Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Automatic Genre-Dependent Composition using Answer Set Programming
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Avatar art: transformative outcomes of the Advanced Identity Representation Project
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Avatarium: An Interactive and Collaborative Public Art Paradox
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Babble and Speech: Approaches to Technology and the Spoken Word in Contemporary Sound Arts Practices
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Below the Surface: New Aesthetics and lmmersive Experiences for Trans-Cultural Groups
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Beneath the Surface and Into the Planetary: Listening to/for Coexistence in Contemporary Sound Installations
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Between Decay and Preservation: A Personal Approach to Media Art Archiving
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Beyond Locative Media: Giving Shape to the Internet of Things
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Beyond Paradigmatic Shift: Mapping Culture and Society of Digital Age
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Beyond the Conflict of the Faculties: A New Institutionalist Case Study of the Founding of a Radical Transdisciplinary Art/Science/Technology Program
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Beyond the Site: Installation Art at the End of Geography
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Beyond the Turn and Towards the Event: Analyzing the Curatorial as a Material-discursive Practice
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Beyond Typography: A Multi-Channel Platform With Radio-Frequency Identification Integration
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Big Bird is Watching You: Art, Activism and Technology in the Public Arena
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Big Games and Hipsters: Cool Capital in Pervasive Gaming Festivals
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Biocybrid Ecology: Art, Technoscience and Living Systems
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Blackfoot Blogs and the Charm of Languages
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Blank Spaces, an Excursion to Another Future
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Blazoned and Over-Exposed: Post-Modern Bodies in Public Spaces
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Blimpy: an Artistic Framework for Creating a Spatial Augmented Reality Experience with Helium Blimps
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Bodies, Interactivity and Technicity in Media Art
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Body Graffiti: Expressive Wearable Art Through Bodily Performance
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BodyCAD: Creative architectural design through digital embodiment
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Bodytext: Somatic Data as Agency in Interactive Dance
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Book apps and legacy media: How the humble picturebook informs interaction design
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Branched Surfaces and Colored Patterns
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Breaking Paradigms: Electronic Arts & Humanitarian Actions
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Bridging worlds: approaches to hybrid art in physical and virtual realities
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Broken Circle and Spiral Hill? Smithson’s Spirals, Pataphysics, Syzygy and Survival
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Building Complex Realities: Artistic Uses of Locative Media and Augmented Reality
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Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build
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Burnt Offerings: Body Odors and the Olfactory Arts in Digital Culture
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Cage, Acoustic Ecology and Revolutionary Thought
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Calculating the Curvature of Crocheted Petals: A Post Media Exploration of Domestic Craft-Based Textile Patterns
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Can Art Contribute to the Research on Multisensory Processes?
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Can Art Save Hong Kong? A Case Study of Preserving Hong Kong Cinema as an Intangible Cultural Heritage
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Can Digital Objects Behave Well (if we let them)?
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Can the Arts Help Save the World? Artists and the Environment
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Candida as companion species: exploring the performativity of interspecies care
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Capturing and Recognizing Expressive Performance Gesture
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Capturing Gestures for Expressive Sound Control
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Cart(ont)ology: Mapping Self-as-Network in Three Carts
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Carving out a Path: Building Research and Knowledge Environments (RKE) in a Digital Culture
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Cascading Memorials: Urbanization and Climate Change in San Diego and Beyond
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Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise
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Cell Tango: An Evolving Interactive Archive of Cellphone Photography
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Change: The aporia of conservation and subversion
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Chatterbox: an Interactive System of Gibberish Agents
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Choreographing Topological Spaces within Dance Performance with Real-time Video
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Cinematics and narratives: creating an archetypal character based experience
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Cinesensory: a filmic model for imaginative reconstruction of a city from haptic memories
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Circles and Props: Making Unknown Technology
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Cityscapes: Exploring the Spirit of Urban Identity
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Classical Hollywood as an Epistemological Network
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Clickable Art, or what does online participation mean?
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Co-Creation in the Big South Lab
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Co-realities – Interaction with Bodies of Hybrid Information
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Codetalkers Recounting Signals-of-Survival
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Collaborative Systems: redefining ‘Public Art’
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Colonization and Science Networks Between Peripheries and the Center: The Case of the Naturalist Fritz Müller
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Colour Data Processing: An Interactive Installation Exploring Digital and Analog Representations of Colour
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Combining educational games and virtual learning environments for teaching physics with the Olympia architecture
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Comedy53: A system’s design for generating image and text to create humorous comics
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Comparative Technologies / Painting: More on Ghosts with Cartoons for the Next Millennium
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Comparing two Sound Design Styles: Between Determinism Emergence and Interactivity
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Compasses, Meetings and Maps: Three Recent Media Works
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Complex Poetical Practices & New Technologies: The Creation of a Writing Agency: Agence_d’écriture
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Composing with Chaos: Applications of a New Science for Music
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Composition of visual imagery for Shakespeare’s plays
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Computational Drawing: Code and Invisible Operation
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Computer Animated Poetry & Other Computer Writings
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Computer Art vs. Computer Music: Different Approaches to Art & Technology at the 1970 Venice Biennale
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Computer Graphics and Animations as Agents of Personal Evolution in the Arts
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Conceptual Relations: Musical Representations Do Not Need Music Theory
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Connecting Indigenous Cultures to Design Pedagogy
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Connecting with the iGeneration: the use of mobile interfaces and new technologies in galleries and museums
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Considering User Specific Design Criteria Gathered From a Participatory Design Study: A Case Study on Designing Icons for an Info-Assistant System Interface
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Constructing Narrative in Interactive Documentaries
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Contemporary E-artists from Malaysia: Negating Boundaries between Map(s)
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Context Machines: A Series of Situated, Outward-Looking, Self-Organizing and Generative Artworks
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Control: Enabling Participatory Art With Mobile Devices
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Controller and Controlled: Interchangeability
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Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems
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Corporeal_Expressions: Tracing Both Biomedical and Emotional Links from an Artistic Perspective
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Corpus Corvus: Exploring Contemporary Mythos Through Immersive Media Poetics
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Counter-practices to the caribbean archives: the feminised narratives in Domino Effects (2009).
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Crafting Change: Envisioning New-Media Arts as Critical Pedagogy
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Crafting Complaints as Civic Duty
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Crafting Wellbeing: Exploring how Digital Media can Extend craft-based Textiles and Contribute to Health and Wellbeing
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Creating black boxes: Emergence in Interactive Art
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Creating Fixed Media Works Out of Site-Specific Compositions Through the Use of Spatial Responses and Physical Resonances
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Creative Audio Design for a Massively Multipoint Sound and Light System
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Creative Critical Action Beyond Economy into “Techno-Ecology”
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Creative Ecologies in Action: Technology, Creativity and the Artist-led Workshop
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Creative Industries in Beijing: Initial Thoughts
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Creative Industries: Convergence and , Film and Academia
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Creative Interactions: the Mobile Music Workshop
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Creative Spaces of the Immigrants: Revisiting the Discussions on City-Space, Technology and Artistic Practices
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Creative Zen Learning Space and Community
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Critical dressing: creative wearables and tactical practice
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Crossing Foliage: Activation Profile for Audio-Graphic Navigation in Foliage Clusters
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Ctrl-O Confronting Barriers to Communication in Interdisciplinary Projects
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Cultivating More-than-Human Lifeworlds: Laudatio on Indigenous Fermentation, Smell and Metabolic Power Grids
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Curating: a disruptive technique for disruptive technologies
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Curatorial Cultures: Considering Dynamic Curatorial Practice
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Cyber Terrorism in Name of Cyber Activism: Discomfort in Looking at Some Derivative Works in Recent Hong Kong
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Cybernetic Serendipity Revisited: Interaction, Play and Fun from the Universe of Electronic Art to Metaverse
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CyberTattoo and The Aesthetic Prothesis
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Cybism and Decoding the Letter: Countering Mass Culture’s Reductional Breakdown Through Afro-futuristic Forms of Representation and Emergent Game Platforms
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Cyborg and Prosthesis: The Body of Subjective Motivation Extension
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Cyborg Encounters: The Abilizing Capabilities of Embodying Disabling Avatars
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Dance and Code with Empathy: A Reading of Joana Chicau and Merce Cunningham
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Dance and the Computer: A Potential for Graphic Synergy
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Dancing sound: swarm intelligence based sound composition through free body movements
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Data Ecologies: Laika’s Dérive and Datawork
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Data Pollution Devices: Artistic Strategies Against Behavior Capture
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Data Visualization and Eco-Media Content: Media Art Produced at Digital Narratives Workshops
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Data, Sense, Resonance: an Art of Diabetic Self-Tracking
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Database narrative, spatial montage and the cultural transmission of memory: a work in progress
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DATAmap: Exploring Gender Balance in Ireland Through Interactive Multimedia Installation
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De-Coding Interactive Art: The Impact of 3 Decades of Academic Research in the Taxonomy of Digital Works of Art
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De-Phasing Infrastructure: On the Techno–Aesthetic Interval in Gilbert Simondon’s Objet Technique
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De-schooling Product Design Education, an Experimental Physical Approach
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De-totalizing capture: on personal recording and archiving practices
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Deep/Place: Site-Based Immersive History
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Delay and Non-Materiality in Telecommunication Art
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Delocalized pedagogy through digital music programming instruction
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Dematerialization, Media, and Memory in the Digital Age
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Design of Ambient Intelligence
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Design of co-evolving textiles applied to smart products
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Designing a Way to Visualize the Invisible Through the Dynamic Illustration of Conversations
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Designing and orchestrating technologies for future home or objects for arithmomaniacs
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Designing Interfaces to Experience Interactive Installations Together
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Designing Nano-Media Across Disciplines: Circular Genealogies and Collaborative Methodologies at the Optical Frontier
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Designing Technology for a Symbiosis Between Natural Systems and Information Infrastructure
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Different Point of View on the Copyright of Artwork Between Artist and Engineer
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Dig: An Archeology of Technology and Entertainment in Spielberg’s Jurassic Park
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Digital aesthetics: an African reading
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Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age
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Digital Art and Culture After Industry? Towards Aesthetic Business Studies
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Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI)
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Digital art going mobile: the case of the iPad as ‘digital canvas’
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Digital channels, the change in community structures and its consequences for social participation
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Digital Confucianism: A Confucian Take on Computation and Algorithm
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Digital Ethos: Transformations in Contemporary Photography Aesthetics Subsequent to Computational Art
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Digital intervention of archaeological sounds of Tuza aerophones
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Digital media, memories and representation: Rebirth
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Digital Media: From Entertainment to Architecture
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