Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
The Right to Artificial Life: A Declaration of Rights for Artificial Life
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Transcoding Action: Embodying the game
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Tweeting Twitter: How to make instant messages slow
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VoicingElder: an avatar platform for older adults informed by multiple therapeutic traditions
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A Shy Game: The Artist’s Bared Soul in Virtual 3D Space
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An Emotional Compass: Harvesting Geo‑located Emotional States from User Generated Content on Social Networks and Using them to Create a Novel Experience of Cities
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An Urban Radio Portrait: Mapping of Walter Benjamin’s Berlin
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Art and the Science of Influencing Hearts and Minds (Streaming Museum)
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ASCII Foundation for Contemporary Art Education
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Blank Spaces, an Excursion to Another Future
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Constructing Narrative in Interactive Documentaries
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Delocalized pedagogy through digital music programming instruction
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Design of co-evolving textiles applied to smart products
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Digital intervention of archaeological sounds of Tuza aerophones
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Enactive Affective Systems in Art and TechnoScience: Vital Experiences of Displacement in the City
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Engendering tactility through haptic bodysuits
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Expanded photography; Interactive media art, contingency, crowd-sourced distributed pictures and Big Biology Data
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From the City Plaza to the Virtual Database: New Media Interventions in the Mining of Memory
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Hybrid Bodies: Intersections of Art and Science
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iFly Dubai: a nonlinear gesture‑based soundmap
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Interlacing Worlds: Fibres and Sensory Mediation
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Intertwining Art and Anatomopathology through Artistic Exploration of Augmented Reality and Medical Imaging
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Invisible Realities in Digitally Synthesized Photographs
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Location as Space/Space as Location: The Notion of Perspective from Postmodern to Digital Art
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Logics of technologically (un)mediated production in electronic music and video games
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Making Sense of theory in an age that supersedes the theoretic
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MASS CAFÉ: Picturing Uncertainty within Coffee Ring Effect
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Musica Mobilis: New Relationships between Sound and Space
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New forms of Creative Expression Within Typography and Lettering
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New Media Art Beyond Mediation
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Oil, War and Housing Markets: the aesthetics of accumulation and waste
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Place-based, Somatic Augmented Reality as Critical Practice
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Play Connected: an online media game
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Polivis: Methods Towards an Augmented Citizenship
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Post-digital Sunlight: Participatory Space crossing Virtual and Physical, Artificial and Natural
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Post‑digital territory: cultural and aesthetic geographies beyond new media
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Roaming Trans-cities and Airborne Fiction: click the image to enlarge and zoom in
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Samsara: A digital medium for theatrical storytelling using animation, robotics and immersive technology
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Shanghai Express: an interactive installation dealing with the city as a fragile organism
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Skin Pattern Data Sonification as Personalized Media Art Experience
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Speculative Identity: Let’s Play with Our Values. Toi, Moi et la Charte (‘You, Me, and the Charter’)
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State sensing: Recent environmental media installation art from Aotearoa/New Zealand
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Stories on walls: representing text through architectural projection
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The case for Improvisation: New Approaches to Animated Digital Sculpture
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The noise of mind: a performative statement of privacy
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The Post-virtual Stage for Performing Arts
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Thinking through Digital Media
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‘Simulization’: New Paradigms for Networked Language Art
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From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality
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Grene Epiphytes, an Immersive Bio Artificial-Life Artwork
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Hyperdressing: Wearable Technology in the Time of Global Warming
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Mother, Body, and Weather: An Artistic Exploration of Transcending the Physical Experience of Motherhood
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Occupy the Screen: A case study of open artworks for urban screens
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O’megaVille: Excursions in Planetary Urbanism
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The Ilinx Garments: Whole-body Tactile Experience in a Multisensorial Art Installation
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- Ian Hattwick
- Valérie LaMontagne
- Chris Salter
- Marcello Giordano
- Ivan Franco
- Marcelo M. Wanderley
- Maurizio Martinucci
- Deborah Egloff
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Translating Expression in Taiko Performance
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- Shannon Cuykendall
- Michael Junokas
- Kyungho Lee
- Mohammad Amanzadeh
- David Kim Tcheng
- Yawen Wang
- Thecla Schiphorst
- Guy Garnett
- Philippe Pasquier
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3×4: Exploring metaspace platforms for inclusive future cities
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A Composer’s Search for Creativity Within Computational Style Modeling
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A Pioneer of Interactive Art: Nam June Paik as Musique Concrète Composing Researcher
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A Wearable Experiment to Radiate Prosocial Wellbeing Through Psychophysiological Mirroring of Laughter
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Aesthetic Experience by Proxy: Science Description and Science Fiction in New Art Practices
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Aesthetics of Immersion in Interactive Immersive Installation: Phenomenological Case Study
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Aesthetics of the Digital Ruins and the Future of Art Conservation
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An Aesthetic Reading of Online Artivist Projects
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An investigation into the impact of collaborations between the commercial digital and artistic sectors on the curatorial realm
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Art, Affect and Aging: Creativity Vs Deficit
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Artist’s experiment and scientific experiment: the “provability” and creative distinctiveness of an artwork
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At sea with the past: reflections on an artwork
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Audiovisual Installation as Ecological Performativity
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Augmented Asbury Park: Disrupting the Present with Remnants of History in Augmented Reality
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Augmented Simulacra: conditioning the post-digital body
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Augmenting Virtual Worlds with Musical Robotics
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Automatic Genre-Dependent Composition using Answer Set Programming
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Breaking Paradigms: Electronic Arts & Humanitarian Actions
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Can Art Save Hong Kong? A Case Study of Preserving Hong Kong Cinema as an Intangible Cultural Heritage
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Capturing and Recognizing Expressive Performance Gesture
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Cart(ont)ology: Mapping Self-as-Network in Three Carts
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Change: The aporia of conservation and subversion
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Comedy53: A system’s design for generating image and text to create humorous comics
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Comparing two Sound Design Styles: Between Determinism Emergence and Interactivity
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Curating: a disruptive technique for disruptive technologies
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De-totalizing capture: on personal recording and archiving practices
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Designing Interfaces to Experience Interactive Installations Together
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Designing Nano-Media Across Disciplines: Circular Genealogies and Collaborative Methodologies at the Optical Frontier
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Disrupted Architecture: Reimagining Buildings through Sound
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Disrupting Conventional Boundaries of Public Art In Urban Space
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Disruptive Aesthetics for Interactive Artwork
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Disruptive Behaviors: AI, Robots and the Autism Spectrum Disorder
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Disruptive strategies in the Postdigital city
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Disruptive Systems and Organizing Principles in Generative Art: Two cases (1980-ongoing) by British artist Ernest Edmonds
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Distributed Interactive Audio Devices: Creative strategies and audience responses to novel musical interaction scenarios
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Diving into Infinity: A Motion-Based, Immersive Interface for M.C. Escher’s Works
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DMIs Among The Others: Live at the concert hall
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Dramaturgy as an enquiry on how interweave space, body and technology in performative interactive installations
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Emergent behaviour: learning from an artificially intelligent performing software agent
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ESKIN: Disruptive potentials for Transdisplinary Teams
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Experiments in art and value: burning Bitcoins to buy Ai Weiwei
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Exploring Facial Expressions for Human-Computer Interaction: Combining Visual Face Tracking and EMG Data to Control a Flight Simulation Game
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Extracting Visual Information to Generate Sonic Art Installation and Performance
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Floating Identities: Me, Her and Us, An Interactive Site-Specific Art Installation Based on Adler’s Inferiority Complex to Conclude the De-tachment and Reform of Modern Females
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Fostering A Community of Innovation at the Intersection of Art and Technology in the Pacific Northwest
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From A-ha to Oh Shit: From Graphic Design to Glitch Design
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From meaning to liquid matters
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From scripts to scores: Movement as an embodied material for digital interaction
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Frozen: Exploring creativity and the process of making using photogrammetry
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Hearts and Minds: The Residue of War
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Historical Residue: an Augmented Reality App and the Exploration of the Lost Town of New Philadelphia, Illinois
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homunuculus.agora (h.a), an architectonic art installation
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Hybrid Ontologies: An Attempt to Define Networked Mixed Reality Art
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Identifying community resources using data mining, crowdsourcing, and networked co-curation
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Imagining Thought in Digital Space
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Incorporation of Shape Memory Polymers in Interactive Design
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Infiltration, decontextualisation, appropriation and hoax: Medium Reflective artworks in the age of electronic crowds
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Investigating the artistic potential of the fulldome as a creative medium: the case of the E/M/D/L project
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LAIT, The Laboratory for Audience Interactive Technologies: Don’t “Turn it Off” — “Turn it On!”
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LiveCode Readings: Algorithms viewed as text
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Living media: Transgressing bios, transgressing techne and paving the way to further transgressions
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Manifesto for a Musebot Ensemble: A platform for live interactive performance between multiple autonomous musical agents
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Mashup Realities: Exploring Experience in Networked Interactive Environments for Dance
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META: NOTES FROM A DANCER FROM INSIDE A DUET WITH AN AI AGENT
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Mimesis And Code: The Aesthetics of the Microcontroller in New Media Art
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Mobile Augmented Reality Art and the Politics of Re-assembly
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Multiple Bodies in Interactivity: Representations and pathways of the corporeal
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Musical Structure Imitation using Segmentation, and k-Nearest Neighbors (kNN)
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Noise Square: Physical Sonification of Cellular Automata through Mechatronic Sound-sculpture
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On Internet Art: A Critique of the Imperceptible Interface
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Owner of a Lonely Heart: (Danio rerio) Embryonic Heartbeats
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Parallax: Dancing the Digital Space
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Participatory (Counter-)Surveillance and the Internet
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Perceiving Physical Media Agents: Exploring Intention in a Robot Dance Partner
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Process VS. Product, resisting the self-gratifying loop, regaining a DIY perspective
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Producing New Media Ethnographies with a Multi-Sited Approach
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Projet EVA: Subservient Techno for Subservient Minds
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Public Making: Artistic Strategies for Working with Collections, Technologies and Publics
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Puppetree: a remediation of theatre, from spectatorship to co-authoring
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Puzzling Gestures: Creating a Teleoperated Interactive Artwork About Tactility, Structure and Movement
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Pyxis Minor: App Design for Novel Social Music Experiences
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Radical Reordering: bit-size chunks in the AL GRANO project
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Redundant Technology: Disrupting Lineal Narratives
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Remote and Embodied Sensing: observations on interactive art and politically engaged practice
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Reopening the inscription Rodrigo Arteaga: from the inscription to the phenomenon
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Research through Design, Documentation, Annotation, and Curation
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Responsive Environments and Protagonism: The Sustenance Principle
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Scambaiters, Human Flesh Search Engine, Perverted justice, and Internet Haganah: Villains, Avengers, or Saviors on the Internet?
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Sen-se-paration
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Slow Media Art: Seeing Through Speed in Critiques of Modernity
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Smash the Black Box: designing for creative mobile machinery
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State.scape: a brain as an experience generator
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Statuevision: A participatory, collaborative, cross-generational, urban intervention with public monuments as primary content
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Steep (I): a digital poetry of gold nanoparticles
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Technologies of Self-Fashioning: Virtual Ethnicities in New Media Art
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The Algorithmic Gardener: Tales of Nature and Code
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The Artist is Patient: Collaborative Biomedical Art and Curatorial Care
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The Audiovisual Ghetto Blaster Effect
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The Digital Diasthima: Time-Lapse Reading Digital Poetry
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The Economic Valuation of Digital Media Arts
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The Felt Sense Project: Towards A Methodological Framework For Designing and Crafting from the Inner Self
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The IndaPlant Project: An Act of Trans-Species Giving
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The Listen(n) project: acoustic ecology as a tool for remediating environmental awareness
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