Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
From hallucinatory Art to hallucination in the Virtuality. Devices for Alternative Realities.
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From Here to Eternity: Experimental and Creative Approaches to Collecting and Distributing New Media Art Within Regional Arts Organisations
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From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality
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From instrument to interactive spectacle: transformations of participatory culture
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From Interaction to Post-Participation: The Disappearing Role of the Active Participant. Introducing Research Framework of Post-Participation
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From microscope to skin: the use of stem cell images to design bio inspired tattoos
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From Real to Virtual Embodied Performance: A Case Study Between Dance and Technology
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From Scenography to Planetary Network for Shanghai 2010 World-Expo City
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From Sketches to Scenes: How to Develop Games
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From Sound to Waves to Territories
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From the Image of a Person to Its Electronic Incarnation
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From the sonArc::project to C_plexus Solaris: From In-forming Plasma in Vitro to Transforming the Solar Storm in 2012 in Vivo
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From Traditional to Virtual Interactive Puppetry: A Comprehensive Approach
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From Work of Art to the New Media Art as Research
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Fugitive Color and the Choreographed Escape
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Future Tripping VR Project: Immersive Data Visualization of Social Networking from the Arab Uprising
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Game Engines As Prehension Of Incomputable Data: the processual effectivities of game engines
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Games and the Art of Hacking: Play Ethics: The Convergence of Art, Games and Politics
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Gay bombs: exploding, remapping topologies of queerness
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Gemini Rising, Moon in Apollo: Attitudes on the Relationship between Art and Technology in the US, 1966-1970
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Generating Diversity: Art, Robots, and the Future of Farming
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Generating Virtual Environments for Playful Touch Interactions: TOUCH TERRAIN
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Generative spatial montage with multi-layered screens in “Lost Fragments of the Night”
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Generative system for the synthesis of audiovisual narrative
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Genetic Engineering in Contemporary Art – Art in the Age of Technoscience
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Genomix Mask: Examining the Complex Relationship Between Genes, Epoch, and Aesthetics.
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Geographies without bodies and bodies without lands: Video Art in the Islamic World
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GestureCloud: Gesture, Surplus Value and Collaborative Exchange
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Getting to the Bottom of Reality: Designing Contexts for the Emergence of Truth(s) in Documentary
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Global Archiving Network: The 2nd Summit Case Study Report
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Global Media, Common Ground and Cultural Diversity
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Google Street View: Navigating the operative image
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GPS Film: Not a Moving Picture, a Picture Moving
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Granular Synthesis and the f-curve Sound Generator
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Grasping the untouchable: the externalization of virtually created entities
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Grene Epiphytes, an Immersive Bio Artificial-Life Artwork
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ground the enablement of creativity in a metaverse
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Ground Truth: Weather and Climate Observation and Embodied Experience in Antarctica
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Hacking the borders of art and information: Jason Salavon and the art of anti-visualization
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Hackitectures: Reordering Physical Spaces, Electronic Flows and Social Bodies
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Hauntology, the Penumbra, and the Narratives of Play Experience
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HEADROOM: A space between presence and absence
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Heaven and Hellscapes: Exploring Altered Mind States through Procedural Environments
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Heavy Metal and the Oratorio for a Million Souls
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Hello, World: The Artist’s Palette Using New Media among Atoms, Bits, and Connectivity
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Hertzian, Disruptive, Experimental Text Physicalizations
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Heterochronicity: Historicizing Drainage and Enlightenment in Mexican Ecological Art
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Hidden Topology of Being: Life and Space
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Historical Orchestra: A Research for a More Engaging Museum Experience
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Histories of Time-Based Art: A Time Consciousness of Young Japanese Media Artists: “MA” and the Moving Image of ITO Akihito’s Code of the River
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Histories of Time-Based Art: Architecture as a Time-Based Art: Immersive Strategies in Iannis Xenakis’ Polytopes
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Histories of Time-Based Art: The Routes Toward British Computer Art: Art Schools and The Computer Arts Society
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History and Theory of Intermedia in Visual Culture
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Hoax News Websites at the Crossroad between Popular and Political
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Hong Kong’s Yellow Umbrella (2014): A Prescient Political Game
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Horizontal Radio a Telematic Radio Network Project Abstract
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How Digital Anthropomorphism Enhances Creativity in Human-to-Robot Dance Interactivity
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Human Energetics in an Era of Post-Humanism
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Human, robot, alien: the universal succession and transformation of terrestrial life
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Humanoid Robot Magic: Various Responses and Communication
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Humans and Machines: A Study of the Impacts of the Technological Advances in the Light of Generative Art Theory
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Humpy: An Early Australian Architectural Projection
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Hybrid Art: technology and nature in arts practice and mediation
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Hybrid Art: technology and nature in arts practice and mediation
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Hybrid bodies: bionic bodies, semi-living bodies, modified bodies
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Hybrid Entanglements: a posthuman dramaturgy for human-robot relationships
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Hyper-augmented Reality: Looking at AR Through Some Old Postmodern Goggles
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Hyperdressing: Wearable Technology in the Time of Global Warming
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Illusion of Technology in the Human-Computer Interactive Art
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Imagined Geography, Interstitial Futures, Guatemex
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Imaging Directly on the Retina (A Progress Report)
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Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament
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Immersive environments, video tracking and collective interactivity on smartphone: a generic ‘dispositif’
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Immersive Worlds, Artificial Life, and Systems in Unstable Equilibrium
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Improv: Interactive Improvisational Animation and Music
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In a Hole in Rural Saskatchewan, Canada without a Phone
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In pursuit of the Schizomachine: for a(n) (in)possible listening
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In Search of Holistic Spirituality: A Philosophy of a Physi-Musiking Practice
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In Sight of Allo-states: Tracing the Path from Environmental Personhood to Agentials, Performances of Personhood and Other Artworks on the Agency-Personhood Continuum (APC)
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In the Spotlight: Searchlights, Art, Surveillance and Spectacle
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Indigenous Domain: Pilgrims, Permaculture and Perl
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Information non-place as a mirror of glocal subconsiousness
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Information Through Sound: Understanding Data Through Sonification
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Inhaling Quantum Consciousness: Ecological Vibrational Possibles
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Inner City Locative Media:Design and Experience of a Location-Aware Mobile Narrative for the Dublin Liberties Neighborhood
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Innovative Forms Of Healing: New Media Art as a Catalyst for Lasting Change in Therapeutic Settings
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Inokashira Player: The Creation of Mashup Web Media Linked with a Public Facility in the Real World
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Instantaneously Mediated Virtual Visions: The Transmedia Circuit of Images, Body and Meanings
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Instrument de Synthese Granulaire Dans MAX/FTS
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Inter(root), Banyan
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Interaction Arising From Installations
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Interactive Animation of a Large Scale Crowd for Art Installations: the Case of Humanography
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Interactive Art Based on Musical Genealogy: Nam June Paik’s Random Access
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Interactive Evolution of Equations for Procedural Models
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Interactive Journeys: Making Room to Move in the Cultural Territories of Interactivity
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Interactive Technology as Toolkit: Structure of Communication, Senseware, and Research Strategy
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Interactivity, Public Art, and Architecture
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Interconnectivity and Relational Embodiment in Art and Design
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Interfacing Dance Knowledge: DS|DM Installation Abstract
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Internet Based Practices: (Trans) Local Histories: Going Digital: Comics and the Internet Era
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Internet vernacular creativity. Vaporwave, counterculture and copyright
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Interplay of Scripts and Resistance in a Participatory Workshop
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Intersection of the New Technologies in the Creation of Images (fine art) at the End of the XX Century
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Intersections Media—Action—Place
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Into The Belly of the Image: Historical Aspects of Virtual Reality
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Into the Black Box: relations between artistic expression and formal descriptions in computer based fiction and art
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Into the Locative: Grassroots Cultural Production and the Digitalization of Urban Borders
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IntuiTweet: Corporeal Excavations of Social Networking
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Investigating new models of communication as a spatial practice through the implementation of a locative media system.
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Investigating the Notion of Art2.0
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iPhotograms: An Exploration of Technology Through Cyanotype
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Is the Internet for Everyone? Art in Search of a Better Connected Society
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It Looks Just Like Art: Computers, Class and Cultural Positioning
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ITCH: Individual Technology/Community Hacking
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ixi lang: A Constraint System for Live Coding
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Jam to-morrow and jam yesterday – but never jam today. The White Queen to Alice, Through the Looking Glass, Lewis Carroll
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Japanesque Modern in Media Design Education
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Journalism Visualization Devices: Six Visual Modes of Seeing
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Journey of the Ancients
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JoyceWalks: remapping culture as tactical space
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Kinect-Based Rgb Detection for ‘Smart’ Costume Interaction
Presenter(s):
- Lynsey Calder
- Jose Magalhaes
- Ruth Aylett
- Sandy Louchart
- Stefano Padilla
- Mike Chantler
- Andrew MacVean
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kin_ – An AR Dance Performance With Believable Avatars
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Knowing VR through practice
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Laboratorio de luz. More than 30 years of research in art, science and technology in the Spanish panorama
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Large Scale Experimental Media and Performance
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Large Screens, Third Screens, Civic Spaces and Innovation
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LAVIN: An AI-Navigated Art Experience in Virtual Reality
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Learning from Network Dysfunctionality: Accidents, Enterprise and Small Worlds of Infection
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Learning From the Megaphone: Design Principles for Interactive Public Space Digital Installations
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Learning Geology while creating Computer Graphics
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Learning Non-human. Can participatory practices change an Institution?
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Legend of Wrong Mountain: AI Generated Opera
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Les Interfaces Multimodales avec Retour de Force: La Metaphore de l’aveugle et de l’astronaute
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Life on the Trailing Edge: Ten Years Exploring Trash Technology
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LifeBoat
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Lifemirror: On the Circulation of Light in Networks
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Light and Dark Visions: The Relationship of Cultural Theory to Art That Uses Emerging Technologies
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Light Attack — Media Art and the ‘movingmoving’ Image as an Intervention in Public Spaces.
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Light Up Kelowna: Coordination and Development of Networked Community-based Media Art Urban Screen Infrastructure
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Lightening the Hiatuses of Story: A Discussion on Intervals in Story-telling of Interactive Documentary
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Listening to the image: photography between representation and discourse
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Live 4 Life: A dream for a free and open spatial performance tool towards symbiosis or death?
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Live Interaction: Applications for Real-Time FFT-Based Resynthesis
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Live Interactive Intelligent Computer Music: Notes on Pieces done in HMSL
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Living Biotechnical Lives: Noise, Parasites, and Relational Practices
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Living with Kombucha: Flavor, Feminism, Free Culture, Ritual
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LIVING-ROOM2 — domesticating the multiverse
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Locating Media: On spatial Associations Between Digital Media and Exhibition Space
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Locating the artist: A DIY-waniya
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Locating the Australian Blogosphere: Towards a New Methodology
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Locating the Territory
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Location! Location? Location!! Can Location Neutrality Exist in Artworks?
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Locative Art, Identity And Memory: Production of Participative Hypermedia Documentaries in the Settlements of Landless Rural Workers Movement in Brazil
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Locative Media Experiences and the Rise of Hybrid Exhibitionary Spaces
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Lomas On-Site Listening Station (LOLS): Infrastructure and Visibility in Public Space
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Looking for the Interactive
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Losing Control: Looking Beyond the Surface of the Aesthetic Interface
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Machine Learning and Musical Invention: A Case Study
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Machine Learning-based Approaches in Biometric Data Art
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Machines à Peindre et Informatique Picturale: Ironie de I’art Digital?
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