Panels (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Founding Meeting Inter-Society for the Electronic Arts
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Artificial Intelligence in the Arts
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Computer Animation Panel
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Institutional Networking Research in Art and Technology
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Programming Environments for the Art
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First Plenary Meeting of the Inter-Society for the Electronic Arts
Presenter(s):
- Seth Shostak
- Virginia Barratt
- Christine Schöpf
- Theo Hesper
- Raymond Lauzzana
- Paul Brown
- Wim van der Plas
- Roger F. Malina
- Copper Frances Giloth
- Ken Gray
- Craig R. Harris
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Interactive Electronic Art
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Standardization of Music Representations
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A Computer-Controlled Marionette for ‘Out of the Body Theater’
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A Question of Antagonism: Identity, Representation of Self and New Media in Thailand
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Cultural Maintenance and Change: Currents in Art and Technology
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Diagnosing the Computer User: Addicted, Infected, Technophiliac?
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Lust & Wanderlust: Sex & Tourism in a Virtual World
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Quoting and Appropriation: Whose Art is It?
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The Rhythm and Structure of Multi-Cultural Communication
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The Techno/Cultural Interface: String Cycles and Watch the Skies
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Virtual Bodybuilding: The Cultural Specificity of Virtual Reality Design
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Will it Take Sanctions Against Australia to Get Us Back Into the Black?
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Being in Nothingness: Virtual Reality in Perspective
Presenter(s):
- Phil Hayward
- Nancy Paterson
- Carl Eugene Loeffler
- Jennifer Hall
- Mike Gigante
- Joachim Sauter
- Anna Couey
- Myron W. Krueger
- Susan Wyshynski
Title:
Electronic Art and the Globalisation of Culture
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Internet Project: Cultures In Cyberspace
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Local Wisdom in the Global Village
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The Ambiguity Zone: Which Dimension Am I In?
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Towards the Development of Electronic Literacy and Network-Thinking in Remote Aboriginal Communities
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Beyond the Book: Computer-Based Literature
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From Appearance to Apparition: Communications and Consciousness in the Cybersphere
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The Computer As A Tool for Sculptors: Sculpting in Cyberspace
Presenter(s):
- Timothy Duffield
- Rob Fisher
- Helaman Ferguson
- Frank McGuire
- David Morris
- Bruce Hamilton
- Stephen Pevnick
- Stewart Dickson
Title:
Coping with Hyperculture
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Nano Thoughts & Hyperaesthetics, Art Speed and Interpretation
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The Network Without Walls
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Artistic Electronic Networking Experiences with the First Mobile Electronic Cafe International: Casino Container
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God and Silicon: Better Eternal Living Through Technology
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Greg Garvey – Pedagogy of the Oppressed Panel Notes
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Meaning without mirrors: Mapping the Margins of Cyberspace
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On Animals, Children, and Seeing Deeply
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Paradigm-Busters: Complexity at the End of the Enlightenment
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Running to Stay in Place: Faculty Burnout in the Electronic Arts, Proposed Guidelines for Faculty in Computer-based Media in Art and Design
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Saddling The Troyan Horse
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Technological Diffusion and the Construction of a Universal Aesthetic
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Technology Recapitulates Phylogeny: Emergence and interactive Art
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The Information Super-highways and Cultural Imperialism: Ownership and Access to the Media
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The Metaphor of Cave in the Electronic Arts
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Transcultural Approaches Panel Introduction Panel Statement
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Virtual Reality as a Medium for Social Interaction
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A Seismic Moment: Sound as weapon, from Jericho to Waco
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Artificial Changelings: A Work of Responsive Cinema in Progress
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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Dummies, Dolls and Robotic Simpletons Interpreting Artificial Stupidity
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EIDEA, An Emergent Interactive Installation for the Interactive Design of Emergent Art
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Embodied in VR: The Body as Experimental Ground
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Emerging Architectures in the Virtual Scape: Architecture of (Im)possibilities
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Emerging Art Practices Panel Introduction
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Gender and Technology: The Epistemological Problem
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Ideology of Interactivity: Freedom, Choice, Creativity Panel Introduction
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Immerce Cunningham Multimedia Prototype: A Visual Data-base Based on the Dances of Merce Cunningham
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Interactive Narrative: A Form of Fiction?
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Interactivity and Control: The Aesthetics of Real Space Interactives
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Interface and Active Space: Human Machine-Design
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Interface Metaphors and New Narratives in Interactive Media
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Literary Hypertext (From a Writer’s Point of View)
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Musical Synthesis of DNA Sequences
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Ordinateurs et Sculpture Aux Etats-Unis et en France
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Ré-émergence des sens dans les Arts des Reseaux
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Resolving the 2D Dilemma: Repurposing your 2D Art
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Sound in Space: Seismic Moments Panel Introduction
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Sound: Architecture and Catastrophe
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The Means to the End Implies the Creation of the Necessary Tools and Materials
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The Metaphor of Touch: Identification, Personality and Contact Within the Screen
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The Surface of a Hysterical Body as an Interface
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The ‘Finished’ Work of Art is a Thing of the Past
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Three-Dimensional Media Technologies and the Electronic Arts
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 3
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Touch and Go: Hyperformanccs, Automated Teller Machines, Identities, Social Relations
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Transmitting Architecture: The Transphysical City
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Virtual Skin: Articulating Race in Cyberspace Panel Statement
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Algorithmic Generation of Temporal Forms
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Artificial Gender, Natural Technology, and Emergent Mind
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Artificial Life: Challenges and Possibilities Panel Intro
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Artistic Identity on the Net Panel Introduction
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Between Image and Icon: The Real and Virtual City
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Body Maps: The Virtual Body Project
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Body Matters Panel Introduction
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Centers and Institutes for Art and Technology Panel Introduction
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Centers and Institutes for Art and Technology Panel Member
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Computers and Sculpture in the USA and France
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Computers and Sculpture in the USA and France Panel Introduction
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Corps et sens en Performance Videographique Panel Statement
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Crossing Boundaries: The Banff Center for the Arts and Interdisciplinary New-Media
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Cybersublime: The Aesthetization of Digital Politics
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De la Fenetre au Labyrinthe: Les Technologies, le Corps et le Plaisir des Relations
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Digital Tools Panel: Creative Development and Developing Creativity Introduction
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Digital Tools: Creative Development and Developing Creativity Panel Member
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Digital Tools: Creative Development and Developing Creativity Panel Statement 1
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Digital Tools: Creative Development and Developing Creativity Panel Statement 2
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Electronic Art and Audience Panel Introduction
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Gender and Technology: What Problem? Panel Introduction
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Gender and Technology: What Problem? Panel Statement 1
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Gender and Technology: What Problem? Panel Statement 2
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Gender Confusion and Other Forms of Cyber Cheating
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Hearing Inside the Frame: The Mechanics of Pictorialism
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Imperialism and the Sampling of World Sound
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Les Nouvelles Technologies et le Retour au “Primitivisme” de l’art
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Multi-linear Narrative Structures in Multimedia
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Narratives, Interactivity and Metaphors Panel Introduction
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Physical Space and Virtual Space in Electronic Culture
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Real Artificial Worlds: The Perversion of Perception
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Recombinant Culture Panel Introduction
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Sharing Subjectivities: Exploring New Concepts of Interface Design Panel Introduction
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Sharing Subjectivities: Exploring new concepts of Interface Design Panel Statement
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Introduction
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Statement 1
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Statement 2
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Statement 3
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Techno Formalism: Excessive Surfaces, Abstracted Identities
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The Changes in Public/Private Sphere and Presentation of Electronic Media Arts
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The Instrumentality of Pain in Virtual Reality
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The Metaphor of Touch-Identification, Personality and Contact Within the Screen
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Introduction Panel Statement
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 1
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 2
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Artificial Consciousness: Will Art replace the Artist?
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Beyond The Digital Diaspora: Flame Wars
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