ISEA2013 Presentation Overview
ISEA2013: [Overview] [Venues] [Presentations] [Workshops] [Art Events] [Gallery]
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Keynotes:
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Title:
Resistance is Fertile
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Presenter(s):
Title: Michael Naimark – Keynote Presentation — Presenter(s):
Title: Perception, Art and Illusion — Presenter(s):
Paper Presentations:
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Digital and Experimental Arts: past, present and future
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Title:
Stretch: An Early Software Art Framework by Aldo Giorgini
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Presenter(s):
Title: Digital Aesthetics Now and Tomorrow — Presenter(s):
Title: Experimental arts: the challenges of funding speculation and exploration — Presenter(s):
Title: Open Media Art from Cosmetics to Critical Fusion — Presenter(s):
Bio Art Session 1
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Title:
Microbial Identity: Art and biodiversity of self
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Presenter(s):
Title: The absent abject body in media arts — Presenter(s):
Title: The Dynamics of Collaborative Resistance: Negotiating the methodological incongruities of art, cultural theory, science and design — Presenter(s):
Title: The Great Work of the Metal Lover: Art, Alchemy and Microbiology — Presenter(s):
Title: Unintelligent design, the evolutionary limits to biological design — Presenter(s):
Eco-Activism
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Title:
ARTiVIS DIY FOREST SURVEILLANCE KIT
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Presenter(s):
Title: On AL GRANO’s “Crop-Cropping” project and agro-cultural erasures — Presenter(s):
Title: re-Framing Nature — Presenter(s):
Title: Casino — Presenter(s):
Title: Towards Ecological Autarky — Presenter(s):
Title: [e]arts for humanitarian actions? the “art!⋈ climate” initiative — Presenter(s):
Transformative Cinema
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Title:
Cinematic experiences and the digital moving image
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Presenter(s):
Title: Lifemirror — Presenter(s):
Title: Public Interface Effects: Re-embodiment and transversality in public Projection — Presenter(s):
Title: Reduction and the Tachistoscopi Flash: A Marginalised Technology —
Title: Unhomely — Presenter(s):
Title: All the World’s a Screen — Presenter(s):
Title: Re:cinema — Presenter(s):
Bio Art Session 2
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Title:
Colliding Realities: Acoustical Accidents and Clouded Texts in Stelarc’s Internet Ear
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Presenter(s):
Title: DIY DNA Visualization: a preliminary method —
Title: Hidden Topology of Being: Life and Space — Presenter(s):
Title: Candida as companion species: exploring the performativity of interspecies care — Presenter(s):
Title: Theta Lab — Presenter(s):
Locative Media and Mapping
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Title:
Community Mapping: FROM REPRESENTATION TO ACTION
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Presenter(s):
Title: Forget the Flâneur — Presenter(s):
Title: Hyperobject: Homeland — Presenter(s):
Title: Maps of time: exploring the rhythms of a mediated world — Presenter(s):
Title: Narratives of Locative Technologies as Memory Assemblages — Presenter(s):
Title: Techno / Natural Interfacing: walking and mapping in the age of climate change — Presenter(s):
Digital Narratives & E-Literature
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Title:
Dérive in the digital grid, breaking the search to get lost
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Presenter(s):
Title: Reading, Writing, Resisting: Literary Appropriation in the Readers Project Abstract — Presenter(s):
Title: Virtual Puppetry Assisting the Elder’s Life Review — Presenter(s):
Title: What is Transmedia? Projects and thoughts beyond the buzzword — Presenter(s):
Title: Book apps and legacy media: How the humble picturebook informs interaction design — Presenter(s):
Title: Metabook.1: The Book of Luna — Presenter(s):
Title: Portmanteau Worlds: Hosting Multiple Worldviews in Virtual Environments — Presenter(s):
Title: The Living Liberia Fabric: An Interactive Narrative Artwork Memorializing Civil War in Liberia — Presenter(s):
Games and Play
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Title:
A Serious Game: New Media, Censorship, and the Spectacle
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Presenter(s):
Title: From Interactivity to Playability — Presenter(s):
Title: Game Engines As Prehension Of Incomputable Data: the processual effectivities of game engines — Presenter(s):
Title: Game is not over yet! — Presenter(s):
Spaces and Ecologies
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Title:
A thousand tiny interfacings: fertile acts of resistance
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Presenter(s):
Title: Breathe: wearing your air — Presenter(s):
Title: Exploring the Responsive Site: Ko Maungawhau ki runga — Presenter(s):
Title: From Sound to Waves to Territories — Presenter(s):
Title: Echology: Making Sense of Data — Presenter(s):
Title: String, Sounds and Satellites; Site-specific Sculpture, Sonics and Mobile Geo-Reality — Presenter(s):
Mixed and Augmented Realities
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Title:
Autism And Theory Of Mind In Interactive Spaces
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Presenter(s):
Title: Celebra — Presenter(s):
Title: Code switching in mixed realities — Presenter(s):
Title: From Coexistence to Interaction: Influences Between the Virtual and the Real in Augmented Reality — Presenter(s):
Title: Interactive Drama in Real and Virtual Worlds — Presenter(s):
Title: Sanity and mental health in an age of augmented and virtual realities — Presenter(s):
Title: Trees As Time Capsules: Extending Airborne Museum Hartenstein to the Forest — Presenter(s):
Tracking, Surveillance and Insecurity
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Title:
Eye Spy: Art, Visibility And Global War
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Presenter(s):
Title: Live and survive in the hybrid space: resisting ubiquitous surveillance — Presenter(s):
Title: Swarm Vision — Presenter(s):
Digital Pedagogies
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Title:
Teaching Digital Media to Digital Natives
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Presenter(s):
Title: In Transition: Effectively Mapping the Traditional Pedagogical Media of Art and Design to the Digital Realm — Presenter(s):
Title: Kids exploring ethical choices in unnatural biologies — Presenter(s):
Political Resistance
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Title:
Occupy This: A Dialogic Dérive
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Presenter(s):
Title: Resistance Is Feral: Digital Culture, Community Arts, and the New Cultural Gatekeepers — Presenter(s):
Title: The Hacking Monopolism Trilogy — Presenter(s):
Title: Green’s Art: New Media Aesthetics In Pre- And Post- Election Events In Iran — Presenter(s):
Title: situationism, resistance, Occupy, Super 8, Žižek, digital media — Presenter(s):
Title: The DAM(N) Project: The validity of community engagement, social activism and digital technology in interdisciplinary art practice — Presenter(s):
Art & Science
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Title:
Baby X: Digital Artificial Intelligence, Computational Neuroscience And Empathetic Interaction
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Presenter(s):
Title: Experimental Cultures and Epistemic Spaces in Artistic Research — Presenter(s):
Title: Innovative Forms Of Healing: New Media Art as a Catalyst for Lasting Change in Therapeutic Settings — Presenter(s):
Title: Shivering Domains: Technologically Mediated Embodiment And Ecologies — Presenter(s):
Title: Aspects of the Art/Science Equation: Media Art Meets High Energy Physics — Presenter(s):
Title: Quiet terror: studio, lab and experiment at the edge of the known — Presenter(s):
Title: Reconsidering Experiential Knowledge in the Relation of Art and Science Practices — Presenter(s):
Materialities and Networks
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Title:
Collaborative Registers of Interactive Art
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Presenter(s):
Title: The Pointless Chatroom: Coping with Absence in Online Performances — Presenter(s):
Title: The Role of Evaluation in Public Art: The Light Logic Exhibition — Presenter(s):
Title: A Murmuration of Thought — Presenter(s):
Title: The modal weight of an interactive and electronic artwork: relational materiality, distributed cognition and the actor-network — Presenter(s):
Interactivity and Immersion
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Title:
Kinect-Based Rgb Detection for ‘Smart’ Costume Interaction
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Presenter(s):
- Lynsey Calder
- Jose Magalhaes
- Ruth Aylett
- Sandy Louchart
- Stefano Padilla
- Mike Chantler
- Andrew MacVean
Title: Responsive Public Space: Performative Immersive Setting in Public Environments — Presenter(s):
Title: The digital dream hacker: crowdsourcing the dream imaginary — Presenter(s):
Title: Intérieur: a multi sensory immersive experience — Presenter(s):
Title: REVOLVE or the impossible task of performing sleep — Presenter(s):
Title: Self-evidence: a fertile resistance, a non-alienated view — Presenter(s):
Title: TANGIBILTY: Highlighting Physicallity in Interactive Installations — Presenter(s):
Robots and Robotics
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Title:
Biting Machine, a performance art experiment in human-robot interaction
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Presenter(s):
Title: Cybernetic Configurations: Characteristics of Interactivity in the Digital Arts — Presenter(s):
Title: The Acconci robot — Presenter(s):
Title: The IndaPlant Project: An Act of Trans-Species Giving — Presenter(s):
Data Visualisation
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Title:
DATA ECOLOGIES: Laika’s Dérive and Datawork
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Presenter(s):
Title: Emoto: Visualising the Online Response to London 2012 — Presenter(s):
Title: OpenPaths: empowering personal geographic data — Presenter(s):
Title: Repeating the Past: Lessons for Visualisation from the History of Computer Art — Presenter(s):
Title: Enviromental Data as Sensory Experience — Presenter(s):
Title: The data wars: protest is increasingly an affair of incommensurables — Presenter(s):
Creator Sessions
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Title:
GestureCloud: Gesture, Surplus Value and Collaborative Exchange
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Presenter(s):
Title: Virtual Touch — Presenter(s):
Title: Waterwheel Patch: Using Mobile Device Sensors for Live Participation in an Online Networked Environment — Presenter(s):
Title: Notes for Walking the space in between time: media art and augmented landscapes — Presenter(s):
Title: Wo.Defy: designing wearable technology in the context of historical cultural resistance practices — Presenter(s):
New Media Performance
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Title:
Interplay of Scripts and Resistance in a Participatory Workshop
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Presenter(s):
Title: Bodytext: Somatic Data as Agency in Interactive Dance — Presenter(s):
Title: Mixed Reality Performance Lab — Presenter(s):
Title: Modelling Performance: Generic formal processes in live digital performance — Presenter(s):
Photography and Digital Imaging
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Title:
Alberti’s Window V2.0: A Vision Machine for Expanded Spaces of Representation
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Presenter(s):
Title: Digital art going mobile: the case of the iPad as ‘digital canvas’ — Presenter(s):
Title: Pixelated View: Investigating the Pixel in Light of Substantial Motion — Presenter(s):
Title: Post Digital Publishing, Hybrid and Processual Objects in Print — Presenter(s):
Title: Resistance to digital and digital resistance: curating the networked photograph — Presenter(s):
Technology, expression & wellbeing
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Title:
Orangutan Play On And Beyond A Touchscreen
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Presenter(s):
Title: The Connective Tissue Of Physical Computing — Presenter(s):
Title: Crafting Wellbeing: Exploring how Digital Media can Extend craft-based Textiles and Contribute to Health and Wellbeing — Presenter(s):
Title: Facilitation and Freedom in Evolving Systems — Presenter(s):
Memories, Archives and Museums
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Title:
Creating #Citizencurators: Putting Twitter Into Museum Showcases
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Presenter(s):
Title: Electronic Music Is Here To Stay. Or Is It? — Presenter(s):
Title: Humpy: An Early Australian Architectural Projection — Presenter(s):
Title: Managing Multiplatform Materials: Selected Case Studies — Presenter(s):
Title: The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary — Presenter(s):
Title: The Situational Library — Presenter(s):
Sonics
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Title:
Cloud Music: A Cloud System
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Presenter(s):
Title: Gesture, Sound and Place — Presenter(s):
Title: Manipulating Space, Changing Realities: Space as Primary Carrier of Meaning In Sonic Arts — Presenter(s):
Title: Post-Digital Aesthetics and the Function of Process — Presenter(s):
Title: Static As A Trope In Electronic Art: David Hall’s 1001 Tv Sets (End Piece) And Other Works — Presenter(s):
Title: The Sound Of Memory: An Audience Derived Audio Visual Experience — Presenter(s):
Title: Traces: ‘Reading’ The Environment — Presenter(s):
Title: For More New Signals — Presenter(s):
Title: Generating Electronic Dance Music without Mirrors: Corpus-based Modelling without Quotation — Presenter(s):
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Title:
Stretch: An Early Software Art Framework by Aldo Giorgini
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Presenter(s):
Panels:
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Creativity and Participatory Urbanism in China
Moderator(s):
- This session focuses on the emergent creative economy in China and the potential for big data to leverage and curate social intelligence through participatory data visualisation. “Chuangyi jingji” (the creative economy) is now seen in China as a key economic force driving the shift from ‘Made in China’ to ‘Created in China’. Supported by research and policy reform, China’s creative and cultural industries have seen explosive growth in recent years, and this rapid expansion is anticipated in government circles to have an unprecedented and far-reaching influence on the future of th... [READ MORE]
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Title:
Shaping Cultural and Creative Space: Beijing as a Case Study
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Presenter(s):
Title: mediated_moments and plasma_flow — Presenter(s):
- “The camera introduces us to unconscious optics as does psycho-analysis to unconscious impulses” (Walter Benjamin); what might new forms of capture and display reveal about our unconscious state? Moore’s Law applied to image capture is as profound a change as the invention of slow-motion in Benjamin’s day. Increased capture quality and speed, handling and display of data, and the dissipation of bottlenecks in data flow, open new possibilities for how and why images are captured and displayed. In the UK, work is being undertaken on the world’s first higher dynamic range, higher resolu... [READ MORE]
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Title:
The Future of the Moving Image
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Presenter(s):
Title: Increases in Image resolution & Context Dependency — Presenter(s):
Title: Realism and the Future of the Moving Image — Presenter(s):
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Title:
REFLECTIONS ON CREATING AND EXHIBITING DIGITAL ART
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Presenter(s):
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Title:
Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology
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Presenter(s):
- This panel examines specific moments in which theories of complex systems, cybernetics, and chaos have contributed to the conceptualisation and production of works of media art. From the 1960s onwards, many artists found a resource, in scientific ideas of instability, mutual causation, transformation, and openness, for the questioning of established aesthetic values and cultural institutions. Complex systems, as a subject of conceptual thought and scientific investigation, intensified following work by Weiner, Prigogine, Lorenz, Bertalanffy, Bateson, Varela and Maturana and so forth in the mid... [READ MORE]
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Title:
Cloud Music: A Cloud System
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Presenter(s):
Title: Nam June Paik: Cybernetics and Machines at Play — Presenter(s):
Title: The Open: Mediating the Human and Non-Human Interface — Presenter(s):
- Despite Claire Bishop’s claims of a continuing ‘disavowal’ of digital media within contemporary art (2012), it is apparent that the various lines of cultural resistance are becoming more permeable and uncertain. It is not simply that all kinds of shared lineages have been traced (in the history of the avant-garde and in traditions of conceptualism particularly), or that all manner of forms of digital media have become pervasive in contemporary art, but more significantly that artists themselves, in their practices, have begun to move fluidly between paradigms. Since at least the 1990s, c... [READ MORE]
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Title:
Art, Mediation and Contemporary Art Emergent Practices
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Presenter(s):
Title: Intimate Disavowal: Turning Away from Technological Media Art — Presenter(s):
Title: Medium-Specificity and Sociality in Expanded Cinema Re-Enactment — Presenter(s):
Title: A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art — Presenter(s):
Title: Alien Agencies: the unstable dance between art, techno-science and new matter — Presenter(s):
Title: Diffractive Art Practices: Ecologies of Intra-actions and Difference — Presenter(s):
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Title:
CAAD Labs
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Presenter(s):
Title: From Mouse Hack to iPad: New Media in the UAE at Zayed University — Presenter(s):
Title: ISEA: an incubator towards an urban research think tank at the College of Arts and Creative Enterprises, Zayed University — Presenter(s):
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Title:
Science Fictional Aesthetics: The Novum & Cognitive Estrangement in Contemporary Art
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Presenter(s):
Title: Speculative Objects: Materialising Science Fiction — Presenter(s):
Title: Tracking the Boom: Think Tanks, Mouse Hacks and more in the United Arab Emirates — Presenter(s):
- Catching Light alluded to a number of components within the development of new works in the realm of new media, pairing artists from different generations within the new media movement who have chosen analogue and digital technologies as the most appropriate channel of enquiry for their current work, or have a practice reliant on engagement. Catching Light aims to draw on conversation, participation and interaction as means of informing us, the audience, as to how we communicate, or respond to art. Interesting questions can be raised as to how artists engage with new media now, and how new med... [READ MORE]
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Title:
Cybernetics in Society and Art
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Presenter(s):
Title: The Music of CSIRAC: Some Untold Stories — Presenter(s):
Title: A talk about compositional gameplay and musical instrumentation — Presenter(s):
Title: A talk on Video Synthesises to accompany the Catching Light panel at ISEA2013 — Presenter(s):
- Balance-Unbalance is an international conference that uses art as a catalyst to explore intersections between nature, science, technology and society as we move into an era of both unprecedented ecological threats and transdisciplinary possibilities. The previous events, held in Argentina in 2010 and Montreal in 2011, provided a powerful platform for reflection, debate and ideas leading towards Balance-Unbalance 2013, hosted in the UNESCO Noosa Biosphere Reserve on the Sunshine Coast of Australia. The 2013 conference theme, Future Nature, Future Culture[s], aims to provoke discourse around wha... [READ MORE]
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Title:
Can the Arts Help to Save the World?
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Presenter(s):
Title: Panel Statement — Presenter(s):
- Rogue Troopers: Designing functional and fictional disruptions addresses the question: What role can artists, curators, writers and designers play in crafting subversive uses for existing technologies and imagining alternatives? In bringing together practitioners who are working across the field of critical and contemporary media art, resistance will be discussed in relation to practices of hacking, civic change, mapping, activism and technological appropriation. [READ MORE]
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Title:
Collaborative Manufacturing Units Against the Black Box
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Presenter(s):
Title: Mapping the intangible — Presenter(s):
Title: Open Cultures: cultivating collaboration — Presenter(s):
- “Mediations of Sensation” was a three year, Quebec funded research-creation project whose aim was to explore the possibility of cross-talk between the creation of media environments and sensory anthropology. Sensory anthropology is dedicated to charting the varieties of sensory experience through analysis of the distinctive ways in which the senses are socialized and their deliverances imbued with significance in different cultures. As cultural historian Constance Classen observes: “When we examine the meanings associated with various sensory faculties and sensations in different culture... [READ MORE]
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Title:
Panel Statement
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Presenter(s):
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Title:
The Probability of the Diagram
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Presenter(s):
Title: A Diagrammatic Life — Presenter(s):
Title: Filled with wonder and ease… — Presenter(s):
- This panel includes four artists, working on a diverse range of interdisciplinary collaborative projects, who address sensation, meaning and affect in their work. Each participant will present their practice with an emphasis on their observations about creating work in an interdisciplinary context, the results of this methodology and a description with examples of how their work offers sensate and imaginative outcomes. The subsequent discussion and audience participation will focus on the divergences and convergences between art, science and technology in a changing world, and how the salience... [READ MORE]
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Title:
Facing Affect: Synthetic Interface & Meaning
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Presenter(s):
Title: Panel Statement — Presenter(s):
- This panel seeks to develop new dialogues in regard to high end research methodologies, cultural inquiry and representation in the increasingly immersive and pervasive field of MARart. The panel will scope the field of MARart, through the presentation and analysis of particular research outcomes, in order to develop criteria that can assess MARart’s production and position within the media arts. The panel will discuss strategies for hybridised research practice in an open platform that will scope current trends and exemplary models from a variety of approaches. Artistic practices in MARart w... [READ MORE]
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Title:
Panel Statement
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Presenter(s):
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Title:
Dance and Virtual Physics: The Mass of the Object Does Not Necessarily Equal the Object of the Mass
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Presenter(s):
Title: Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience — Presenter(s):
Title: The Impact of Gestalt Perceptual Organization in the Stereoscopic Theatre Environment — Presenter(s):
Title: Learning to Dance With a Human — Presenter(s):
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Title:
Exquisite, Apart: Remoteness And/As Resistance
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Presenter(s):
- This panel will consider ‘noise as the glue between internal and external experience, a link between sensing and cognition, memory and perception’. Noise may be considered as a residue of memory, temporarily rupturing the present. For many, noise is the result of overstimulation manifested as ringing in a space that is some place and no place. Noise is the kick that enables physical systems to explore potential dynamical possibilities. Noise is the underlying endogenous stimulation of the brain, a platform for cognition but also a place of danger where cultural and political manipulation m... [READ MORE]
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Title:
Between one and zero: noise, ghosts and plasticity
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Presenter(s):
Title: Making sense of sounds: patterns and noise — Presenter(s):
Title: Plasticity: Noise, Correlation and Interaction — Presenter(s):
Title: The Noise In-Between — Presenter(s):
- Based on the research of the co-chairs, the intention of the panel is to precipitate critical reflection on wider issues affecting contemporary art curatorship in response to ISEA2013’s theme, ‘Resistance is Futile’. In 2012 Claire Bishop was resoundingly criticised by the media arts field for her article, published in ArtForum, on the question of why the contemporary art scene has ignored society’s larger digital transformation. Critics lamented that Bishop had deliberately disregarded, as part of her argument, the ever-expanding field of arts practice that engages the digital, as s... [READ MORE]
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Title:
A Living Catalogue for Anish Kapoor: Revealing Untold Stories in Rich Media Museum
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Presenter(s):
Title: Panel Statement — Presenter(s):
Title: Same Same but Different: Curating in the digital landscape (whilst staying out of the rain) — Presenter(s):
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Title:
The Inter-Society for the Electronic Arts Revived?
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Presenter(s):
- Current private space activities are influencing the global priorities and attitudes of the public sector. This shift in opportunity, focus and possibility is explored in depth to ask how can we as an international community of artists, thinkers and designers embark on a truly trans-disciplinary response to this new frontier of exploration and mutual discovery? International curators and artists will present a range of exemplary space-related arts initiatives including: showcase projects by the European Space Agency (ESA) topical team Arts & Science members and visions for the ESA Arts ini... [READ MORE]
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Title:
Art-Science in Space
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Presenter(s):
Title: ESA Art Science — Presenter(s):
Title: Love Letter to the Universe — Presenter(s):
Title: Moon Arts Project — Presenter(s):
Title: Singular Oscillations — Presenter(s):
Title: Space Instruments — Presenter(s):
Title: Space Junk — Presenter(s):
Title: the Earth turns without me — Presenter(s):
Title: Why should we care about space art? — Presenter(s):
- The normative use of motion capture technology is to map the body in movement so as to make animated characters more life-like. This filmic application of this process is conceptually instrumental because the data is co-opted for a largely illustrative uses where the focus is on simply re-presenting movement in animated characters so as to make them more believable substitutes for actual actors. With this approach the technology is conceptually limited to mimetic applications. . The technology and data is, in a sense, pre-figured so as to conform to the disciplinary conventions of filmic anima... [READ MORE]
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Title:
Thresholds: Observations on Motion Capture
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Presenter(s):
Title: Panel Statement — Presenter(s):
- Interactive art was the hype of the nineties, while today it is mostly criticised as a utilitarian or capitalistic form of engagement. But is there a space of potential resistance, or ‘im-positioning,’ with interactive art? Rather than forcing behaviours, can it activate an experience and practice for multiple yet singular styles of being and becoming? What are the potentials, politics, and ethics involved in designing, interacting with, and understanding works that attempt to do precisely this? This panel brings together a mix of philosophers, practitioners, curators and critics to discus... [READ MORE]
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Title:
Panel Statement: Im-position: a minor politics for interactive art
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Presenter(s):
- Reconsidering Australian Media Art Histories in an International Context (RAMAH) is an ARC Linkage project undertaken by researchers at the National Institute of Experimental Arts, in partnership with a host of national and international partners, that researches the contribution of Australians to the development of media arts as a contemporary art practice, while at the same time examining the important artistic and technical contributions that have shaped media arts in the global arena. The project aims to propose new frameworks, refute inaccurate ‘facts,’ question or expand upon theorie... [READ MORE]
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Title:
Panel Statement
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Presenter(s):
Imaging Capabilities of the Future
Moderator(s):
Learning from the CRUMB Method
Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology
Ecology, Cybernetics and Open Systems in Art and Technology
Moderator(s):
Media Art, Mediation and Contemporary Art
Moderator(s):
Tracking the Boom: Think Tanks, Mouse Hacks and more in the United Arab Emirates
Moderator(s):
Assimilate This… Science Fiction and Media Art
The History of Things to Come
Moderator(s):
Future Nature, Future Culture [s]: Reflections on Balance-Unbalance
Moderator(s):
Rogue Troopers: Designing functional and fictional disruptions
Moderator(s):
Mediations of Sensation: Sensory Anthropology and the Futures of New Media Practice
Moderator(s):
Diagrams, Formulae and Models: Aesthetic and Scientific Strategies of Visualisation
Sensation, Meaning and Affect in the work of art / science / technology collaborations
Moderator(s):
Transdisciplinary Transreal: Mixed and Augmented Reality Arts (MARart) Research Scoping Forum
Moderator(s):
Mixed Reality Transformations: shifting relationships between movement, embodiment, somatics and image
Exquisite, Apart: Remoteness and/as Resistance
NeuroArts-Noise
Moderator(s):
Curating and Collecting the New: Resistance is Futile
Moderator(s):
The Inter-Society for the Electronic Arts Revived?
Art(ist)s in Space
Moderator(s):
Visualising Gesture and Effect
Moderator(s):
Im-position: a minor politics for interactive art
Moderator(s):
Re:imag(in)ing Indigenous media art histories
Moderator(s):
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Title:
Resistance is Fertile
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Presenter(s):
Round Table Discussions:
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ADA Mesh Cities: Network, Space and Memory in the Transitional City
Moderator(s):
- Keywords: Earthquake, Media art, Network, Space, Memory. In the aftermath of the 2010 and 2011 earthquakes, Christchurch, New Zealand is framed as a ‘transitional’ city, moving from its demolished past to a speculative future. The ADA Mesh Cities project asks what role media art and networks may play in the transitional city, and the practices of remembering, and reimagining space. Intro This paper summarises a panel discussion hosted by Aotearoa Digital Arts at ISEA2013. It addresses the ways in which media artists around Aotearoa New Zealand are responding to the... [READ MORE]
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Title:
Roundtable Statement
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Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
- Semipermeable explores the membrane as a site, metaphor and platform, with SymbioticA (UWA) acting as a quarantine zone to test cultural and biological membranes and borders. From the earliest life forms to newest life to be created, the membrane acts as the definition of self. The membrane is active, selective and fragile. The most fundamental requirement for life is an intelligent barrier that selectively separates the inside from the outside, a way to allow useful resources, materials and information in, while keeping the undesirable out. Scientists working on developing protolife and synth... [READ MORE]
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Title:
Supereste Ut Pugnatis (Pugnatis) Ut Supereste
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Presenter(s):
Title: Roundtable Statement — Presenter(s):
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Title:
Large Screens and the Transnational Public Sphere
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Presenter(s):
- Nikos Papastergiadis
- Scott McQuire
- Dr Amelia Barikin
- Audrey Yue
- Xin Gu
- Cecelia Cmielewski
- Leon Cmielewski
- Ross Gibson
- Matthew Jones
- Keywords: geomorphology, indigenous, food security, Bundanon, climate change. SITEWORKS is an interdisciplinary research and practice project that invites artists, scientists and scholars to respond to the Bundanon property through the lens of their specific discipline. Over four years this has led to a series of interactive projects, many utilising electronic technologies. The inaugural investigations focussed on the geomorphology of the site and palaeo-environmental research, specifically in the area of sea level rise and climate change. In subsequent years the focus has been on ... [READ MORE]
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Title:
Siteworks Reflection
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Presenter(s):
Title: Killing the Host — Presenter(s):
Title: Last Word 2012 — Presenter(s):
Title: Milk and Honey — Presenter(s):
Title: Present in the Landscape — Presenter(s):
Title: The Lantana Project — Presenter(s):
Title: The Verdant Shed and Cloud Mapping — Presenter(s):
- As our modern lives become dominated by technology and assisted by mobile devices, the interfaces between physical and digital are increasingly seamless and fluid. Yet beneath that smooth veneer, issues of privacy and data collection lead to questions about the longevity and permeability of our self-documentation, and concerns about how our digital footprint is stored. Despite this, adoption of digital tools (e.g. Facebook, Twitter, Pinterest, weblogs) are widespread and well received and used. The next generation of storage, cloud computing, has seen widespread adoption with increased storage... [READ MORE]
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Title:
Chattr
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Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
Title: Roundtable Statement — Presenter(s):
- The Sustainability of Future Bodies roundtable brings together artists working with digital technologies in movement and dance, to discuss ways in which electronic art can extend the physical body through choreography and performance. Hosted by Critical Path, a choreographic research centre based in Sydney (criticalpath.org.au), and chaired by interactive media artist Garth Paine, this discussion will ask: How might the body be transformed through an interface with machine? What systems, strategies and practices are being... [READ MORE]
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Title:
Roundtable Statement
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Presenter(s):
Title: The Sustainability of Future Bodies — Presenter(s):
Semipermeable
Moderator(s):
Large Urban Screens and the Transnational Public Sphere
SITEWORKS: Ecologies and Technologies
Moderator(s):
Lovely Veneer: The underbelly of good design
Moderator(s):
The Sustainability of Future Bodies
Moderator(s):
Public Presentations:
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Title:
Meat, Metal and Code: Engineering Aliveness and Affect
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Presenter(s):
Forums:
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Latin American Forum #1: Alternative History of Computer Music
- Panel inspired by the book “The Music of CSIRAC, Australia’s First Computer Music” by Australian composer Paul Doornbusch. This book had a crucial impact in the understanding of computer music history. In Latin America the contributions to computer music history are not as early as the one described by Doornbusch, however composers like José Vicente Asuar in Chile or Cesar Bolaños in Peru and Argentina, made several important and early aesthetic and technical contributions to the Computer Music field. Participants: Paul Doornbusch (Australia), Ricardo Dal Farra (Argentina, Canada), and... [READ MORE]
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Title:
Alternative Histories of Computer Music: CSIRAC
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Presenter(s):
Title: Computer Music in Chile 1970-1980: COMDASUAR — Presenter(s):
Title: Who tells history? — Presenter(s):
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Title:
Art, Body and Technology: an overview of current approaches from Latin America
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Presenter(s):
Title: Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP — Presenter(s):
Title: Latin American Kinetic Art and Its Relationship With Electronic Art: Gyula Kosice and Abraham Palatnik — Presenter(s):
Title: Mochilabs — Presenter(s):
Title: Green My Favela and Extract — Presenter(s):
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Title:
The Tacet Mark as Blackness
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Presenter(s):
Title: Calling the Big Bang — Presenter(s):
Title: Play — Presenter(s):
Title: The Arts Catalyst with Mexican Artists — Presenter(s):
