Artist Talks (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
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A General Overview to Video and Media Art in Russia
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Pathogenic Vectors
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She Loves It, She Loves It Not: Women and Technology
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The Wild West and the Frontier of Cyberspace
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VR as RV: an exploration of mind/environment
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Dynamic Behavorial Spaces: Interactive Art in Public
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Public vs Public: The Pedestrian Gesture
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Confessions of Addiction, Love, and Surgical Musings
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Male Fantasy/Machine Desire, Recent Installations
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Portobello and Pirouettes, or, Do We Always Need “Narrative” If We Have Content?
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The Art of Lightness (The Power of Content)
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The OPUS Project: interactive 2-0 digital imaging Based on Random Process
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FluID: Arena of identities
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Safe as Mothers Milk: The Hanford Project
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The Third Archive Art Detective: Akte KW
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Unstablelandscape: Bottom-Up Composition and a Post-Humanist Era
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Counter/Cartographies: The Beginnings of a Manifesto in Process
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BIOTEKNICA: Laboratory Remix
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A Storage Solution for MISSION ETERNITY
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Art as Mediation in the Age of Global Communication: Mediation and Intervention Through Contemporary Art
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Blue Shift [LOG. x]: a Darwinian art project connecting human and water flea behavior
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Eco-Media: How the Natural World is Transforming the Nature of Media
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Enactive Cinema: Theory and practical implementation
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Environmental Awareness through Eco-visualization: Designing Software & Tech To Promote Sustain
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Introduction of >TREE< and >FLIGHTTRACKER<
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Making Visible the Invisible: The City as a Data Exchange Center
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Metaphor Machines: traversing the techno/cultures of human-machine interaction
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The Aphrodite Project: Platforms
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The Art of Science and the Science of Art: The Audionomad
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timescape (51° 13.66 north, 6° 46.523 east)
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Transposing Spaces Radical: mapping in radical times
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Utility Pets: Science, Design and Hypothetical Products Artist Statement
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Vanity to Profanity: Lessons from Participatory Art
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"Love Motels for Insects" or The Impalpable Writing of a Temporary Fly
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Walkersdorf — Center of the World
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52 Card Psycho - Re-Imagining Cinema
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About Visual Imagery, Intuition and Teleportation
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Aether9 - Remote Realtime Storytelling
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Approaching a Material for Expression in the Aesthetics of New Media
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Biomodd: A Living Game Computer As Social Sculpture
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Border Crossings: blurring places and spaces of art, pedagogy and global citizenry.
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Bypass: What is an opera without an audience?
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Collaborative moblog and ephemeral self-portraits
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Crossing borders: the outcome of art and biology collaborations
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dangerous fiction: the body, desire, and narrative
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Distributed Network Art: Protocol and Ritual
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dyne:bolic GNU/Linux: A Nomadic Operating System
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Embodied Agents: Behaving Without Thinking
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Flipping Between Analog and Digital: Lenticular Augmented Reality
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Flowerman: A robot with the empathy conceiving of understanding
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From the image of a person to its electronic incarnation.
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GPS Film: Not a Moving Picture, a Picture Moving
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HEADROOM — A Space Between Presence and Absence
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Iconographies of the Different Body - eVokability: The Walking Project
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INSECT PROJECT: Simulation of the Crowd Behaviour of Insect/Chinese Calligraphy (Single/Dual Screen)
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Interactive, On-Line Exhibition of Massive 546 Million Pixel Mural With Gigapan Tools
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KikiT VisuoSonic Performance
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Kritical Works in Second Life
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Lepton and Call and Reponse: Web-based video collaboration tools and a case study in cross-cultural web-based video dialogue
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Literacies of Speed: nonverbal communication in a MUVE
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Neon Music - turning cities into sound
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Perception, Momentum and Continuity in Generative Systems
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Pocket Gamelan - performing with mobile devices
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Post-Panoptic Era: Liquid Rethorics in Mobile Networks
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POWERED BY Google: The Agency of Mapping in the 21st Century
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Reality Jockeying in an age of Social Media: Moving across the virtual – actual continuum
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Space and narrative identity (upon spatial and temporal heterogeneity and multiple narratives)
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Stasis and mobility - ludic interface, gameplay and audience affect in 2 recent Australian software artworks
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Sun Run Sun: experiencing sonic navigations
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Supermarket: audio-visual immersion
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TAFKAV: The Artist Formerly Know As Vanda
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The Asian Traditional in the Works of Liu Kang and Tan Kai Syng
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The Suspect Backpack, Terrartism and Interplay: Recontextualising the Outsider in Post-9/11 Society
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Using Computational Techniques in Locative Media
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Visualizing the Invisible: Exploring the Border between Science and Culture
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Water Bodies: Reflections on Network Ecologies
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Who is chatting with you? All Ways-O’s Chatroom
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World Heritage Beer Garden Picnic
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Zita2010’s Melancholy and the “Low-resolution” Artists
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A bottle of weather: an interactive media installation
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AmeXica sKin: a colloborative event questioning borders
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Art, humour and advertising as tools for political dialogue
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Bellows: bringing digital animation into the physical world
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Drawings of a Floating World
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ElasticMapping: implications of a GPS drawing robot in times of locative media
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Jurong west street 81: a synchronised community video project
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Migratory: filmic exchanges and cinematographic weavings
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MY STORY photo project: pictures on the edge
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Postponed: a site-specific installation concerning man and nature
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Sensitive rose and the mobile tag era
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Telling Time: 13 films of dreams, memories, paradoxes, conundrums, lies and the uncanny
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The (Irish) linen memorial soundscape: a gathering of names
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0h!m1gas. Stridulation amplified: on biomimetic stridulation environments and the use of bioacoustics as an artistic resource
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An application of new methodology for the performing arts: PERFORMATIVE’s dance project ‘a room of remember’
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As long as we await the next day with curiosity
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Collaboration on local time
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Contested perception: five digital sculptures
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Designing social media for social change
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Engagement and Contemplation: Communicating Data in Media Art Installations
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Exact change: the transit shelter, a site of activism
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Fluxitecture: a virtual installation for motion visualization
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From ‘World Wide VIP’ to ‘TUTOR’ and vice versa
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Game fashion 2.0. the semacode dress. a quick-read-code camouflage collection
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HUG: a reactive textile product for affective care
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Interactive digital media: an asset or liability for participatory practices?
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Intervention and the Internet: new forms of public practice
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Kritical works in SL
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M-log exchange project
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