Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
MusicALife Composition: An alternative representation for musical notation
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Alternate reality games, advertising and entertainment: how digital media are changing the way we tell stories
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Diggers and Dreamers of the 20th and 21st Century: Creative Commons, Open Source and Digital Folkore
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Towards (Co-authoring) Communitas: The Facilitation of Becoming Through the Use of Technology within Public/Community Arts Practice
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Experiences in Designing Multimedia Tools for Education
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Machines as Gardens: Visual Culture and Post-Steel Sensibilities in the Ruhr District
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The Algorithmic Gardener: Tales of Nature and Code
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The Composer and Orchestral Expression: Closing the Gap
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Interactive storytelling with MemoryLane
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When the others are the machines: the challenge of relating to the new craftsman
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A Mobile System for an Indoor Augmented Reality in Building Services
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Free Networks, Subversive Networks: Free Network A Scenario Planning Approach
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An Emerging Role for Design Methods in Transdisciplinary Practice
Presenter(s):
- G. Mauricio Mejía
- Cassini Nazir
- Roger F. Malina
- Alex García Topete
- Felipe Cesar Londoño Lópes
- Andrés Felipe Roldán
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Motivation in Design Strategies for Behavior Change
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Translating Disciplinary Practices for Trans-sentient Collaboration
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Locating the artist: A DIY-waniya
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The Serendipitous Pattern in Interaction Design
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Valuably Unsought: Systems for Digital Serendipity
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Towards a Universal and Intelligent MIDI-Based Stage System: A Composer/ Performer’s Testimony
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ARTiVIS DIY FOREST SURVEILLANCE KIT
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Play with Fire: A Real-Time Video Experience for Sustainability
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Digital Mediterranean and New Media Dialogue
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The use of artifacts as critical media aesthetics
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On Multimedia Syntax: A Semiological Perspective (What We Might Learn From Print)
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A Social Space of Music in Istanbul: The Electronic Music Scene
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Creative Spaces of the Immigrants: Revisiting the Discussions on City-Space, Technology and Artistic Practices
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Musical Structure Imitation using Segmentation, and k-Nearest Neighbors (kNN)
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Structures of Emotion: Speculating an AI-Human Symbiosis
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Tactical Social Fictions: Hypertagging, Hyperdemic Graffiti
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Art at Science: The New Collaboration
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Between Decay and Preservation: A Personal Approach to Media Art Archiving
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HyperImage Reloaded: The Expansion of the Photographic Image in Virtual Spaces
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Algorithmic Memory, Absence and Presence in the Cloud
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Expanded photography; Interactive media art, contingency, crowd-sourced distributed pictures and Big Biology Data
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Ethernet Orchestra: Interdisciplinary Cross-Cultural Engagement in Networked Improvisatory Performance
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Reasonable Weirdness: Integrating Machine Perspective in Visual Creativity
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Cellular Automata Music Composition: a Bio-Logical Inspiration
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Machine Learning and Musical Invention: A Case Study
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An Artificial Intelligence Approach to Sound Design
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Going beyond the glitch art: Critical glitch studies as a new research paradigm for analyzing post-digital technologies
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Playground Gaming with Wii, Kinect and Processing
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A relationship between the Internet and the physical for the art
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Seeing the ‘light-colour’ seduces a new kind of touching
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To See and To Touch the Light Source
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The Ontological Meaning of Musical Interactivity: towards the aesthetic research of the musical interactive art
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A Note on the History of Russian Media Art
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Fête Mobile: a Hyper-Local Self-Surveillance and Media Broadcast Experiment
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A New Relevance for Public Art
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Encoding Colours: from the trichromatic theory to the electromagnetic signals
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The Demise of the Frame: A Media Archaeology of Motion Prediction
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Uncovering Histories of Electronic Writing: Continuous Paper: Print Interfaces and Early Computer Writing
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Preservation Begins at Creation: Integrating an Embedded Digital Archivist Within an Academic Media Art Program
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Beyond the Turn and Towards the Event: Analyzing the Curatorial as a Material-discursive Practice
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The Dinoflagellate (Pyrocystis) Bioluminesce According To Their Own DNA
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Embracing Chaos: A Strategy for the Next Millennium
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Tracing the City: Exploring the Private Experience of Public Art Through Art and Anthropology
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From Archive to Retroscope: Pushing Forward Resource Integration
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Fashion and Wearable Technologies: Fashion, Mobility and the Tactical Imperative
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R.I.P.: A Case Study in Facilitating Multi-Disciplinary Collaboration
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Weblogmusic: A Performance Platform for Individually Time-Shifted Improvisers
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Mapping Space: the Social Potential of Locative Media: Re-public: Performative Public Communication with Mobile & Locational Technologies
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Burnt Offerings: Body Odors and the Olfactory Arts in Digital Culture
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Enthralling Spaces: The Aesthetics of Virtual Environments
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Hackitectures: Reordering Physical Spaces, Electronic Flows and Social Bodies
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‘What have you left behind?’: stories of nomads by nomads
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A Study on the Visual Communication in the Electronically Networked Society: Kabakov’s “Album” and Miyamae’s “Amishibai”.
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Histories of Time-Based Art: A Time Consciousness of Young Japanese Media Artists: “MA” and the Moving Image of ITO Akihito’s Code of the River
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Artistic Residencies as Critical Research: Entangled Methodologies for Future Science
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Transcoding the Aesthetics of Activism
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Lightening the Hiatuses of Story: A Discussion on Intervals in Story-telling of Interactive Documentary
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ART AND BIOTECHNOLOGY: The Curatorship in the Light of the Exercise Between, Technology, Philosophy and Politics
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Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI)
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The iCube System: Moving Towards Sensor Technology for Artists
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The Attract-o-Tone: A Performance-Oriented Musical Interface
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Understanding Third Space: Evaluating Art-Science Collaboration
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Automata: Counter-Surveillance Using Public Space
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Applying Interaction Design for Building Mediated Experiences by Technology to Foster the Ancestral Culture of Colombia. Case: Kosmos Astronomical Museum
Presenter(s):
- Clara Isabel Pantoja Muñoz
- Carlos H. Sánchez Benavides
- Carolina Ledesma
- Andrés Felipe Gallego Aguilar
Title:
iPhotograms: An Exploration of Technology Through Cyanotype
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Fashion and Wearable Technologies: Intelligent Interfaces: Transformation of Self-Expression, Communication and Fashion with Wearable
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Composition of visual imagery for Shakespeare’s plays
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Physical Grainclouds: Granular Sound Art in the Physical World
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Chinese Archival Futures: Thinking Digitality Via Cornell’s Wen and Goldsen Archives of New Media Art
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The Survival of Design Education within the I.T. Revolution
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Theorizing New Media in a Global Context
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Nettropics Interactivity and the Synthetic Plane of Immanence Abstract
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Hiking without Nature: Mobile Media Happenings and the Performance of Everyday Wilderness
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VR Webcams: Time Artifacts as Positive Feature
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Alive Cinema: Romeo and Juliet in Hades
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Hitch haiku: an interactive supporting system for composing haiku poem
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Boundaries in networked digital societies: Membranes as a new model of boundaries focusing on nonconscious cognition
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Cognitive Beings: Brain Mechanisms Discussed in Cultural Studies
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Unified Physical and Digital Experiences: Exploring Art and Digital Media via Augmented Reality Interface
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White Night Melbourne in 2013 and 2014: Disruption or Contribution Toward the Socially Engaged Public (Art)?
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Moon Vehicle: creating new culture from the Chandrayaan mission
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Crafting Change: Envisioning New-Media Arts as Critical Pedagogy
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Report on the Pacific Rim New Media Summit
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Affective Atmospheres | Ambient Feedback Ecology
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Digital aesthetics: an African reading
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Disciplinary Transfers in Arts and New Fields of Creativity: The Case of African Art
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L’esthetique Numerique: Une Lecture Africaine
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Towards a sympoietic relation with materials in interactive artworks
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Digital Technologies, Social Media and Emerging Trends in Film Production Methodologies
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The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique
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Affect & Media(ted) Experiences: E.motional Perturbations
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Content and Discontent: An Alchemical Transformation
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Interactive Journeys: Making Room to Move in the Cultural Territories of Interactivity
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Media diffusion: multiplicity, identity and ecology; re-thinking images in animation after cinema
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Experimental Cultures and Epistemic Spaces in Artistic Research
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Experiments in art and value: burning Bitcoins to buy Ai Weiwei
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REVOLVE or the impossible task of performing sleep
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Colliding Systems: Formal and Real-Life Learning
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Co-Creation in the Big South Lab
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Weaving Augmented Reality into the Fabric of Everyday Life
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AI Creativity: AI.R Taletorium, New Storytelling Realm
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Inner City Locative Media:Design and Experience of a Location-Aware Mobile Narrative for the Dublin Liberties Neighborhood
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Participatory Art as Inner City Workshop: The Urban Remix Sound Project
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The Scroll Unfurled: Ancient to “Vanguard”
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Art as a Field Phenomenon
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Jam to-morrow and jam yesterday – but never jam today. The White Queen to Alice, Through the Looking Glass, Lewis Carroll
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Extending/Appending The Perceptual Apparatus: A History of Wearable Technology in Art
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Gestural Metaphor and Emergent Human/Machine Agency in Two Contrasting Interactive Dance/Music Pieces
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ASCII Foundation for Contemporary Art Education
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An Invitation to DANCE: Making Sense of Viewer Interaction in Installation Art
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Plastic Brains in the Post-Digital World
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When Electronic Art was just Art: The Early Days of New Media in Brazil
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The w(e)aves of complexity: Relational ontologies within the “Symbios” Art Exhibition
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The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self
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Is the Potential for Transcendence an Intrinsic Aspect of a Virtual Environment?
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Compasses, Meetings and Maps: Three Recent Media Works
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SITO/OTIS: The Past, Present, and Future of Collaborative Art on the Internet
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Comparing two Sound Design Styles: Between Determinism Emergence and Interactivity
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Inokashira Player: The Creation of Mashup Web Media Linked with a Public Facility in the Real World
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A Basic Design for the Interactive Artwork Image Garden based on the Traditional Korean Myth ‘Lady WonAng’
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A study on an interactive construction tool for better interaction ability in an interactive installation
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Shakefie: Alternative Selfie System to Criticize SNS Platform as a Constructor of Fake Identity
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Disruptive Aesthetics for Interactive Artwork
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Hoax News Websites at the Crossroad between Popular and Political
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An Aesthetic Reading of Online Artivist Projects
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Getting to the Bottom of Reality: Designing Contexts for the Emergence of Truth(s) in Documentary
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Heaven and Hellscapes: Exploring Altered Mind States through Procedural Environments
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Ludic Listening: Sound Art in Video Game Design
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Preservation of Material and Immaterial Heritage through Interactive and Collaborative Artistic Interventions
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Bodies, Interactivity and Technicity in Media Art
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Collective Film Script Writing: Experiences in Using Mobile Creative Writing Tools
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Windward | Windword: Elemental Metaphors for Data Art
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Nanovibrancy and the Listening Microscope: An Auditory Performance of Nanoscale Resonance
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IART: A Model for Computer Based Art
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Automatic Genre-Dependent Composition using Answer Set Programming
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Holography as an Element of a Media Architecture
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Media Culture and Heritage: Curating Outsidership
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Lygia Clark and Helío Oiticica: A Legacy of Interactivity and Participation for a Telematic Future
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The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives
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From the Image of a Person to Its Electronic Incarnation
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Touch Interfaces: Between Hyperrealism and Invisibility
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Sparking Emotion in Mexican Electronic Art
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The Light at the End of the Tunnel: An Interactive Installation in Public Space
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Information non-place as a mirror of glocal subconsiousness
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The Aesthetics of Interaction and Behavior: Against Friendly Interface: Aesthetics of ‘Trammelized Interaction’
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From CCTV to GPS: How Media Art Reflects Development of Surveillance Society
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