Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
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Live and survive in the hybrid space: resisting ubiquitous surveillance
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The Theatre of Everyday Life in the Age of Wireless Media
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Connecting Indigenous Cultures to Design Pedagogy
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AffecTech: an affect-aware interactive AV artwork
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Art and mobile augmentation: the brave new world of graphical tagging
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The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies
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Sound in the Networked City: Investigating the Role of Sonic Experience in the Informational Society
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Network Media: Exploring the Sociotechnical Relations Between Mobile Networks and Media Publics
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The River Sings Project
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An investigation into the impact of collaborations between the commercial digital and artistic sectors on the curatorial realm
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Evaluating Art Hacking Events Through Practice
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Altogether human: tracking and recording human emotion online
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The Meat Licence Proposal: proposing ‘law’ as a creative medium
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Affect & Media(ted) Experiences: Lust and Disgust: Online Pornography and Affect
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Follow the Yellow Brick Road! Fantasies of Center and Presence in Net Culture
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Multimedia: From Wagner to Virtual Reality
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The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness
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Infiltration, decontextualisation, appropriation and hoax: Medium Reflective artworks in the age of electronic crowds
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Locative Art, Identity And Memory: Production of Participative Hypermedia Documentaries in the Settlements of Landless Rural Workers Movement in Brazil
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Narratives of Locative Technologies as Memory Assemblages
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Simondon’s Concept of the Image: At the Junction of the Technological and the Animal
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The noise of mind: a performative statement of privacy
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Critical Interaction Design in the Everyday: Towards New Forms of the Social
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The Critical Ambivalence of Play in Media Art
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Examining Issues of Body Image and Complex Regional Pain Syndrome Within the Digital
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On Breathing and Geography: Sonifying the Severn as Shared Generative Art Practice
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Proto-Spam: Early Forms of Spam as Vernacular Performance on Usenet
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git show: Musical Creativity, Ideation, and GitHub
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Toxicity at the Equidistance of Biotechnology and Biopolitics
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Post-digital Sunlight: Participatory Space crossing Virtual and Physical, Artificial and Natural
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VIVO (Video Interactive VST Orchestra) and the Aesthetics of Interactivity in the Age of Care-Less Capitalism
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Fabrique: shaping experiential landscape
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Spatial Structure and Representation in Interactive Multimedia
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The art of urgency: cultural mediation as a vehicle for socio-ecological transition
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Sentience and High Fidelity Haptics: the New Frontier in Content Creation
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Mobility Into Immobility: Designing Networks
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E-motional textile: creating electronic patterns for printed textile design by integrating motion capture technology
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Decoupling design from the industrial paradigm
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Simulation as Animation
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Multimodal Data Portrait for Representing Mobile Phone Use Behavior
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Toward the Experiential VR Gallery using 2.5-D
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Production of smart textiles in a framework of sustainable fashion and electronic art
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Genomix Mask: Examining the Complex Relationship Between Genes, Epoch, and Aesthetics.
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From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality
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‘Proticipation’: The Australia Council and Social Media Arts in Virtual Worlds
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AIBO: An Emotionally Intelligent Artificial Intelligence Brainwave Opera – Proof of Concept
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AIBO: an Emotionally Intelligent Artificial Intelligent Brainwave Opera, Part 2, or the Making of a “Sicko” AI
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Transcending Into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
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The Computer: Liberator or Jailer of the Creative Spirit
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Heterochronicity: Historicizing Drainage and Enlightenment in Mexican Ecological Art
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Imagined Geography, Interstitial Futures, Guatemex
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Merging Art, Media, and Ecology: Diego Rivera and Ariel Guzik at the Cárcamo de Dolores
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Sensing Contemporary Mexican Art: Ariel Guzik’s Sonic Machines
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Mobile Sound and Art Practices: the Local Contexts: Mobile: Position Based Art and Sound
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(Re-) constructions of memory in post-conflict Serbian society
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BodyCAD: Creative architectural design through digital embodiment
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Ladomir-Faktura: Science of the Individual, The mapping of Ladomir
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What Is Performance Multimedia? And Why is it Impossible To Record Performance Multimedia?
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The Aesthetics of Interaction and Behavior: Caesura in Marina’s Garden: Interactive Narrative as a Drama of Responsibility and Interruption
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The Eyes That Stop the Trains: Time, Movement and Agency in Moving Image Technologies
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The Aesthetics of Interaction and Behavior: The Aesthetics of Behavior
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The Intelligent Machine as Anti-Christ: A Brief History of Antropomorphism in Art & Science
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Embodied Cognition, Digital Cultures and Sensorimotor Debility
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Fugitive: A Machine Driven Interactive Digital Video Space
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Beyond the Table Top, Everyman, The Ultimate Commodity
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Subtle Presence: Design and Implementation of User Centric Content Delivery Using Biometric Data Capture and Intelligent Analysis
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City Identity for Durban: Port with a Green Heart
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The Process of Word Automation: From the Spoken Word to the Algorithm
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Science Art Relationalities
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Smile to Vote: Towards Political Physiognomy Analytics; Experimental Method for Electoral Behavior Prediction
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Pursuing the Unknowable Through Transformative Spaces
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Big Bird is Watching You: Art, Activism and Technology in the Public Arena
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From Computer Art to Digital Art to New Media
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Digital Doubles
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Self-styling Locality in “Cryptic: a Traveller’s Diary”
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La Relation Art/Alliage a Memoire de Formes: 10 ans de Parcours. $1500000 en Recherche et Developpement: Un Nouvel Imaginaire Artistique
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Aesthetic Experience by Proxy: Science Description and Science Fiction in New Art Practices
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Mass Body Index: Bio-OS, a Biological Operating System
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Capturing Gestures for Expressive Sound Control
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Odorama V2: Prototyping Touch-Smell Synesthesia to Promote Neurocognitive Empathy
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The Interactive Digital Choreography: Innovative Women in the Dance History
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In the Beginning or...: The Cosmic Stories We Tell And Their Implications
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Public Programming: Exploring the Power of New Technologies to Augment the Relational Aspects of Art within the Public Realm
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Post‑digital territory: cultural and aesthetic geographies beyond new media
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Journalism Visualization Devices: Six Visual Modes of Seeing
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O-d-o: negotiating, contracting and transacting for online deal-making
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Transactional Arts -- Interaction as Transaction
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Live Interactive Intelligent Computer Music: Notes on Pieces done in HMSL
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Digital Art and Culture After Industry? Towards Aesthetic Business Studies
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Airspace: The Interface of Biodigital Communication
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Ground Truth: Weather and Climate Observation and Embodied Experience in Antarctica
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The Artistic Approach and Conceptual Framework
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On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion
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Intérieur: a multi sensory immersive experience
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Speculative Sociological Artistic Pedagogical Frameworks for the New Electronic Art
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Working with Poetics in an Interactive Environment: Mouthplace
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iFly Dubai: a nonlinear gesture‑based soundmap
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Ambient Commons and the Eternal Passage of the Sun in Generative Public Art
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Same Difference: A Note on the Interplay of the Physical and the Vitural in the Creation of a Digital Image Series
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Using Biophilic Design and the Orienting Reflex to Develop Generative Ambient Public Displays
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A Serious Game: New Media, Censorship, and the Spectacle
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A Shy Game: The Artist’s Bared Soul in Virtual 3D Space
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Projects Desluz and ZN:PRDM (Neutral Zone: a River Passes Through Me) by Poéticas Digitais Group
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Symbiotic Mutualism and Artistic Exploration against Anthropocentric Science
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TANGIBILTY: Highlighting Physicallity in Interactive Installations
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Aesthetics of Exhibition: A Discussion of Recent American Computer Art Shows
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State.scape: a brain as an experience generator
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Thinking of oneself as an aging computer / Thinking of (an aging) oneself as a computer
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Dérive in the digital grid, breaking the search to get lost
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Narratives and Images of Open Source: Who Owns Our Culture? A First-Person Case Study
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Capricious Creatures: Animal Behavior as a Model for Robotic Art
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The Return of Wonder: Speculative Robotics and Re-enchanting the Machine
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What If? Another History of Digital Media for Designers and Artists
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Crossing Art, Science and Technology for Innovations through Maker Culture and Education
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Beyond Paradigmatic Shift: Mapping Culture and Society of Digital Age
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The Aesthetic Experience of Augmented Reality Art
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From microscope to skin: the use of stem cell images to design bio inspired tattoos
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An ‘on-the-fly’ pseudo model-based Augmented Reality
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Does routine make a boring life? the visual representation of time and space using mobile technology
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Somethin’ Else. New Technologies: The Writer’s Challenge
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‘The List’ – The Mailing List Phenomena: Empyre: Structure and Diversity
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Corpus Corvus: Exploring Contemporary Mythos Through Immersive Media Poetics
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Swarming Robots and Possible Medical Applications
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Beyond the Site: Installation Art at the End of Geography
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Because I am not Here, Selected Second Life-Based Art: Dual Subjectivity, Liminality and the Individually Social
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Without Stones There is no Arch: Subjectivity and Identity Production in Virtual World Aesthetics
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A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web
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Sentience and the Virtual Body, from Dual Subjectivity to the Eros Effect
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Open Source City: Open Source City: Field Office
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Digital Anthropophagy and Anthropophagic Re-Manifesto (for the Digital Age)
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Digital Anthropophagy and the Anthropophagic Re-Manifesto for the Digital Age
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Mysterious Booths, Blowing in the Winds: Collaborative Learning
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Les Interfaces Multimodales avec Retour de Force: La Metaphore de l’aveugle et de l’astronaute
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Digital Media: From Entertainment to Architecture
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CHIME Design Lab: Community-centred, Collaborative Health Innovation partnered with Medical Education
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Reception strategies of transmedial audiences: playfulness, fiction, and the apparatus in interactive soap Lonelygirl15
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Temporal Hybrids: Using Augmented Reality to Re-Imagine the Affordances of Natural Objects
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Historicizing ‘Folk Art’: A View From Bengal (India)
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Scientists Doing Art, Artists Doing Science
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Stichitures: Interactive Art Installation For Social Interventions
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Responsive Public Space: Performative Immersive Setting in Public Environments
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Flying Robotic Arts for HRI and Interface Research
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A hybrid listening to atmospheric processes
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‘I would wear it, because it is something different’
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Genetic Engineering in Contemporary Art – Art in the Age of Technoscience
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Smart Textile as a Context for Art Based Technology and Engineering Education
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View from Above: Drone art and hacktivism for landscape transformation awareness
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Virtual museums: heritage and future of mediated UX?
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