Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Cinematics and narratives: creating an archetypal character based experience
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Cinesensory: a filmic model for imaginative reconstruction of a city from haptic memories
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Circles and Props: Making Unknown Technology
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Cityscapes: Exploring the Spirit of Urban Identity
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Classical Hollywood as an Epistemological Network
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Clickable Art, or what does online participation mean?
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Co-Creation in the Big South Lab
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Co-realities – Interaction with Bodies of Hybrid Information
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Codetalkers Recounting Signals-of-Survival
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Collaborative Systems: redefining ‘Public Art’
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Colonization and Science Networks Between Peripheries and the Center: The Case of the Naturalist Fritz Müller
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Colour Data Processing: An Interactive Installation Exploring Digital and Analog Representations of Colour
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Combining educational games and virtual learning environments for teaching physics with the Olympia architecture
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Comedy53: A system’s design for generating image and text to create humorous comics
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Comparative Technologies / Painting: More on Ghosts with Cartoons for the Next Millennium
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Comparing two Sound Design Styles: Between Determinism Emergence and Interactivity
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Compasses, Meetings and Maps: Three Recent Media Works
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Complex Poetical Practices & New Technologies: The Creation of a Writing Agency: Agence_d’écriture
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Composing with Chaos: Applications of a New Science for Music
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Composition of visual imagery for Shakespeare’s plays
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Computational Drawing: Code and Invisible Operation
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Computer Animated Poetry & Other Computer Writings
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Computer Art vs. Computer Music: Different Approaches to Art & Technology at the 1970 Venice Biennale
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Computer Graphics and Animations as Agents of Personal Evolution in the Arts
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Conceptual Relations: Musical Representations Do Not Need Music Theory
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Connecting Indigenous Cultures to Design Pedagogy
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Connecting with the iGeneration: the use of mobile interfaces and new technologies in galleries and museums
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Considering User Specific Design Criteria Gathered From a Participatory Design Study: A Case Study on Designing Icons for an Info-Assistant System Interface
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Constructing Narrative in Interactive Documentaries
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Contemporary E-artists from Malaysia: Negating Boundaries between Map(s)
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Context Machines: A Series of Situated, Outward-Looking, Self-Organizing and Generative Artworks
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Control: Enabling Participatory Art With Mobile Devices
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Controller and Controlled: Interchangeability
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Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems
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Corporeal_Expressions: Tracing Both Biomedical and Emotional Links from an Artistic Perspective
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Corpus Corvus: Exploring Contemporary Mythos Through Immersive Media Poetics
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Counter-practices to the caribbean archives: the feminised narratives in Domino Effects (2009).
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Crafting Change: Envisioning New-Media Arts as Critical Pedagogy
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Crafting Complaints as Civic Duty
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Crafting Wellbeing: Exploring how Digital Media can Extend craft-based Textiles and Contribute to Health and Wellbeing
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Creating black boxes: Emergence in Interactive Art
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Creating Fixed Media Works Out of Site-Specific Compositions Through the Use of Spatial Responses and Physical Resonances
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Creative Audio Design for a Massively Multipoint Sound and Light System
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Creative Critical Action Beyond Economy into “Techno-Ecology”
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Creative Ecologies in Action: Technology, Creativity and the Artist-led Workshop
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Creative Industries in Beijing: Initial Thoughts
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Creative Industries: Convergence and , Film and Academia
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Creative Interactions: the Mobile Music Workshop
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Creative Spaces of the Immigrants: Revisiting the Discussions on City-Space, Technology and Artistic Practices
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Creative Zen Learning Space and Community
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Critical dressing: creative wearables and tactical practice
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Crossing Foliage: Activation Profile for Audio-Graphic Navigation in Foliage Clusters
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Ctrl-O Confronting Barriers to Communication in Interdisciplinary Projects
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Cultivating More-than-Human Lifeworlds: Laudatio on Indigenous Fermentation, Smell and Metabolic Power Grids
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Curating: a disruptive technique for disruptive technologies
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Curatorial Cultures: Considering Dynamic Curatorial Practice
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Cyber Terrorism in Name of Cyber Activism: Discomfort in Looking at Some Derivative Works in Recent Hong Kong
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Cybernetic Serendipity Revisited: Interaction, Play and Fun from the Universe of Electronic Art to Metaverse
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CyberTattoo and The Aesthetic Prothesis
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Cybism and Decoding the Letter: Countering Mass Culture’s Reductional Breakdown Through Afro-futuristic Forms of Representation and Emergent Game Platforms
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Cyborg and Prosthesis: The Body of Subjective Motivation Extension
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Cyborg Encounters: The Abilizing Capabilities of Embodying Disabling Avatars
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Dance and Code with Empathy: A Reading of Joana Chicau and Merce Cunningham
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Dance and the Computer: A Potential for Graphic Synergy
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Dancing sound: swarm intelligence based sound composition through free body movements
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Data Ecologies: Laika’s Dérive and Datawork
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Data Pollution Devices: Artistic Strategies Against Behavior Capture
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Data Visualization and Eco-Media Content: Media Art Produced at Digital Narratives Workshops
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Data, Sense, Resonance: an Art of Diabetic Self-Tracking
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Database narrative, spatial montage and the cultural transmission of memory: a work in progress
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DATAmap: Exploring Gender Balance in Ireland Through Interactive Multimedia Installation
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De-Coding Interactive Art: The Impact of 3 Decades of Academic Research in the Taxonomy of Digital Works of Art
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De-Phasing Infrastructure: On the Techno–Aesthetic Interval in Gilbert Simondon’s Objet Technique
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De-schooling Product Design Education, an Experimental Physical Approach
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De-totalizing capture: on personal recording and archiving practices
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Deep/Place: Site-Based Immersive History
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Delay and Non-Materiality in Telecommunication Art
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Delocalized pedagogy through digital music programming instruction
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Dematerialization, Media, and Memory in the Digital Age
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Design of Ambient Intelligence
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Design of co-evolving textiles applied to smart products
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Designing a Way to Visualize the Invisible Through the Dynamic Illustration of Conversations
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Designing and orchestrating technologies for future home or objects for arithmomaniacs
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Designing Interfaces to Experience Interactive Installations Together
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Designing Nano-Media Across Disciplines: Circular Genealogies and Collaborative Methodologies at the Optical Frontier
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Designing Technology for a Symbiosis Between Natural Systems and Information Infrastructure
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Different Point of View on the Copyright of Artwork Between Artist and Engineer
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Dig: An Archeology of Technology and Entertainment in Spielberg’s Jurassic Park
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Digital aesthetics: an African reading
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Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age
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Digital Art and Culture After Industry? Towards Aesthetic Business Studies
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Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI)
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Digital art going mobile: the case of the iPad as ‘digital canvas’
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Digital channels, the change in community structures and its consequences for social participation
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Digital Confucianism: A Confucian Take on Computation and Algorithm
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Digital Ethos: Transformations in Contemporary Photography Aesthetics Subsequent to Computational Art
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Digital intervention of archaeological sounds of Tuza aerophones
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Digital media, memories and representation: Rebirth
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Digital Media: From Entertainment to Architecture
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Digital Mediterranean and New Media Dialogue
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Digital Musicianship Training for Classically Trained Music Students in a Laptop Orchestra
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Digital optics: vision, supervision and souvision
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Digital Performance in Networked Public Spaces: Situating the Posthuman Subject
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Digital Re-presentation and Simulacrum in Augmented Reality
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Digital Technologies, Social Media and Emerging Trends in Film Production Methodologies
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Digitaterial Gestures: Action Driven Stererolithography
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Disciplinary Transfers in Arts and New Fields of Creativity: The Case of African Art
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DisNet: A Model of Discursive Networking
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Disrupted Architecture: Reimagining Buildings through Sound
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Disrupting Conventional Boundaries of Public Art In Urban Space
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Disruptive Aesthetics for Interactive Artwork
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Disruptive Behaviors: AI, Robots and the Autism Spectrum Disorder
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Disruptive strategies in the Postdigital city
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Disruptive Systems and Organizing Principles in Generative Art: Two cases (1980-ongoing) by British artist Ernest Edmonds
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Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios
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Dividing the Self: Speculations on the Split Brain Human Computer Interface
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Diving into Infinity: A Motion-Based, Immersive Interface for M.C. Escher’s Works
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DMIs Among The Others: Live at the concert hall
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Do We ‘Read’ a Van Gogh Today as we ‘Read’ a Van Gogh twenty years ago?
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Documenting Art, Science and Technology: netart datenbank.org
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Does routine make a boring life? the visual representation of time and space using mobile technology
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Dramaturgy as an enquiry on how interweave space, body and technology in performative interactive installations
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Dress Acts: Wearable Technology and Virtuosity
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Drifting and Imaging in Second Life: John Craig Freeman’s ‘Imaging Beijing’ (2006)
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Duration and Dancing Bears: Halberstadt’s Cage, Inge’s Beethoven, Zimmer’s Piaf and Pittsinger’s Bieber
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E-motional textile: creating electronic patterns for printed textile design by integrating motion capture technology
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e-skin: wearable interfaces for the visually impaired
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E-static shadows: an interactive e-textile membrane
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Econotopias: Imagining Possible Futures Through the Creative Economy
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Ecotopia,Towards an Eco-Socio-Morphology
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Electric Light and the Abyss: Digital Media and the Representation of Disaster
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Electric Prayer Wheel: A Meditation on Genocide
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Electrical, Political, Social and Cultural Resistance
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Electronic Art, Science and Nonsense: A Second Look at the Underdeveloped World
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Electronic Music and Two Composers from Turkey
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Elephant: The Construction of Contemporary Representation Images
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Eliciting Compassion: An Artist in Residency at the Max Planck Institute
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ELMCIP Electronic Literature Knowledge Base
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Email (its being emotional … )
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Embedded Sound: A Project on Turkish Traditional Calligraphy and Its Multi-Touch Transformation
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Embodied Cognition, Digital Cultures and Sensorimotor Debility
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Embodied Schemas for Cross-Modal Mapping in the Design of Gestural Controllers
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Embracing Chaos: A Strategy for the Next Millennium
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Emergent behaviour: learning from an artificially intelligent performing software agent
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Emotional exchange: embodiment and creativity in wearable technology
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Emotional interactions: audience encounters with virtual personas and robots
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Empathetic Avatar/Surrogate Self
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Enactive Affective Systems in Art and TechnoScience: Vital Experiences of Displacement in the City
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Enactive dialectics: inter-subjective emotional feedback through an embodied approach
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