Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Participatory Art as Inner City Workshop: The Urban Remix Sound Project
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Performer vs Electronics: Performing Music For Instrument and Electronics
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Phi Territories: Neighbourhoods of Collaboration and Participation
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Physical Cinema: Memory, Schema and Interactive Video
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Pixel Perfect: Performativity and Self-Portraiture
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Place in Mind: Towards A Dynamic Memory Palace
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Plastic Brains in the Post-Digital World
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Play and Counterplay in Urban Spaces: Exploiting the City Through Location-Based Gaming
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Play with Fire: A Real-Time Video Experience for Sustainability
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Playground Gaming with Wii, Kinect and Processing
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Pleasure and Sacrifice: Aesthetic Experience and Collectivist Action
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Post Cards of Identification: The Rhetoric and Form of PostSecret
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Powering Ecological Futures
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Procedural Taxonomy: An Analytical Model for Artificial Aesthetics
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Publicness, Pervasive Technologies and a History of Shit
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Pursuing the Unknowable Through Transformative Spaces
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Re-Enacting the Self in The Archive
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Re-Shaping Curation: An Interdisciplinary Visual Art Interpretation and Navigation System
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Reconsidering Media Art Dynamics
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Rediscovering Hiroshi Kawano: Japan’s Pioneer of Computer Art
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Reengineering of the Sensoriun and Imaginary Landscape: Mixed Reality
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Remix Culture and the Radical Imagining of Alternative Intellectual Property Policies
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Remotely Connected, Remotely Creative: Leapfrogging the Digital Divide
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Republic of the Moon: A New Artists Autonomous Territory
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Responsive Spaces: Motion, Activity and Interactive Art
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Rethinking The Baseline: Explorations in Nonlinear Typography
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Reticular Aesthetics: Adversarial Media Art After the Material Turn
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Retracts And Fixed Points In Theory Of Ordered Sets: Towards Combinatorial Computer Science
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Science Art Relationalities
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Science, Art and Philosophy: A Reflection on a Methodological Approach to Intersemiotic Analysis of Interactive Installations
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Self-trackers: Why Do They Prefer the Spreadsheet to the Sofa?
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Similarity in Media Content: Artistic Perspectives Abstract
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Simulation Beyond Perspective: The Discourse of Holography as a Tool for Imagery, Art, Media Studies and Science
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Skediomata: Guinea Pig and Performer
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Sketches of an Interdisciplinary Practice: Essential In-formation For Post-Digital Thinkers
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Sky Knowledge: the Square Kilometre Array (SKA) as a focus for art-science collaborations
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Smart Textile as a Context for Art Based Technology and Engineering Education
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Smyrna/Izmir 2011: A Teleport in Time to the Virtual City
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Social Media as Art and vs. Art
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Soft Clouding: Curating a New Semantics of Sound Archiving
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Soft Computing: Forms and Limits in Computational Aesthetics
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Sonification of Emergent Urban Events with Granular Synthesis as an Urban Design Tool
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Sound Initiated Drawing and Short-Term Memory Impairment
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Spatial Structure and Representation in Interactive Multimedia
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Speech Prosidy and Emotional Communication in Robots
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Stereo Animated Pictorial Space: Towards New Aesthetics in Contemporary Painting
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Stichitures: Interactive Art Installation For Social Interventions
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Stitching Together an Editorial Sewing Circle
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Stop-Motion Animation: From a State of the Art to an Ideal Process
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Structuring Somnolence: Sleep Science Technology as a Medium for Drawing with the Body at Rest
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Studio Pedagogy For Situated Learning In The Culturescape
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Subtle Presence: Design and Implementation of User Centric Content Delivery Using Biometric Data Capture and Intelligent Analysis
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Subverting the Power Structure in the Surveillance Assemblage: Blue Sky
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Superdutch: New Media, Photography and the Internet-Polder
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Surface to Surface: War and Art in the Screenic Era
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Sustaining Creative Relationships across Africa and Europe through Artist-led Innovation
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Swarming Robots and Possible Medical Applications
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Symptomatic Architectures: Spatial Aspects of Digital Experience
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T/Act: Empowerment Through Physical Interaction With Media Art Works
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Techno-Human: New Form of Hybrid Human; From Science-Fiction Cinema to the Post-Modern Society
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Technological Art and Innovation Dialogues
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The Aesthetics of Private Footage and Youtube within Avantgarde Video Art
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The Bang Theory: The Breaking and (sort of) Fixing of Everyday Objects
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The Capture and Understanding of Participant Experience in a Breath Controlled Interactive Video
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The Creative Listeners and Their iPods: Their Music, Their Activities and Their Listening Experiences
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The Development and Education of New Media Art in Taiwan
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The Digital Contamination of Dramatic Theatre: Subject Technology in Exception
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The Electronic Representation of Information: New Relations between the Virtual Archive and its (Possible) Referent
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The Ephemeral in AV Realtime Practices: An Analysis Into the Possibilities For its Documentation
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The Eyes That Stop the Trains: Time, Movement and Agency in Moving Image Technologies
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The Geneology of a Creative Community: Why is Afternoon the “Granddaddy” of Hypertext Fiction?
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The Hidden Histories of Objects: Provenance, Storytelling and Tagging Technologies
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The Interactive and Immersive Experiences Shape the New Architectural Language
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The Interactive Digital Choreography: Innovative Women in the Dance History
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The Interpenetrating Boundaries Between Coding and Computation During Livecoding Performance
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The Legacy of Experiments in Art and Technology (E.A.T.) : An Environmental Aesthetics
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The Light at the End of the Tunnel: An Interactive Installation in Public Space
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The Memory and the Code: The Phantasm of Digital Culture
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The Metapiano: Composing and Improvising Through Sculpture
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The Museum Machine Or: A Database Approach to the Representation of Space
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The Musical Score: The System and the Interpreter
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The Remediation of Experience: A Case Study
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The Return of the Digital: Reflections on the Digital-Cultural Feedback Loop
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The Rhythm of City: Geo-Located Social Data as an Artistic Medium
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The Theatre of Everyday Life in the Age of Wireless Media
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The Virtual Panopticon: Whose Point-of-View is it Anyway?
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Theoretical Discourse on ‘Art, Science and Technology Collaboration’ and its Historical Development
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Theorizing New Media in a Global Context
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Things to do in Digital Afterlife When You’re Dead
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Touch Interfaces: Between Hyperrealism and Invisibility
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Touch Trace Mirror: Volatile, Collaborative Messaging as a Concept for Creating a Relatedness Experience
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Towards (Co-authoring) Communitas: The Facilitation of Becoming Through the Use of Technology within Public/Community Arts Practice
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Towards a New Symbiosis in the Mexican Environment: Art and Science
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Tracing the City: Exploring the Private Experience of Public Art Through Art and Anthropology
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Trajectories, Circulation, Assemblages: The Heterogeneous Modes of Endurance of Digital Arts Practice in Montréal
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Transcending Into the Virtual: Presence Prognostications and the Re-Calibration of Telematic Art
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Travelogue: The Expressive Potential for an A-Life Filmmaker
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Ubicomputacional Art: Urban Environment and Emergent Narratives
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Understanding the Art Practice of Critical Gameplay Designs
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Untold Bodies: Re-imagining the Natural History and Scientific Archive
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Urban Augmented Reality and the Games of Cybergeography
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Urban Cracks: Interstitial Spaces in the City
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Urban Ecologies: “In the City of the Apis Queen”
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Users Become Re-Creators: Enhancing Experiences Through Mapping
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Versor: Spatial Computing with Conformal Geometric Algebra
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Vessels for Infinite Veracity: Theatre Machines and the Body
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Virtual Instrumentality: Exploring Embodiment in Artistic Installations
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Visualising Invisible Networks as Collaborative Arts Practice
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VIVO (Video Interactive VST Orchestra) and the Aesthetics of Interactivity in the Age of Care-Less Capitalism
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Vjacket: A Wearable Controller for Live Video Performance
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Wasting Time: The Thinking Behind ‘Knowmore (House of Commons)’
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Welcome to Artout: The First Artist Escort Service in the History of Art!
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Wooden Worlds: Aesthetical and Technical Aspects of a Multimedia Performance Using Real-Time Interaction
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Workers of the Future at the Frontier of a : Innovation at work
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[i-metro] Universal Access to Information
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‘The Plucker’: A Case Study in Interface Specific Control Signal Processing
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“Mapping the Commons, Athens”: A Cartography of Alternate Economies and Practices in Times of Crisis
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“Recombinant Fiction” Theoretical Paper and Manifesto
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R.I.P.: A Case Study in Facilitating Multi-Disciplinary Collaboration
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(re) Shaping and (re) Articulating Traditional Economy
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A Short and Superfluous Guide to Your New New Media Art
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Broken Circle and Spiral Hill? Smithson’s Spirals, Pataphysics, Syzygy and Survival
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Can the Arts Help Save the World? Artists and the Environment
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Cascading Memorials: Urbanization and Climate Change in San Diego and Beyond
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Econotopias: Imagining Possible Futures Through the Creative Economy
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Examining a Machine’s Future’s Associated Cost: Cultural & Environmental Resource Extraction
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Expressive Energy: The Fluid Automata Project
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From Mechanical Turk to Local Communities: How A Shift in Economies Transformed the Alternative Olympic Games
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Gambirarra and the Prototyping Perspective
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Games for Liberation: Strategies for Education Toward Critical Consciousness Through Play
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Hiking without Nature: Mobile Media Happenings and the Performance of Everyday Wilderness
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How to Generate PR for an Ephemeral Award and Exhibition System
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In the Beginning or...: The Cosmic Stories We Tell And Their Implications
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Indexical Pleasure: Another History of Color
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Investment Without Term: A Radical Economy For Daily Practice
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Language and Magic: An Archaeological Approach to Tania Candiani’s Work
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Learning from the Land: Experiments with American Agriculture
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Media Arts in Support of Science Education
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Memory Is No Object: Photography as Performance of Landscape
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On the Bridge Between Bolivia and Computers
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Post-dystopia: Language, Sound and Machines
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Radical Cosmologies: Conversations on Culture, Technology and Research
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Radio Chigüiro: Making Community Radio
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Research 360 Interaction and Virtual Reality Environment, Analysis of Interaction Models and Functional Prototyping Methodology
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Sauti ya Wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Tanzania
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Scale – Time – Complexity: Engaging, Entangling and Communicating Ecology
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Shifting Paradigms: Towards an Auditory Culture
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