Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Composing with Chaos: Applications of a New Science for Music
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Electronic Art and The Law: Intellectual Property Rights in Cyberspace
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Granular Synthesis and the f-curve Sound Generator
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Horizontal Radio a Telematic Radio Network Project Abstract
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Imaging Directly on the Retina (A Progress Report)
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Instrument de Synthese Granulaire Dans MAX/FTS
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Interaction Arising From Installations
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Large Scale Experimental Media and Performance
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Les Interfaces Multimodales avec Retour de Force: La Metaphore de l’aveugle et de l’astronaute
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Machines à Peindre et Informatique Picturale: Ironie de I’art Digital?
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Musical synthesis: DNA sequences
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Nouvelles Perspectives pour l’image de Synthese
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Overall Concept for the Construction of a Rehearsal of Memory
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State-of-the-Art Rusticity: A Composer’s View
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The Exploration of Musical Space by Way of Genetic Algorithms
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The Future of Art on the Internet, Using a Genetic Metaphor
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The iCube System: Moving Towards Sensor Technology for Artists
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The Virtual Sensoria: Notes of the New Media Art
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The Way is Not Difficult, but You Must Avoid Choosing
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Visual Boundaries?
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Wormholing in Cyburbia and other Paranatural Pleasures
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Co-realities – Interaction with Bodies of Hybrid Information
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Implicate Beauty, Multimedia Art on the World Wide Web
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La Politique du Ministere Francais de la Culture en Faveur de la Creation Artistique et du Developpement de Nouveaux Services Destines aux Autoroutes de L’information
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La Relation Art/Alliage a Memoire de Formes: 10 ans de Parcours. $1500000 en Recherche et Developpement: Un Nouvel Imaginaire Artistique
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Photonic Webs in Space Time: The Aesthetics of Holography
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The future of art on the internet, using a genetic metaphor
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V_Tape: How New Technologies Can Influence Education Within Media Arts
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Work-in-Progress: Interactive Art/ Science Planetarium Event on Cell Biology
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Ancient Memory Systems: A Cross-cultural Comparison
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Bridge to, Bridge From: The Arts, Technology, and Education
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Concerning the Spiritual in Cyberspace: Immortality of Artist and Artifact in the Digital Domain
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Improv: Interactive Improvisational Animation and Music
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Into the Black Box: relations between artistic expression and formal descriptions in computer based fiction and art
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Looking for the Interactive
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Machine Learning and Musical Invention: A Case Study
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Medieval Cartography and the Ideological Mapping of Cyberspace -Part II, Section A: Are You Sure It’s Really Round?
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Online Sound and Virtual Architecture (Contribution to the geography of cultural translation)
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RHYTHMS, The Aesthetics of Electronic Painting
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Scenography and Synesthetic's: New Media and Aesthetic Experience
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SITO/OTIS: The Past, Present, and Future of Collaborative Art on the Internet
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The Context Is the Message: Interactive Art as a Medium of Communication
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The Outlines of the Polyhedric World
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Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception and Power
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DisNet: A Model of Discursive Networking
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Hypertext Journal: An Online Interactive Travelogue
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Teaching Computer Art with Integrative Assignments
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Transparency as Interface: A ‘Petite Histoire’ of its Tools
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At the Edge of Dream World: Media Encounters in Architectural Venues
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Avatars on the World Wide Web: Marketing the ”Descent”
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Content and Discontent: An Alchemical Transformation
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CyberPRINT: Toward an Architecture of Being
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Cybrids: Integrating Cognitive and Physical Space in Architecture
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Exploring Musical Space by Means of Virtual Architecture
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Follow the Yellow Brick Road! Fantasies of Center and Presence in Net Culture
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Gemini Rising, Moon in Apollo: Attitudes on the Relationship between Art and Technology in the US, 1966-1970
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History and Theory of Intermedia in Visual Culture
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Interactivity, Public Art, and Architecture
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Into The Belly of the Image: Historical Aspects of Virtual Reality
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More Real is Real: The Transorganic and Hypermorphic in the Einstein’s Brain Project
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Nettropics Interactivity and the Synthetic Plane of Immanence Abstract
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On Multimedia Syntax: A Semiological Perspective (What We Might Learn From Print)
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Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music; imponderable Forms, Self-Organization, and Compositional Methods
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Resonating the Fragmented Body: Sound Design in New Media
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The Diverse Meanings of Artificial Life
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VRML: Writing the Space of Identity on the WWW
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What Is Performance Multimedia? And Why is it Impossible To Record Performance Multimedia?
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‘Intelligent’ Architecture: Cybernetic Theory and Architecture Abstract
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A Sound Authoring Architecture for Virtual Environments and Interactive Applications
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Art at Science: The New Collaboration
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Art Experiments and Mathematical Explorations into the Universe of Machine-generated Drawings
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Below the Surface: New Aesthetics and lmmersive Experiences for Trans-Cultural Groups
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CyberTattoo and The Aesthetic Prothesis
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Illusionism and Technology: Notes on Interactivity and Deception
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Liquid Views: Another Story of Narcissus
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Lygia Clark and Helío Oiticica: A Legacy of Interactivity and Participation for a Telematic Future
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Movement, Dance, and Gesture: A Multidisciplinary Study of Nonverbal Communication
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Mutual Reality: The Future of Interactive Art
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New Cartographies and Virtual Environments with GPS
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NeXTSTEP Graphical Interface to Control Spatialization Systems
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Paradigm Shift Interruptus: An Anecdotal History of Hungarian Media
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Principles of Biological Evolution and Social Computing in the Arts
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Questions of Scale: Telepistemology and the Missing Referent
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Re-Mapping Modernity: From Analogic Image to Digital Dream
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Responsive Portraits
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Technologies of Undressing: The Digital Paper Dolls of KISS
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What If? Another History of Digital Media for Designers and Artists
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Where does Intellectual Discourse Reside in New Media Art?
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“Convergence” at the Nexus of Technology, Digital Aesthetics, and Social Theory
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A Manifesto for Compwriting and Re-Scriptable Information
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Alive Cinema: Romeo and Juliet in Hades
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Beyond the Site: Installation Art at the End of Geography
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Blazoned and Over-Exposed: Post-Modern Bodies in Public Spaces
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Cage, Acoustic Ecology and Revolutionary Thought
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Comparative Technologies / Painting: More on Ghosts with Cartoons for the Next Millennium
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Controller and Controlled: Interchangeability
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Dividing the Self: Speculations on the Split Brain Human Computer Interface
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Electric Prayer Wheel: A Meditation on Genocide
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Embracing Chaos: A Strategy for the Next Millennium
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Empathetic Avatar/Surrogate Self
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Evaluating Young People’s Creative Uses of Digital Technology: Whose Benchmarks and Why?
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Finding Consensual Times in Digital Music
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Foldback, On a Transmedia Exhibition and Event Marking the 10th Anniversary of the Australia Network for Art and Technology
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Fugitive: A Machine Driven Interactive Digital Video Space
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Grrl Codes: the Scripting of Racial and Gender Stereotypes
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Is the Potential for Transcendence an Intrinsic Aspect of a Virtual Environment?
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LIQUID SCRUTINY and NECRO-TECHNO: What’s Wrong with Thinking and Laughing at the Same Time?
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Notions on David Lynch’s Use of Terror and the Importance of Film Sound
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Techno@Fetish.tribe/Techno-gardism~A Time Released Diaspora?
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The Bodycoder System: A Wireless Sensor Suit for Real-Time Control and Manipulation of Sound and Images
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The Design of an Instrument for Visual Improvisation and Composition
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The Form/Content Formula: Parallel Between Pre-Industrial Cinema and Current New Media Practice
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The Manchester Illuminated Universal Turing Machine
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The Survival of Design Education within the I.T. Revolution
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Theoretical Issues of Humanistic Intelligence: From Postmodernism to Pastmodernism in the Cyborg Age of Metaphysical Computing
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Touch Screen Interactivity and the Representation of Marginalised Groups in Museums
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Virtual Migrants: Racist Deportations vs Freedom of Virtual Travel, Electronic Art as Ideology
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