Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Calculating the Curvature of Crocheted Petals: A Post Media Exploration of Domestic Craft-Based Textile Patterns
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Can Digital Objects Behave Well (if we let them)?
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Capturing Gestures for Expressive Sound Control
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Cell Tango: An Evolving Interactive Archive of Cellphone Photography
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Choreographing Topological Spaces within Dance Performance with Real-time Video
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Circles and Props: Making Unknown Technology
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Cityscapes: Exploring the Spirit of Urban Identity
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Classical Hollywood as an Epistemological Network
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Clickable Art, or what does online participation mean?
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Co-Creation in the Big South Lab
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Codetalkers Recounting Signals-of-Survival
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Colonization and Science Networks Between Peripheries and the Center: The Case of the Naturalist Fritz Müller
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Colour Data Processing: An Interactive Installation Exploring Digital and Analog Representations of Colour
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Computational Drawing: Code and Invisible Operation
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Computer Art vs. Computer Music: Different Approaches to Art & Technology at the 1970 Venice Biennale
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Conceptual Relations: Musical Representations Do Not Need Music Theory
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Considering User Specific Design Criteria Gathered From a Participatory Design Study: A Case Study on Designing Icons for an Info-Assistant System Interface
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Context Machines: A Series of Situated, Outward-Looking, Self-Organizing and Generative Artworks
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Control: Enabling Participatory Art With Mobile Devices
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Corporeal_Expressions: Tracing Both Biomedical and Emotional Links from an Artistic Perspective
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Corpus Corvus: Exploring Contemporary Mythos Through Immersive Media Poetics
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Crafting Complaints as Civic Duty
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Creating black boxes: Emergence in Interactive Art
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Creating Fixed Media Works Out of Site-Specific Compositions Through the Use of Spatial Responses and Physical Resonances
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Creative Critical Action Beyond Economy into “Techno-Ecology”
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Creative Ecologies in Action: Technology, Creativity and the Artist-led Workshop
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Creative Industries: Convergence and , Film and Academia
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Creative Spaces of the Immigrants: Revisiting the Discussions on City-Space, Technology and Artistic Practices
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Creative Zen Learning Space and Community
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Crossing Foliage: Activation Profile for Audio-Graphic Navigation in Foliage Clusters
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Ctrl-O Confronting Barriers to Communication in Interdisciplinary Projects
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Curatorial Cultures: Considering Dynamic Curatorial Practice
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Cybernetic Serendipity Revisited: Interaction, Play and Fun from the Universe of Electronic Art to Metaverse
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Cybism and Decoding the Letter: Countering Mass Culture’s Reductional Breakdown Through Afro-futuristic Forms of Representation and Emergent Game Platforms
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Data Visualization and Eco-Media Content: Media Art Produced at Digital Narratives Workshops
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DATAmap: Exploring Gender Balance in Ireland Through Interactive Multimedia Installation
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De-Coding Interactive Art: The Impact of 3 Decades of Academic Research in the Taxonomy of Digital Works of Art
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De-Phasing Infrastructure: On the Techno–Aesthetic Interval in Gilbert Simondon’s Objet Technique
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Deep/Place: Site-Based Immersive History
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Delay and Non-Materiality in Telecommunication Art
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Dematerialization, Media, and Memory in the Digital Age
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Designing a Way to Visualize the Invisible Through the Dynamic Illustration of Conversations
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Different Point of View on the Copyright of Artwork Between Artist and Engineer
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Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age
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Digital Art and Culture After Industry? Towards Aesthetic Business Studies
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Digital Ethos: Transformations in Contemporary Photography Aesthetics Subsequent to Computational Art
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Digital Media: From Entertainment to Architecture
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Digital Mediterranean and New Media Dialogue
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Digital Performance in Networked Public Spaces: Situating the Posthuman Subject
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Digital Re-presentation and Simulacrum in Augmented Reality
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Digital Technologies, Social Media and Emerging Trends in Film Production Methodologies
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Digitaterial Gestures: Action Driven Stererolithography
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Do We ‘Read’ a Van Gogh Today as we ‘Read’ a Van Gogh twenty years ago?
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Dress Acts: Wearable Technology and Virtuosity
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Drifting and Imaging in Second Life: John Craig Freeman’s ‘Imaging Beijing’ (2006)
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Duration and Dancing Bears: Halberstadt’s Cage, Inge’s Beethoven, Zimmer’s Piaf and Pittsinger’s Bieber
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Ecotopia,Towards an Eco-Socio-Morphology
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Electric Light and the Abyss: Digital Media and the Representation of Disaster
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Electrical, Political, Social and Cultural Resistance
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Electronic Music and Two Composers from Turkey
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Elephant: The Construction of Contemporary Representation Images
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Eliciting Compassion: An Artist in Residency at the Max Planck Institute
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Embedded Sound: A Project on Turkish Traditional Calligraphy and Its Multi-Touch Transformation
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Embodied Schemas for Cross-Modal Mapping in the Design of Gestural Controllers
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Encyclopaedic public, WikiLeaks, Multitude, Interface
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Enhancing Spatial Experiences Through Digitally Augmented Spaces: The Library+ Project
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Ethernet Orchestra: Interdisciplinary Cross-Cultural Engagement in Networked Improvisatory Performance
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Examining Issues of Body Image and Complex Regional Pain Syndrome Within the Digital
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Eye Gaze as a Vehicle for Aesthetic Interaction: Affective Visualisation for Immersive User Experience
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Fashionable Wearables in Digital Performance
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Fish and Chips: Meart and Silent Barrage, Pioneering Cybernetic Organisms from the SymbioticA Research Group
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Flo)(ps : Between Habitual and Explorative Gestures
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Flying Robotic Arts for HRI and Interface Research
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Flying, Spinning, and Breaking Apart: Live Video Processing and the Altered Self
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Frankenstein2: or the Monster of Main Stream
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From Archive to Retroscope: Pushing Forward Resource Integration
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From Assistant to Performer: The Changing Roles of Technologies in Digital Dance
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From CCTV to GPS: How Media Art Reflects Development of Surveillance Society
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From Hut to Monitor: The Electrification of Chokwe Wall Murals in Angola, 1953-2006
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From Microscopy to Nanotechnology: The Mediality of the Scientific Image
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From Still to Moving: An Almost Indistinguishable Moment
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Fuzzy Precincts and Bleeding Edges: Feminist Theory and the Study of Virtual Materiality
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Generative Narrative in xTNZ and Senhora Da Graça
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Geodesic Sound Helmets
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Geopolitics/Mapping/Cartography: GPS Image Satellites and the Aero-Spatial Policies
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Go Figure: Reconciling Affect, Participation and Narrative in the Creation of Immersive Experiences
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GUTAI Movement in Japan and Art Afterwards: Towards New Understanding of Current Media Art
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Here to There and In-Between: Commuting Through Mediated Perception
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Historicizing ‘Folk Art’: A View From Bengal (India)
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How Locative Media Art Set the Agenda for Location-Aware Apps (and why this still matters)
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Hunter Gatherer: Mobile Participatory Media as Geo-Art-Cache
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Hybrid Art Forms: The Way of Seeing Music
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HyperImage Reloaded: The Expansion of the Photographic Image in Virtual Spaces
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I Found These Guys Inside of My Brain: My Self-Guided Tour of AIDS, Art, and Neuroscience
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I, Robot: Re-Thinking Jack Burnham’s Systems Esthetics
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IART: A Model for Computer Based Art
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Identifying Place And Placing Identity In Transnational Transmedia: A Case Study Of Two Convergent Media Projects
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Imagining the Social Change: the Czech Discourse about Contemporary Art After 1989
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Immersive Media Event Experiments: Between Hybrid TV and 3D-VJ
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Improving the Information Society Through Awareness of Languages
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In the Rear: Artistic Concept and Different Spatialisation Methods
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Infra|Vergence_WIP: A Work in Progress by Building W/Immaterials, Mixed Reality as an Architectural Platform
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Insecure Territories
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Intelligent Content and Semantics Algorithms: The Next Digital Artists?
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Interaction With Nature Through Performance Utilizing Pico-projection in a Forest and Kaumana Cave on the Big Island of Hawaii
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Interdisciplinarity and Exhibition Making: Some Forecasts
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Interfacing The Tall with the Mobile: An Archaeological Investigation of the Mediatization of Outdoor Space
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Internet and the Work of Art: New Curatorial Issues
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Intersections of Interdisciplinarity: Technological, Transcultural and Feminist Formations in the Electronic Art of Muriel Magenta
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Inter_views: On Memory and Recollection an Interactive Telematic Dance Performance
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Investigating Interactive Beauty: A Research-Art Project
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Investigating the Digital Sublime Through Photographers’ Views of Reality: Nathan Baker’s Occupation Project as an Example
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Investigating the Process of Collaboration in the Context of the e-MobiLArt Project
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Invisible Performance in Control Room: Resonance Between the Performance and Technical People
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Its Behind You: The Parameters And Process In The Creation And Presentation Of Panoramic Moving Images
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Journeys in Travel: An Infinite Digital Database Film Project
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Laborers of Love/LOL: Behind the Scenes
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Large Screens and the Transnational Public Sphere
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Living The Emo Social Networks and Constant Need for Social Change
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Low Technology in the Digital Age: Designing with Post Consumer Waste
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Ludic Listening: Sound Art in Video Game Design
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Machine Music Through the Ears of the Repairman
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Many with a Mobile Cameraphone: The Democratization of Documentary?
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Mass Body Index: Bio-OS, a Biological Operating System
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Material Matters: Machine Agency and Performativity
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Meaningful Landscapes: Spatial Narrative, Pilgrimage and Location Based Media
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MIC Toi Rerehiko: Collective Hybrid Arts Projects
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Microscopic Transformations: Scientific Visualization, Biopower, and the Arts
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Migration and Morphing of Sounds in an Interactive Installation
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Mission to Earth: Planetary Proprioception and the Re-Greening of the World
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Mixed Reality: Emerging Spatial and Perceptive Experiences in Architectural Design
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Mobility Into Immobility: Designing Networks
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Moments of Liminal Space: Methodologies and Practices for The Study Of Transition
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Motion in Place Platform: Virtual (Re)Presentations of Iron Age Movement
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Mutate or Die: A William S. Burroughs Biotechnological Bestiary
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My Lawyer is an Artist: Free Culture Licenses as art Manifesto
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Nanotechnology: Towards New Modes of Display?
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Nanovibrancy and the Listening Microscope: An Auditory Performance of Nanoscale Resonance
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Natural Objects and Gesture Based Interaction: Search for Creativity in Design Education
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Network Media: Exploring the Sociotechnical Relations Between Mobile Networks and Media Publics
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NeuroBodyGame: The Design of a Wearable Computer to Playing Games Through Brain Signals
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New Generations of Robin Hoods: Cultural and Technological Piracy
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NEXTension: The Advent of The Network-Screen
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Object Geography: The Internet of Things
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On Breathing and Geography: Sonifying the Severn as Shared Generative Art Practice
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Oral History Practices and Undiscovered History of Polish Computer Art of the 1970’s and 1980’s
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Origins of Japanese Media Art: Artists Embracing Technology from 1950s to Early 1970s
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Painting as Programming: Casey Reas and the Aesthetics of Generative Code
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Parcival XX-XI Goes Digital: New Media as Part of a Gesamtkunstwerk
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