Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
Machine Generated ‘Portraits’ as Impersonal Gestures
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Machine-Enacted Modes of Creative Exploration
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Mycorrhizal Curation: Minimal Cognition for Maximal Cooperation
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NEO//QAB: Creating a World Through Speculative Play
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Neosentience. Definition; a New Combinatoric N-dimensional Bio-algorithm; Authorship of the Insight Engine 2.0 and Database; Recruitment of Transdisciplinary Researchers; Ethics Surrounding the Generation of a New, Self-aware Autonomous Techno-species
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Odorama V2: Prototyping Touch-Smell Synesthesia to Promote Neurocognitive Empathy
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On Places, Spaces and Objects of Interdisciplinary Scholarship: The Case of Useful Fictions
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Open Waters [Northwest Passage | Open Polar Sea | Arctic + Great Lakes Plastic]
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Open-source Sentience: the Proof is in the Performance
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Physical Grainclouds: Granular Sound Art in the Physical World
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Physicality and Spatialization in Sound Art
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Pixels in the Material World: Making Marching Cubes
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PlantConnect and Microbial Sonorities: Exploring the Intersection of Plant, Microbial and Machine Agencies
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Playing with Emotions: Biosignal-based Control in Virtual Reality Game Project H.E.A.R.T.
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Post-immersion: Towards a Discursive Situation in Media Arts
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Preservation Begins at Creation: Integrating an Embedded Digital Archivist Within an Academic Media Art Program
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Qualia Formation through Sensory Substitution in Artistic Laboratories in Russia
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Reclaiming and Commemorating Difficult Felt Experiences
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Revaluing Women’s Labor through Material Engagement with Musical Instruments Built from Domestic Tools
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Risonanze Di Vino: Tuning Wine with Sound through the Senses and Culture
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Schizomachine: a Wearable Schizo-interface for a Schizo-body
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Seeing is Sensing: Three Strategies for Multisensory Experience in Mixed Reality Art
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Seeing Plants through Botanical Illustration
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Sensing Contemporary Mexican Art: Ariel Guzik’s Sonic Machines
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Sensing the Reality: Reflections on Artistic Actions to Defocus the Real
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Sentience and High Fidelity Haptics: the New Frontier in Content Creation
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Sentience and Place: Towards More-than-Human Cultures
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Sentience and the Virtual Body, from Dual Subjectivity to the Eros Effect
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Sentience as The Antidote to Our Frenzied Mediated Selves
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Shifting Immediations: Fields of Experience across Media Art and Design
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Sleeping Eyes: VR Narcolepsy Storytelling through the Duality of Presence
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Stonemaps: a Slow Intentional Network for Collective Sentience
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Tactile Potentials: a Mixed Reality Project for Live Performance
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The Art of Trajectory: Celestial Mechanics V
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The Barbican Totem: Lighting Up the Brain, Zoning in on Synapses, Redistributing Sentience
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The Dinoflagellate (Pyrocystis) Bioluminesce According To Their Own DNA
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The Mattering of Algorithms: Reading the Media Performance of Erica Scourti through Originary Technicity
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The Revisit of Sentience: Nam June Paik’s Big Sleep in Interactive Art
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Translating Disciplinary Practices for Trans-sentient Collaboration
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TwttrGraph: I Wish to Speak with You. A Telegraphic Sound Installation
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Using Biophilic Design and the Orienting Reflex to Develop Generative Ambient Public Displays
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VR as a Preservation and Simulation Tool for Media Art Installations
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WaterWays Visualization Computational Reflexivity for Sustainability Action
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“I try to stay neutral”: Digital Assistants and their Stance towards Gender
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A Case for Play: Immersive Storytelling of Rohingya Refugee Experience
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A comparative study of practice-based research and research-creation in media art: Comparing two doctoral studies in Australia and Canada
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A Mixed Reality Installation to Elicit Reflexivity on Adverse Childhood Experiences
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A Networked Multi-channel Audio and Video Authoring and Display System for Immersive Recombinatory Media Installations
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A Sonic Exploration of Spanish Flamenco and the Whirling Dervishes of Turkey with Wearable Technology
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AI Creativity: AI.R Taletorium, New Storytelling Realm
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Algaphon: Transducing Human Input to Photosynthetic Radiation Parameters in Algae Timescale
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Algorithmic Vision and the Dialectic of Visibility
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Animated cadavre exquis: a locked-down experience of collaborative filmmaking in education
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Artificial Life within a frame of metacreation on stage
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Artistic Research in European Extended Reality Laboratories
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Artistic Residencies as Critical Research: Entangled Methodologies for Future Science
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Arts, Science and Technology in the ISSM Project and Exhibition
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autonomX—Real Time Creation/Composition with Complex Systems
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- Alexandre Saunier
- Chris Salter
- Julien Vermette
- Alexandre Quessy
- Simon Demeule
- Ursula J’vlyn d’Ark
- Puneet Jain
- Sofian Audry
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Below victory: revealing a buried past and present
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Boundaries in networked digital societies: Membranes as a new model of boundaries focusing on nonconscious cognition
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Bridging traditional and digital crafts: Digital Dynamic Ornaments
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Buildings as Audio Visual Synthesisers: Experiments Performing Live Music on Wirelessly Networked Multi-Speaker Media Architectures (Online)
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CHIME Design Lab: Community-centred, Collaborative Health Innovation partnered with Medical Education
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Click::REVU. An Optophonic Sound Installation
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Codex Endogenous: Designing Interactive Self Data Visualization Tool for Trauma Impacted Individuals
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Complex acquisitions: understanding the infrastructural properties of born-digital objects in museum collections
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Connecting new media art archives worldwide
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Corresponding Wood Tools: Speculative Fabulations of Material Correspondence in Woodworking
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Crossing Art, Science and Technology for Innovations through Maker Culture and Education
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Cultivating Human Potential in Virtual Art Studios
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Cultivating the possible: using design methodologies for artistic research
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Cymatics as a tool to create visual cartographies with the ecoacoustics from Delta del Llobregat Natural Park
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Debunking the quantified self through artistic data portraits
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Decolonizing the imaginary through the tactical use of machinimas
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Decoupling design from the industrial paradigm
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Deep Space: Re-signifying Valle de los Caídos
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Digital Anarchival Poetics: Algorithms looking into Audiovisual Heritage
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Dynamic paintings: real-time interactive artworks in web
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E-Waste: The Unnatural, Natural Resource | A Case Study on Creative Uses of Obsolete Technology
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eCO2system: exploring the environmental and social impact of the internet’s materiality through a data-driven media art installation
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Ecopornography in Digital Arts
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Écosystème(s) : a self-interactive sound installation
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Emergent. A post-pandemic mobile gallery
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Environmental Critical Zones: Reading the Wrack Lines
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Evoking Empathy Through Immersive Experiences in A Walk Alone
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Extensions of Reality: Plants and the Technological Virtual
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Forging emotions. A deep learning experiment on emotions and art
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Form and Time / decentering sites of art studio pedagogy
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From hallucinatory Art to hallucination in the Virtuality. Devices for Alternative Realities.
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Humans and Machines: A Study of the Impacts of the Technological Advances in the Light of Generative Art Theory
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Hybrid Art: technology and nature in arts practice and mediation
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Hybrid Art: technology and nature in arts practice and mediation
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In pursuit of the Schizomachine: for a(n) (in)possible listening
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In Sight of Allo-states: Tracing the Path from Environmental Personhood to Agentials, Performances of Personhood and Other Artworks on the Agency-Personhood Continuum (APC)
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Inhaling Quantum Consciousness: Ecological Vibrational Possibles
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Internet vernacular creativity. Vaporwave, counterculture and copyright
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kin_ – An AR Dance Performance With Believable Avatars
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Knowing VR through practice
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Laboratorio de luz. More than 30 years of research in art, science and technology in the Spanish panorama
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Learning Non-human. Can participatory practices change an Institution?
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Living Biotechnical Lives: Noise, Parasites, and Relational Practices
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Machine Learning-based Approaches in Biometric Data Art
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Made you look: crossing visual attention with computational design to create motion-based visual distractions
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Making a Manual: The Manual for the Curation and Display of Interactive New Media Art
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Mapping the atmospheric in school buildings: Digital art-based participatory inquiry with youth
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Memory’s death… or the desire of immortality
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Merging Art, Media, and Ecology: Diego Rivera and Ariel Guzik at the Cárcamo de Dolores
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Museum Practices and Posthumanist Assemblages: Activating the Possibilities of Technology Collections
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Nam June Paik’s Bibimbap Aesthetics as a Korean Reinterpretation of the Gesamtkunstwerk
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Nonhuman Creativity in Generative Art: Beyond the Anthropocentric Paradigm
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NUAGE: A Digital Live Audiovisual Arts Tangible Interface
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One + one = three: the added value of dual degrees in higher education
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Online collaborative design with students for autobiographical VR stories about Covid-19
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Online Possibles: Internet Spaces in a Postdigital World
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Perlin noise and sovereign land: Minecraft’s world generation algorithm and colonialism
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Possi(A)bilities: Augmented Reality experiences of possible motor abilities enabled by a video-projected virtual hand
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Possibilising performance through interactive telematic technology: Mental Dance
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Possible City: legacies of trauma in media space
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Postlocative Art for a Non-Anthropocentric World
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Probing Food and Power with Robotized Spoonfuls of Edible Paste
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Protest and Aesthetics in The Metainterface Spectacle
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Pulcher Aureus Filum. Biological Substrate Computers and the Ecological Paradigm Shift
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Queer Communication: Human-Nonhuman Encounters
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Rebalancing media in environments: analysing flows of action
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Reflexive-vr.com: Reconfiguring a physical VR exhibition into an online virtual exhibition due to the COVID-19 pandemic
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Reinventing the Colonial Gaze Employing AI: a Case Study
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Rituals of art and science to decompart-mentalize knowledge
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Setting limits in preservation strategies from the stage of acquisition: a feasibility approach for Media Art
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Sparking Emotion in Mexican Electronic Art
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Spatial Photograms: Experimental Cyanotype Photography using 3D Scanning and Printing Technologies
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Speakers, More Speakers!!! – Developing Interactive, Distributed, Smartphone-Based Immersive Experiences for Music and Art
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Spectrograms of the environment: entangled human and nonhuman histories
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Splitting Defense: A Methodological Journey into the Material Basis of Practice-Based Research
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Star-Stuff: A Shared Immersive Experience in Space
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Supra-dimensional Cinema: VR Case Study ‘TesserIce’
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Telewindow: a flexible system for exploring 3d immersive telepresence using commodity depth cameras
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The art of urgency: cultural mediation as a vehicle for socio-ecological transition
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The Cabinet of Wolfgang von Kempelen: AI Art and Creative Agency
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The expanded world of invisible images – BLIND REVIEW’s and BLIND REVIEW’s artworks
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The Fun Palace: Designing Human Experiences at Mixed Reality Events to Increase Engagement
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The Gap: Science Always Goes Before The Law
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The Medium is the Environment: Digital Materialism, Digital Art, and the Climate Crisis
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The multicultural and transdisciplinary construction of anti-consumerist critical thoughts – the multisensory diversity of the artistic installation series “The wishing Tree” (2012 – 2019)
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The Process of Word Automation: From the Spoken Word to the Algorithm
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The sonic body: creating embodied sonic performances within an extended reality context
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The Tapestry: Past and Possibility in the History of Magic
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The vanishing of remix concept in machine-driven text
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The Weird, the Cute and the Dark: How to Account for Aesthetics When Working on Awareness about Design Patterns
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Towards a Theory of Machine Learning and the Cinematic Image
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Towards the Sonic Laboratory: Laboratories’ creative potential
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Transforming Practices: a practice-based research approach to teaching emerging media at undergraduate level
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Tuning in: Reflections in the Wake of Blackness through a Knitted Textile Antenna
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Umwelten: Shifting agencies among the human, the non-human, and a machine learning algorithm
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View from Above: Drone art and hacktivism for landscape transformation awareness
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Virtual museums: heritage and future of mediated UX?
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Visualizing the Unpredictable Behavior of Wildfire Using an Artificially Intelligent Aesthetic
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Weaving Augmented Reality into the Fabric of Everyday Life
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When the others are the machines: the challenge of relating to the new craftsman
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‘Taman Tugu: Interference/Resistance’ – addressing urban rewilding with a musical augmented reality experience
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(Re)imagining human-yeasts relations via art-science collaboration
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A hybrid listening to atmospheric processes
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A Latin America Network for Art and Cybernetics: The Centre for Art and Communication [CAyC]
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A Performance Co-Created with an Autonomous Virtual System: A Symbiotic Approach
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Animate: A Theatrical Exploration of Climate Transformation through the Medium of Extended Reality (XR)
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ARt chat: Art and Communication
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Augmenting Creative Symbiosis Using a Cyber/Physical Aesthetic
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Bio Elektron: A Multisensory Approach to Augmenting Dance Combining Biosignals, Drawing, Sound and Electrical Feedback
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Cosmo-Techno-Poiesis: Architecture of Environmental Control
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Curation as Research-Creation: Speculating on the Future of Art and Technology Festivals
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Data-Phantoms: Impossible Nests (Memories Post Extinction)
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Deeply Listening Through/Out the Deepscape
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Disembodiment in VR: Immersed in 3D Audio Experiences
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Eleven Movements of the Cryoscape: Ecological Explorations in Sonification for Affectively Engaging with Climate Change
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Feeling One’s Way: In Search of a Symbiotic Vocabulary of the Virtual
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- Rémi Sagot-Duvauroux
- Olga Kobryn
- Matthieu Couteau
- Sophie Balcon-Fourmaux
- François Garnier
- Rémi Ronfard
- Guillaume Soulez
