Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Open Media Art from Cosmetics to Critical Fusion
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Open Source City: A Trip Around a Magic Puzzle
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Open Source City: Communal Urban Green Space
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Open Source City: Communism of Ideas: Towards an Open Source Practice of Architecture
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Open Waters [Northwest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
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Open-source Sentience: the Proof is in the Performance
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Oral History Practices and Undiscovered History of Polish Computer Art of the 1970’s and 1980’s
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Origins of Japanese Media Art: Artists Embracing Technology from 1950s to Early 1970s
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Orphics: Computer Graphics and the Feasibility of a Preferred Colour Model
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Orphics: Computer Graphics and the Shaping of Time with Colour
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Overlapping boundaries: art, technology and storytelling
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Owner of a Lonely Heart: (Danio rerio) Embryonic Heartbeats
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Painting as Programming: Casey Reas and the Aesthetics of Generative Code
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Paradigm Shift Interruptus: An Anecdotal History of Hungarian Media
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Paradoxical Bodies: Animal Human and Machine
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Parallax: Dancing the Digital Space
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Parallel Cinema, Necrorealism and Video Art in St. Petersburg
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Parcival XX-XI Goes Digital: New Media as Part of a Gesamtkunstwerk
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Participatory (Counter-)Surveillance and the Internet
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Participatory Art as Inner City Workshop: The Urban Remix Sound Project
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Passive / Reactive / Interactive: Strategies That Unify Experimental Art, Artists, and Audiences
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PEGASYS: an interactive panoramic cinematic presence generating art system
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Perceiving Physical Media Agents: Exploring Intention in a Robot Dance Partner
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Perceptual Correspondences of Abstract Animation and Synthetic Sound
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Percussion and Live Electronics: Composition and Performance
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Performer vs Electronics: Performing Music For Instrument and Electronics
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Performing Identity through Wearable Sensing
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Perspective and the Appearance of natural Scenes
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Phi Territories: Neighbourhoods of Collaboration and Participation
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Photonic Webs in Space Time: The Aesthetics of Holography
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Phylotic BodyScapes / Entheogenic Gardens: poly-scalar heterotopic
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Physical Cinema: Memory, Schema and Interactive Video
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Physical Grainclouds: Granular Sound Art in the Physical World
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Physicality and Spatialization in Sound Art
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Picturing ideas as art: the visualisation of philosophical and political ideas using computer-generated imagery
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Pixel Perfect: Performativity and Self-Portraiture
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Pixelated View: Investigating the Pixel in Light of Substantial Motion
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Pixels in the Material World: Making Marching Cubes
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Place in Mind: Towards A Dynamic Memory Palace
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Place-based, Somatic Augmented Reality as Critical Practice
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PlantConnect and Microbial Sonorities: Exploring the Intersection of Plant, Microbial and Machine Agencies
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Plastic Brains in the Post-Digital World
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Plasticity and Feedback: Schemas of Indetermination in Cybernetics and Art
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Play and Counterplay in Urban Spaces: Exploiting the City Through Location-Based Gaming
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Play Connected: an online media game
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Play with Fire: A Real-Time Video Experience for Sustainability
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Playground Gaming with Wii, Kinect and Processing
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Playing with Emotions: Biosignal-based Control in Virtual Reality Game Project H.E.A.R.T.
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Pleasure and Sacrifice: Aesthetic Experience and Collectivist Action
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Pockets Full of Memories: The Collaborative Construction of a Digital Archive
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Polivis: Methods Towards an Augmented Citizenship
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Portmanteau Worlds: Hosting Multiple Worldviews in Virtual Environments
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Post Cards of Identification: The Rhetoric and Form of PostSecret
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Post Digital Publishing, Hybrid and Processual Objects in Print
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Post-digital Sunlight: Participatory Space crossing Virtual and Physical, Artificial and Natural
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Post-dystopia: Language, Sound and Machines
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Post-immersion: Towards a Discursive Situation in Media Arts
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Posthuman geographies: from virtuality to response-ability
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Posthumanism, New Materialism and Feminist Media Art
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Post‑digital territory: cultural and aesthetic geographies beyond new media
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Powering Ecological Futures
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Preservation Begins at Creation: Integrating an Embedded Digital Archivist Within an Academic Media Art Program
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Principles of Biological Evolution and Social Computing in the Arts
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Procedural Taxonomy: An Analytical Model for Artificial Aesthetics
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Process VS. Product, resisting the self-gratifying loop, regaining a DIY perspective
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Producing New Media Ethnographies with a Multi-Sited Approach
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Projet EVA: Subservient Techno for Subservient Minds
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Prosthetic Phantoms, Automated, Involuntary & Avatar Choreography
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Public Making: Artistic Strategies for Working with Collections, Technologies and Publics
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Publicness, Pervasive Technologies and a History of Shit
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Puppetree: a remediation of theatre, from spectatorship to co-authoring
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Pursuing the Unknowable Through Transformative Spaces
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Puzzling Gestures: Creating a Teleoperated Interactive Artwork About Tactility, Structure and Movement
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Pyxis Minor: App Design for Novel Social Music Experiences
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Qualia Formation through Sensory Substitution in Artistic Laboratories in Russia
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Questions of Scale: Telepistemology and the Missing Referent
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Quiet terror: studio, lab and experiment at the edge of the known
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Race, Representation & Digital Divides: CyberSkins: Aboriginal Art on the Web
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Radical Cosmologies: Conversations on Culture, Technology and Research
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Radical Reordering: bit-size chunks in the AL GRANO project
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Radio Chigüiro: Making Community Radio
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Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia
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Re-Enacting the Self in The Archive
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Re-imagining the Electronic Journal
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Re-Mapping Modernity: From Analogic Image to Digital Dream
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Re-Shaping Curation: An Interdisciplinary Visual Art Interpretation and Navigation System
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Reading Digital Art in the Age of Double-Coding
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Real Time Synthesis of Complex Acoustic Environments
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Reception strategies of transmedial audiences: playfulness, fiction, and the apparatus in interactive soap Lonelygirl15
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Reclaiming and Commemorating Difficult Felt Experiences
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Reconsidering Experiential Knowledge in the Relation of Art and Science Practices
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Reconsidering Media Art Dynamics
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Rediscovering Hiroshi Kawano: Japan’s Pioneer of Computer Art
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Redundant Technology: Disrupting Lineal Narratives
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Reengineering of the Sensoriun and Imaginary Landscape: Mixed Reality
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Relationships between mood and aesthetics in video game design
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Remix Culture and the Radical Imagining of Alternative Intellectual Property Policies
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Remote and Embodied Sensing: observations on interactive art and politically engaged practice
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Remotely Connected, Remotely Creative: Leapfrogging the Digital Divide
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Reopening the inscription Rodrigo Arteaga: from the inscription to the phenomenon
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Report on the Pacific Rim New Media Summit
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Republic of the Moon: A New Artists Autonomous Territory
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Research 360 Interaction and Virtual Reality Environment, Analysis of Interaction Models and Functional Prototyping Methodology
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Research through Design, Documentation, Annotation, and Curation
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Resistance to digital and digital resistance: curating the networked photograph
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Responsive Environments and Protagonism: The Sustenance Principle
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Responsive Portraits
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Responsive Spaces: Motion, Activity and Interactive Art
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Rethinking The Baseline: Explorations in Nonlinear Typography
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Reticular Aesthetics: Adversarial Media Art After the Material Turn
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Retracts And Fixed Points In Theory Of Ordered Sets: Towards Combinatorial Computer Science
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Revaluing Women’s Labor through Material Engagement with Musical Instruments Built from Domestic Tools
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REVOLVE or the impossible task of performing sleep
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Risonanze Di Vino: Tuning Wine with Sound through the Senses and Culture
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Roaming Trans-cities and Airborne Fiction: click the image to enlarge and zoom in
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Samsara: A digital medium for theatrical storytelling using animation, robotics and immersive technology
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Sauti ya Wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Tanzania
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Scale – Time – Complexity: Engaging, Entangling and Communicating Ecology
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Scambaiters, Human Flesh Search Engine, Perverted justice, and Internet Haganah: Villains, Avengers, or Saviors on the Internet?
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Schizomachine: a Wearable Schizo-interface for a Schizo-body
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Science Art Relationalities
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Science, Art and Philosophy: A Reflection on a Methodological Approach to Intersemiotic Analysis of Interactive Installations
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SecondLife: art and archive; thoughts about Lynn Hershman Leeson
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Seeing is Sensing: Three Strategies for Multisensory Experience in Mixed Reality Art
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Seeing Plants through Botanical Illustration
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Self-evidence: a fertile resistance, a non-alienated view
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Self-trackers: Why Do They Prefer the Spreadsheet to the Sofa?
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Sen-se-paration
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Sensing Contemporary Mexican Art: Ariel Guzik’s Sonic Machines
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Sensing the Reality: Reflections on Artistic Actions to Defocus the Real
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Sentience and High Fidelity Haptics: the New Frontier in Content Creation
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Sentience and Place: Towards More-than-Human Cultures
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Sentience and the Virtual Body, from Dual Subjectivity to the Eros Effect
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Sentience as The Antidote to Our Frenzied Mediated Selves
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Shanghai Express: an interactive installation dealing with the city as a fragile organism
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Shifting Immediations: Fields of Experience across Media Art and Design
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Shifting Paradigms: Towards an Auditory Culture
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Similarity in Media Content: Artistic Perspectives Abstract
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Simondon’s Concept of the Image: At the Junction of the Technological and the Animal
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Simulation Beyond Perspective: The Discourse of Holography as a Tool for Imagery, Art, Media Studies and Science
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situationism, resistance, Occupy, Super 8, Žižek, digital media
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Skediomata: Guinea Pig and Performer
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Sketches of an Interdisciplinary Practice: Essential In-formation For Post-Digital Thinkers
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Skin Pattern Data Sonification as Personalized Media Art Experience
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Sky Knowledge: the Square Kilometre Array (SKA) as a focus for art-science collaborations
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Sleeping Eyes: VR Narcolepsy Storytelling through the Duality of Presence
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Slow Media Art: Seeing Through Speed in Critiques of Modernity
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Smart Textile as a Context for Art Based Technology and Engineering Education
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Smash the Black Box: designing for creative mobile machinery
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Smyrna/Izmir 2011: A Teleport in Time to the Virtual City
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Social Media as Art and vs. Art
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Social Networks of Resistance: Societal Idea Networks: Floating Spaces, Makro Places of Escape and Avoidance
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Soft Clouding: Curating a New Semantics of Sound Archiving
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