Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Violent Interfaces: The Jack Bauer Training Kit
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Virtual Borders and Surveillance in the Digital Age: Visit-US
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Virtual Memory: Art Museums and the Internet
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Virtuoso Audiovisual Realtime Performance: The Colours Of A Wooden Flute
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Visualising the Locative Experience
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Visualizing as Exorcism: Learning from Viruses
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Voice in Electronic Art: From Whistle to Speech Recognition
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w.Book & e.Margin: Wired Book and Electronic Margin
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What Can We Learn From Street Scenario
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Whispers of Harmony: Is the Pythagorean notion of harmony still relevant in our time?
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Words to Avatars: Expressing Place in Cyberspace
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Writing, Creating and Knowledge in a Digital Medias and New Technologies Society (some problems and critics relatives to old and new languages)
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“MacArt”: Revolution on a Desktop 1984-1990
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The Network — a challenge in New Media
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Urban Sensoria - Culture, Content, Technology, and Locating Media
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A study on an interactive construction tool for better interaction ability in an interactive installation
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A study on reconstructing meaning and experience with virtual restoration
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A study on the relation between the evolution of media platform and mobile content culture in Korea
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AffecTech: an affect-aware interactive AV artwork
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Authored collaboration, choreographed reality
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Before the reset: transformative practice of interactive media art
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Bird watching: satellites, telescopes and the metaphor of transparency
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Bridging the divide: emergent digital literacies and collaboration
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Co-curating: distributing art globally, enacting art locally
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Collaboration and development of an Artist’s Toolkit
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Contesting citizenship: participation and political art
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Cross-discipline collaboration: don’t care and don’t want to know
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Cyborgs and the duality of perception and morality in performative interaction
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Dramaturgy as a model for geographically displaced collaborations
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e. Menura Superba: posthuman dreams of ersatz animals
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Exploring the experience in everyday pedestrian routes: watch for ‘routinised’ pedestrians
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Expression in interactive aesthetics: the case of physical computing
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eye>hand>body>: data visualisation and the body in new media works
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Fabrique: shaping experiential landscape
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From instrument to interactive spectacle: transformations of participatory culture
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Gay bombs: exploding, remapping topologies of queerness
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Grasping the untouchable: the externalization of virtually created entities
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Hacking the borders of art and information: Jason Salavon and the art of anti-visualization
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Human, robot, alien: the universal succession and transformation of terrestrial life
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Hybrid bodies: bionic bodies, semi-living bodies, modified bodies
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Information non-place as a mirror of glocal subconsiousness
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JoyceWalks: remapping culture as tactical space
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Large Screens, Third Screens, Civic Spaces and Innovation
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Listening to the image: photography between representation and discourse
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Mapping the mind: collaborative creativity as alternative transformative practice
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Material beliefs: designing speculatively with biotechnology for public engagement
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MindTouch: Biosensor-Mobile Media Performance Practices
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Mitate: realising playfulness, multiple viewpoints and complexity in device art
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Mixed-realities: opening the Beijing Olympics
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Moon Vehicle: creating new culture from the Chandrayaan mission
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Nanotechnology, storytelling, sensing, and materiality
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Net gain/net loss: the Googlization of new media art in the era of neoliberalism
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O-d-o: negotiating, contracting and transacting for online deal-making
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One degree of separation: shopping super locally
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Play as a driving force in the era of the social web
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Play Design: a collaborative design space based on digital game project
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Play, skip, jump: warp devices in videogames
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Postbiology between protocol and manifest: portraiture of a passing specie
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Products of negotiation and spaces of possibility: quantum systems and interactive media art
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Professional capital and informal justice systems
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Prostheses for Instincts
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Seeing the ‘light-colour’ seduces a new kind of touching
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Shin’m: reshaping the perceived body with sound
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Steganoflage: a new digital image security strategy
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Techno Viking: artist strategies for Web 2.0
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The Aesthetic Beauty of the Artificial: when Prosthetic Bodies Become an Art Expression of Empowering Design Technologies
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The Art of Mobility: How Transdisciplinary Artists’ Projects are Testing the Boundaries of Mobile Media Design
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The arts, innovation and commercial opportunities
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The dancing body as a screen: synchronising projected motion graphics onto the human form in contemporary dance
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The ephemeral body: aesthetics of the body in the new media arts of continental Southeast Asia
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The Equator, the Geostationary Orbit and 1976: rewriting the Bogota declaration
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The global data palette: massive databases and the reformation of content creation in film/video and music/sound art practice
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The interface vanishes: wearable technology at the crossroads
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The Meat Licence Proposal: proposing ‘law’ as a creative medium
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The nature of the experience: understanding the role of the audience in pervasive and locative artworks
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The new theatre of the world: map mashups and web 2.0 space
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The post-human imaginary and the body of the avatar
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The use of artifacts as critical media aesthetics
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Thinking of oneself as an aging computer / Thinking of (an aging) oneself as a computer
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Through the dark room: an approximation between the movie theatre and VJ-ing spaces
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Tolerating mass murder: migration, diasporas, genocide and climate imperialism; an investigation by virtual migrants
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Toward a process philosophy for digital aesthetics
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Understanding interactive media art based on Qi philosophy in traditional Orientalism
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Urban fiction: between map and landscape
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Using 2D photography as a 3D constructional tool within the Second Life environment
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Vasarely Redux: Electroplastique and the structure of digital aesthetics
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Virtual places, real money: the role of virtual worlds in the success of video games as cultural products
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When digital trumps analog: teaching with Second Life
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ZooMorph: Enabling Interspecies Collaboration
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‘What have you left behind?’: stories of nomads by nomads
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(Re-) constructions of memory in post-conflict Serbian society
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A Social Space of Music in Istanbul: The Electronic Music Scene
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Alternate reality games, advertising and entertainment: how digital media are changing the way we tell stories
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Altogether human: tracking and recording human emotion online
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An ‘on-the-fly’ pseudo model-based Augmented Reality
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Art and mobile augmentation: the brave new world of graphical tagging
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Augmented Cinema: Experimental Cinema with Augmented Reality
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Aureole: communicating and evoking a poetic scientific phenomena
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Avatar art: transformative outcomes of the Advanced Identity Representation Project
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Bridging worlds: approaches to hybrid art in physical and virtual realities
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Cinematics and narratives: creating an archetypal character based experience
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Cinesensory: a filmic model for imaginative reconstruction of a city from haptic memories
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Combining educational games and virtual learning environments for teaching physics with the Olympia architecture
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Composition of visual imagery for Shakespeare’s plays
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Connecting with the iGeneration: the use of mobile interfaces and new technologies in galleries and museums
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Counter-practices to the caribbean archives: the feminised narratives in Domino Effects (2009).
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Creative Interactions: the Mobile Music Workshop
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Critical dressing: creative wearables and tactical practice
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Dancing sound: swarm intelligence based sound composition through free body movements
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Database narrative, spatial montage and the cultural transmission of memory: a work in progress
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Designing and orchestrating technologies for future home or objects for arithmomaniacs
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Digital channels, the change in community structures and its consequences for social participation
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Digital media, memories and representation: Rebirth
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Digital optics: vision, supervision and souvision
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Does routine make a boring life? the visual representation of time and space using mobile technology
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E-motional textile: creating electronic patterns for printed textile design by integrating motion capture technology
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E-static shadows: an interactive e-textile membrane
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Email (its being emotional … )
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Emotional exchange: embodiment and creativity in wearable technology
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Emotional interactions: audience encounters with virtual personas and robots
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Enactive dialectics: inter-subjective emotional feedback through an embodied approach
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Exploring the ‘transitional’ in interactive 3D virtual environments
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Fluid archive: re-connecting the Matese community worldwide through archiving cultural values in the digital age
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Fragments of place: revealing sense of place through shared phone images
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Green or not green: another glimpse of vanishing reality
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Hitch haiku: an interactive supporting system for composing haiku poem
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Inner-active art: an examination of aesthetic and mapping issues in physiologically based artworks
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Interactive storytelling with MemoryLane
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Intimate bidirectional interaction between external displays and mobile devices
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KinoPuzzle: grasping realities through tangible tabletop documentaries
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Lets go global: transforming lives through participation, digital engagement and creativity
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Lily’s Image: a child’s process of ‘making sense’ of universal themes such as family, home and their perpetual change
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Live puzzle: a kaleidoscopic spatio-temporal narrative
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Location based entertainment and co-evolutionary narratives in mixed reality immersive environments
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Logos versus mythos: the strange adventures of Netochka Nezvanova in the lands without
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Mapping Scapes of Sound and Vision (Notes on Simultaneous Echoes, by Masaki Fujihata)
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Media diffusion: multiplicity, identity and ecology; re-thinking images in animation after cinema
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Memories, mobiles and creative art practice
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Memory, reverie machine: toward a dance of agency in interactive storytelling
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Mnemonics as complementary space: theorising essayistic film towards a discourse on lost environments
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Mobile tagging and mixed realities in art
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Nanoessence: Nanotechnology and the Posthuman Body
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Narrative inertia: a spatio-dynamical model of generative story telling
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NewsViz: extraction and visualisation of emotions from news articles
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Overlapping boundaries: art, technology and storytelling
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PEGASYS: an interactive panoramic cinematic presence generating art system
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Picturing ideas as art: the visualisation of philosophical and political ideas using computer-generated imagery
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Posthuman geographies: from virtuality to response-ability
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Reception strategies of transmedial audiences: playfulness, fiction, and the apparatus in interactive soap Lonelygirl15
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Relationships between mood and aesthetics in video game design
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SecondLife: art and archive; thoughts about Lynn Hershman Leeson
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Sound, narrative and audience interaction: towards a recontextualisation of the Stephen Lawrence case
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Stories on the run: narrative structures for mobile cinema
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Stretchable Circuit Board: New technology For High Level Integration of Electronics Into Textiles
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The Body without Organs: Deleuze and Guattari meet Romeo Castellucci
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The Citizen versus the Stateless in the Nation-State
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The engineering of experiences through the mind cupola: interaction as a cognitive feedback loop
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The impact of location-based mobile games on group formation and urban environmental experience
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The River Sings Project
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