Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Professional capital and informal justice systems
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Programming is Law: Can I be a Feminist if I Don’t Want to be a Programmer?
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Project Time revisited: thoughts on skin therapy, urban planning and Singaporean Angst
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Projects Desluz and ZN:PRDM (Neutral Zone: a River Passes Through Me) by Poéticas Digitais Group
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Prolegomena for a Transdisciplinary Investigation Into the Materialities and Aesthetics of Soft Systems
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Promoting Underrepresented Culture through Media Arts Collaboration
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Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music; imponderable Forms, Self-Organization, and Compositional Methods
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Prostheses for Instincts
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Prosthetics, Robotics and Remote Existence: Post Evolutionary Strategies
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Protest and Aesthetics in The Metainterface Spectacle
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Proto-Spam: Early Forms of Spam as Vernacular Performance on Usenet
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Prototyping Puppets Beyond Borders
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Public Interface Effects: Re-embodiment and transversality in public Projection
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Public Programming: Exploring the Power of New Technologies to Augment the Relational Aspects of Art within the Public Realm
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Public Secrets: information and social knowledge
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Pudu Jail’s Graffiti: Aesthetics Beyond The Walls of the Prison Cells
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Pulcher Aureus Filum. Biological Substrate Computers and the Ecological Paradigm Shift
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Pulsation of City: Interactive Flying Ball Installation
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Put Evaluation into Practice: The Collaborative Residency Life Cycle
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PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Sound Synthesis
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Qualia and Conceptual Blending: Another Structure of Music
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Qualitative, Dialectical, and Experiential domains of Electronic Art
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Quantum Uncertainty: Fragmentations in Art, Life and Reality
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Quasi-autopoiesis: Sublimed Human Intellect
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Queer Communication: Human-Nonhuman Encounters
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R.I.P.: A Case Study in Facilitating Multi-Disciplinary Collaboration
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Race, Representation & Digital Divides: inIVA Digital Archive: Race Representation and the Digital Domain
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Race, Representation & Digital Divides: Multiculturalism on the Internet: A Case Study of Nettime, an E-mail Discussion List
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Race, Representation & Digital Divides: New Media Art as Transcultural Interface
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Radical Ecological Art and NO Greenwash Exhibitions
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RAW: Rethinking the editing process and mediation in audiovisual narrative experience
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Re(cognition) Mapping: Redefining Space, Place and Territory
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Reading, Writing, Resisting: Literary Appropriation in the Readers Project Abstract
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Reality and Subjectivity: Digital Films as Cyborg Texts in a Post-Modern World
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Reality Jamming: Beyond Complex Causality in Mediated Cultural Systems
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REALITY JAMMING: the uncanny space of CCTV based installation works
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Realizing the Moment: Towards a Continued Role for Technology in Art
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Reasonable Weirdness: Integrating Machine Perspective in Visual Creativity
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Rebalancing media in environments: analysing flows of action
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Recent Advances in Electronic Art & Media
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Rediscovering Korea’s Ancient Skies: An Immersive, Interactive 3D Map of Traditional Korean Constellations in the Milky Way
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Reflections on Karachi_Past Present and Future
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Reflective Remediation as Critical Design Strategy: Lessons from László Moholy-Nagy and Olafur Eliasson
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Reflexive-vr.com: Reconfiguring a physical VR exhibition into an online virtual exhibition due to the COVID-19 pandemic
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Reimaging Coral Reefs: Remodelling Biological Data in the Design Process
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Reinterpreting Korean ‘True-View’ Landscape Painting Using Graphics Analysis Techniques: The Case of Jeong Seon’s Dosando
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Reinterpreting Networks of People as Fluid for Political Purposes
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Reinventing the Colonial Gaze Employing AI: a Case Study
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Remapping the city with the ephemeral night sky
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RENATI: Recontextualizing Narratives for Tangible Interfaces
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Repeating the Past: Lessons for Visualisation from the History of Computer Art
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Representation, Visualization, Art and Science
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Representing Peace in Colombia through Interactive and Transmedia Non-Fiction Narrative
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ReSilence: Retune the Soundscape of future cities through art and science collaboration
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Resistance Is Feral: Digital Culture, Community Arts, and the New Cultural Gatekeepers
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Resonating the Fragmented Body: Sound Design in New Media
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Responsive Public Space: Performative Immersive Setting in Public Environments
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Rethinking Cybernetics and Electronic/New Media Art History
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Retracing the Story of Bourges’s Institute of Electroacoustic Music through Exploratory Programming and Live Visualizations
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RHYTHMS, The Aesthetics of Electronic Painting
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Rituals of art and science to decompart-mentalize knowledge
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RoB-ArtS: Robotic Behavioral-Arts System, A Platform for Creative Exploration of Agent Behavior
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rtFem.TV: Feminist Artistic Infiltration of a Male Net Culture in Context of Art and Feminism and as Cyberfeminist Action
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Same Difference: A Note on the Interplay of the Physical and the Vitural in the Creation of a Digital Image Series
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Same Old Story: Agential Realism in the Study of Colonial Histories
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Sanity and mental health in an age of augmented and virtual realities
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Scenography and Synesthetic's: New Media and Aesthetic Experience
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Scientific Visualizations and Mixed Realities at the Art/Science Nexus
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Scientists Doing Art, Artists Doing Science
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Searching Pictorial Databases by means of Depiction
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Seeing Life: The Impalpable Entanglement of an Artist and Microbes in Bio-Art
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Seeing the ‘light-colour’ seduces a new kind of touching
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Seeing with Machines: Decipherability and Obfuscation
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Self-styling Locality in “Cryptic: a Traveller’s Diary”
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Senses and places mediated by water: Can we sense kinesthesis in dance through ripples in a pond?
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SenseStage: Low Cost Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real Time Environments
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Sensing Baia de Todos os Santos bay and Paraguaçu river
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Sensing Science: The Microscopic Environment as Subject
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Sensory vision — development of toolkits and training course using an I/O module and sensors
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Serious Play: Counter-actions and Interventional Dissent in the Game Space
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Setting limits in preservation strategies from the stage of acquisition: a feasibility approach for Media Art
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Shakefie: Alternative Selfie System to Criticize SNS Platform as a Constructor of Fake Identity
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Shards: Multi-dimensional Stereoscopic Cubism in Virtual Reality
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Shin’m: reshaping the perceived body with sound
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Shivering Domains: Technologically Mediated Embodiment And Ecologies
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Simulating Photography: Images Made by the Scanning Electron Microscope
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Simulation as Animation
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SITE-seeing: Image Geotagging and the Vernacular
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Site-Specific Art as Necrophilia: Platform in Kimusa Exhibition in Seoul 2009
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SITO/OTIS: The Past, Present, and Future of Collaborative Art on the Internet
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Situating Artificial Intelligence Art in Visual Cultural Heritage
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SMARTJECT: Creative Delineationpractices of Human-Mediated Selforganization in Polylogic-Cooperative Cultures of Interactivity
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Smile to Vote: Towards Political Physiognomy Analytics; Experimental Method for Electoral Behavior Prediction
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Some Initiatives in Pervasive Games in the State of Santa Catarina
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Some Issues in the Development of Computer Art as a Mathematical Art Form
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Somebody on Stage: Reviewing Interactive Body Augmentations in Performing Arts
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Sopro (The Blow)
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- Milton Terumitsu Sogabe
- Fernando Fogliano
- Fabio Oliveira Nunes
- Soraya Braz
- Carolina Peres
- Cleber Gazana
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Sound in the Networked City: Investigating the Role of Sonic Experience in the Informational Society
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Soundscape as a Pedagogical and Reflective Tool for the Preservation, Resignification, and Creation of Narratives about the Colombian Coffee Cultural Landscape: visual arts Laboratories of the Ministry of Culture
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Space and narrative identity (in the global forum)
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Space, Sound and Music: Using Embodied Experiences of Space to Produce Multiple and Interconnecting Experiences of Space in Acousmatic Music
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Spaces That Perform Themselves
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Sparking Emotion in Mexican Electronic Art
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Spatial Installations From Incidents Of Lights And Shadows Applied In Architecture Teaching
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Spatial Photograms: Experimental Cyanotype Photography using 3D Scanning and Printing Technologies
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Speakers, More Speakers!!! – Developing Interactive, Distributed, Smartphone-Based Immersive Experiences for Music and Art
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Spectrograms of the environment: entangled human and nonhuman histories
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Splitting Defense: A Methodological Journey into the Material Basis of Practice-Based Research
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Star-Stuff: A Shared Immersive Experience in Space
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State-of-the-Art Rusticity: A Composer’s View
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Static As A Trope In Electronic Art: David Hall’s 1001 Tv Sets (End Piece) And Other Works
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Station “Name to be Chosen With the Local Population” Multi-User Platform
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Steganoflage: a new digital image security strategy
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Storing Art Images in Intelligent Computers
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Storydiving: Techniques for Engaging 360 Narratives
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Strategic transmissions: Livemedia and the Intensive Spatium
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Stretch: An Early Software Art Framework by Aldo Giorgini
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Structures of Emotion: Speculating an AI-Human Symbiosis
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Superimposition of Old and New Media: “Light Wall” on Seoul Museum of Art Project
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Supra-dimensional Cinema: VR Case Study ‘TesserIce’
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Sustaining Cultural Heritage through Digital Preservation
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Symbiotic Mutualism and Artistic Exploration against Anthropocentric Science
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Symphony of the Stones: activating the metallic pollutants of the urban landscape in an urban art installation practice
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Synthetic is More Sensuous: Advances in Neurology and the Aesthetics of New Media
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Synthetics: The Electronically Generated Image in Australia
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Tactical Social Fictions: Memoires of a Testee: Recorded Recollections at Braintec
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Tactile RENGA: A Process of Rediscovery of color
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Techno / Natural Interfacing: walking and mapping in the age of climate change
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Techno Viking: artist strategies for Web 2.0
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Technologies of Location: Affect of Place in Artistic Uses of Mobile and Social Networks
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Technology, Abstraction and Kinetic Painting
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Telematic Interaction in Collaborative Creation Enviroments
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Telepresence: A Collective Virtual Reality Performance Experience
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Telewindow: a flexible system for exploring 3d immersive telepresence using commodity depth cameras
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Temporal Hybrids: Using Augmented Reality to Re-Imagine the Affordances of Natural Objects
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Temporary and Distributed Libraries, Breaking Boundaries, Creating New Resources
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The Aesthetic Beauty of the Artificial: when Prosthetic Bodies Become an Art Expression of Empowering Design Technologies
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The Aesthetic Experience of Augmented Reality Art
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The Aesthetic Experience of Interactive Art: A Challenge for the Humanities and for the Audience
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The Aesthetics of Electronic Art in Public Spaces
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The Aesthetics of Interaction and Behavior: Against Friendly Interface: Aesthetics of ‘Trammelized Interaction’
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The Aesthetics of Interaction and Behavior: Caesura in Marina’s Garden: Interactive Narrative as a Drama of Responsibility and Interruption
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The Aesthetics of Interaction and Behavior: The Aesthetics of Behavior
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The Art of Mobility: How Transdisciplinary Artists’ Projects are Testing the Boundaries of Mobile Media Design
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The art of urgency: cultural mediation as a vehicle for socio-ecological transition
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The Artistic Approach and Conceptual Framework
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The arts, innovation and commercial opportunities
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The Asian Tradition in the Works of Liu Kang and Tan Kai Syng
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The Attract-o-Tone: A Performance-Oriented Musical Interface
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The Bit Expansion: Origin of Augmentation Operations in Mixed Realities
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The Breath Project
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The Cabinet of Wolfgang von Kempelen: AI Art and Creative Agency
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The Cartesian Subject 2.0: Body/Mind Dualism and Transhumanist Thought
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The CAT Project as an Historical and Archival Collaboration
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The Composer and Orchestral Expression: Closing the Gap
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The Computer: Liberator or Jailer of the Creative Spirit
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The Connective Tissue Of Physical Computing
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The Context Is the Message: Interactive Art as a Medium of Communication
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The Creative Design and Social Service Practice of zen_Farm
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The Critical Ambivalence of Play in Media Art
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The dancing body as a screen: synchronising projected motion graphics onto the human form in contemporary dance
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The Demise of the Frame: A Media Archaeology of Motion Prediction
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