Panels (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Do You Know What It Feels Like for a Girl in Virtual Worlds?
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Embodiment: Meat and Machines
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Fluxus,Intermedia and Language Experimentation: The Reconstruction of Media at the End of Language
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Form, Substance, Correspondence: Intersensory Composition in the Digital Age
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GLUE: Case Studies on how Things Stick
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Interdisciplinary Trouble: Performing Science in Media Arts
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Intermedia Art in the Digital Age
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Intimate Technologies and the War Zone
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Organic and Social Histories: Collaborative Systems, Structures and Metaphors
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Rapid Fire: Performative Experiences in Scanning the Visual and Auditory Scene
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Schemas, Diagrams and Flowcharts by Artists, Engineers and Computer Scientists in Software Based Interdisciplinary Collaborations
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The Touch Through Time: Raoul Hausmann, Nam June Paik and the Transmission Technologies of the Avantgarde
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There Is No Such Thing as Interesting Programming
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Wearable Computing as a Framework for Reflectionist Intervention
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Why Should I Get a New One If the Old One Ain’t Broken? Aesthetics, Pragmatics and Social Tactics Of Low-Tech
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Amplexus Poetics: Language, Art and New Software Forms
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Hybridity: Interfaces, Identities, and the Arts
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Interactive Textiles and Wearable Computers
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The Network of No_des: Excavating the Histories of the ‘New’
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What are the Aesthetics of Collaboration?
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Critical Art Ensemble Science/Art and their legal limitations
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GPS Art: Mapping New Territories
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The Case of France: From Minitel to Gitoyen
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Tracing Space: Locative Media as a Means for Artistic Expression
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Who Owns Our (Software) Culture?
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An Intent to Communicate Semaphores: Listening Posts, and other recent work
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Creating an Art & Technology Infrastructure for the San Jose International Airport
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Wetware Hackers Discussed
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Liminal acts: Using mobile technology as a critical medium.
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Locating Cyberfeminist Art in Singapore
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Settler Dread and Indigeneity: Digital Media Arts in Oceania
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The Contemporary Art Centres of the Soros Foundation and C³
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Animated Ideas: Investigating the Language of Animation
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Copyright And The Creative Commons
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Culture, Technology and Asian Pop Culture
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Curating in/as Open System(s)
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Curating in/as Open System(s): Social Technologies and Emergent Forms of Curating
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Eastern-Western Interaction in Digital Media
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Folksonomies as Social Curating: The I tag you tag me Exhibition Case
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From East to West: Computer Animation Education in China and the United States
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From isolation to networking. Cyber homosovieticus in search of promised land
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Information Must be Free to be Effective
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Intelligent Architecture
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Living Agency: Curating in the Age of Digital Networks
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Luminous Green in Singapore: Electronic arts in turbulent weather
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Mediated Hauntings: Conjuring Cultural Memory in the Present
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Passing and Peril on the Information Super Highway
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The Chemist as Flâneur in Intelligent Architecture
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Transitio_MX Curatorial Approaches: Impolis, In(communities) and Free Synthesis
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Way to Go: The Impact of Process on Artists’ Residencies in Science and Research Settings
Presenter(s):
- Vicki Sowry
- Oron Catts
- Roger F. Malina
- Denisa Kera
- Arantxa Mendiharat
- Irène Hediger
- Lonce Wyse
- Marta de Menezes
- Anne Kienhuis
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CoLab panel: performance and interactive technologies
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Prologue: transitional geographies / feminist mapping
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A poetics of exile: the place of memory in the new media environment
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Boys would only like the programme because there are boys in bands: how preschool children’s television tells the story of contested spaces
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Conspiracy dwellings: surveillance in contemporary art
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Creative industries forum
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Dialogic Exchanges for Virtual Curation
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Ecolocated: environment, sound and engagement
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Educational and artistic practice for the convergence of art and technology in Korea
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Educational forum: ISEA2009, ARS Electronica 2009 and Re:live 2009
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Emotion research forum
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Gendered inter/activity? Reflections on memories of prison experience in Northern Ireland’s conflict
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Government, citizenship and the public sphere: contested democracy and digital technology
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Interactive Urban Installations in Contested Virtual Spaces
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M.A.R.I.N. residency for the Irish sea
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Mnemonics as complementary space: theorising essayistic film towards a discourse on lost environments
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New media art, new economic realities: emergent economic structures in new media art
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Panel: E-mobileart lab
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Posthumanism: is the (art) world ready for bioart?
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Recording stories of apartheid reparations in a culturally and economically diverse landscape
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Spoken, printed & virtual: zimbabwe’s non-linear narration of memory
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Unheard voices: audio visual recordings of memories of the troubles in Northern Ireland
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Wearable materialities
Presenter(s):
- Camille Carol Baker
- Tara Baoth Mooney
- Elena Corchero
- Ebru Kurbak
- Mahir M. Yavuz
- Amanda Parkes
- Hannah Perner-Wilson
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A Project of Disjunction and Conjunction: On the Aesthetics of Climate Change
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A to X: Audience Experience in Media Art Research
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Alien Agencies: Liveness and Nonhuman Performativity
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Archiving Experience: The Third Generation Variable Media Questionnaire
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Art and Politics. The Edith Russ Site for Media Art: A Space for Presentation and Production of Media Art
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Between Remake and Reperformance: Emerging Narratives in Media Art
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Biology as a New Art Medium and Its Possible Implications in Art Research
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CO2nfession / CO2mmitment: Experimental Urban Media in the Climate Change Debate
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CODED CULTURES: Exploring Creative Emergences
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Common Flowers/White Out: Bio-Hacking, Open-Sourcing and Exorcising GM Flowers
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Conserving Interactivity: imai Case Study on Bill Seaman’s Exchange Fields
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From Representation to Action: How Art Addresses Climate Change
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Looking ‘through’ Biomedia: Post-Anthropocentrism as Immediacy without Agency
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Materiality, Mediality and Concepts of Touch
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Materiality, Posthumanist Performativity, and Wearables
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Metastatic Membranes: Modulations of Threshold
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Mobile Republic: Visual Approaches to Discourse in South African Mobile Social Networks
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Networking in the Margins of Eco-Activism
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Obsolete Equipment: The Preservation of Playback and Display Equipment for Audiovisual Arts
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Online Communities and Client-Server Architectures
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Participatory Pyramids: An Interface for Climate Change?
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Simply Scripting, Milling, Printing? On the Resistance of Materials and the Question of Precision in Digital Architecture and Fabrication
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Still Accessible? Rethinking the Preservation of Media Art
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The Digital Aesthetics of Climate Crisis Abstract
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Your Participation Not Required: Machinic Performances
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[Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks Abstract
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A Failed Coup Attempt with Folk Songs (Part III): Anonymity and the Anonymous in a Culture of Sharing
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Art and Artificial Life in Latin America: the Historical Legacy Takes on the Artistic Establishment
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Capture, Measure, Rhythm: Inventing New Relations of Aesthetics and Politics in the Electronic Arts
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E/merging Publics? Interurban Collaboration and Building Connection Across Disparate Notions of Public Space
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I Feel Therefore I Am: Robots and Avatars, Our Colleagues and Playmates of the Future
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Idols and Art: The Cognitive Fetish
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In Pursuit of Time Regained: Reconciling the Unstable Past, Present and Future of Web-Based Art
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Intrainter Socialite: Emoticon Jacket For Social Interaction
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Investigating the Hybrid Character of Spatial Experiences Afforded by Locative Media
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Noise and Translation: Remapping Habitus Across the US/Turkey Border
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On the Persistence of Hardware
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Pathetic Fallacies and Category Mistakes: Making Sense and Nonsense of the (near-future) Sentient City
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Presentation for Code panel
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Repulse the Beat: Teaching Cast and the Strategy Of Deceleration
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Roger 10-4: Exploration of the Body as Space/Surface of Transmission and Reception
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Seeking Syncretism in Post-Biological Mixed Reality Data Transfer Systems
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Security Gate 26.11
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The Matter with Media: Error in Audiovisual Apparatus as Aesthetic Value
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Too Quick: The Challenges of Interactive Art
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Towards Geospatial Cultural Planning: Strategies for Local Cultural Innovation through Locative New Media Art
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Worldmaking, Participation, and Learning: Experiments in Collaborative Creation
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3D Visualisation for Patient Centred Communication
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@juspar [1] and Now Quoting Galloway [2]: “Code is the Only Language that is Executable”. Does What it Says. #code #chun [3] #netpol1010
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A Conceptual Gap Between Art and Business?
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A Layered Process: Lyrical Improvisation
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A Matter of Perception: Exploring the Physicality of Electronic Art
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A Second Manifesto for Neuroplastic Arts
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Abstract Machines Within the Local and Global Dynamics
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Agency in a Dish: Supposed a Semi-Living Brain be Art (Maker)
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Anna’s Cabinet of Curiosities: From the Series ‘Pages From the Book of the Unknown Explorer’
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Annie Abrahams’s Experiments in Intimacy
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Anonymous and the Politics of Social Media
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Anti-Disciplinary Art: Rejecting the Standard Forms
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Arctic Perspective Initiative (API)
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Art and the Liminal: Imagination, Liminality and Avatar-Mediated Presence
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Art In Science or Science In Art? On an Often Underestimated Relationship
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Artists as the New Producers of the Common (?)
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Architecture as New Media
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Aspects of Realtime Scoring and Extreme Sight Reading
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Asymmetries in the Control of Information and Ideas
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At the Time of Writing: Digital Media, Gesture and Handwriting
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Augment_me: Anthropomorphising the Other and Augment the Self
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Bending Light: Strange Tales From the Projective Plane
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Benji: A Brief History of the Man Who Brought the Intelligence of Search to our DNA
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Best Practices in Banana Time (aka, Is That iPhone Working or Playing?)
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Between a Thing and a Thought: The Neuropsychology of Selfhood
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Between Hybridity and Hyper-Space: AES+F’s The Feast of Trimalchio (2008)
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Between Past and Future: Collaborating in the City Space
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BioARTCAMP: Trekking the Lab Into the Field
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Biotopological Reconfigurations: Biospatial Affections and Infections
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Capturing Dance and Choroetopography: Analyzing and Visualizing Complexity
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