Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
My Lawyer is an Artist: Free Culture Licenses as art Manifesto
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Mycorrhizal Curation: Minimal Cognition for Maximal Cooperation
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Mysterious Booths, Blowing in the Winds: Collaborative Learning
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Nanoessence: Nanotechnology and the Posthuman Body
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Nanotechnology: Towards New Modes of Display?
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Nanovibrancy and the Listening Microscope: An Auditory Performance of Nanoscale Resonance
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Narrative Hand: Applying a Fast Finger-tracking System for Media Art
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Narrative inertia: a spatio-dynamical model of generative story telling
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Narratives and Images of Open Source: Open Source from Picasso to the Present: A Brief History of Open Source Culture
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Natural Objects and Gesture Based Interaction: Search for Creativity in Design Education
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NEO//QAB: Creating a World Through Speculative Play
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Neosentience. Definition; a New Combinatoric N-dimensional Bio-algorithm; Authorship of the Insight Engine 2.0 and Database; Recruitment of Transdisciplinary Researchers; Ethics Surrounding the Generation of a New, Self-aware Autonomous Techno-species
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Network Media: Exploring the Sociotechnical Relations Between Mobile Networks and Media Publics
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NeuroBodyGame: The Design of a Wearable Computer to Playing Games Through Brain Signals
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New Cartographies and Virtual Environments with GPS
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New forms of Creative Expression Within Typography and Lettering
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New Generations of Robin Hoods: Cultural and Technological Piracy
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New Media Art Beyond Mediation
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NewsViz: extraction and visualisation of emotions from news articles
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NEXTension: The Advent of The Network-Screen
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NeXTSTEP Graphical Interface to Control Spatialization Systems
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Noise &/as Nervousness: Gertrude Stein in the Interface
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Noise Responsive Systems: How do those change the infrastructure of the Institution?
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Noise Square: Physical Sonification of Cellular Automata through Mechatronic Sound-sculpture
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Non-explicable Phenomena, Consciousness and Technology
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Notes for Walking the space in between time: media art and augmented landscapes
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Notions on David Lynch’s Use of Terror and the Importance of Film Sound
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Object Geography: The Internet of Things
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Occult Computing for Artists: An introduction
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Odorama V2: Prototyping Touch-Smell Synesthesia to Promote Neurocognitive Empathy
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Of Dissident Bodies in the Digital Era
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Oil, War and Housing Markets: the aesthetics of accumulation and waste
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On Breathing and Geography: Sonifying the Severn as Shared Generative Art Practice
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On Internet Art: A Critique of the Imperceptible Interface
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On Places, Spaces and Objects of Interdisciplinary Scholarship: The Case of Useful Fictions
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On the Bridge Between Bolivia and Computers
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On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion
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Open Media Art from Cosmetics to Critical Fusion
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Open Source City: A Trip Around a Magic Puzzle
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Open Source City: Communal Urban Green Space
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Open Source City: Communism of Ideas: Towards an Open Source Practice of Architecture
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Open Waters [Northwest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
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Open-source Sentience: the Proof is in the Performance
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Oral History Practices and Undiscovered History of Polish Computer Art of the 1970’s and 1980’s
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Origins of Japanese Media Art: Artists Embracing Technology from 1950s to Early 1970s
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Orphics: Computer Graphics and the Feasibility of a Preferred Colour Model
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Orphics: Computer Graphics and the Shaping of Time with Colour
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Overlapping boundaries: art, technology and storytelling
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Owner of a Lonely Heart: (Danio rerio) Embryonic Heartbeats
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Painting as Programming: Casey Reas and the Aesthetics of Generative Code
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Paradigm Shift Interruptus: An Anecdotal History of Hungarian Media
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Paradoxical Bodies: Animal Human and Machine
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Parallax: Dancing the Digital Space
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Parallel Cinema, Necrorealism and Video Art in St. Petersburg
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Parcival XX-XI Goes Digital: New Media as Part of a Gesamtkunstwerk
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Participatory (Counter-)Surveillance and the Internet
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Participatory Art as Inner City Workshop: The Urban Remix Sound Project
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Passive / Reactive / Interactive: Strategies That Unify Experimental Art, Artists, and Audiences
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PEGASYS: an interactive panoramic cinematic presence generating art system
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Perceiving Physical Media Agents: Exploring Intention in a Robot Dance Partner
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Perceptual Correspondences of Abstract Animation and Synthetic Sound
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Percussion and Live Electronics: Composition and Performance
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Performer vs Electronics: Performing Music For Instrument and Electronics
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Performing Identity through Wearable Sensing
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Perspective and the Appearance of natural Scenes
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Phi Territories: Neighbourhoods of Collaboration and Participation
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Photonic Webs in Space Time: The Aesthetics of Holography
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Phylotic BodyScapes / Entheogenic Gardens: poly-scalar heterotopic
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Physical Cinema: Memory, Schema and Interactive Video
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Physical Grainclouds: Granular Sound Art in the Physical World
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Physicality and Spatialization in Sound Art
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Picturing ideas as art: the visualisation of philosophical and political ideas using computer-generated imagery
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Pixel Perfect: Performativity and Self-Portraiture
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Pixelated View: Investigating the Pixel in Light of Substantial Motion
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Pixels in the Material World: Making Marching Cubes
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Place in Mind: Towards A Dynamic Memory Palace
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Place-based, Somatic Augmented Reality as Critical Practice
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PlantConnect and Microbial Sonorities: Exploring the Intersection of Plant, Microbial and Machine Agencies
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Plastic Brains in the Post-Digital World
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Plasticity and Feedback: Schemas of Indetermination in Cybernetics and Art
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Play and Counterplay in Urban Spaces: Exploiting the City Through Location-Based Gaming
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Play Connected: an online media game
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Play with Fire: A Real-Time Video Experience for Sustainability
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Playground Gaming with Wii, Kinect and Processing
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Playing with Emotions: Biosignal-based Control in Virtual Reality Game Project H.E.A.R.T.
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Pleasure and Sacrifice: Aesthetic Experience and Collectivist Action
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Pockets Full of Memories: The Collaborative Construction of a Digital Archive
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Polivis: Methods Towards an Augmented Citizenship
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Portmanteau Worlds: Hosting Multiple Worldviews in Virtual Environments
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Post Cards of Identification: The Rhetoric and Form of PostSecret
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Post Digital Publishing, Hybrid and Processual Objects in Print
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Post-digital Sunlight: Participatory Space crossing Virtual and Physical, Artificial and Natural
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Post-dystopia: Language, Sound and Machines
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Post-immersion: Towards a Discursive Situation in Media Arts
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Posthuman geographies: from virtuality to response-ability
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Posthumanism, New Materialism and Feminist Media Art
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Post‑digital territory: cultural and aesthetic geographies beyond new media
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Powering Ecological Futures
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Preservation Begins at Creation: Integrating an Embedded Digital Archivist Within an Academic Media Art Program
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Principles of Biological Evolution and Social Computing in the Arts
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Procedural Taxonomy: An Analytical Model for Artificial Aesthetics
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Process VS. Product, resisting the self-gratifying loop, regaining a DIY perspective
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Producing New Media Ethnographies with a Multi-Sited Approach
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Projet EVA: Subservient Techno for Subservient Minds
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Prosthetic Phantoms, Automated, Involuntary & Avatar Choreography
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Public Making: Artistic Strategies for Working with Collections, Technologies and Publics
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Publicness, Pervasive Technologies and a History of Shit
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Puppetree: a remediation of theatre, from spectatorship to co-authoring
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Pursuing the Unknowable Through Transformative Spaces
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Puzzling Gestures: Creating a Teleoperated Interactive Artwork About Tactility, Structure and Movement
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Pyxis Minor: App Design for Novel Social Music Experiences
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Qualia Formation through Sensory Substitution in Artistic Laboratories in Russia
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Questions of Scale: Telepistemology and the Missing Referent
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Quiet terror: studio, lab and experiment at the edge of the known
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Race, Representation & Digital Divides: CyberSkins: Aboriginal Art on the Web
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Radical Cosmologies: Conversations on Culture, Technology and Research
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Radical Reordering: bit-size chunks in the AL GRANO project
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Radio Chigüiro: Making Community Radio
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Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia
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Re-Enacting the Self in The Archive
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Re-imagining the Electronic Journal
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Re-Mapping Modernity: From Analogic Image to Digital Dream
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Re-Shaping Curation: An Interdisciplinary Visual Art Interpretation and Navigation System
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Reading Digital Art in the Age of Double-Coding
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Real Time Synthesis of Complex Acoustic Environments
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Reception strategies of transmedial audiences: playfulness, fiction, and the apparatus in interactive soap Lonelygirl15
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Reclaiming and Commemorating Difficult Felt Experiences
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Reconsidering Experiential Knowledge in the Relation of Art and Science Practices
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Reconsidering Media Art Dynamics
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Rediscovering Hiroshi Kawano: Japan’s Pioneer of Computer Art
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Redundant Technology: Disrupting Lineal Narratives
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Reengineering of the Sensoriun and Imaginary Landscape: Mixed Reality
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Relationships between mood and aesthetics in video game design
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Remix Culture and the Radical Imagining of Alternative Intellectual Property Policies
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Remote and Embodied Sensing: observations on interactive art and politically engaged practice
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Remotely Connected, Remotely Creative: Leapfrogging the Digital Divide
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Reopening the inscription Rodrigo Arteaga: from the inscription to the phenomenon
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Report on the Pacific Rim New Media Summit
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Republic of the Moon: A New Artists Autonomous Territory
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Research 360 Interaction and Virtual Reality Environment, Analysis of Interaction Models and Functional Prototyping Methodology
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Research through Design, Documentation, Annotation, and Curation
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Resistance to digital and digital resistance: curating the networked photograph
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