Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
The device in interactive art: Interactivity, Gesture and Sense
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The digital dream hacker: crowdsourcing the dream imaginary
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The Digital Panorama in Cultural Representation
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The Distribution Revolution: A Global Recalibration of Media Production, Ownership, and Economics
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The Diverse Meanings of Artificial Life
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The Electronic Bauhaus: Gestalt Technologies and the Electronic Challenge to Visual Art
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The Enigma A/V performance and the concept of Agnostic Media Environment (AME)
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The ephemeral body: aesthetics of the body in the new media arts of continental Southeast Asia
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The Equator, the Geostationary Orbit and 1976: rewriting the Bogota declaration
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The Exhibition Space through the Presence of Digital Games
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The expanded world of invisible images – BLIND REVIEW’s and BLIND REVIEW’s artworks
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The Exploration of Musical Space by Way of Genetic Algorithms
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The Fluctuating Border between Architecture and the Body in Shiver
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The Fun Palace: Designing Human Experiences at Mixed Reality Events to Increase Engagement
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The Future of Art on the Internet, Using a Genetic Metaphor
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The Gap: Science Always Goes Before The Law
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The Geography of Posthumanity
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The global data palette: massive databases and the reformation of content creation in film/video and music/sound art practice
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The Gone Garden VR Experience: An Impressionistic Representation as Virtual Heritage Reconstruction
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The Hacking Monopolism Trilogy
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The Hitchcock Experience: a Spatial Montage project
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The House Of Affects Project: Correlating Digitally Distributed Narrative to Adaptable spaces
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The iCube System: Moving Towards Sensor Technology for Artists
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The Ilinx Garments: Whole-body Tactile Experience in a Multisensorial Art Installation
Presenter(s):
- Ian Hattwick
- Valérie LaMontagne
- Chris Salter
- Marcello Giordano
- Ivan Franco
- Marcelo M. Wanderley
- Maurizio Martinucci
- Deborah Egloff
Title:
The Illuminated Self: Transcendent and Epiphanic States in the Encompassing Aesthetic Environment
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The Impact of Active Viewing, and Visual Literacy in Art Exhibitions
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The Innovation Potential of Sensory Augmentation for Public Space
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The Institute for Interanimation: A Framework for New Media Collaboration
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The Intelligent Machine as Anti-Christ: A Brief History of Antropomorphism in Art & Science
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The Interactive Village: ethnography and narrative
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The interface vanishes: wearable technology at the crossroads
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The Jazeera Al Hamra Digital Heritage Project: A Model for Digitally Preserving the Heritage of the Arabian Peninsula
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The Living Future: Nonorganic Life Nanotechnologies and Contemporary Art
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The Making of a Film with Synthetic Actors
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The Meat Licence Proposal: proposing ‘law’ as a creative medium
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The Medium is the Environment: Digital Materialism, Digital Art, and the Climate Crisis
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The Moon Is A Mirror: Organic and Natural Screens
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The Multi-Temporal Experience of Plate Spinning
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The multicultural and transdisciplinary construction of anti-consumerist critical thoughts – the multisensory diversity of the artistic installation series “The wishing Tree” (2012 – 2019)
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The Myths of Our Time: Fake News
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The Nature of Experience in Transcultural Cinema
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The nature of the experience: understanding the role of the audience in pervasive and locative artworks
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The new theatre of the world: map mashups and web 2.0 space
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The Outlines of the Polyhedric World
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The Pointless Chatroom: Coping with Absence in Online Performances
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The Politics of Smell: how scent technologies are affecting the way we experience space, our sense of place and one another
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The post-human imaginary and the body of the avatar
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The prelude to the Millennium: The backstory of digital aesthetics
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The Process of Word Automation: From the Spoken Word to the Algorithm
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The Projective and Introjective Experience of the Landscape
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The Public Sphere Engendered by Media Technology: Masaki Fujihata’s Light on the Net (1996)
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The Re-Inventing the Wheel Project: An Archaeological Approach for Making Things Alternatively
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The Rebirth of Shadow Arts: App Design for the Intangible Cultural Heritage of Chinese Traditional Shadow Art
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The ReFashion Lab: Building Digital Matter and Hybrid Space
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The Return of Wonder: Speculative Robotics and Re-enchanting the Machine
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The Revolution Will Launch in the Garden: Politics of representation and vegetal intellig(senti)ence
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The Right to Artificial Life: A Declaration of Rights for Artificial Life
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The Role of Evaluation in Public Art: The Light Logic Exhibition
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The Role of Risky Objects in an Internet of Things
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The Serendipitous Pattern in Interaction Design
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The sonic body: creating embodied sonic performances within an extended reality context
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The Sound of Decentralization: Sonifying Computational Intelligence in Sharing Economies
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The Sound Of Memory: An Audience Derived Audio Visual Experience
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The Tapestry: Past and Possibility in the History of Magic
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The Timbre of Trash: Anthropomorphic Strategies to Resist Technological Obsolescence
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The Unbearable Lightness of New Media Education
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The Urbane Potential of Public Screens for Interaction
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The use of artifacts as critical media aesthetics
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The Use of UGC and Web 2.0 in a New Media, Digital, Non-Fiction, Collaborative Project
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The User Knows Best: Refining a VR Interactive Fiction Project
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The vanishing of remix concept in machine-driven text
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The Virtual Sensoria: Notes of the New Media Art
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The w(e)aves of complexity: Relational ontologies within the “Symbios” Art Exhibition
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The Way is Not Difficult, but You Must Avoid Choosing
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The Weird, the Cute and the Dark: How to Account for Aesthetics When Working on Awareness about Design Patterns
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The Worlds of Entanglements: Reflection on Posthumanist Ontologies in Art&Science Projects
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The ‘Gaze’ of the Artwork: Seeing Machines and Interactive Art
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The “Bichi” Project: Symbiotic Food Networks and the Alchemist Kitchen
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The “Piano-of-Lights”: A Visual-Music Instrument for FullDome Display
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Thief of Truth: VR comics about the relationship between AI and humans
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Thinking of oneself as an aging computer / Thinking of (an aging) oneself as a computer
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Thinking with Tides: An Inventory of Technical Objects within the Thames Estuary
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Thought Exhibition. On critical zones, cosmograms, and the impossible outside
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Through the Aleph: A Glimpse of the World in Real Time
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Through the dark room: an approximation between the movie theatre and VJ-ing spaces
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To See and To Touch the Light Source
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Tolerating mass murder: migration, diasporas, genocide and climate imperialism; an investigation by virtual migrants
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Toward a process philosophy for digital aesthetics
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Toward the Experiential VR Gallery using 2.5-D
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Towards a Living Materialty
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Towards a Methodology for Co-creating Artistic Acoustic Ecologies with the Great Lakes
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Towards a New Media Technology Interactive Virtual Environments
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Towards a Relational Model of Co-located Interaction in Interactive Art
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Towards a sympoietic relation with materials in interactive artworks
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Towards a Theory of Machine Learning and the Cinematic Image
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Towards an Intelligent IoT System for the Data-Informed Museum of the Future
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Towards Enactive Systems: Affective Cane for Expanded Sensorium and Embodied Cognition, Mobility and Freedom
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- Diana Maria Gallicchio Domingues
- Adson Ferreira da Rocha
- Ricardo Torres
- Silvana Funghetto
- Mateus R. Miranda
- Pedro Henrique G. Inazawa
- Paulo R. Fernandes de Oliveira
- Gilda A. Assis
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Towards New Class of Being: The Extended Body
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Towards Sensemaking in the Meshwork of Technology, Ecology and Society: Symbiosis of Aesthetics, Performance, and Digitalization
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Towards the Sonic Laboratory: Laboratories’ creative potential
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Tradition Offers Artistic Possibilities for New Media Technologies: An Animation System for Shadow Theatre
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Transactional Arts -- Interaction as Transaction
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Transcendence and Microbiopolitics: Art and Biology as Material Speculation
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Transcoding Action: Embodying the game
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Transcultural Electronic Negotiations: The Redefinition of Public Art across Cultures and Media
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Transformation and Regeneration of the Chinese Traditional Oiled-Paper Umbrella in Contemporary New Media Art
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Transforming Practices: a practice-based research approach to teaching emerging media at undergraduate level
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Translating Expression in Taiko Performance
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- Shannon Cuykendall
- Michael Junokas
- Kyungho Lee
- Mohammad Amanzadeh
- David Kim Tcheng
- Yawen Wang
- Thecla Schiphorst
- Guy Garnett
- Philippe Pasquier
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Translocal Networks: split_connect presentation: global net_culture and translocal spaces
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Translocal Networks: TESTER: Connected Systems of Local Detection
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Transmedia as a Tool for the Reconstruction of Collective Memory in post-conflict Scenarios in Colombia
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Transparency of Digital Manipulation or Not: Discussion of “Where Were the Mothers?” video installation
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TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation
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Trees As Time Capsules: Extending Airborne Museum Hartenstein to the Forest
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Tributes to Francisco José de Caldas: New Expeditions and Hybrid Practices in Art and Science
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Tuning in: Reflections in the Wake of Blackness through a Knitted Textile Antenna
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TURBA Concert in 15 Movements for 64 Neural Oscillators
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Turbidity Paintings: Communicating Science Through the Lens of Art
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Tweeting Twitter: How to make instant messages slow
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Twenty Years of ISEA: A Painter’s Response
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Twinkle: A Flying Lighting Companion for Urban Safety
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Umwelten: Shifting agencies among the human, the non-human, and a machine learning algorithm
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Un-Earths: Disorientation, landscape & the industrialized map
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Uncovering Histories of Electronic Writing: Continuous Paper: Print Interfaces and Early Computer Writing
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Uncovering Histories of Electronic Writing: Timestamps
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Uncovering Histories of Electronic Writing: What Was Hypertext?
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Understanding interactive media art based on Qi philosophy in traditional Orientalism
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Underwater Sound and Oceanic States of Mind
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Uplay Urban Playgrounds: Developing Ludic Strategies and Interfaces for Participatory Practices in Urban Space
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Urban Culture as Interface Culture. Locative Media and the concepts of ‘dwelling’ and ‘public sphere’
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Urban fiction: between map and landscape
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Urban Mesh: Exploring Data, Biological Processes and Immersion in the Salmon People
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Using 2D photography as a 3D constructional tool within the Second Life environment
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Using the Internet as a Platform to Destabilise Gallery Spaces, Curation and Artistic Practice
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Valuably Unsought: Systems for Digital Serendipity
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Vapor as Tectonic Element to Sculpt Microclimate in Architectural Space
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Variable fiction, a new literary genre questioning cooperative writing and reality jam
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Vasarely Redux: Electroplastique and the structure of digital aesthetics
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Video Art, Artivism and Photography as Tools for Subvertising the Patriarchal Indoctrination of Advertising
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View from Above: Drone art and hacktivism for landscape transformation awareness
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Violent Interfaces: The Jack Bauer Training Kit
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Virtual Borders and Surveillance in the Digital Age: Visit-US
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Virtual Environments as Intuition Synthesisers
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Virtual Memory: Art Museums and the Internet
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Virtual museums: heritage and future of mediated UX?
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Virtual Perspective and the Artistic Vision: A Genealogy of Technology, Perception and Power
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Virtual places, real money: the role of virtual worlds in the success of video games as cultural products
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Virtual Puppetry Assisting the Elder’s Life Review
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Virtuoso Audiovisual Realtime Performance: The Colours Of A Wooden Flute
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Vis. [un]necessary force: A Socially Engaged Creative Practice Research Project
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Visual Boundaries?
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Visual Interfaces for Shareable Media
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Visualising the Locative Experience
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Visualising the Meditating Mind: the Aesthetics of Brainwave Data
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Visualization of Climate Change in Internet
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Visualizing Artificial Worlds: The Political Geography of On-Line Public Spaces
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Visualizing as Exorcism: Learning from Viruses
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Visualizing the Unpredictable Behavior of Wildfire Using an Artificially Intelligent Aesthetic
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Voice in Electronic Art: From Whistle to Speech Recognition
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