Panels (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Digital Divide
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Exercises in Remote Collaboration: Huis Clos / No Exit (or, “How Cyberformance Reveals Intimacy”)
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You are. I am. Everyone is: The Authorless as Producer
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Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP
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Digital Threshold: Art, Body and Self-reflection on the Screen
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A poetics of exile: the place of memory in the new media environment
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New media art, new economic realities: emergent economic structures in new media art
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Towards Geospatial Cultural Planning: Strategies for Local Cultural Innovation through Locative New Media Art
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Turning the City into a Medium: Stories of Media Arts City
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Diversifying the city: The role of heritage and culture in the age of technology
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The Hacienda: The Conversational Aesthetics of Liquid Architecture
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The Changes in Public/Private Sphere and Presentation of Electronic Media Arts
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Bio-Creation of Informatics: Rethinking Data Ecosystems in the Network Economy
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Playing in Place Nowhere: Creating an Open Source Country
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Genresis: Trends and Trajectories within the Art/Science Genre
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Participatory Pyramids: An Interface for Climate Change?
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A Conceptual Gap Between Art and Business?
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The Kind of Problem a Software City Is
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Digital Choreography? There’s an App for that!
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Computer Generated Photography and Neoclassical Sensibility
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Copyright And The Creative Commons
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University Technology During a Budget Crisis
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Interactive Urban Installations in Contested Virtual Spaces
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Latin American Kinetic Art and Its Relationship With Electronic Art: Gyula Kosice and Abraham Palatnik
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Panel on Sonology: Sonifying the Conflict
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Transitio_MX Curatorial Approaches: Impolis, In(communities) and Free Synthesis
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Electronic Art in Brazil: Exhibition Spaces, Museological Strategies and Digital Archive
Presenter(s):
- Priscila Arantes
- Marcos Cuzziol
- Cleomar Rocha
- Nara Cristina Santos
- Tania Fraga
- Reynaldo Thompson
- Maria Luiza (Malu) Fragoso
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Expanded Circuits and Poetic Re-Writings: Circuito Alameda
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Ibero American Observatory of Digital and Electronic Art | Observatorio Iberoamericano de Arte Digital y Electrónico
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Responsive Illuminated Architecture
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Locating Cyberfeminist Art in Singapore
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Who is Speaking? Artscience Stagings of Nonhuman Sentience
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The Persephone Project: Technologically Convergent Artificial Ecosystem
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Emotion research forum
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Machinima as a Political or Artistic Detournement of Video Games
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From Appearance to Apparition: Communications and Consciousness in the Cybersphere
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Artificial Gender, Natural Technology, and Emergent Mind
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Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte
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Asymmetries in the Control of Information and Ideas
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Hyperpresent Avatars
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Interactive Textiles and Wearable Computers
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Digital Divas Present Between the Sheets
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Virtual Skin: Articulating Race in Cyberspace Panel Statement
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Nam June Paik: Cybernetics and Machines at Play
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The Radioactive Ecologies of Ken and Julia Yonitani
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Integrating Digital Technology and Autographic Printmaking
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Human Self-Discreditation as an Emancipative Act
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Statement 1
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Cum Panis: the Biopolitics of Self, Fermentation and Revulsion
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P2P Alternatives for a Sustainable Future
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Passing and Peril on the Information Super Highway
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Motion and Power Between the Physical and Virtual
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Critical Art Ensemble Science/Art and their legal limitations
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The Impact of Gestalt Perceptual Organization in the Stereoscopic Theatre Environment
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Brazilian Artists and Curators
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Archiving Experience: The Third Generation Variable Media Questionnaire
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Will it Take Sanctions Against Australia to Get Us Back Into the Black?
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Tracking the Boom: Think Tanks, Mouse Hacks and more in the United Arab Emirates
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Unexpected Affairs: Wearable Technology, Human and The Arts
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Overscale Art in Public Space: from Play to Dysplay
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The Blog-The Memory Dump, The Disregarded Power of Undone Art
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Tactile Interfaces and Bodily Communication: The Rhetorics of Touch in Virtual Reality
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SMARTlab/Catalyst: Catalysing Transdisciplinary Creative Technology Innovation For Real Social Change
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Symbols, Pictures and Signs: Social and Psychological Meaning
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Emerging Architectures in the Virtual Scape: Architecture of (Im)possibilities
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Collaboration vs. Autonomy: Models of Social Computing in the Arts
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Anonymous and the Politics of Social Media
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M.A.R.I.N. residency for the Irish sea
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The Touch Through Time: Raoul Hausmann, Nam June Paik and the Transmission Technologies of the Avantgarde
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Contemporary Art and Climate Change: The Aesthetics of Disappearance at the Poles
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I Feel Therefore I Am: Robots and Avatars, Our Colleagues and Playmates of the Future
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The Internet of Bodies: Future Human / Machine Choreographies
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Machine Learning as Material: Research-Creation Approaches to Behavior and Imagination
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Biometrics, Identity Validation, Data Flavoring and The Keeper of Keys
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The Shock of Refinement: Reaestheticizing Life Through a New Technology of Consciousness
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Sentience in the Context of Operative Images
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Analyzing Disruptive Tactics and Strategies in Media Activism
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Biotopological Reconfigurations: Biospatial Affections and Infections
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Scaling Sentience: the Earth, the Sky, and Outer Space
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Talking About Electronic Art
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- Thierry Grillet
- Jacqueline Sanson
- Isabelle Giannattasio
- Aurdlien Bambagioni
- Andrea Davidson
- Antoine Denize
- Martin Le Chevalier
- Annick Bureaud
- Christophe Jouanlanne
- Francois Perrodin
- Sylvie Boulanger
- Pascale Cassagneau
- Christine Van Assche
- Jane Garcia
- Anne-Marie Duguet
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Eco-Art + the Evolving Landscape of Social and Situated Practices
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Machine Flaws in Generative Art Panel Introduction
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The Meaning of AI Art Following the Challenges of Artificial General Intelligence
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Locating East West Robot Culture
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REFLECTIONS ON CREATING AND EXHIBITING DIGITAL ART
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Evolved Architectural Representation: From Orthographic Drawings to Corporal Mapping and Swarm Behaviour
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From Representation to Action: How Art Addresses Climate Change
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Between a Thing and a Thought: The Neuropsychology of Selfhood
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The Information Super-highways and Cultural Imperialism: Ownership and Access to the Media
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Art and possible relations in nature
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Environmental Aesthetics and Nature Immersion Art Practices
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Policing the Police in a Post 9/11 Culture
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Intimate Disavowal: Turning Away from Technological Media Art
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Hey Human! What Should We Do Now?
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Panel: E-mobileart lab
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Towards a Natural History of the Virtual Realms
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Still Accessible? Rethinking the Preservation of Media Art
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Playful Potential: A Short Geneaology of Ludic Interfaces
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Cybersublime: The Aesthetization of Digital Politics
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Birding the Future: environmental health within a regional and global perspective
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Computer Music in Chile 1970-1980: COMDASUAR
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Conserving Interactivity: imai Case Study on Bill Seaman’s Exchange Fields
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Collateral Damage: Clouds, Criminality and Chatbots
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Are Endings Necessary? Closure in Interactive Narrative
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Intermedia and the Awareness of Synesthesia
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Gueê: A Tribute to the Tikuna woman
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Architecture as New Media
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Ludic Strategies in Public Environments
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Masks, Membranes, Passages: Notes on Participation and Networked Performance
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Decolonizing the machine: race, gender, disability, robots, computation and art
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Human/Non-Human: Biologies, Ecologies and Subjectivities in New Media Art
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Sentience and Trans-Species Collaboration: Considering the Aims, Desires and Perceptual Landscapes of the Non-Human
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Public Art Design Competition Finalists
Presenter(s):
- Paula Castillo
- Josh Lopez-Binder
- Julian Priest
- Thomas Strich
- Jared Winchester
- Cory Greenfield
- Casey Crawmer
- Sherri Brueggemann
Title:
The Matter of Technology
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We are the Medium-the-Context-the-Source of Networked Creativity
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Agency in a Dish: Supposed a Semi-Living Brain be Art (Maker)
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Artistic Identity on the Net Panel Introduction
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The Dark Side of Making: Reflecting on Promises, Practices and Problems of the Last 25 Years
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Photography, Reality, and Digital Expression
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Investigating the Hybrid Character of Spatial Experiences Afforded by Locative Media
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CoLab panel: performance and interactive technologies
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Annie Abrahams’s Experiments in Intimacy
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A Multi-Cultural ISEA
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Culture, Technology and Asian Pop Culture
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Sex for Work, Fun and Revolution in Early Hong Kong Media
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To Consent and to Resent: Discourses of Sexual Agency in Hong Kong Media
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Capture, Measure, Rhythm: Inventing New Relations of Aesthetics and Politics in the Electronic Arts
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Emerging Collaborative Preservation Projects in Asia
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Graphic Design Principles and Computer Programming
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Performative Spaces and the Body as Interface
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Aspects of Realtime Scoring and Extreme Sight Reading
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