Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Virtual Spaces and Ergonomics: The Feng Shui of Cyberspace
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Wider Contexts: Electronic Media as Sites for Public Art
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Women, Gender and Technology, Leisure, Pleasure or Penury?
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Working with Poetics in an Interactive Environment: Mouthplace
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A Montage of an Interactive Moving Image: A Study at the Crossing Point of Film Theory and Art Philosophy in the Framework of Pragmatism
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A Study on the Visual Communication in the Electronically Networked Society: Kabakov’s “Album” and Miyamae’s “Amishibai”.
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Alire: Une Experimentation De Poesie Informatique En Lecture Privee
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Audience Participation and Response in Movement-Sensing Installations
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From Computer Art to Digital Art to New Media
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Interconnectivity and Relational Embodiment in Art and Design
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Is the Internet for Everyone? Art in Search of a Better Connected Society
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Multimedia: From Wagner to Virtual Reality
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Music via Motion: Interactions Between Choreography and Music
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New Labyrinths and Maps: The Challenge of Cyberspace’s Art
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PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Sound Synthesis
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Space, Sound and Music: Using Embodied Experiences of Space to Produce Multiple and Interconnecting Experiences of Space in Acousmatic Music
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Synthetics: The Electronically Generated Image in Australia
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Tactile RENGA: A Process of Rediscovery of color
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The Multi-Temporal Experience of Plate Spinning
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The Unbearable Lightness of New Media Education
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The User Knows Best: Refining a VR Interactive Fiction Project
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Tradition Offers Artistic Possibilities for New Media Technologies: An Animation System for Shadow Theatre
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Visual Interfaces for Shareable Media
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What are dreaming young pixels of? A pseudo quarrel on “supports”.
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Aesthetic and Rhetoric of Technological Art: The Interface Machines
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Artificial Imaging and Sexuality or, How Artificial Imaging Thinks Sex
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Artists And Engineers: The Example Of E.A.T.
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Burnt Offerings: Body Odors and the Olfactory Arts in Digital Culture
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Collaborative Systems: redefining ‘Public Art’
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Contemporary E-artists from Malaysia: Negating Boundaries between Map(s)
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Disciplinary Transfers in Arts and New Fields of Creativity: The Case of African Art
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Electronic Art, Science and Nonsense: A Second Look at the Underdeveloped World
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Insight Inside the Cave Environment Blue Windowpane
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Title:
Interactive Design and Electronic Arts
Presenter(s):
- Pierre Lavoie
- Joshua Davis
- Olivier Koechlin
- Murielle Lefèvre
- Étienne Mineur
- Casey Reas
- Maurice Benayoun
- Jean-Jacques Birgé
- Minna Tarkka
Title:
Models of Expressive Communication in Music and Dance Interactive Systems
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Multi-Sensory in Interactive Digital Art, Presentation of an Experience: The Virtual Tightrope Walker
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Multidimensional Mapping: Movement to Music
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Of Dissident Bodies in the Digital Era
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Percussion and Live Electronics: Composition and Performance
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Prosthetic Phantoms, Automated, Involuntary & Avatar Choreography
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Somethin’ Else. New Technologies: The Writer’s Challenge
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The Challenge of Being at a Distance and in the Same Time
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The Fauvism or the Test of the Fire, Multimedia Workshop at the Museum of Modern Art of Paris
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The System And The Event: New Technologies On Stage
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Towards an Analysis of Interaction in Sound Generating Systems
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“REDI” On-line Educational Resources for the Development of Professional Multimedia Skills
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Day-Dreaming States in Interfaced Environments
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Metaphors in the Mix
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The ReFashion Lab: Building Digital Matter and Hybrid Space
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A Theoretical Proposition For Interactive Telemedia Design
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Actual-fictive-virtual space: Theatre Interactivity Within a “Liquid Architecture”
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Artifacting New Media: Towards a Historiography of New Media
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Artist Explorations of the Boundary between the Virtual and the Physical
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Complex Poetical Practices & New Technologies: The Creation of a Writing Agency: Agence_d’écriture
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Design of Ambient Intelligence
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Digital aesthetics: an African reading
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Ethics and Pragmatism Technology, Context and Collaboration in Public Art
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Expanding the Boundaries: Designing New Media Interdisciplinary Curriculum
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Generative Art, Preludi, Natural Mirrors
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Into the Hollow of Darkness: A Virtual Environment Project on Interactive Peripheral Perception
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Look at Helen Keller: New Aesthetic Possibilities from Assistive Technologies for the Blind and Deaf in the Post-Lingual Age
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L’esthetique Numerique: Une Lecture Africaine
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Modeling Intention in Creative Systems: Logics and Generative Art
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Mysterious Booths, Blowing in the Winds: Collaborative Learning
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Narrative Hand: Applying a Fast Finger-tracking System for Media Art
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Pockets Full of Memories: The Collaborative Construction of a Digital Archive
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Space-Time Correlations Focused in Film Objects and Interactive Video
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Tangible Media Communication Design in Future Home Environments: @home Project
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Terrorist Video and the New Iconoclasm in Art after 11. September
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The Art of the Interface in Mixed Realities Predecessors and Visions
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The Final Fantasy: Ethic in Cyberspace in Psychoanalysis Terms
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The Influence of New Technologies on Language
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The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art
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Visual Information Design of Digital Picture Cards: A Computer-based Therapy for Aphasics
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VR Webcams: Time Artifacts as Positive Feature
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Web3D Dance Composer: A Web-based Ballet Performance Simulation System
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White New Media Mythologies On Interacivity and Orientalism
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Writing on the Walls of Cyberspace Abstract
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‘Here’s Peeping at You’: The Computer Screen, the Logic of the Gaze, and the Miniaturization of the Image Window
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‘Kansei’ in Non-Linear Automated Music Composition: Semiotic Structure and Recombinicity
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Affect & Media(ted) Experiences: E.motional Perturbations
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Affect & Media(ted) Experiences: Lust and Disgust: Online Pornography and Affect
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Affect & Media(ted) Experiences: Shocking Flesh: Fatness, Feeling and the Politics of Interpretation
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Collaboration and Production Through Networks: fm01: film machine
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Collaboration and Production Through Networks: Staging Relations: Relational Art and Network Technologies in Superflex’ Staging Strategies
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Collaboration and Production Through Networks: The Peers Are Alright: Peer-to-Peer Call-and-Response
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Critical Interaction Design in the Everyday: Critical Cultural Production and the Everyday Web-Based Works
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Critical Interaction Design in the Everyday: Towards New Forms of the Social
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Documenting Art, Science and Technology: Amnesia International: Early Computer Art Within the Tendencies Network and Bit International Magazine
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Documenting Art, Science and Technology: Dancing in the Light of an Information Overload
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Documenting Art, Science and Technology: Documenting Art, Science and Technology: The Daniel Langlois Foundation Approach
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Documenting Art, Science and Technology: Netzspannung.org: Knowledge Space For Media Art and Digital Culture
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Fashion and Wearable Technologies: Computer Couture? Or: Queer Eye for the Cyborg
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Fashion and Wearable Technologies: Fashion, Mobility and the Tactical Imperative
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Fashion and Wearable Technologies: Intelligent Interfaces: Transformation of Self-Expression, Communication and Fashion with Wearable
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Free Networks, Subversive Networks: Subversive Networks: Disrupting Accepted Models of Human-Networked Interaction
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Games and the Art of Hacking: Play Ethics: The Convergence of Art, Games and Politics
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Genetic Engineering in Contemporary Art – Art in the Age of Technoscience
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Histories of Time-Based Art: A Time Consciousness of Young Japanese Media Artists: “MA” and the Moving Image of ITO Akihito’s Code of the River
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Histories of Time-Based Art: Architecture as a Time-Based Art: Immersive Strategies in Iannis Xenakis’ Polytopes
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Histories of Time-Based Art: The Routes Toward British Computer Art: Art Schools and The Computer Arts Society
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Internet Based Practices: (Trans) Local Histories: Going Digital: Comics and the Internet Era
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LifeBoat
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Mapping Space: the Social Potential of Locative Media: Exhibitionists and Voyeurs: Human Communication Patterns and Their Impact on Locative Media
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Mapping Space: the Social Potential of Locative Media: Re-public: Performative Public Communication with Mobile & Locational Technologies
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Me, Mycell and I : Technology, Mobility and Social Life
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Mediated Urbanisms: An Architecture of Switching: Hybrid Communication Spaces
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Mediated Urbanisms: Mediated Spaces: Prototyping Architecture-Engineering Media
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Mediated Urbanisms: Relief Space: Rereading the Skin of the City
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Mediated Urbanisms: The Mediated City: Globalisation and Emerging Urbanities
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Mobile Sound and Art Practices: the Local Contexts: Location Based Mobile Games: Blurring the Borders Between Physical and Virtual Spaces
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Mobile Sound and Art Practices: the Local Contexts: Mobile Phone Music: Ring Tone Culture and the Mobile Phone in Sonic Art
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Narratives and Images of Open Source: Stuff That Matters: The Rise and Rise of Open News
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Narratives and Images of Open Source: Who Owns Our Culture? A First-Person Case Study
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Narratives, Subjectivity, and Interaction: Surfaces that See: Subjective Vision and Imagination in Gaze-Based Interaction
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Narratives, Subjectivity, and Interaction: Tilanteita Situations: Developing Concepts for Situated and Mobile Imaging
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Network Dynamics: Network Dynamics: A Cross-Dimensional Comparison
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New York Prophecies: The Imaginary Future of Artificial Intelligence
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Open Source City: Interactionfield Public Space: Redefining Urban Public Space in the Digital Age
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Open Source City: Open Source City: Field Office
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Race, Representation & Digital Divides: inIVA Digital Archive: Race Representation and the Digital Domain
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Race, Representation & Digital Divides: Multiculturalism on the Internet: A Case Study of Nettime, an E-mail Discussion List
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Race, Representation & Digital Divides: New Media Art as Transcultural Interface
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RAW: Rethinking the editing process and mediation in audiovisual narrative experience
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Tactical Social Fictions: Memoires of a Testee: Recorded Recollections at Braintec
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The Aesthetics of Interaction and Behavior: Against Friendly Interface: Aesthetics of ‘Trammelized Interaction’
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The Aesthetics of Interaction and Behavior: Caesura in Marina’s Garden: Interactive Narrative as a Drama of Responsibility and Interruption
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The Aesthetics of Interaction and Behavior: The Aesthetics of Behavior
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Translocal Networks: split_connect presentation: global net_culture and translocal spaces
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Translocal Networks: TESTER: Connected Systems of Local Detection
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Uncovering Histories of Electronic Writing: Continuous Paper: Print Interfaces and Early Computer Writing
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Uncovering Histories of Electronic Writing: Timestamps
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Uncovering Histories of Electronic Writing: What Was Hypertext?
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Visualizing Artificial Worlds: The Political Geography of On-Line Public Spaces
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Working Across Boundaries: Curating and Preserving New Media Art: Conserving New Media Art: Hardware and Meaning; Variable Media Preservation
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Working Across Boundaries: Curating and Preserving New Media Art: Expectations and Moving Targets: Art After New Media
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Working Across Boundaries: Curating and Preserving New Media Art: Interaction and Audience
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Working Across Boundaries: Curating and Preserving New Media Art: Overcoming the Distance: Displaying the Data-Based and Location-Driven New
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‘The List’ – The Mailing List Phenomena: Empyre: Structure and Diversity
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‘The List’ – The Mailing List Phenomena: FACES
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‘The List’ – The Mailing List Phenomena: Fibreculture Internet: theory + criticism + research
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‘The List’ – The Mailing List Phenomena: List Loving?!: Language of New Media, or New Media Nuissance
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Documenting Art, Science and Technology: netart datenbank.org
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Free Networks, Subversive Networks: Free Network A Scenario Planning Approach
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Games and the Art of Hacking: Arcade Classics Spawn Art? Current Trends in the Art Game Genre
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Games and the Art of Hacking: Civilization IV
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Histories of Time-Based Art: Nicolas Schöffer’s Spatiodynamic Tower in Liège: A Monument to the Information Society?
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Mapping Space: the Social Potential of Locative Media: Not Free: Infinite Trouble with the Finite
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Mobile Sound and Art Practices: the Local Contexts: Art in Wireless
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Mobile Sound and Art Practices: the Local Contexts: Mobile: Position Based Art and Sound
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Narratives and Images of Open Source: Open Source from Picasso to the Present: A Brief History of Open Source Culture
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Open Source City: A Trip Around a Magic Puzzle
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Open Source City: Communal Urban Green Space
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Open Source City: Communism of Ideas: Towards an Open Source Practice of Architecture
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Race, Representation & Digital Divides: CyberSkins: Aboriginal Art on the Web
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Social Networks of Resistance: Societal Idea Networks: Floating Spaces, Makro Places of Escape and Avoidance
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Tactical Social Fictions: Hacking Net: Virtual Organization
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Tactical Social Fictions: Hypertagging, Hyperdemic Graffiti
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