Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
The Legacy of Experiments in Art and Technology (E.A.T.) : An Environmental Aesthetics
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The Light at the End of the Tunnel: An Interactive Installation in Public Space
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The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness
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The Living Future: Nonorganic Life Nanotechnologies and Contemporary Art
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The Living Liberia Fabric: An Interactive Narrative Artwork Memorializing Civil War in Liberia
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The Lungta Project: Physical Visual Music
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The Making of a Film with Synthetic Actors
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The Manchester Illuminated Universal Turing Machine
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The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity
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The Meat Licence Proposal: proposing ‘law’ as a creative medium
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The Memory and the Code: The Phantasm of Digital Culture
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The Metapiano: Composing and Improvising Through Sculpture
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The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network
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The Moon Is A Mirror: Organic and Natural Screens
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The Multi-Temporal Experience of Plate Spinning
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The Museum Machine Or: A Database Approach to the Representation of Space
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The Musical Score: The System and the Interpreter
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The Myths of Our Time: Fake News
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The Nature of Experience in Transcultural Cinema
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The nature of the experience: understanding the role of the audience in pervasive and locative artworks
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The Network — a challenge in New Media
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The new theatre of the world: map mashups and web 2.0 space
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The noise of mind: a performative statement of privacy
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The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art
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The Order of Passions: A Portrait of Polyphonic Canada
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The Ordinary (R)evolutionary Needs of the People
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The Outlines of the Polyhedric World
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The Paradox of Evolution: Yes, I am an Obsolete Human Being
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The Participatory Challenge: Incentives for Online Collaboration
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The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary
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The Pointless Chatroom: Coping with Absence in Online Performances
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The Politics of Smell: how scent technologies are affecting the way we experience space, our sense of place and one another
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The post-human imaginary and the body of the avatar
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The Post-virtual Stage for Performing Arts
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The prelude to the Millennium: The backstory of digital aesthetics
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The Projective and Introjective Experience of the Landscape
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The Prosthesis of the Event in Cyberspace: La reserche du temps perdu beyond Oedipe and Gnosis
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The Public Sphere Engendered by Media Technology: Masaki Fujihata’s Light on the Net (1996)
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The Re-Inventing the Wheel Project: An Archaeological Approach for Making Things Alternatively
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The Rebirth of Shadow Arts: App Design for the Intangible Cultural Heritage of Chinese Traditional Shadow Art
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The ReFashion Lab: Building Digital Matter and Hybrid Space
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The Relation of Architecture and Electronic Space
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The Remediation of Experience: A Case Study
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The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique
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The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
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The Return of Wonder: Speculative Robotics and Re-enchanting the Machine
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The Rhythm of City: Geo-Located Social Data as an Artistic Medium
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The Right to Artificial Life: A Declaration of Rights for Artificial Life
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The River Sings Project
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The Role of Evaluation in Public Art: The Light Logic Exhibition
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The Role of Eye Contact and Spectatorship in Interactive Installations
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The Role of Risky Objects in an Internet of Things
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The Scroll Unfurled: Ancient to “Vanguard”
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The Serendipitous Pattern in Interaction Design
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The Sound of Decentralization: Sonifying Computational Intelligence in Sharing Economies
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The Sound Of Memory: An Audience Derived Audio Visual Experience
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The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives
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The Survival of Design Education within the I.T. Revolution
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The System And The Event: New Technologies On Stage
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The Technology Design Education Studio as a New Model for Interdisciplinary Learning
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The Theatre of Everyday Life in the Age of Wireless Media
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The Timbre of Trash: Anthropomorphic Strategies to Resist Technological Obsolescence
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The Time of Our Life: Interactivity and the Labyrinth of Forms
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The Tomb of the Grammarian Lysias: Real-Time Performance and Crowd-Distributed Music Diffusion with Networked Mobile Devices
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The Tools of Desire and New Technologies
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The Unbearable Lightness of New Media Education
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The Unstable Characters: Reading of Chinese Text-based Digital Works
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The Urbane Potential of Public Screens for Interaction
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The use of artifacts as critical media aesthetics
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The Use of UGC and Web 2.0 in a New Media, Digital, Non-Fiction, Collaborative Project
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The User Knows Best: Refining a VR Interactive Fiction Project
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The Virtual Panopticon: Whose Point-of-View is it Anyway?
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The Virtual Sensoria: Notes of the New Media Art
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The Virtual Thematic Route Emil Benčić: From Experience to Infinity
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The Way is Not Difficult, but You Must Avoid Choosing
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The X Tables: Dialogues with the Prosthetic Unconscious
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The ‘Gaze’ of the Artwork: Seeing Machines and Interactive Art
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The “Piano-of-Lights”: A Visual-Music Instrument for FullDome Display
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Theoretical Discourse on ‘Art, Science and Technology Collaboration’ and its Historical Development
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Theoretical Issues of Humanistic Intelligence: From Postmodernism to Pastmodernism in the Cyborg Age of Metaphysical Computing
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Theorizing New Media in a Global Context
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Theory as Performance: The Mediamatic Manifest
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Title:
Things to do in Digital Afterlife When You’re Dead
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Thinking of oneself as an aging computer / Thinking of (an aging) oneself as a computer
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Thinking through Digital Media
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Through the Aleph: A Glimpse of the World in Real Time
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Through the dark room: an approximation between the movie theatre and VJ-ing spaces
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To See and To Touch the Light Source
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Tolerating mass murder: migration, diasporas, genocide and climate imperialism; an investigation by virtual migrants
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Too Big To See: The Need for Design Strategies to Visualize Multiple Spatiotemporal Datasets
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Touch as Techne: Pulse Reading as Interface
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Touch Interfaces: Between Hyperrealism and Invisibility
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Touch Screen Interactivity and the Representation of Marginalised Groups in Museums
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Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
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Toward a process philosophy for digital aesthetics
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Toward the Experiential VR Gallery using 2.5-D
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Towards (Co-authoring) Communitas: The Facilitation of Becoming Through the Use of Technology within Public/Community Arts Practice
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Towards a Living Materialty
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Towards a New Media Technology Interactive Virtual Environments
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Towards a New Symbiosis in the Mexican Environment: Art and Science
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Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/ Performer’s Testimony
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Towards an Analysis of Interaction in Sound Generating Systems
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Towards Enactive Systems: Affective Cane for Expanded Sensorium and Embodied Cognition, Mobility and Freedom
Presenter(s):
- Diana Maria Gallicchio Domingues
- Adson Ferreira da Rocha
- Ricardo Torres
- Silvana Funghetto
- Mateus R. Miranda
- Pedro Henrique G. Inazawa
- Paulo R. Fernandes de Oliveira
- Gilda A. Assis
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Towards New Class of Being: The Extended Body
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Toxicity at the Equidistance of Biotechnology and Biopolitics
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Tracing the City: Exploring the Private Experience of Public Art Through Art and Anthropology
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Tradition Offers Artistic Possibilities for New Media Technologies: An Animation System for Shadow Theatre
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Trajectories, Circulation, Assemblages: The Heterogeneous Modes of Endurance of Digital Arts Practice in Montréal
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Transactional Arts -- Interaction as Transaction
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Transcendence and Microbiopolitics: Art and Biology as Material Speculation
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Transcending Into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
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Transcoding Action: Embodying the game
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Transcoding Nang Talung: An Animated Adaptation of Thai Shadow Play
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Transcoding the Aesthetics of Activism
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Transcultural Electronic Negotiations: The Redefinition of Public Art across Cultures and Media
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Transformation and Regeneration of the Chinese Traditional Oiled-Paper Umbrella in Contemporary New Media Art
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Transformative practices: the aesthetics, ethics and politics of social relations
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Transient Materialization: Ephemeral Material-oriented Digital Fabrication
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Translating Expression in Taiko Performance
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- Shannon Cuykendall
- Michael Junokas
- Kyungho Lee
- Mohammad Amanzadeh
- David Kim Tcheng
- Yawen Wang
- Thecla Schiphorst
- Guy Garnett
- Philippe Pasquier
Title:
Translocal Networks: Babel Launch
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Translocal Networks: split_connect presentation: global net_culture and translocal spaces
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Translocal Networks: TESTER: Connected Systems of Local Detection
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Transmedia as a tool for the reconstruction of collective memory in post-conflict scenarios in Colombia
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transmission+interference: noise, resonance and territory
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Transparency as Interface: A ‘Petite Histoire’ of its Tools
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Transparency of Digital Manipulation or Not: Discussion of “Where Were the Mothers?” video installation
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TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation
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Travelogue: The Expressive Potential for an A-Life Filmmaker
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Trees As Time Capsules: Extending Airborne Museum Hartenstein to the Forest
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Tributes to Francisco José de Caldas: New Expeditions and Hybrid Practices in Art and Science
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Tuning in and Spacing Out: The Art and Science of the Presentness of Sound
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TURBA Concert in 15 movements for 64 neural oscillators
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Turbidity Paintings: Communicating Science Through the Lens of Art
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Turbulent World: An Artwork Indicating the Impact of Climate Change
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Tweeting Twitter: How to make instant messages slow
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Twenty Years of ISEA: A Painter’s Response
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Twinkle: A Flying Lighting Companion for Urban Safety
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TwttrGraph: I Wish to Speak with You. A Telegraphic Sound Installation
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Ubicomputacional Art: Urban Environment and Emergent Narratives
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Un-Earths: Disorientation, landscape & the industrialized map
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Uncovering Histories of Electronic Writing: Artificial Intelligence and Art Practice
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