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Displacements of Creative Activity in Brazilian Visual Arts
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DNA in a suitcase: Border Transmissions and Hybrid Bio-Collaborations in BioHome: The Chromosome Knitting Project
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Drawn: The Artist, Audience and Interactivity
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duliö Olé! - A mobile, swarm-intelligence based football game
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e-Dance: Relocating Choreographic Practice as a New Modality for Performance and Documentation
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Elements: Art and Play in a Multi-modal Interactive Workspace for Upper Limb Movement Rehabilitation.
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Embodied Emergence: Distributed Computing Manipulatives
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Encompassing the Body: Wearable Technology vs. the Avatar
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Experiences on the Boundaries: Screens In Between
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Exploring the Metahuman through Inverse Biotelemetry
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Fête Mobile: a Hyper-Local Self-Surveillance and Media Broadcast Experiment
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First Person Shooter: The Subjective Cyberspace
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Flora Electronica: A Media Performance Space Across the Physical and Virtual Worlds
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Folded Space: How Computer Games Rework Our Ideas of the Maze
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For Interface, Against Regression! An Exploratory Surgery of an Transhuman Umbilical Cord
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From Sketches to Scenes: How to Develop Games
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From the Image of a Person to Its Electronic Incarnation
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From Traditional to Virtual Interactive Puppetry: A Comprehensive Approach
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From Work of Art to the New Media Art as Research
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Generating Virtual Environments for Playful Touch Interactions: TOUCH TERRAIN
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Generative system for the synthesis of audiovisual narrative
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GPS Film: Not a Moving Picture, a Picture Moving
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ground the enablement of creativity in a metaverse
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Ground Truth: Weather and Climate Observation and Embodied Experience in Antarctica
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HEADROOM: A space between presence and absence
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Hyper-augmented Reality: Looking at AR Through Some Old Postmodern Goggles
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Illusion of Technology in the Human-Computer Interactive Art
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Immersive Worlds, Artificial Life, and Systems in Unstable Equilibrium
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Information Through Sound: Understanding Data Through Sonification
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Inokashira Player: The Creation of Mashup Web Media Linked with a Public Facility in the Real World
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Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings
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Intersection of the New Technologies in the Creation of Images (fine art) at the End of the XX Century
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Intersections Media—Action—Place
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Into the Locative: Grassroots Cultural Production and the Digitalization of Urban Borders
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Investigating new models of communication as a spatial practice through the implementation of a locative media system.
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Jam to-morrow and jam yesterday – but never jam today. The White Queen to Alice, Through the Looking Glass, Lewis Carroll
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Japanesque Modern in Media Design Education
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Light Attack — Media Art and the ‘movingmoving’ Image as an Intervention in Public Spaces.
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LIVING-ROOM2 — domesticating the multiverse
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Locating Media: On spatial Associations Between Digital Media and Exhibition Space
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Locating the Australian Blogosphere: Towards a New Methodology
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Location! Location? Location!! Can Location Neutrality Exist in Artworks?
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Losing Control: Looking Beyond the Surface of the Aesthetic Interface
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Making Art as Commercial Products: An Ongoing Challenge of Device Art
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Media Art Using Korean Traditional Cultural Archetype
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Media Blackout: Networking News inside Pakistan
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MusicALife Composition: An alternative representation for musical notation
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Negotiating a Newer Hybridity: Technology in Bollywood Film Songs
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Neighborhood Narratives, New Dialogues with/in the Mediated City
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New Media, Politics and the 1968 Venice Biennale
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No Place Like Now, Now Like No Place
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On Augmented Reality-Enabled Social Network Traces of Pratitya-samutpada (Interdependence)
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On the embodiment of the virtual (in the age of the collapsing distinction between fiction and reality)
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On the language of Abstract Animation
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Paradox and Play: Beyond Computer Games
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Peau d’Âne: Where Wearables Meet Fairy Tales
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PING, An Alternate Reality of Control
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Placing Space/Time Through Photography’s Old and New Technologies
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Project Time revisited: thoughts on skin therapy, urban planning and Singaporean Angst
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Pudu Jail’s Graffiti: Aesthetics Beyond The Walls of the Prison Cells
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Quantum Uncertainty: Fragmentations in Art, Life and Reality
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Reality and Subjectivity: Digital Films as Cyborg Texts in a Post-Modern World
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Reality Jamming: Beyond Complex Causality in Mediated Cultural Systems
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REALITY JAMMING: the uncanny space of CCTV based installation works
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Realizing the Moment: Towards a Continued Role for Technology in Art
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Reflections on Karachi_Past Present and Future
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Reinterpreting Networks of People as Fluid for Political Purposes
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RENATI: Recontextualizing Narratives for Tangible Interfaces
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Representation, Visualization, Art and Science
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Same Difference: A Note on the Interplay of the Physical and the Vitural in the Creation of a Digital Image Series
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Scientific Visualizations and Mixed Realities at the Art/Science Nexus
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Self-styling Locality in “Cryptic: a Traveller’s Diary”
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Sensory vision — development of toolkits and training course using an I/O module and sensors
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Serious Play: Counter-actions and Interventional Dissent in the Game Space
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SITE-seeing: Image Geotagging and the Vernacular
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SMARTJECT: Creative Delineationpractices of Human-Mediated Selforganization in Polylogic-Cooperative Cultures of Interactivity
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Space and narrative identity (in the global forum)
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Station “Name to be Chosen With the Local Population” Multi-User Platform
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Strategic transmissions: Livemedia and the Intensive Spatium
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Synthetic is More Sensuous: Advances in Neurology and the Aesthetics of New Media
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Technologies of Location: Affect of Place in Artistic Uses of Mobile and Social Networks
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The Asian Tradition in the Works of Liu Kang and Tan Kai Syng
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The Critical Ambivalence of Play in Media Art
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The Distribution Revolution: A Global Recalibration of Media Production, Ownership, and Economics
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The Geography of Posthumanity
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The House Of Affects Project: Correlating Digitally Distributed Narrative to Adaptable spaces
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The Interactive Village: ethnography and narrative
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The Living Future: Nonorganic Life Nanotechnologies and Contemporary Art
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The Nature of Experience in Transcultural Cinema
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The prelude to the Millennium: The backstory of digital aesthetics
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The Use of UGC and Web 2.0 in a New Media, Digital, Non-Fiction, Collaborative Project
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To See and To Touch the Light Source
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Transactional Arts -- Interaction as Transaction
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Urban Culture as Interface Culture. Locative Media and the concepts of ‘dwelling’ and ‘public sphere’
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Variable fiction, a new literary genre questioning cooperative writing and reality jam
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